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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C69B7 it is the complementary color #D39648. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C69B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C69B7 shade: #3169B2, #427BC5, #538DD8, #649FEB and #75B1FE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C69B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C69B7 shade: #2C69B7, #1B57A4, #0A4591, #00337E and #00216B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C69B7 shade: #2D6AB9, #2D44B9, #3B2DB9, #612DB9 and #862DB9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C69B7 shade: #2D6AB9, #2D44B9 and #2D2DB9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C69B7 shade matches the following richer shades: #2D6AB9, #1A68CB and #0866DE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C69B7 shade: #2D6AB9, #3F6CA6, #526F94, #647181 and #77736E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C69B7 shade: #2DB6B9, #2D91B9, #2D6CB9, #2D46B9 and #382DB9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C69B7 shade: #1D4476, #255798, #2D6AB9, #3E7ED0 and #6095D8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C69B7 shade: #2C69B7, #962DB9 and #A4B92D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C69B7 shade: #2C69B7, #B92D6C and #6CB92D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C69B7 shade: #2C69B7, #962DB9, #B97A2D and #50B92D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C69B7 shade: #2C69B7, #B92DB2, #B97A2D and #2DB934

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 43 / 0 / 28

HEX #2C69B7

RGB 44 105 183

HSL 213.67, 0.61%, 0.45%

LAB 44.32, 8.03, -46.88

 

Complementary color

CMYK 0 / 29 / 66 / 17

HEX #D39648

RGB 211 150 72

HSL 33.67, 0.61%, 0.55%

LAB 66.62, 15.24, 49.15

 

CMYK 72 / 41 / 0 / 30

HEX #3169B2

RGB 49 105 178

HSL 213.95, 0.57%, 0.45%

LAB 44.19, 6.82, -44.15

 

CMYK 66 / 38 / 0 / 23

HEX #427BC5

RGB 66 123 197

HSL 213.89, 0.53%, 0.52%

LAB 51.1, 5.2, -44.11

 

CMYK 62 / 35 / 0 / 15

HEX #538DD8

RGB 83 141 216

HSL 213.83, 0.63%, 0.59%

LAB 57.89, 3.93, -44.07

 

CMYK 57 / 32 / 0 / 8

HEX #649FEB

RGB 100 159 235

HSL 213.78, 0.77%, 0.66%

LAB 64.57, 2.9, -44.04

 

CMYK 54 / 30 / 0 / 0

HEX #75B1FE

RGB 117 177 254

HSL 213.72, 0.99%, 0.73%

LAB 71.13, 2.06, -44.04

 

CMYK 76 / 43 / 0 / 28

HEX #2C69B7

RGB 44 105 183

HSL 213.67, 0.61%, 0.45%

LAB 44.32, 8.03, -46.88

 

CMYK 84 / 47 / 0 / 36

HEX #1B57A4

RGB 27 87 164

HSL 213.72, 0.72%, 0.37%

LAB 37.35, 10.41, -46.87

 

CMYK 93 / 52 / 0 / 43

HEX #0A4591

RGB 10 69 145

HSL 213.78, 0.87%, 0.3%

LAB 30.32, 13.52, -46.76

 

CMYK 100 / 60 / 0 / 51

HEX #00337E

RGB 0 51 126

HSL 215.71, 1%, 0.25%

LAB 23.25, 17.53, -46.44

 

CMYK 100 / 69 / 0 / 58

HEX #00216B

RGB 0 33 107

HSL 221.5, 1%, 0.21%

LAB 16.25, 22.4, -45.71

 

CMYK 76 / 43 / 0 / 27

HEX #2D6AB9

RGB 45 106 185

HSL 213.86, 0.61%, 0.45%

LAB 44.76, 8.28, -47.34

 

CMYK 76 / 63 / 0 / 27

HEX #2D44B9

RGB 45 68 185

HSL 230.14, 0.61%, 0.45%

LAB 34.39, 33, -64.12

 

CMYK 68 / 76 / 0 / 27

HEX #3B2DB9

RGB 59 45 185

HSL 246, 0.61%, 0.45%

LAB 30.18, 48.24, -71

 

CMYK 48 / 76 / 0 / 27

HEX #612DB9

RGB 97 45 185

HSL 262.29, 0.61%, 0.45%

LAB 33.82, 53.2, -64.89

 

CMYK 28 / 76 / 0 / 27

HEX #862DB9

RGB 134 45 185

HSL 278.14, 0.61%, 0.45%

LAB 38.63, 59.54, -56.83

 

CMYK 76 / 43 / 0 / 27

HEX #2D6AB9

RGB 45 106 185

HSL 213.86, 0.61%, 0.45%

LAB 44.76, 8.28, -47.34

 

CMYK 76 / 63 / 0 / 27

HEX #2D44B9

RGB 45 68 185

HSL 230.14, 0.61%, 0.45%

LAB 34.39, 33, -64.12

 

CMYK 76 / 76 / 0 / 27

HEX #2D2DB9

RGB 45 45 185

HSL 240, 0.61%, 0.45%

LAB 29.25, 46.95, -72.56

 

CMYK 76 / 43 / 0 / 27

HEX #2D6AB9

RGB 45 106 185

HSL 213.86, 0.61%, 0.45%

LAB 44.76, 8.28, -47.34

 

CMYK 87 / 49 / 0 / 20

HEX #1A68CB

RGB 26 104 203

HSL 213.56, 0.77%, 0.45%

LAB 44.85, 14.7, -57.62

 

CMYK 96 / 54 / 0 / 13

HEX #0866DE

RGB 8 102 222

HSL 213.64, 0.93%, 0.45%

LAB 45.4, 22.68, -67.59

 

CMYK 76 / 43 / 0 / 27

HEX #2D6AB9

RGB 45 106 185

HSL 213.86, 0.61%, 0.45%

LAB 44.76, 8.28, -47.34

 

CMYK 62 / 35 / 0 / 35

HEX #3F6CA6

RGB 63 108 166

HSL 213.79, 0.45%, 0.45%

LAB 44.99, 3.01, -35.81

 

CMYK 45 / 25 / 0 / 42

HEX #526F94

RGB 82 111 148

HSL 213.64, 0.29%, 0.45%

LAB 46.04, -0.21, -23.47

 

CMYK 22 / 12 / 0 / 49

HEX #647181

RGB 100 113 129

HSL 213.1, 0.13%, 0.45%

LAB 47.11, -1.09, -10.44

 

CMYK 0 / 3 / 8 / 53

HEX #77736E

RGB 119 115 110

HSL 33.33, 0.04%, 0.45%

LAB 48.65, 0.57, 3.3

 

CMYK 76 / 2 / 0 / 27

HEX #2DB6B9

RGB 45 182 185

HSL 181.29, 0.61%, 0.45%

LAB 67.66, -33.7, -11.82

 

CMYK 76 / 22 / 0 / 27

HEX #2D91B9

RGB 45 145 185

HSL 197.14, 0.61%, 0.45%

LAB 56.4, -14.84, -29

 

CMYK 76 / 42 / 0 / 27

HEX #2D6CB9

RGB 45 108 185

HSL 213, 0.61%, 0.45%

LAB 45.34, 7.01, -46.41

 

CMYK 76 / 62 / 0 / 27

HEX #2D46B9

RGB 45 70 185

HSL 229.29, 0.61%, 0.45%

LAB 34.88, 31.71, -63.3

 

CMYK 70 / 76 / 0 / 27

HEX #382DB9

RGB 56 45 185

HSL 244.71, 0.61%, 0.45%

LAB 29.96, 47.94, -71.37

 

CMYK 75 / 42 / 0 / 54

HEX #1D4476

RGB 29 68 118

HSL 213.71, 0.61%, 0.29%

LAB 28.65, 4.88, -32.64

 

CMYK 76 / 43 / 0 / 40

HEX #255798

RGB 37 87 152

HSL 213.91, 0.61%, 0.37%

LAB 36.89, 6.81, -40.41

 

CMYK 76 / 43 / 0 / 27

HEX #2D6AB9

RGB 45 106 185

HSL 213.86, 0.61%, 0.45%

LAB 44.76, 8.28, -47.34

 

CMYK 70 / 39 / 0 / 18

HEX #3E7ED0

RGB 62 126 208

HSL 213.7, 0.61%, 0.53%

LAB 52.4, 6.65, -48.32

 

CMYK 56 / 31 / 0 / 15

HEX #6095D8

RGB 96 149 216

HSL 213.5, 0.61%, 0.61%

LAB 60.73, 1.83, -39.56

 

CMYK 76 / 43 / 0 / 28

HEX #2C69B7

RGB 44 105 183

HSL 213.67, 0.61%, 0.45%

LAB 44.32, 8.03, -46.88

 

CMYK 19 / 76 / 0 / 27

HEX #962DB9

RGB 150 45 185

HSL 285, 0.61%, 0.45%

LAB 41, 62.58, -52.89

 

CMYK 11 / 0 / 76 / 27

HEX #A4B92D

RGB 164 185 45

HSL 69, 0.61%, 0.45%

LAB 71.41, -24.86, 63.6

 

CMYK 76 / 43 / 0 / 28

HEX #2C69B7

RGB 44 105 183

HSL 213.67, 0.61%, 0.45%

LAB 44.32, 8.03, -46.88

 

CMYK 0 / 76 / 42 / 27

HEX #B92D6C

RGB 185 45 108

HSL 333, 0.61%, 0.45%

LAB 43.17, 59.44, -2.41

 

CMYK 42 / 0 / 76 / 27

HEX #6CB92D

RGB 108 185 45

HSL 93, 0.61%, 0.45%

LAB 68.08, -46.34, 59.26

 

CMYK 76 / 43 / 0 / 28

HEX #2C69B7

RGB 44 105 183

HSL 213.67, 0.61%, 0.45%

LAB 44.32, 8.03, -46.88

 

CMYK 19 / 76 / 0 / 27

HEX #962DB9

RGB 150 45 185

HSL 285, 0.61%, 0.45%

LAB 41, 62.58, -52.89

 

CMYK 0 / 34 / 76 / 27

HEX #B97A2D

RGB 185 122 45

HSL 33, 0.61%, 0.45%

LAB 56.51, 17.93, 49.98

 

CMYK 57 / 0 / 76 / 27

HEX #50B92D

RGB 80 185 45

HSL 105, 0.61%, 0.45%

LAB 66.97, -54.73, 57.8

 

CMYK 76 / 43 / 0 / 28

HEX #2C69B7

RGB 44 105 183

HSL 213.67, 0.61%, 0.45%

LAB 44.32, 8.03, -46.88

 

CMYK 0 / 76 / 4 / 27

HEX #B92DB2

RGB 185 45 178

HSL 303, 0.61%, 0.45%

LAB 46.18, 68.5, -40.16

 

CMYK 0 / 34 / 76 / 27

HEX #B97A2D

RGB 185 122 45

HSL 33, 0.61%, 0.45%

LAB 56.51, 17.93, 49.98

 

CMYK 76 / 0 / 72 / 27

HEX #2DB934

RGB 45 185 52

HSL 123, 0.61%, 0.45%

LAB 66.14, -61.43, 54.18

 

Description

Color code: HEX #2C69B7 | qconv.com Color code: HEX #2C69B7 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 105 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 105 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 43 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 43% 0% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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