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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C5EB0CE it is the complementary color #D3A14FCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C5EB0CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C5EB0CE shade: #315EABCE, #4270BECE, #5382D1CE, #6494E4CE and #75A6F7CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C5EB0CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C5EB0CE shade: #2C5EB0CE, #1B4C9DCE, #0A3A8ACE, #002877CE and #001664CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C5EB0CE shade: #2C5EAF, #2C3AAF, #412CAF, #642CAF and #882CAF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C5EB0CE shade: #2C5EAF, #2C3AAF and #2C2CAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C5EB0CE shade matches the following richer shades: #2C5EAF, #1A59C1 and #0855D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C5EB0CE shade: #2C5EAF, #3E629E, #4F668C, #616B7A and #736F68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C5EB0CE shade: #2CA4AF, #2C81AF, #2C5EAF, #2C3BAF and #402CAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C5EB0CE shade: #1B3A6D, #244C8E, #2C5EAF, #3770CD and #5888D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C5EB0CE shade: #2C5EB0, #972CAF and #93AF2C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C5EB0CE shade: #2C5EB0, #AF2C5E and #5EAF2C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C5EB0CE shade: #2C5EB0, #972CAF, #AF7D2C and #44AF2C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C5EB0CE shade: #2C5EB0, #AF2CA0, #AF7D2C and #2CAF3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 38 / 0 / 25

HEX #2C5EB0CE

RGBA 44 94 176 0.81

HSLA 217.27, 0.6%, 0.43%, 0.81

LABA 40.7, 12.43, -48.58, 0.81

 

Complementary color

CMYK 0 / 19 / 51 / 14

HEX #D3A14FCE

RGBA 211 161 79 0.81

HSLA 37.27, 0.6%, 0.57%, 0.81

LABA 69.4, 9.75, 48.92, 0.81

 

CMYK 58 / 36 / 0 / 27

HEX #315EABCE

RGBA 49 94 171 0.81

HSLA 217.87, 0.55%, 0.43%, 0.81

LABA 40.57, 11.24, -45.82, 0.81

 

CMYK 53 / 33 / 0 / 21

HEX #4270BECE

RGBA 66 112 190 0.81

HSLA 217.74, 0.49%, 0.5%, 0.81

LABA 47.58, 9.51, -45.68, 0.81

 

CMYK 49 / 31 / 0 / 15

HEX #5382D1CE

RGBA 83 130 209 0.81

HSLA 217.62, 0.58%, 0.57%, 0.81

LABA 54.46, 8.15, -45.56, 0.81

 

CMYK 45 / 28 / 0 / 9

HEX #6494E4CE

RGBA 100 148 228 0.81

HSLA 217.5, 0.7%, 0.64%, 0.81

LABA 61.21, 7.05, -45.46, 0.81

 

CMYK 43 / 27 / 0 / 3

HEX #75A6F7CE

RGBA 117 166 247 0.81

HSLA 217.38, 0.89%, 0.71%, 0.81

LABA 67.85, 6.14, -45.39, 0.81

 

CMYK 61 / 38 / 0 / 25

HEX #2C5EB0CE

RGBA 44 94 176 0.81

HSLA 217.27, 0.6%, 0.43%, 0.81

LABA 40.7, 12.43, -48.58, 0.81

 

CMYK 67 / 42 / 0 / 31

HEX #1B4C9DCE

RGBA 27 76 157 0.81

HSLA 217.38, 0.71%, 0.36%, 0.81

LABA 33.64, 14.96, -48.66, 0.81

 

CMYK 75 / 47 / 0 / 37

HEX #0A3A8ACE

RGBA 10 58 138 0.81

HSLA 217.5, 0.86%, 0.29%, 0.81

LABA 26.52, 18.27, -48.61, 0.81

 

CMYK 81 / 54 / 0 / 43

HEX #002877CE

RGBA 0 40 119 0.81

HSLA 219.83, 1%, 0.23%, 0.81

LABA 19.43, 22.47, -48.24, 0.81

 

CMYK 81 / 63 / 0 / 49

HEX #001664CE

RGBA 0 22 100 0.81

HSLA 226.8, 1%, 0.2%, 0.81

LABA 12.57, 27.26, -47.18, 0.81

 

CMYK 75 / 46 / 0 / 31

HEX #2C5EAF

RGB 44 94 175

HSL 217.1, 0.6%, 0.43%

LAB 40.63, 12.05, -48.1

 

CMYK 75 / 67 / 0 / 31

HEX #2C3AAF

RGB 44 58 175

HSL 233.59, 0.6%, 0.43%

LAB 31.01, 35.66, -63.72

 

CMYK 63 / 75 / 0 / 31

HEX #412CAF

RGB 65 44 175

HSL 249.62, 0.6%, 0.43%

LAB 29.46, 46.35, -66.21

 

CMYK 43 / 75 / 0 / 31

HEX #642CAF

RGB 100 44 175

HSL 265.65, 0.6%, 0.43%

LAB 33.15, 51.55, -60.03

 

CMYK 22 / 75 / 0 / 31

HEX #882CAF

RGB 136 44 175

HSL 282.14, 0.6%, 0.43%

LAB 38.08, 58.2, -51.8

 

CMYK 75 / 46 / 0 / 31

HEX #2C5EAF

RGB 44 94 175

HSL 217.1, 0.6%, 0.43%

LAB 40.63, 12.05, -48.1

 

CMYK 75 / 67 / 0 / 31

HEX #2C3AAF

RGB 44 58 175

HSL 233.59, 0.6%, 0.43%

LAB 31.01, 35.66, -63.72

 

CMYK 75 / 75 / 0 / 31

HEX #2C2CAF

RGB 44 44 175

HSL 240, 0.6%, 0.43%

LAB 27.93, 44.11, -68.79

 

CMYK 75 / 46 / 0 / 31

HEX #2C5EAF

RGB 44 94 175

HSL 217.1, 0.6%, 0.43%

LAB 40.63, 12.05, -48.1

 

CMYK 87 / 54 / 0 / 24

HEX #1A59C1

RGB 26 89 193

HSL 217.37, 0.76%, 0.43%

LAB 39.94, 20.55, -59.78

 

CMYK 96 / 60 / 0 / 17

HEX #0855D3

RGB 8 85 211

HSL 217.24, 0.93%, 0.43%

LAB 40, 29.45, -70.11

 

CMYK 75 / 46 / 0 / 31

HEX #2C5EAF

RGB 44 94 175

HSL 217.1, 0.6%, 0.43%

LAB 40.63, 12.05, -48.1

 

CMYK 61 / 38 / 0 / 38

HEX #3E629E

RGB 62 98 158

HSL 217.5, 0.44%, 0.43%

LAB 41.58, 6.27, -36.48

 

CMYK 44 / 27 / 0 / 45

HEX #4F668C

RGB 79 102 140

HSL 217.38, 0.28%, 0.43%

LAB 42.85, 2.01, -23.66

 

CMYK 20 / 12 / 0 / 52

HEX #616B7A

RGB 97 107 122

HSL 216, 0.11%, 0.43%

LAB 44.89, -0.29, -9.62

 

CMYK 0 / 3 / 10 / 55

HEX #736F68

RGB 115 111 104

HSL 38.18, 0.05%, 0.43%

LAB 46.99, 0.2, 4.44

 

CMYK 75 / 6 / 0 / 31

HEX #2CA4AF

RGB 44 164 175

HSL 185.04, 0.6%, 0.43%

LAB 61.81, -28.15, -15.06

 

CMYK 75 / 26 / 0 / 31

HEX #2C81AF

RGB 44 129 175

HSL 201.07, 0.6%, 0.43%

LAB 51.07, -9.47, -31.56

 

CMYK 75 / 46 / 0 / 31

HEX #2C5EAF

RGB 44 94 175

HSL 217.1, 0.6%, 0.43%

LAB 40.63, 12.05, -48.1

 

CMYK 75 / 66 / 0 / 31

HEX #2C3BAF

RGB 44 59 175

HSL 233.13, 0.6%, 0.43%

LAB 31.25, 35.02, -63.33

 

CMYK 63 / 75 / 0 / 31

HEX #402CAF

RGB 64 44 175

HSL 249.16, 0.6%, 0.43%

LAB 29.38, 46.23, -66.36

 

CMYK 75 / 47 / 0 / 57

HEX #1B3A6D

RGB 27 58 109

HSL 217.32, 0.6%, 0.27%

LAB 24.84, 7.83, -33.02

 

CMYK 75 / 46 / 0 / 44

HEX #244C8E

RGB 36 76 142

HSL 217.36, 0.6%, 0.35%

LAB 32.91, 10.05, -40.71

 

CMYK 75 / 46 / 0 / 31

HEX #2C5EAF

RGB 44 94 175

HSL 217.1, 0.6%, 0.43%

LAB 40.63, 12.05, -48.1

 

CMYK 73 / 45 / 0 / 20

HEX #3770CD

RGB 55 112 205

HSL 217.2, 0.6%, 0.51%

LAB 48.02, 13.25, -53.62

 

CMYK 59 / 36 / 0 / 16

HEX #5888D5

RGB 88 136 213

HSL 216.96, 0.6%, 0.59%

LAB 56.57, 6.86, -44.45

 

CMYK 75 / 47 / 0 / 31

HEX #2C5EB0

RGB 44 94 176

HSL 217.27, 0.6%, 0.43%

LAB 40.7, 12.43, -48.58

 

CMYK 14 / 75 / 0 / 31

HEX #972CAF

RGB 151 44 175

HSL 289.01, 0.6%, 0.43%

LAB 40.37, 61.21, -47.99

 

CMYK 16 / 0 / 75 / 31

HEX #93AF2C

RGB 147 175 44

HSL 72.82, 0.6%, 0.43%

LAB 67.31, -27.13, 59.64

 

CMYK 75 / 47 / 0 / 31

HEX #2C5EB0

RGB 44 94 176

HSL 217.27, 0.6%, 0.43%

LAB 40.7, 12.43, -48.58

 

CMYK 0 / 75 / 46 / 31

HEX #AF2C5E

RGB 175 44 94

HSL 337.1, 0.6%, 0.43%

LAB 40.77, 55.63, 2.62

 

CMYK 46 / 0 / 75 / 31

HEX #5EAF2C

RGB 94 175 44

HSL 97.1, 0.6%, 0.43%

LAB 64.34, -46.92, 55.74

 

CMYK 75 / 47 / 0 / 31

HEX #2C5EB0

RGB 44 94 176

HSL 217.27, 0.6%, 0.43%

LAB 40.7, 12.43, -48.58

 

CMYK 14 / 75 / 0 / 31

HEX #972CAF

RGB 151 44 175

HSL 289.01, 0.6%, 0.43%

LAB 40.37, 61.21, -47.99

 

CMYK 0 / 29 / 75 / 31

HEX #AF7D2C

RGB 175 125 44

HSL 37.1, 0.6%, 0.43%

LAB 56.05, 11.78, 49.56

 

CMYK 61 / 0 / 75 / 31

HEX #44AF2C

RGB 68 175 44

HSL 109.01, 0.6%, 0.43%

LAB 63.4, -54.22, 54.5

 

CMYK 75 / 47 / 0 / 31

HEX #2C5EB0

RGB 44 94 176

HSL 217.27, 0.6%, 0.43%

LAB 40.7, 12.43, -48.58

 

CMYK 0 / 75 / 9 / 31

HEX #AF2CA0

RGB 175 44 160

HSL 306.87, 0.6%, 0.43%

LAB 43.44, 63.84, -33.92

 

CMYK 0 / 29 / 75 / 31

HEX #AF7D2C

RGB 175 125 44

HSL 37.1, 0.6%, 0.43%

LAB 56.05, 11.78, 49.56

 

CMYK 75 / 0 / 66 / 31

HEX #2CAF3B

RGB 44 175 59

HSL 126.87, 0.6%, 0.43%

LAB 62.94, -57.66, 47.97

 

Description

Color code: HEX #2C5EB0CE | qconv.com Color code: HEX #2C5EB0CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 94 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 94 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 38 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 38% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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