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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C23FC it is the complementary color #D3DC03. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C23FC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C23FC shade: #3123F7, #4235FF, #5347FF, #6459FF and #756BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C23FC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C23FC shade: #2C23FC, #1B11E9, #0A00D6, #0000C3 and #0000B0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C23FC shade: #2B22FC, #6622FC, #A022FC, #DB22FC and #FC22E1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C23FC shade: #2B22FC and #2222FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C23FC shade matches the following richer shades: #2B22FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C23FC shade: #2B22FC, #3C34E9, #4C46D7, #5D58C5 and #6E6BB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C23FC shade: #228FFC, #2255FC, #2922FC, #6322FC and #9D22FC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C23FC shade: #0B03C8, #0E04F1, #2B22FC, #524BFC and #7973FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C23FC shade: #2C23FC, #FC22C9 and #72FC22

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C23FC shade: #2C23FC, #FC2922 and #22FC29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C23FC shade: #2C23FC, #FC22C9, #F4FC22 and #22FC55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C23FC shade: #2C23FC, #FC2288, #F4FC22 and #22FC96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 86 / 0 / 1

HEX #2C23FC

RGB 44 35 252

HSL 242.49, 0.97%, 0.56%

LAB 35.53, 71.32, -100.76

 

Complementary color

CMYK 4 / 0 / 99 / 14

HEX #D3DC03

RGB 211 220 3

HSL 62.49, 0.97%, 0.44%

LAB 84.51, -23.04, 83.43

 

CMYK 80 / 86 / 0 / 3

HEX #3123F7

RGB 49 35 247

HSL 243.96, 0.93%, 0.55%

LAB 35.14, 70.13, -98.59

 

CMYK 74 / 79 / 0 / 0

HEX #4235FF

RGB 66 53 255

HSL 243.86, 1%, 0.6%

LAB 39.45, 65.96, -95.89

 

CMYK 67 / 72 / 0 / 0

HEX #5347FF

RGB 83 71 255

HSL 243.91, 1%, 0.64%

LAB 43.6, 58.55, -88.99

 

CMYK 61 / 65 / 0 / 0

HEX #6459FF

RGB 100 89 255

HSL 243.98, 1%, 0.67%

LAB 48.35, 50.8, -81.15

 

CMYK 54 / 58 / 0 / 0

HEX #756BFF

RGB 117 107 255

HSL 244.05, 1%, 0.71%

LAB 53.51, 43.23, -72.69

 

CMYK 83 / 86 / 0 / 1

HEX #2C23FC

RGB 44 35 252

HSL 242.49, 0.97%, 0.56%

LAB 35.53, 71.32, -100.76

 

CMYK 88 / 93 / 0 / 9

HEX #1B11E9

RGB 27 17 233

HSL 242.78, 0.86%, 0.49%

LAB 30.68, 71.14, -98.12

 

CMYK 95 / 100 / 0 / 16

HEX #0A00D6

RGB 10 0 214

HSL 242.8, 1%, 0.42%

LAB 26.5, 69.44, -94.18

 

CMYK 100 / 100 / 0 / 24

HEX #0000C3

RGB 0 0 195

HSL 240, 1%, 0.38%

LAB 23.47, 64.72, -88.15

 

CMYK 100 / 100 / 0 / 31

HEX #0000B0

RGB 0 0 176

HSL 240, 1%, 0.35%

LAB 20.58, 59.97, -81.68

 

CMYK 83 / 87 / 0 / 1

HEX #2B22FC

RGB 43 34 252

HSL 242.48, 0.97%, 0.56%

LAB 35.37, 71.63, -101.03

 

CMYK 60 / 87 / 0 / 1

HEX #6622FC

RGB 102 34 252

HSL 258.72, 0.97%, 0.56%

LAB 39.58, 74.81, -93.92

 

CMYK 37 / 87 / 0 / 1

HEX #A022FC

RGB 160 34 252

HSL 274.68, 0.97%, 0.56%

LAB 46.51, 80.71, -82.26

 

CMYK 13 / 87 / 0 / 1

HEX #DB22FC

RGB 219 34 252

HSL 290.92, 0.97%, 0.56%

LAB 55.31, 89.01, -67.54

 

CMYK 0 / 87 / 11 / 1

HEX #FC22E1

RGB 252 34 225

HSL 307.43, 0.97%, 0.56%

LAB 59.23, 90.64, -45.85

 

CMYK 83 / 87 / 0 / 1

HEX #2B22FC

RGB 43 34 252

HSL 242.48, 0.97%, 0.56%

LAB 35.37, 71.63, -101.03

 

CMYK 87 / 87 / 0 / 1

HEX #2222FC

RGB 34 34 252

HSL 240, 0.97%, 0.56%

LAB 35.03, 71.39, -101.61

 

CMYK 83 / 87 / 0 / 1

HEX #2B22FC

RGB 43 34 252

HSL 242.48, 0.97%, 0.56%

LAB 35.37, 71.63, -101.03

 

CMYK 83 / 87 / 0 / 1

HEX #2B22FC

RGB 43 34 252

HSL 242.48, 0.97%, 0.56%

LAB 35.37, 71.63, -101.03

 

CMYK 74 / 78 / 0 / 9

HEX #3C34E9

RGB 60 52 233

HSL 242.65, 0.8%, 0.56%

LAB 36.56, 59.53, -88.3

 

CMYK 65 / 67 / 0 / 16

HEX #4C46D7

RGB 76 70 215

HSL 242.48, 0.64%, 0.56%

LAB 39.28, 45.82, -73.49

 

CMYK 53 / 55 / 0 / 23

HEX #5D58C5

RGB 93 88 197

HSL 242.75, 0.48%, 0.56%

LAB 43.27, 32.1, -56.56

 

CMYK 39 / 40 / 0 / 30

HEX #6E6BB3

RGB 110 107 179

HSL 242.5, 0.32%, 0.56%

LAB 48.37, 19.08, -37.89

 

CMYK 87 / 43 / 0 / 1

HEX #228FFC

RGB 34 143 252

HSL 210, 0.97%, 0.56%

LAB 58.99, 9.68, -62.38

 

CMYK 87 / 66 / 0 / 1

HEX #2255FC

RGB 34 85 252

HSL 225.96, 0.97%, 0.56%

LAB 44.04, 45.76, -86.68

 

CMYK 84 / 87 / 0 / 1

HEX #2922FC

RGB 41 34 252

HSL 241.93, 0.97%, 0.56%

LAB 35.29, 71.57, -101.17

 

CMYK 61 / 87 / 0 / 1

HEX #6322FC

RGB 99 34 252

HSL 257.89, 0.97%, 0.56%

LAB 39.28, 74.58, -94.41

 

CMYK 38 / 87 / 0 / 1

HEX #9D22FC

RGB 157 34 252

HSL 273.85, 0.97%, 0.56%

LAB 46.1, 80.35, -82.95

 

CMYK 95 / 99 / 0 / 22

HEX #0B03C8

RGB 11 3 200

HSL 242.44, 0.97%, 0.4%

LAB 24.66, 65.38, -89.1

 

CMYK 94 / 98 / 0 / 5

HEX #0E04F1

RGB 14 4 241

HSL 242.53, 0.97%, 0.48%

LAB 30.71, 75.3, -102.62

 

CMYK 83 / 87 / 0 / 1

HEX #2B22FC

RGB 43 34 252

HSL 242.48, 0.97%, 0.56%

LAB 35.37, 71.63, -101.03

 

CMYK 67 / 70 / 0 / 1

HEX #524BFC

RGB 82 75 252

HSL 242.37, 0.97%, 0.64%

LAB 44.02, 55.39, -86.63

 

CMYK 52 / 55 / 0 / 1

HEX #7973FD

RGB 121 115 253

HSL 242.61, 0.97%, 0.72%

LAB 55.5, 38.72, -68.35

 

CMYK 83 / 86 / 0 / 1

HEX #2C23FC

RGB 44 35 252

HSL 242.49, 0.97%, 0.56%

LAB 35.53, 71.32, -100.76

 

CMYK 0 / 87 / 20 / 1

HEX #FC22C9

RGB 252 34 201

HSL 314.04, 0.97%, 0.56%

LAB 58.09, 87.63, -34

 

CMYK 55 / 0 / 87 / 1

HEX #72FC22

RGB 114 252 34

HSL 97.98, 0.97%, 0.56%

LAB 88.6, -69.9, 80.74

 

CMYK 83 / 86 / 0 / 1

HEX #2C23FC

RGB 44 35 252

HSL 242.49, 0.97%, 0.56%

LAB 35.53, 71.32, -100.76

 

CMYK 0 / 84 / 87 / 1

HEX #FC2922

RGB 252 41 34

HSL 1.93, 0.97%, 0.56%

LAB 54.45, 74.84, 56.89

 

CMYK 87 / 0 / 84 / 1

HEX #22FC29

RGB 34 252 41

HSL 121.93, 0.97%, 0.56%

LAB 87.06, -82.88, 77.36

 

CMYK 83 / 86 / 0 / 1

HEX #2C23FC

RGB 44 35 252

HSL 242.49, 0.97%, 0.56%

LAB 35.53, 71.32, -100.76

 

CMYK 0 / 87 / 20 / 1

HEX #FC22C9

RGB 252 34 201

HSL 314.04, 0.97%, 0.56%

LAB 58.09, 87.63, -34

 

CMYK 3 / 0 / 87 / 1

HEX #F4FC22

RGB 244 252 34

HSL 62.2, 0.97%, 0.56%

LAB 95.57, -24.24, 89.36

 

CMYK 87 / 0 / 66 / 1

HEX #22FC55

RGB 34 252 85

HSL 134.04, 0.97%, 0.56%

LAB 87.3, -79.81, 63.9

 

CMYK 83 / 86 / 0 / 1

HEX #2C23FC

RGB 44 35 252

HSL 242.49, 0.97%, 0.56%

LAB 35.53, 71.32, -100.76

 

CMYK 0 / 87 / 46 / 1

HEX #FC2288

RGB 252 34 136

HSL 331.93, 0.97%, 0.56%

LAB 55.7, 81.1, 0.39

 

CMYK 3 / 0 / 87 / 1

HEX #F4FC22

RGB 244 252 34

HSL 62.2, 0.97%, 0.56%

LAB 95.57, -24.24, 89.36

 

CMYK 87 / 0 / 40 / 1

HEX #22FC96

RGB 34 252 150

HSL 151.93, 0.97%, 0.56%

LAB 88.05, -70.76, 35.41

 

Description

Color code: HEX #2C23FC | qconv.com Color code: HEX #2C23FC | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 35 green and 252 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 35 252 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, 86 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 86% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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