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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C6493 it is the complementary color #D39B6C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C6493. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C6493 shade: #31648E, #4276A1, #5388B4, #649AC7 and #75ACDA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C6493. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C6493 shade: #2C6493, #1B5280, #0A406D, #002E5A and #001C47

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C6493 shade: #2B6391, #2B4791, #2B2C91, #462B91 and #622B91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C6493 shade: #2B6391, #2B4791, #2B2C91 and #2B2B91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C6493 shade matches the following richer shades: #2B6391, #1C64A1 and #0D65B0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C6493 shade: #2B6391, #3B6182, #4A6073, #595F64 and #685D54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C6493 shade: #2B9189, #2B7F91, #2B6391, #2B4891 and #2B2D91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C6493 shade: #183852, #224D72, #2B6391, #3578B1 and #478DC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C6493 shade: #2C6493, #6E2B91 and #8C912B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C6493 shade: #2C6493, #912B63 and #63912B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C6493 shade: #2C6493, #6E2B91, #91592B and #4F912B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C6493 shade: #2C6493, #8C2B91, #91592B and #30912B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 32 / 0 / 42

HEX #2C6493

RGB 44 100 147

HSL 207.38, 0.54%, 0.37%

LAB 40.83, -2.3, -31.15

 

Complementary color

CMYK 0 / 27 / 49 / 17

HEX #D39B6C

RGB 211 155 108

HSL 27.38, 0.54%, 0.63%

LAB 68.3, 15.34, 32.76

 

CMYK 65 / 30 / 0 / 44

HEX #31648E

RGB 49 100 142

HSL 207.1, 0.49%, 0.37%

LAB 40.77, -3.22, -28.22

 

CMYK 59 / 27 / 0 / 37

HEX #4276A1

RGB 66 118 161

HSL 207.16, 0.42%, 0.45%

LAB 47.86, -4.13, -28.36

 

CMYK 54 / 24 / 0 / 29

HEX #5388B4

RGB 83 136 180

HSL 207.22, 0.39%, 0.52%

LAB 54.81, -4.81, -28.52

 

CMYK 50 / 23 / 0 / 22

HEX #649AC7

RGB 100 154 199

HSL 207.27, 0.47%, 0.59%

LAB 61.61, -5.34, -28.68

 

CMYK 46 / 21 / 0 / 15

HEX #75ACDA

RGB 117 172 218

HSL 207.33, 0.58%, 0.66%

LAB 68.28, -5.76, -28.86

 

CMYK 70 / 32 / 0 / 42

HEX #2C6493

RGB 44 100 147

HSL 207.38, 0.54%, 0.37%

LAB 40.83, -2.3, -31.15

 

CMYK 79 / 36 / 0 / 50

HEX #1B5280

RGB 27 82 128

HSL 207.33, 0.65%, 0.3%

LAB 33.62, -0.7, -31

 

CMYK 91 / 41 / 0 / 57

HEX #0A406D

RGB 10 64 109

HSL 207.27, 0.83%, 0.23%

LAB 26.26, 1.61, -30.78

 

CMYK 100 / 49 / 0 / 65

HEX #002E5A

RGB 0 46 90

HSL 209.33, 1%, 0.18%

LAB 18.77, 4.98, -30.42

 

CMYK 100 / 61 / 0 / 72

HEX #001C47

RGB 0 28 71

HSL 216.34, 1%, 0.14%

LAB 11.17, 9.74, -29.79

 

CMYK 70 / 32 / 0 / 43

HEX #2B6391

RGB 43 99 145

HSL 207.06, 0.54%, 0.37%

LAB 40.38, -2.58, -30.65

 

CMYK 70 / 51 / 0 / 43

HEX #2B4791

RGB 43 71 145

HSL 223.53, 0.54%, 0.37%

LAB 31.95, 15.67, -44.07

 

CMYK 70 / 70 / 0 / 43

HEX #2B2C91

RGB 43 44 145

HSL 239.41, 0.54%, 0.37%

LAB 24.83, 33.69, -55.66

 

CMYK 52 / 70 / 0 / 43

HEX #462B91

RGB 70 43 145

HSL 255.88, 0.54%, 0.37%

LAB 26.95, 38.49, -52.1

 

CMYK 32 / 70 / 0 / 43

HEX #622B91

RGB 98 43 145

HSL 272.35, 0.54%, 0.37%

LAB 30.32, 44.07, -46.46

 

CMYK 70 / 32 / 0 / 43

HEX #2B6391

RGB 43 99 145

HSL 207.06, 0.54%, 0.37%

LAB 40.38, -2.58, -30.65

 

CMYK 70 / 51 / 0 / 43

HEX #2B4791

RGB 43 71 145

HSL 223.53, 0.54%, 0.37%

LAB 31.95, 15.67, -44.07

 

CMYK 70 / 70 / 0 / 43

HEX #2B2C91

RGB 43 44 145

HSL 239.41, 0.54%, 0.37%

LAB 24.83, 33.69, -55.66

 

CMYK 70 / 70 / 0 / 43

HEX #2B2B91

RGB 43 43 145

HSL 240, 0.54%, 0.37%

LAB 24.59, 34.32, -56.04

 

CMYK 70 / 32 / 0 / 43

HEX #2B6391

RGB 43 99 145

HSL 207.06, 0.54%, 0.37%

LAB 40.38, -2.58, -30.65

 

CMYK 83 / 38 / 0 / 37

HEX #1C64A1

RGB 28 100 161

HSL 207.52, 0.7%, 0.37%

LAB 41.11, 0.91, -39.08

 

CMYK 93 / 43 / 0 / 31

HEX #0D65B0

RGB 13 101 176

HSL 207.61, 0.86%, 0.37%

LAB 42.04, 5.14, -46.46

 

CMYK 70 / 32 / 0 / 43

HEX #2B6391

RGB 43 99 145

HSL 207.06, 0.54%, 0.37%

LAB 40.38, -2.58, -30.65

 

CMYK 55 / 25 / 0 / 49

HEX #3B6182

RGB 59 97 130

HSL 207.89, 0.38%, 0.37%

LAB 39.73, -3.34, -22.55

 

CMYK 36 / 17 / 0 / 55

HEX #4A6073

RGB 74 96 115

HSL 207.8, 0.22%, 0.37%

LAB 39.68, -3.16, -13.4

 

CMYK 11 / 5 / 0 / 61

HEX #595F64

RGB 89 95 100

HSL 207.27, 0.06%, 0.37%

LAB 39.96, -1.21, -3.66

 

CMYK 0 / 11 / 19 / 59

HEX #685D54

RGB 104 93 84

HSL 27, 0.11%, 0.37%

LAB 40.27, 2.78, 6.78

 

CMYK 70 / 0 / 6 / 43

HEX #2B9189

RGB 43 145 137

HSL 175.29, 0.54%, 0.37%

LAB 54.63, -30.45, -4.19

 

CMYK 70 / 12 / 0 / 43

HEX #2B7F91

RGB 43 127 145

HSL 190.59, 0.54%, 0.37%

LAB 49.18, -18.79, -17.03

 

CMYK 70 / 32 / 0 / 43

HEX #2B6391

RGB 43 99 145

HSL 207.06, 0.54%, 0.37%

LAB 40.38, -2.58, -30.65

 

CMYK 70 / 50 / 0 / 43

HEX #2B4891

RGB 43 72 145

HSL 222.94, 0.54%, 0.37%

LAB 32.24, 14.99, -43.6

 

CMYK 70 / 69 / 0 / 43

HEX #2B2D91

RGB 43 45 145

HSL 238.82, 0.54%, 0.37%

LAB 25.06, 33.06, -55.28

 

CMYK 71 / 32 / 0 / 68

HEX #183852

RGB 24 56 82

HSL 206.9, 0.55%, 0.21%

LAB 22.41, -2.24, -19.28

 

CMYK 70 / 32 / 0 / 55

HEX #224D72

RGB 34 77 114

HSL 207.75, 0.54%, 0.29%

LAB 31.49, -1.82, -25.62

 

CMYK 70 / 32 / 0 / 43

HEX #2B6391

RGB 43 99 145

HSL 207.06, 0.54%, 0.37%

LAB 40.38, -2.58, -30.65

 

CMYK 70 / 32 / 0 / 31

HEX #3578B1

RGB 53 120 177

HSL 207.58, 0.54%, 0.45%

LAB 48.72, -2.18, -36.39

 

CMYK 65 / 30 / 0 / 22

HEX #478DC8

RGB 71 141 200

HSL 207.44, 0.54%, 0.53%

LAB 56.64, -3.59, -37.06

 

CMYK 70 / 32 / 0 / 42

HEX #2C6493

RGB 44 100 147

HSL 207.38, 0.54%, 0.37%

LAB 40.83, -2.3, -31.15

 

CMYK 24 / 70 / 0 / 43

HEX #6E2B91

RGB 110 43 145

HSL 279.41, 0.54%, 0.37%

LAB 32, 46.71, -43.66

 

CMYK 3 / 0 / 70 / 43

HEX #8C912B

RGB 140 145 43

HSL 62.94, 0.54%, 0.37%

LAB 58.04, -15.06, 50.8

 

CMYK 70 / 32 / 0 / 42

HEX #2C6493

RGB 44 100 147

HSL 207.38, 0.54%, 0.37%

LAB 40.83, -2.3, -31.15

 

CMYK 0 / 70 / 32 / 43

HEX #912B63

RGB 145 43 99

HSL 327.06, 0.54%, 0.37%

LAB 35.3, 47.84, -9.26

 

CMYK 32 / 0 / 70 / 43

HEX #63912B

RGB 99 145 43

HSL 87.06, 0.54%, 0.37%

LAB 55.15, -32.31, 46.94

 

CMYK 70 / 32 / 0 / 42

HEX #2C6493

RGB 44 100 147

HSL 207.38, 0.54%, 0.37%

LAB 40.83, -2.3, -31.15

 

CMYK 24 / 70 / 0 / 43

HEX #6E2B91

RGB 110 43 145

HSL 279.41, 0.54%, 0.37%

LAB 32, 46.71, -43.66

 

CMYK 0 / 39 / 70 / 43

HEX #91592B

RGB 145 89 43

HSL 27.06, 0.54%, 0.37%

LAB 43.27, 18.78, 35.52

 

CMYK 46 / 0 / 70 / 43

HEX #4F912B

RGB 79 145 43

HSL 98.82, 0.54%, 0.37%

LAB 54.12, -39.53, 45.55

 

CMYK 70 / 32 / 0 / 42

HEX #2C6493

RGB 44 100 147

HSL 207.38, 0.54%, 0.37%

LAB 40.83, -2.3, -31.15

 

CMYK 3 / 70 / 0 / 43

HEX #8C2B91

RGB 140 43 145

HSL 297.06, 0.54%, 0.37%

LAB 36.64, 53.63, -35.97

 

CMYK 0 / 39 / 70 / 43

HEX #91592B

RGB 145 89 43

HSL 27.06, 0.54%, 0.37%

LAB 43.27, 18.78, 35.52

 

CMYK 67 / 0 / 70 / 43

HEX #30912B

RGB 48 145 43

HSL 117.06, 0.54%, 0.37%

LAB 53.01, -48.16, 44.04

 

Description

Color code: HEX #2C6493 | qconv.com Color code: HEX #2C6493 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 100 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 100 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 32 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 32% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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