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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C4EBB it is the complementary color #D3B144. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C4EBB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C4EBB shade: #314EB6, #4260C9, #5372DC, #6484EF and #7596FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C4EBB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C4EBB shade: #2C4EBB, #1B3CA8, #0A2A95, #001882 and #00066F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C4EBB shade: #2C4DBA, #302CBA, #572CBA, #7D2CBA and #A32CBA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C4EBB shade: #2C4DBA and #2C2CBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C4EBB shade matches the following richer shades: #2C4DBA, #1944CC and #063ADF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C4EBB shade: #2C4DBA, #3E57A7, #516195, #636B82 and #767470

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C4EBB shade: #2C9BBA, #2C75BA, #2C4FBA, #2E2CBA and #542CBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C4EBB shade: #1C3277, #244098, #2C4DBA, #3D60D2 and #5F7CD9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C4EBB shade: #2C4EBB, #B32CBA and #88BA2C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C4EBB shade: #2C4EBB, #BA2C4F and #4FBA2C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C4EBB shade: #2C4EBB, #B32CBA, #BA962C and #33BA2C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C4EBB shade: #2C4EBB, #BA2C96, #BA962C and #2CBA4F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 58 / 0 / 27

HEX #2C4EBB

RGB 44 78 187

HSL 225.73, 0.62%, 0.45%

LAB 37.06, 27.12, -60.93

 

Complementary color

CMYK 0 / 16 / 68 / 17

HEX #D3B144

RGB 211 177 68

HSL 45.73, 0.62%, 0.55%

LAB 73.36, 0.54, 58.2

 

CMYK 73 / 57 / 0 / 29

HEX #314EB6

RGB 49 78 182

HSL 226.92, 0.58%, 0.45%

LAB 36.89, 25.85, -58.26

 

CMYK 67 / 52 / 0 / 21

HEX #4260C9

RGB 66 96 201

HSL 226.67, 0.56%, 0.52%

LAB 43.86, 23.55, -58

 

CMYK 62 / 48 / 0 / 14

HEX #5372DC

RGB 83 114 220

HSL 226.42, 0.66%, 0.59%

LAB 50.74, 21.67, -57.72

 

CMYK 58 / 45 / 0 / 6

HEX #6484EF

RGB 100 132 239

HSL 226.19, 0.81%, 0.66%

LAB 57.51, 20.11, -57.45

 

CMYK 54 / 41 / 0 / 0

HEX #7596FF

RGB 117 150 255

HSL 225.65, 1%, 0.73%

LAB 64.01, 17.87, -55.83

 

CMYK 76 / 58 / 0 / 27

HEX #2C4EBB

RGB 44 78 187

HSL 225.73, 0.62%, 0.45%

LAB 37.06, 27.12, -60.93

 

CMYK 84 / 64 / 0 / 34

HEX #1B3CA8

RGB 27 60 168

HSL 225.96, 0.72%, 0.38%

LAB 30.14, 30.17, -60.99

 

CMYK 93 / 72 / 0 / 42

HEX #0A2A95

RGB 10 42 149

HSL 226.19, 0.87%, 0.31%

LAB 23.31, 33.76, -60.69

 

CMYK 100 / 82 / 0 / 49

HEX #001882

RGB 0 24 130

HSL 228.92, 1%, 0.25%

LAB 16.82, 37.46, -59.56

 

CMYK 100 / 95 / 0 / 56

HEX #00066F

RGB 0 6 111

HSL 236.76, 1%, 0.22%

LAB 11.12, 39.96, -56.83

 

CMYK 76 / 59 / 0 / 27

HEX #2C4DBA

RGB 44 77 186

HSL 226.06, 0.62%, 0.45%

LAB 36.72, 27.4, -60.9

 

CMYK 74 / 76 / 0 / 27

HEX #302CBA

RGB 48 44 186

HSL 241.69, 0.62%, 0.45%

LAB 29.35, 48.06, -72.99

 

CMYK 53 / 76 / 0 / 27

HEX #572CBA

RGB 87 44 186

HSL 258.17, 0.62%, 0.45%

LAB 32.64, 52.46, -67.45

 

CMYK 33 / 76 / 0 / 27

HEX #7D2CBA

RGB 125 44 186

HSL 274.23, 0.62%, 0.45%

LAB 37.31, 58.52, -59.63

 

CMYK 12 / 76 / 0 / 27

HEX #A32CBA

RGB 163 44 186

HSL 290.28, 0.62%, 0.45%

LAB 42.96, 65.64, -50.21

 

CMYK 76 / 59 / 0 / 27

HEX #2C4DBA

RGB 44 77 186

HSL 226.06, 0.62%, 0.45%

LAB 36.72, 27.4, -60.9

 

CMYK 76 / 76 / 0 / 27

HEX #2C2CBA

RGB 44 44 186

HSL 240, 0.62%, 0.45%

LAB 29.11, 47.74, -73.39

 

CMYK 76 / 59 / 0 / 27

HEX #2C4DBA

RGB 44 77 186

HSL 226.06, 0.62%, 0.45%

LAB 36.72, 27.4, -60.9

 

CMYK 88 / 67 / 0 / 20

HEX #1944CC

RGB 25 68 204

HSL 225.59, 0.78%, 0.45%

LAB 35.4, 38.46, -73.6

 

CMYK 97 / 74 / 0 / 13

HEX #063ADF

RGB 6 58 223

HSL 225.62, 0.95%, 0.45%

LAB 34.79, 50.73, -85.58

 

CMYK 76 / 59 / 0 / 27

HEX #2C4DBA

RGB 44 77 186

HSL 226.06, 0.62%, 0.45%

LAB 36.72, 27.4, -60.9

 

CMYK 63 / 48 / 0 / 35

HEX #3E57A7

RGB 62 87 167

HSL 225.71, 0.46%, 0.45%

LAB 38.95, 16.53, -46.02

 

CMYK 46 / 35 / 0 / 42

HEX #516195

RGB 81 97 149

HSL 225.88, 0.3%, 0.45%

LAB 41.95, 8.44, -30.44

 

CMYK 24 / 18 / 0 / 49

HEX #636B82

RGB 99 107 130

HSL 224.52, 0.14%, 0.45%

LAB 45.33, 2.39, -13.73

 

CMYK 0 / 2 / 5 / 54

HEX #767470

RGB 118 116 112

HSL 40, 0.03%, 0.45%

LAB 48.9, -0.02, 2.47

 

CMYK 76 / 17 / 0 / 27

HEX #2C9BBA

RGB 44 155 186

HSL 193.1, 0.62%, 0.45%

LAB 59.46, -20.01, -24.85

 

CMYK 76 / 37 / 0 / 27

HEX #2C75BA

RGB 44 117 186

HSL 209.15, 0.62%, 0.45%

LAB 48.01, 1.67, -42.73

 

CMYK 76 / 58 / 0 / 27

HEX #2C4FBA

RGB 44 79 186

HSL 225.21, 0.62%, 0.45%

LAB 37.25, 26.08, -60.04

 

CMYK 75 / 76 / 0 / 27

HEX #2E2CBA

RGB 46 44 186

HSL 240.85, 0.62%, 0.45%

LAB 29.23, 47.9, -73.2

 

CMYK 55 / 76 / 0 / 27

HEX #542CBA

RGB 84 44 186

HSL 256.9, 0.62%, 0.45%

LAB 32.33, 52.05, -67.98

 

CMYK 76 / 58 / 0 / 53

HEX #1C3277

RGB 28 50 119

HSL 225.49, 0.62%, 0.29%

LAB 23.2, 17.73, -42.05

 

CMYK 76 / 58 / 0 / 40

HEX #244098

RGB 36 64 152

HSL 225.52, 0.62%, 0.37%

LAB 30.18, 22.14, -51.23

 

CMYK 76 / 59 / 0 / 27

HEX #2C4DBA

RGB 44 77 186

HSL 226.06, 0.62%, 0.45%

LAB 36.72, 27.4, -60.9

 

CMYK 71 / 54 / 0 / 18

HEX #3D60D2

RGB 61 96 210

HSL 225.91, 0.62%, 0.53%

LAB 44.25, 26.05, -62.55

 

CMYK 56 / 43 / 0 / 15

HEX #5F7CD9

RGB 95 124 217

HSL 225.74, 0.62%, 0.61%

LAB 53.88, 16.81, -50.96

 

CMYK 76 / 58 / 0 / 27

HEX #2C4EBB

RGB 44 78 187

HSL 225.73, 0.62%, 0.45%

LAB 37.06, 27.12, -60.93

 

CMYK 4 / 76 / 0 / 27

HEX #B32CBA

RGB 179 44 186

HSL 297.04, 0.62%, 0.45%

LAB 45.54, 68.84, -45.95

 

CMYK 27 / 0 / 76 / 27

HEX #88BA2C

RGB 136 186 44

HSL 81.13, 0.62%, 0.45%

LAB 69.85, -36.68, 61.8

 

CMYK 76 / 58 / 0 / 27

HEX #2C4EBB

RGB 44 78 187

HSL 225.73, 0.62%, 0.45%

LAB 37.06, 27.12, -60.93

 

CMYK 0 / 76 / 58 / 27

HEX #BA2C4F

RGB 186 44 79

HSL 345.21, 0.62%, 0.45%

LAB 42.47, 57.57, 14.73

 

CMYK 58 / 0 / 76 / 27

HEX #4FBA2C

RGB 79 186 44

HSL 105.21, 0.62%, 0.45%

LAB 67.25, -55.42, 58.4

 

CMYK 76 / 58 / 0 / 27

HEX #2C4EBB

RGB 44 78 187

HSL 225.73, 0.62%, 0.45%

LAB 37.06, 27.12, -60.93

 

CMYK 4 / 76 / 0 / 27

HEX #B32CBA

RGB 179 44 186

HSL 297.04, 0.62%, 0.45%

LAB 45.54, 68.84, -45.95

 

CMYK 0 / 19 / 76 / 27

HEX #BA962C

RGB 186 150 44

HSL 44.79, 0.62%, 0.45%

LAB 63.7, 2.89, 57.38

 

CMYK 73 / 0 / 76 / 27

HEX #33BA2C

RGB 51 186 44

HSL 117.04, 0.62%, 0.45%

LAB 66.52, -61.42, 57.44

 

CMYK 76 / 58 / 0 / 27

HEX #2C4EBB

RGB 44 78 187

HSL 225.73, 0.62%, 0.45%

LAB 37.06, 27.12, -60.93

 

CMYK 0 / 76 / 19 / 27

HEX #BA2C96

RGB 186 44 150

HSL 315.21, 0.62%, 0.45%

LAB 44.86, 64.95, -25.55

 

CMYK 0 / 19 / 76 / 27

HEX #BA962C

RGB 186 150 44

HSL 44.79, 0.62%, 0.45%

LAB 63.7, 2.89, 57.38

 

CMYK 76 / 0 / 58 / 27

HEX #2CBA4F

RGB 44 186 79

HSL 134.79, 0.62%, 0.45%

LAB 66.69, -58.97, 43.25

 

Description

Color code: HEX #2C4EBB | qconv.com Color code: HEX #2C4EBB | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 78 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 78 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 58 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 58% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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