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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C4724 it is the complementary color #D3B8DB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C4724. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C4724 shade: #31471F, #425932, #536B45, #647D58 and #758F6B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C4724. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C4724 shade: #2C4724, #1B3511, #0A2300, #001100 and #000000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C4724 shade: #2C4724, #354724, #3F4724, #474624 and #473C24

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C4724 shade: #2C4724, #244725, #24472F, #244738 and #244742

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C4724 shade matches the following richer shades: #2C4724, #27501B, #235913, #1E610A and #196A01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C4724 shade: #2C4724, #313F2D, #353635, #3A2D3E and #3F2547

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C4724 shade: #3F4724, #364724, #2C4724, #244725 and #24472E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C4724 shade: #0A1008, #1B2C16, #2C4724, #3D6332 and #4E7E40

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C4724 shade: #2C4724, #244746 and #47243A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C4724 shade: #2C4724, #242C47 and #47242C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C4724 shade: #2C4724, #244746, #3F2447 and #472425

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C4724 shade: #2C4724, #243E47, #3F2447 and #472D24

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 38 / 0 / 49 / 72

HEX #2C4724

RGB 44 71 36

HSL 106.29, 0.33%, 0.21%

LAB 27.21, -18.18, 17.84

 

Complementary color

CMYK 4 / 16 / 0 / 14

HEX #D3B8DB

RGB 211 184 219

HSL 286.29, 0.33%, 0.79%

LAB 78.02, 15.88, -13.98

 

CMYK 31 / 0 / 56 / 72

HEX #31471F

RGB 49 71 31

HSL 93, 0.39%, 0.2%

LAB 27.46, -16.85, 21.19

 

CMYK 26 / 0 / 44 / 65

HEX #425932

RGB 66 89 50

HSL 95.38, 0.28%, 0.27%

LAB 35.07, -16.77, 19.8

 

CMYK 22 / 0 / 36 / 58

HEX #536B45

RGB 83 107 69

HSL 97.89, 0.22%, 0.35%

LAB 42.44, -16.63, 18.49

 

CMYK 20 / 0 / 30 / 51

HEX #647D58

RGB 100 125 88

HSL 100.54, 0.17%, 0.42%

LAB 49.59, -16.49, 17.29

 

CMYK 18 / 0 / 25 / 44

HEX #758F6B

RGB 117 143 107

HSL 103.33, 0.14%, 0.49%

LAB 56.57, -16.35, 16.2

 

CMYK 38 / 0 / 49 / 72

HEX #2C4724

RGB 44 71 36

HSL 106.29, 0.33%, 0.21%

LAB 27.21, -18.18, 17.84

 

CMYK 49 / 0 / 68 / 79

HEX #1B3511

RGB 27 53 17

HSL 103.33, 0.51%, 0.14%

LAB 19.31, -18.26, 19.3

 

CMYK 71 / 0 / 100 / 86

HEX #0A2300

RGB 10 35 0

HSL 102.86, 1%, 0.07%

LAB 11.04, -17.84, 16.08

 

CMYK 100 / 0 / 100 / 93

HEX #001100

RGB 0 17 0

HSL 120, 1%, 0.03%

LAB 3.62, -7.4, 5.29

 

CMYK 38 / 0 / 49 / 72

HEX #2C4724

RGB 44 71 36

HSL 106.29, 0.33%, 0.21%

LAB 27.21, -18.18, 17.84

 

CMYK 25 / 0 / 49 / 72

HEX #354724

RGB 53 71 36

HSL 90.86, 0.33%, 0.21%

LAB 27.82, -14.39, 18.73

 

CMYK 11 / 0 / 49 / 72

HEX #3F4724

RGB 63 71 36

HSL 73.71, 0.33%, 0.21%

LAB 28.62, -9.82, 19.9

 

CMYK 0 / 1 / 49 / 72

HEX #474624

RGB 71 70 36

HSL 58.29, 0.33%, 0.21%

LAB 29.02, -5.39, 20.57

 

CMYK 0 / 15 / 49 / 72

HEX #473C24

RGB 71 60 36

HSL 41.14, 0.33%, 0.21%

LAB 25.86, 0.9, 16.59

 

CMYK 38 / 0 / 49 / 72

HEX #2C4724

RGB 44 71 36

HSL 106.29, 0.33%, 0.21%

LAB 27.21, -18.18, 17.84

 

CMYK 49 / 0 / 48 / 72

HEX #244725

RGB 36 71 37

HSL 121.71, 0.33%, 0.21%

LAB 26.78, -21.03, 16.58

 

CMYK 49 / 0 / 34 / 72

HEX #24472F

RGB 36 71 47

HSL 138.86, 0.33%, 0.21%

LAB 26.98, -19.01, 10.59

 

CMYK 49 / 0 / 21 / 72

HEX #244738

RGB 36 71 56

HSL 154.29, 0.33%, 0.21%

LAB 27.21, -16.86, 5.12

 

CMYK 49 / 0 / 7 / 72

HEX #244742

RGB 36 71 66

HSL 171.43, 0.33%, 0.21%

LAB 27.5, -14.12, -0.95

 

CMYK 38 / 0 / 49 / 72

HEX #2C4724

RGB 44 71 36

HSL 106.29, 0.33%, 0.21%

LAB 27.21, -18.18, 17.84

 

CMYK 51 / 0 / 66 / 69

HEX #27501B

RGB 39 80 27

HSL 106.42, 0.5%, 0.21%

LAB 30.03, -25.9, 26.27

 

CMYK 61 / 0 / 79 / 65

HEX #235913

RGB 35 89 19

HSL 106.29, 0.65%, 0.21%

LAB 33.03, -32.02, 33.18

 

CMYK 69 / 0 / 90 / 62

HEX #1E610A

RGB 30 97 10

HSL 106.21, 0.81%, 0.21%

LAB 35.69, -37.15, 38.76

 

CMYK 76 / 0 / 99 / 58

HEX #196A01

RGB 25 106 1

HSL 106.29, 0.98%, 0.21%

LAB 38.75, -41.91, 43.78

 

CMYK 38 / 0 / 49 / 72

HEX #2C4724

RGB 44 71 36

HSL 106.29, 0.33%, 0.21%

LAB 27.21, -18.18, 17.84

 

CMYK 22 / 0 / 29 / 75

HEX #313F2D

RGB 49 63 45

HSL 106.67, 0.17%, 0.21%

LAB 24.94, -9.86, 9.22

 

CMYK 2 / 0 / 2 / 79

HEX #353635

RGB 53 54 53

HSL 120, 0.01%, 0.21%

LAB 22.49, -0.66, 0.47

 

CMYK 6 / 27 / 0 / 76

HEX #3A2D3E

RGB 58 45 62

HSL 285.88, 0.16%, 0.21%

LAB 20.53, 9.7, -8.5

 

CMYK 11 / 48 / 0 / 72

HEX #3F2547

RGB 63 37 71

HSL 285.88, 0.31%, 0.21%

LAB 19.37, 19.24, -16.4

 

CMYK 11 / 0 / 49 / 72

HEX #3F4724

RGB 63 71 36

HSL 73.71, 0.33%, 0.21%

LAB 28.62, -9.82, 19.9

 

CMYK 24 / 0 / 49 / 72

HEX #364724

RGB 54 71 36

HSL 89.14, 0.33%, 0.21%

LAB 27.89, -13.94, 18.84

 

CMYK 38 / 0 / 49 / 72

HEX #2C4724

RGB 44 71 36

HSL 106.29, 0.33%, 0.21%

LAB 27.21, -18.18, 17.84

 

CMYK 49 / 0 / 48 / 72

HEX #244725

RGB 36 71 37

HSL 121.71, 0.33%, 0.21%

LAB 26.78, -21.03, 16.58

 

CMYK 49 / 0 / 35 / 72

HEX #24472E

RGB 36 71 46

HSL 137.14, 0.33%, 0.21%

LAB 26.96, -19.23, 11.2

 

CMYK 38 / 0 / 50 / 94

HEX #0A1008

RGB 10 16 8

HSL 105, 0.33%, 0.05%

LAB 4.09, -3.11, 2.78

 

CMYK 39 / 0 / 50 / 83

HEX #1B2C16

RGB 27 44 22

HSL 106.36, 0.33%, 0.13%

LAB 15.96, -12.43, 12.09

 

CMYK 38 / 0 / 49 / 72

HEX #2C4724

RGB 44 71 36

HSL 106.29, 0.33%, 0.21%

LAB 27.21, -18.18, 17.84

 

CMYK 38 / 0 / 49 / 61

HEX #3D6332

RGB 61 99 50

HSL 106.53, 0.33%, 0.29%

LAB 38.1, -24, 23.58

 

CMYK 38 / 0 / 49 / 51

HEX #4E7E40

RGB 78 126 64

HSL 106.45, 0.33%, 0.37%

LAB 48.15, -29, 28.59

 

CMYK 38 / 0 / 49 / 72

HEX #2C4724

RGB 44 71 36

HSL 106.29, 0.33%, 0.21%

LAB 27.21, -18.18, 17.84

 

CMYK 49 / 0 / 1 / 72

HEX #244746

RGB 36 71 70

HSL 178.29, 0.33%, 0.21%

LAB 27.64, -12.93, -3.35

 

CMYK 0 / 49 / 18 / 72

HEX #47243A

RGB 71 36 58

HSL 322.29, 0.33%, 0.21%

LAB 19.67, 20.08, -6.9

 

CMYK 38 / 0 / 49 / 72

HEX #2C4724

RGB 44 71 36

HSL 106.29, 0.33%, 0.21%

LAB 27.21, -18.18, 17.84

 

CMYK 49 / 38 / 0 / 72

HEX #242C47

RGB 36 44 71

HSL 226.29, 0.33%, 0.21%

LAB 18.5, 5.07, -17.96

 

CMYK 0 / 49 / 38 / 72

HEX #47242C

RGB 71 36 44

HSL 346.29, 0.33%, 0.21%

LAB 19.15, 17.69, 2.1

 

CMYK 38 / 0 / 49 / 72

HEX #2C4724

RGB 44 71 36

HSL 106.29, 0.33%, 0.21%

LAB 27.21, -18.18, 17.84

 

CMYK 49 / 0 / 1 / 72

HEX #244746

RGB 36 71 70

HSL 178.29, 0.33%, 0.21%

LAB 27.64, -12.93, -3.35

 

CMYK 11 / 49 / 0 / 72

HEX #3F2447

RGB 63 36 71

HSL 286.29, 0.33%, 0.21%

LAB 19.11, 19.89, -16.8

 

CMYK 0 / 49 / 48 / 72

HEX #472425

RGB 71 36 37

HSL 358.29, 0.33%, 0.21%

LAB 18.95, 16.7, 6.7

 

CMYK 38 / 0 / 49 / 72

HEX #2C4724

RGB 44 71 36

HSL 106.29, 0.33%, 0.21%

LAB 27.21, -18.18, 17.84

 

CMYK 49 / 13 / 0 / 72

HEX #243E47

RGB 36 62 71

HSL 195.43, 0.33%, 0.21%

LAB 24.56, -7.11, -8.62

 

CMYK 11 / 49 / 0 / 72

HEX #3F2447

RGB 63 36 71

HSL 286.29, 0.33%, 0.21%

LAB 19.11, 19.89, -16.8

 

CMYK 0 / 37 / 49 / 72

HEX #472D24

RGB 71 45 36

HSL 15.43, 0.33%, 0.21%

LAB 21.37, 10.71, 10.7

 

Description

Color code: HEX #2C4724 | qconv.com Color code: HEX #2C4724 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 71 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 71 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 38 cyan, none magenta, 49 yellow and 72 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
38% 0% 49% 72% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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