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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C63CD3F it is the complementary color #D39C323F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C63CD3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C63CD3F shade: #3163C83F, #4275DB3F, #5387EE3F, #6499FF3F and #75ABFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C63CD3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C63CD3F shade: #2C63CD3F, #1B51BA3F, #0A3FA73F, #002D943F and #001B813F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C63CD3F shade: #2C63CE, #2C37CE, #4C2CCE, #782CCE and #A32CCE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C63CD3F shade: #2C63CE, #2C37CE and #2C2CCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C63CD3F shade matches the following richer shades: #2C63CE, #185DE2 and #0356F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C63CD3F shade: #2C63CE, #406ABA, #5470A6, #687692 and #7D7D7D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C63CD3F shade: #2CBBCE, #2C90CE, #2C65CE, #2C39CE and #4A2CCE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C63CD3F shade: #1D428A, #2553AC, #2C63CE, #4A7BD9 and #6C94E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C63CD3F shade: #2C63CD, #B62CCE and #A6CE2C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C63CD3F shade: #2C63CD, #CE2C65 and #65CE2C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C63CD3F shade: #2C63CD, #B62CCE, #CE952C and #44CE2C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C63CD3F shade: #2C63CD, #CE2CB6, #CE952C and #2CCE44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 13 / 0 / 5

HEX #2C63CD3F

RGBA 44 99 205 0.25

HSLA 219.5, 0.65%, 0.49%, 0.25

LABA 44.04, 20.24, -60.05, 0.25

 

Complementary color

CMYK 0 / 7 / 19 / 4

HEX #D39C323F

RGBA 211 156 50 0.25

HSLA 39.5, 0.65%, 0.51%, 0.25

LABA 67.91, 10.88, 60.04, 0.25

 

CMYK 19 / 13 / 0 / 5

HEX #3163C83F

RGBA 49 99 200 0.25

HSLA 220.13, 0.61%, 0.49%, 0.25

LABA 43.87, 18.91, -57.44, 0.25

 

CMYK 17 / 12 / 0 / 4

HEX #4275DB3F

RGBA 66 117 219 0.25

HSLA 220, 0.68%, 0.56%, 0.25

LABA 50.68, 16.73, -57.28, 0.25

 

CMYK 16 / 11 / 0 / 2

HEX #5387EE3F

RGBA 83 135 238 0.25

HSLA 219.87, 0.82%, 0.63%, 0.25

LABA 57.41, 14.95, -57.1, 0.25

 

CMYK 15 / 10 / 0 / 0

HEX #6499FF3F

RGBA 100 153 255 0.25

HSLA 219.48, 1%, 0.7%, 0.25

LABA 63.93, 12.83, -56.01, 0.25

 

CMYK 14 / 8 / 0 / 0

HEX #75ABFF3F

RGBA 117 171 255 0.25

HSLA 216.52, 1%, 0.73%, 0.25

LABA 69.56, 5.74, -47.05, 0.25

 

CMYK 20 / 13 / 0 / 5

HEX #2C63CD3F

RGBA 44 99 205 0.25

HSLA 219.5, 0.65%, 0.49%, 0.25

LABA 44.04, 20.24, -60.05, 0.25

 

CMYK 21 / 14 / 0 / 7

HEX #1B51BA3F

RGBA 27 81 186 0.25

HSLA 219.62, 0.75%, 0.42%, 0.25

LABA 37.23, 23.17, -60.09, 0.25

 

CMYK 24 / 16 / 0 / 9

HEX #0A3FA73F

RGBA 10 63 167 0.25

HSLA 219.75, 0.89%, 0.35%, 0.25

LABA 30.42, 26.76, -59.94, 0.25

 

CMYK 25 / 17 / 0 / 10

HEX #002D943F

RGBA 0 45 148 0.25

HSLA 221.76, 1%, 0.29%, 0.25

LABA 23.72, 30.97, -59.39, 0.25

 

CMYK 25 / 20 / 0 / 12

HEX #001B813F

RGBA 0 27 129 0.25

HSLA 227.44, 1%, 0.25%, 0.25

LABA 17.31, 35.31, -58.11, 0.25

 

CMYK 79 / 52 / 0 / 19

HEX #2C63CE

RGB 44 99 206

HSL 219.63, 0.65%, 0.49%

LAB 44.11, 20.62, -60.51

 

CMYK 79 / 73 / 0 / 19

HEX #2C37CE

RGB 44 55 206

HSL 235.93, 0.65%, 0.49%

LAB 33.4, 48.23, -78.03

 

CMYK 63 / 79 / 0 / 19

HEX #4C2CCE

RGB 76 44 206

HSL 251.85, 0.65%, 0.49%

LAB 33.55, 56.75, -77.72

 

CMYK 42 / 79 / 0 / 19

HEX #782CCE

RGB 120 44 206

HSL 268.15, 0.65%, 0.49%

LAB 38.29, 62.33, -69.75

 

CMYK 21 / 79 / 0 / 19

HEX #A32CCE

RGB 163 44 206

HSL 284.07, 0.65%, 0.49%

LAB 44.3, 69.38, -59.71

 

CMYK 79 / 52 / 0 / 19

HEX #2C63CE

RGB 44 99 206

HSL 219.63, 0.65%, 0.49%

LAB 44.11, 20.62, -60.51

 

CMYK 79 / 73 / 0 / 19

HEX #2C37CE

RGB 44 55 206

HSL 235.93, 0.65%, 0.49%

LAB 33.4, 48.23, -78.03

 

CMYK 79 / 79 / 0 / 19

HEX #2C2CCE

RGB 44 44 206

HSL 240, 0.65%, 0.49%

LAB 31.33, 54.13, -81.46

 

CMYK 79 / 52 / 0 / 19

HEX #2C63CE

RGB 44 99 206

HSL 219.63, 0.65%, 0.49%

LAB 44.11, 20.62, -60.51

 

CMYK 89 / 59 / 0 / 11

HEX #185DE2

RGB 24 93 226

HSL 219.5, 0.81%, 0.49%

LAB 43.53, 30.65, -72.9

 

CMYK 99 / 65 / 0 / 3

HEX #0356F7

RGB 3 86 247

HSL 219.59, 0.98%, 0.49%

LAB 43.35, 42.36, -85.04

 

CMYK 79 / 52 / 0 / 19

HEX #2C63CE

RGB 44 99 206

HSL 219.63, 0.65%, 0.49%

LAB 44.11, 20.62, -60.51

 

CMYK 66 / 43 / 0 / 27

HEX #406ABA

RGB 64 106 186

HSL 219.34, 0.49%, 0.49%

LAB 45.56, 11.5, -46.6

 

CMYK 49 / 33 / 0 / 35

HEX #5470A6

RGB 84 112 166

HSL 219.51, 0.33%, 0.49%

LAB 47.27, 5.27, -32.15

 

CMYK 29 / 19 / 0 / 43

HEX #687692

RGB 104 118 146

HSL 220, 0.17%, 0.49%

LAB 49.47, 1.59, -16.9

 

CMYK 0 / 0 / 0 / 51

HEX #7D7D7D

RGB 125 125 125

HSL 0, 0%, 0.49%

LAB 52.41, 0, -0.01

 

CMYK 79 / 9 / 0 / 19

HEX #2CBBCE

RGB 44 187 206

HSL 187.04, 0.65%, 0.49%

LAB 69.85, -29.79, -20.08

 

CMYK 79 / 30 / 0 / 19

HEX #2C90CE

RGB 44 144 206

HSL 202.96, 0.65%, 0.49%

LAB 57.02, -7.02, -39.92

 

CMYK 79 / 51 / 0 / 19

HEX #2C65CE

RGB 44 101 206

HSL 218.89, 0.65%, 0.49%

LAB 44.66, 19.33, -59.63

 

CMYK 79 / 72 / 0 / 19

HEX #2C39CE

RGB 44 57 206

HSL 235.19, 0.65%, 0.49%

LAB 33.81, 47.09, -77.36

 

CMYK 64 / 79 / 0 / 19

HEX #4A2CCE

RGB 74 44 206

HSL 251.11, 0.65%, 0.49%

LAB 33.38, 56.55, -78.01

 

CMYK 79 / 52 / 0 / 46

HEX #1D428A

RGB 29 66 138

HSL 219.63, 0.65%, 0.33%

LAB 29.39, 14.34, -43.93

HEX #1D428A

CMYK 78 / 52 / 0 / 33

HEX #2553AC

RGB 37 83 172

HSL 219.56, 0.65%, 0.41%

LAB 37.04, 17.26, -52.13

HEX #2553AC

CMYK 79 / 52 / 0 / 19

HEX #2C63CE

RGB 44 99 206

HSL 219.63, 0.65%, 0.49%

LAB 44.11, 20.62, -60.51

HEX #2C63CE

CMYK 66 / 43 / 0 / 15

HEX #4A7BD9

RGB 74 123 217

HSL 219.44, 0.65%, 0.57%

LAB 52.54, 13.54, -53.15

HEX #4A7BD9

CMYK 52 / 34 / 0 / 12

HEX #6C94E0

RGB 108 148 224

HSL 219.31, 0.65%, 0.65%

LAB 61.44, 7.51, -42.86

HEX #6C94E0

CMYK 79 / 52 / 0 / 20

HEX #2C63CD

RGB 44 99 205

HSL 219.5, 0.65%, 0.49%

LAB 44.04, 20.24, -60.05

 

CMYK 12 / 79 / 0 / 19

HEX #B62CCE

RGB 182 44 206

HSL 291.11, 0.65%, 0.49%

LAB 47.24, 72.82, -54.82

 

CMYK 19 / 0 / 79 / 19

HEX #A6CE2C

RGB 166 206 44

HSL 74.81, 0.65%, 0.49%

LAB 77.54, -34.03, 69.6

 

CMYK 79 / 52 / 0 / 20

HEX #2C63CD

RGB 44 99 205

HSL 219.5, 0.65%, 0.49%

LAB 44.04, 20.24, -60.05

 

CMYK 0 / 79 / 51 / 19

HEX #CE2C65

RGB 206 44 101

HSL 338.89, 0.65%, 0.49%

LAB 46.79, 64.79, 7.66

 

CMYK 51 / 0 / 79 / 19

HEX #65CE2C

RGB 101 206 44

HSL 98.89, 0.65%, 0.49%

LAB 74.25, -56.73, 65.36

 

CMYK 79 / 52 / 0 / 20

HEX #2C63CD

RGB 44 99 205

HSL 219.5, 0.65%, 0.49%

LAB 44.04, 20.24, -60.05

 

CMYK 12 / 79 / 0 / 19

HEX #B62CCE

RGB 182 44 206

HSL 291.11, 0.65%, 0.49%

LAB 47.24, 72.82, -54.82

 

CMYK 0 / 28 / 79 / 19

HEX #CE952C

RGB 206 149 44

HSL 38.89, 0.65%, 0.49%

LAB 65.59, 12.26, 59.92

 

CMYK 67 / 0 / 79 / 19

HEX #44CE2C

RGB 68 206 44

HSL 111.11, 0.65%, 0.49%

LAB 73.25, -64.75, 64.07

 

CMYK 79 / 52 / 0 / 20

HEX #2C63CD

RGB 44 99 205

HSL 219.5, 0.65%, 0.49%

LAB 44.04, 20.24, -60.05

 

CMYK 0 / 79 / 12 / 19

HEX #CE2CB6

RGB 206 44 182

HSL 308.89, 0.65%, 0.49%

LAB 49.86, 73.82, -36.47

 

CMYK 0 / 28 / 79 / 19

HEX #CE952C

RGB 206 149 44

HSL 38.89, 0.65%, 0.49%

LAB 65.59, 12.26, 59.92

 

CMYK 79 / 0 / 67 / 19

HEX #2CCE44

RGB 44 206 68

HSL 128.89, 0.65%, 0.49%

LAB 72.95, -66.72, 55.14

 

Description

Color code: HEX #2C63CD3F | qconv.com Color code: HEX #2C63CD3F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 99 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 99 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 13 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 13% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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