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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C3683CE it is the complementary color #D3C97CCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C3683CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C3683CE shade: #31367ECE, #424891CE, #535AA4CE, #646CB7CE and #757ECACE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C3683CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C3683CE shade: #2C3683CE, #1B2470CE, #0A125DCE, #00004ACE and #000037CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C3683CE shade: #2B3582, #392B82, #502B82, #682B82 and #7F2B82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C3683CE shade: #2B3582 and #2B2B82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C3683CE shade matches the following richer shades: #2B3582, #1D2B90, #0F209E and #0115AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C3683CE shade: #2B3582, #394074, #474B66, #555658 and #63614A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C3683CE shade: #2B6482, #2B4D82, #2B3582, #382B82 and #4F2B82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C3683CE shade: #171C44, #212963, #2B3582, #3642A1 and #404FBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C3683CE shade: #2C3683, #822B7B and #58822B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C3683CE shade: #2C3683, #822B35 and #35822B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C3683CE shade: #2C3683, #822B7B, #82782B and #2B8233

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C3683CE shade: #2C3683, #822B61, #82782B and #2B824D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 54 / 48 / 0 / 39

HEX #2C3683CE

RGBA 44 54 131 0.81

HSLA 233.1, 0.5%, 0.34%, 0.81

LABA 26.19, 22.12, -44.72, 0.81

 

Complementary color

CMYK 0 / 4 / 33 / 14

HEX #D3C97CCE

RGBA 211 201 124 0.81

HSLA 53.1, 0.5%, 0.66%, 0.81

LABA 80.22, -7.42, 39.67, 0.81

 

CMYK 50 / 46 / 0 / 41

HEX #31367ECE

RGBA 49 54 126 0.81

HSLA 236.1, 0.44%, 0.34%, 0.81

LABA 26.15, 21.22, -41.64, 0.81

 

CMYK 44 / 41 / 0 / 35

HEX #424891CE

RGBA 66 72 145 0.81

HSLA 235.44, 0.37%, 0.41%, 0.81

LABA 33.64, 19.48, -41.28, 0.81

 

CMYK 40 / 37 / 0 / 29

HEX #535AA4CE

RGBA 83 90 164 0.81

HSLA 234.81, 0.33%, 0.48%, 0.81

LABA 40.95, 18.12, -40.97, 0.81

 

CMYK 37 / 33 / 0 / 23

HEX #646CB7CE

RGBA 100 108 183 0.81

HSLA 234.22, 0.37%, 0.55%, 0.81

LABA 48.07, 17.01, -40.72, 0.81

 

CMYK 34 / 30 / 0 / 17

HEX #757ECACE

RGBA 117 126 202 0.81

HSLA 233.65, 0.45%, 0.63%, 0.81

LABA 55.04, 16.1, -40.54, 0.81

 

CMYK 54 / 48 / 0 / 39

HEX #2C3683CE

RGBA 44 54 131 0.81

HSLA 233.1, 0.5%, 0.34%, 0.81

LABA 26.19, 22.12, -44.72, 0.81

 

CMYK 61 / 55 / 0 / 45

HEX #1B2470CE

RGBA 27 36 112 0.81

HSLA 233.65, 0.61%, 0.27%, 0.81

LABA 18.65, 24.68, -44.99, 0.81

 

CMYK 72 / 65 / 0 / 51

HEX #0A125DCE

RGBA 10 18 93 0.81

HSLA 234.22, 0.81%, 0.2%, 0.81

LABA 11.19, 27.8, -44.79, 0.81

 

CMYK 81 / 81 / 0 / 57

HEX #00004ACE

RGBA 0 0 74 0.81

HSLA 240, 1%, 0.15%, 0.81

LABA 4.47, 29.36, -42.91, 0.81

 

CMYK 81 / 81 / 0 / 64

HEX #000037CE

RGBA 0 0 55 0.81

HSLA 240, 1%, 0.11%, 0.81

LABA 2.49, 17.51, -32.5, 0.81

 

CMYK 67 / 59 / 0 / 49

HEX #2B3582

RGB 43 53 130

HSL 233.1, 0.5%, 0.34%

LAB 25.78, 22.26, -44.77

 

CMYK 56 / 67 / 0 / 49

HEX #392B82

RGB 57 43 130

HSL 249.66, 0.5%, 0.34%

LAB 24.35, 31.38, -47.04

 

CMYK 38 / 67 / 0 / 49

HEX #502B82

RGB 80 43 130

HSL 265.52, 0.5%, 0.34%

LAB 26.86, 36.19, -42.85

 

CMYK 20 / 67 / 0 / 49

HEX #682B82

RGB 104 43 130

HSL 282.07, 0.5%, 0.34%

LAB 30.11, 41.92, -37.45

 

CMYK 2 / 67 / 0 / 49

HEX #7F2B82

RGB 127 43 130

HSL 297.93, 0.5%, 0.34%

LAB 33.67, 47.71, -31.57

 

CMYK 67 / 59 / 0 / 49

HEX #2B3582

RGB 43 53 130

HSL 233.1, 0.5%, 0.34%

LAB 25.78, 22.26, -44.77

 

CMYK 67 / 67 / 0 / 49

HEX #2B2B82

RGB 43 43 130

HSL 240, 0.5%, 0.34%

LAB 23.18, 28.98, -49.01

 

CMYK 67 / 59 / 0 / 49

HEX #2B3582

RGB 43 53 130

HSL 233.1, 0.5%, 0.34%

LAB 25.78, 22.26, -44.77

 

CMYK 80 / 70 / 0 / 44

HEX #1D2B90

RGB 29 43 144

HSL 232.7, 0.66%, 0.34%

LAB 23.68, 32.43, -56.96

 

CMYK 91 / 80 / 0 / 38

HEX #0F209E

RGB 15 32 158

HSL 232.87, 0.83%, 0.34%

LAB 22.31, 43.28, -67.85

 

CMYK 99 / 88 / 0 / 33

HEX #0115AC

RGB 1 21 172

HSL 232.98, 0.99%, 0.34%

LAB 22.02, 52.72, -76.85

 

CMYK 67 / 59 / 0 / 49

HEX #2B3582

RGB 43 53 130

HSL 233.1, 0.5%, 0.34%

LAB 25.78, 22.26, -44.77

 

CMYK 51 / 45 / 0 / 55

HEX #394074

RGB 57 64 116

HSL 232.88, 0.34%, 0.34%

LAB 28.9, 12.75, -30.9

 

CMYK 30 / 26 / 0 / 60

HEX #474B66

RGB 71 75 102

HSL 232.26, 0.18%, 0.34%

LAB 32.55, 5.32, -16.24

 

CMYK 3 / 2 / 0 / 65

HEX #555658

RGB 85 86 88

HSL 220, 0.02%, 0.34%

LAB 36.54, 0.04, -1.3

 

CMYK 0 / 2 / 25 / 61

HEX #63614A

RGB 99 97 74

HSL 55.2, 0.14%, 0.34%

LAB 40.73, -3.43, 13.44

 

CMYK 67 / 23 / 0 / 49

HEX #2B6482

RGB 43 100 130

HSL 200.69, 0.5%, 0.34%

LAB 39.98, -8.59, -22.22

 

CMYK 67 / 41 / 0 / 49

HEX #2B4D82

RGB 43 77 130

HSL 216.55, 0.5%, 0.34%

LAB 32.77, 5.93, -33.53

 

CMYK 67 / 59 / 0 / 49

HEX #2B3582

RGB 43 53 130

HSL 233.1, 0.5%, 0.34%

LAB 25.78, 22.26, -44.77

 

CMYK 57 / 67 / 0 / 49

HEX #382B82

RGB 56 43 130

HSL 248.97, 0.5%, 0.34%

LAB 24.26, 31.19, -47.2

 

CMYK 39 / 67 / 0 / 49

HEX #4F2B82

RGB 79 43 130

HSL 264.83, 0.5%, 0.34%

LAB 26.74, 35.97, -43.06

 

CMYK 66 / 59 / 0 / 73

HEX #171C44

RGB 23 28 68

HSL 233.33, 0.49%, 0.18%

LAB 12.16, 12.21, -26.05

 

CMYK 67 / 59 / 0 / 61

HEX #212963

RGB 33 41 99

HSL 232.73, 0.5%, 0.26%

LAB 19.27, 17.02, -35.49

 

CMYK 67 / 59 / 0 / 49

HEX #2B3582

RGB 43 53 130

HSL 233.1, 0.5%, 0.34%

LAB 25.78, 22.26, -44.77

 

CMYK 66 / 59 / 0 / 37

HEX #3642A1

RGB 54 66 161

HSL 233.27, 0.5%, 0.42%

LAB 32.38, 26.75, -53.06

 

CMYK 66 / 59 / 0 / 25

HEX #404FBF

RGB 64 79 191

HSL 232.91, 0.5%, 0.5%

LAB 38.63, 30.56, -60.68

 

CMYK 66 / 59 / 0 / 49

HEX #2C3683

RGB 44 54 131

HSL 233.1, 0.5%, 0.34%

LAB 26.19, 22.12, -44.72

 

CMYK 0 / 67 / 5 / 49

HEX #822B7B

RGB 130 43 123

HSL 304.83, 0.5%, 0.34%

LAB 33.78, 47.23, -26.99

 

CMYK 32 / 0 / 67 / 49

HEX #58822B

RGB 88 130 43

HSL 88.97, 0.5%, 0.34%

LAB 49.76, -29.54, 41.06

 

CMYK 66 / 59 / 0 / 49

HEX #2C3683

RGB 44 54 131

HSL 233.1, 0.5%, 0.34%

LAB 26.19, 22.12, -44.72

 

CMYK 0 / 67 / 59 / 49

HEX #822B35

RGB 130 43 53

HSL 353.1, 0.5%, 0.34%

LAB 31.19, 38.13, 14.3

 

CMYK 59 / 0 / 67 / 49

HEX #35822B

RGB 53 130 43

HSL 113.1, 0.5%, 0.34%

LAB 48.13, -41.27, 38.83

 

CMYK 66 / 59 / 0 / 49

HEX #2C3683

RGB 44 54 131

HSL 233.1, 0.5%, 0.34%

LAB 26.19, 22.12, -44.72

 

CMYK 0 / 67 / 5 / 49

HEX #822B7B

RGB 130 43 123

HSL 304.83, 0.5%, 0.34%

LAB 33.78, 47.23, -26.99

 

CMYK 0 / 8 / 67 / 49

HEX #82782B

RGB 130 120 43

HSL 53.1, 0.5%, 0.34%

LAB 49.92, -6.02, 42.2

 

CMYK 67 / 0 / 61 / 49

HEX #2B8233

RGB 43 130 51

HSL 125.52, 0.5%, 0.34%

LAB 47.9, -42.78, 34.69

 

CMYK 66 / 59 / 0 / 49

HEX #2C3683

RGB 44 54 131

HSL 233.1, 0.5%, 0.34%

LAB 26.19, 22.12, -44.72

 

CMYK 0 / 67 / 25 / 49

HEX #822B61

RGB 130 43 97

HSL 322.76, 0.5%, 0.34%

LAB 32.56, 43.09, -12.38

 

CMYK 0 / 8 / 67 / 49

HEX #82782B

RGB 130 120 43

HSL 53.1, 0.5%, 0.34%

LAB 49.92, -6.02, 42.2

 

CMYK 67 / 0 / 41 / 49

HEX #2B824D

RGB 43 130 77

HSL 143.45, 0.5%, 0.34%

LAB 48.28, -38.54, 21.31

 

Description

Color code: HEX #2C3683CE | qconv.com Color code: HEX #2C3683CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 54 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 54 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 54 cyan, 48 magenta, none yellow and 39 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
54% 48% 0% 39% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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