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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C35EDCE it is the complementary color #D3CA12CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C35EDCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C35EDCE shade: #3135E8CE, #4247FBCE, #5359FFCE, #646BFFCE and #757DFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C35EDCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C35EDCE shade: #2C35EDCE, #1B23DACE, #0A11C7CE, #0000B4CE and #0000A1CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C35EDCE shade: #2C35ED, #572CED, #8B2CED, #BF2CED and #ED2CE6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C35EDCE shade: #2C35ED and #2C2CED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C35EDCE shade matches the following richer shades: #2C35ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C35EDCE shade: #2C35ED, #3E46DA, #5157C8, #6467B5 and #7678A2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C35EDCE shade: #2C9CED, #2C69ED, #2C35ED, #562CED and #892CED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C35EDCE shade: #1018B6, #131DDC, #2C35ED, #5259F0 and #787EF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C35EDCE shade: #2C35ED, #ED2CD0 and #83ED2C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C35EDCE shade: #2C35ED, #ED2C35 and #35ED2C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C35EDCE shade: #2C35ED, #ED2CD0, #EDE32C and #2CED49

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C35EDCE shade: #2C35ED, #ED2C96, #EDE32C and #2CED83

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 63 / 0 / 6

HEX #2C35EDCE

RGBA 44 53 237 0.81

HSLA 237.2, 0.84%, 0.55%, 0.81

LABA 36.36, 59.29, -90.92, 0.81

 

Complementary color

CMYK 0 / 3 / 74 / 14

HEX #D3CA12CE

RGBA 211 202 18 0.81

HSLA 57.2, 0.84%, 0.45%, 0.81

LABA 79.69, -14.02, 78.28, 0.81

 

CMYK 64 / 62 / 0 / 7

HEX #3135E8CE

RGBA 49 53 232 0.81

HSLA 238.69, 0.8%, 0.55%, 0.81

LABA 36.03, 58.01, -88.62, 0.81

 

CMYK 60 / 58 / 0 / 1

HEX #4247FBCE

RGBA 66 71 251 0.81

HSLA 238.38, 0.96%, 0.62%, 0.81

LABA 42.2, 55.73, -89.11, 0.81

 

CMYK 55 / 53 / 0 / 0

HEX #5359FFCE

RGBA 83 89 255 0.81

HSLA 237.91, 1%, 0.66%, 0.81

LABA 47.24, 48.58, -83.01, 0.81

 

CMYK 49 / 47 / 0 / 0

HEX #646BFFCE

RGBA 100 107 255 0.81

HSLA 237.29, 1%, 0.7%, 0.81

LABA 52.34, 40.36, -74.65, 0.81

 

CMYK 44 / 41 / 0 / 0

HEX #757DFFCE

RGBA 117 125 255 0.81

HSLA 236.52, 1%, 0.73%, 0.81

LABA 57.72, 32.66, -65.89, 0.81

 

CMYK 66 / 63 / 0 / 6

HEX #2C35EDCE

RGBA 44 53 237 0.81

HSLA 237.2, 0.84%, 0.55%, 0.81

LABA 36.36, 59.29, -90.92, 0.81

 

CMYK 71 / 68 / 0 / 12

HEX #1B23DACE

RGBA 27 35 218 0.81

HSLA 237.49, 0.78%, 0.48%, 0.81

LABA 30.63, 61.2, -89.59, 0.81

 

CMYK 77 / 74 / 0 / 18

HEX #0A11C7CE

RGBA 10 17 199 0.81

HSLA 237.78, 0.9%, 0.41%, 0.81

LABA 25.53, 61.92, -87.06, 0.81

 

CMYK 81 / 81 / 0 / 24

HEX #0000B4CE

RGBA 0 0 180 0.81

HSLA 240, 1%, 0.35%, 0.81

LABA 21.19, 60.98, -83.05, 0.81

 

CMYK 81 / 81 / 0 / 30

HEX #0000A1CE

RGBA 0 0 161 0.81

HSLA 240, 1%, 0.32%, 0.81

LABA 18.25, 56.15, -76.48, 0.81

 

CMYK 81 / 78 / 0 / 7

HEX #2C35ED

RGB 44 53 237

HSL 237.2, 0.84%, 0.55%

LAB 36.36, 59.29, -90.92

 

CMYK 63 / 81 / 0 / 7

HEX #572CED

RGB 87 44 237

HSL 253.37, 0.84%, 0.55%

LAB 37.74, 66.34, -88.55

 

CMYK 41 / 81 / 0 / 7

HEX #8B2CED

RGB 139 44 237

HSL 269.53, 0.84%, 0.55%

LAB 43.37, 72.12, -79.08

 

CMYK 19 / 81 / 0 / 7

HEX #BF2CED

RGB 191 44 237

HSL 285.7, 0.84%, 0.55%

LAB 50.68, 79.88, -66.85

 

CMYK 0 / 81 / 3 / 7

HEX #ED2CE6

RGB 237 44 230

HSL 302.18, 0.84%, 0.55%

LAB 57.58, 86.77, -51.44

 

CMYK 81 / 78 / 0 / 7

HEX #2C35ED

RGB 44 53 237

HSL 237.2, 0.84%, 0.55%

LAB 36.36, 59.29, -90.92

 

CMYK 81 / 81 / 0 / 7

HEX #2C2CED

RGB 44 44 237

HSL 240, 0.84%, 0.55%

LAB 34.91, 63.53, -93.34

 

CMYK 81 / 78 / 0 / 7

HEX #2C35ED

RGB 44 53 237

HSL 237.2, 0.84%, 0.55%

LAB 36.36, 59.29, -90.92

 

CMYK 81 / 78 / 0 / 7

HEX #2C35ED

RGB 44 53 237

HSL 237.2, 0.84%, 0.55%

LAB 36.36, 59.29, -90.92

 

CMYK 72 / 68 / 0 / 15

HEX #3E46DA

RGB 62 70 218

HSL 236.92, 0.68%, 0.55%

LAB 38.67, 45.15, -76.25

 

CMYK 60 / 57 / 0 / 22

HEX #5157C8

RGB 81 87 200

HSL 236.97, 0.52%, 0.55%

LAB 42.36, 31.4, -59.8

 

CMYK 45 / 43 / 0 / 29

HEX #6467B5

RGB 100 103 181

HSL 237.78, 0.35%, 0.55%

LAB 46.64, 19.49, -41.84

 

CMYK 27 / 26 / 0 / 36

HEX #7678A2

RGB 118 120 162

HSL 237.27, 0.19%, 0.55%

LAB 51.72, 8.99, -22.73

 

CMYK 81 / 34 / 0 / 7

HEX #2C9CED

RGB 44 156 237

HSL 205.18, 0.84%, 0.55%

LAB 62.02, -2.76, -49.28

 

CMYK 81 / 56 / 0 / 7

HEX #2C69ED

RGB 44 105 237

HSL 221.04, 0.84%, 0.55%

LAB 47.95, 28.43, -71.88

 

CMYK 81 / 78 / 0 / 7

HEX #2C35ED

RGB 44 53 237

HSL 237.2, 0.84%, 0.55%

LAB 36.36, 59.29, -90.92

 

CMYK 64 / 81 / 0 / 7

HEX #562CED

RGB 86 44 237

HSL 253.06, 0.84%, 0.55%

LAB 37.65, 66.26, -88.7

 

CMYK 42 / 81 / 0 / 7

HEX #892CED

RGB 137 44 237

HSL 268.91, 0.84%, 0.55%

LAB 43.11, 71.85, -79.51

 

CMYK 91 / 87 / 0 / 29

HEX #1018B6

RGB 16 24 182

HSL 237.11, 0.84%, 0.39%

LAB 24.13, 54.78, -79.32

 

CMYK 91 / 87 / 0 / 14

HEX #131DDC

RGB 19 29 220

HSL 237.01, 0.84%, 0.47%

LAB 29.87, 63.96, -92.02

 

CMYK 81 / 78 / 0 / 7

HEX #2C35ED

RGB 44 53 237

HSL 237.2, 0.84%, 0.55%

LAB 36.36, 59.29, -90.92

 

CMYK 66 / 63 / 0 / 6

HEX #5259F0

RGB 82 89 240

HSL 237.34, 0.84%, 0.63%

LAB 45.95, 43.57, -76.75

 

CMYK 51 / 48 / 0 / 5

HEX #787EF3

RGB 120 126 243

HSL 237.07, 0.84%, 0.71%

LAB 57.45, 29, -59.69

 

CMYK 81 / 78 / 0 / 7

HEX #2C35ED

RGB 44 53 237

HSL 237.2, 0.84%, 0.55%

LAB 36.36, 59.29, -90.92

 

CMYK 0 / 81 / 12 / 7

HEX #ED2CD0

RGB 237 44 208

HSL 309.02, 0.84%, 0.55%

LAB 56.45, 83.71, -40.76

 

CMYK 45 / 0 / 81 / 7

HEX #83ED2C

RGB 131 237 44

HSL 92.95, 0.84%, 0.55%

LAB 84.78, -59.39, 75.46

 

CMYK 81 / 78 / 0 / 7

HEX #2C35ED

RGB 44 53 237

HSL 237.2, 0.84%, 0.55%

LAB 36.36, 59.29, -90.92

 

CMYK 0 / 81 / 78 / 7

HEX #ED2C35

RGB 237 44 53

HSL 357.2, 0.84%, 0.55%

LAB 51.91, 70.62, 43.97

 

CMYK 78 / 0 / 81 / 7

HEX #35ED2C

RGB 53 237 44

HSL 117.2, 0.84%, 0.55%

LAB 82.65, -76.63, 72.74

 

CMYK 81 / 78 / 0 / 7

HEX #2C35ED

RGB 44 53 237

HSL 237.2, 0.84%, 0.55%

LAB 36.36, 59.29, -90.92

 

CMYK 0 / 81 / 12 / 7

HEX #ED2CD0

RGB 237 44 208

HSL 309.02, 0.84%, 0.55%

LAB 56.45, 83.71, -40.76

 

CMYK 0 / 4 / 81 / 7

HEX #EDE32C

RGB 237 227 44

HSL 56.89, 0.84%, 0.55%

LAB 88.51, -14.86, 81.24

 

CMYK 81 / 0 / 69 / 7

HEX #2CED49

RGB 44 237 73

HSL 129.02, 0.84%, 0.55%

LAB 82.69, -75.67, 63.58

 

CMYK 81 / 78 / 0 / 7

HEX #2C35ED

RGB 44 53 237

HSL 237.2, 0.84%, 0.55%

LAB 36.36, 59.29, -90.92

 

CMYK 0 / 81 / 37 / 7

HEX #ED2C96

RGB 237 44 150

HSL 327.05, 0.84%, 0.55%

LAB 54.04, 76.93, -10.71

 

CMYK 0 / 4 / 81 / 7

HEX #EDE32C

RGB 237 227 44

HSL 56.89, 0.84%, 0.55%

LAB 88.51, -14.86, 81.24

 

CMYK 81 / 0 / 45 / 7

HEX #2CED83

RGB 44 237 131

HSL 147.05, 0.84%, 0.55%

LAB 83.31, -68.24, 38.64

 

Description

Color code: HEX #2C35EDCE | qconv.com Color code: HEX #2C35EDCE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 53 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 53 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, 63 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 63% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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