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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C1977 it is the complementary color #D3E688. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C1977. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C1977 shade: #311972, #422B85, #533D98, #644FAB and #7561BE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C1977. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C1977 shade: #2C1977, #1B0764, #0A0051, #00003E and #00002B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C1977 shade: #2C1976, #451976, #5E1976, #761975 and #76195C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C1977 shade: #2C1976 and #191976

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C1977 shade matches the following richer shades: #2C1976, #250D81 and #1E028D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C1977 shade: #2C1976, #33256A, #3A305F, #403C53 and #474748

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C1977 shade: #193876, #191F76, #2C1976, #441976 and #5D1976

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C1977 shade: #120B32, #1F1254, #2C1976, #382098 and #4527BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C1977 shade: #2C1977, #761951 and #2C7619

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C1977 shade: #2C1977, #762C19 and #19762C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C1977 shade: #2C1977, #761951, #637619 and #19763E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C1977 shade: #2C1977, #761935, #637619 and #19765A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 79 / 0 / 53

HEX #2C1977

RGB 44 25 119

HSL 252.13, 0.65%, 0.28%

LAB 18.2, 36.32, -50.19

 

Complementary color

CMYK 8 / 0 / 41 / 10

HEX #D3E688

RGB 211 230 136

HSL 72.13, 0.65%, 0.72%

LAB 88.07, -20.62, 43.63

 

CMYK 57 / 78 / 0 / 55

HEX #311972

RGB 49 25 114

HSL 256.18, 0.64%, 0.27%

LAB 18.2, 35.47, -46.94

 

CMYK 50 / 68 / 0 / 48

HEX #422B85

RGB 66 43 133

HSL 255.33, 0.51%, 0.35%

LAB 25.5, 34.08, -47.01

 

CMYK 45 / 60 / 0 / 40

HEX #533D98

RGB 83 61 152

HSL 254.51, 0.43%, 0.42%

LAB 32.8, 32.62, -46.83

 

CMYK 42 / 54 / 0 / 33

HEX #644FAB

RGB 100 79 171

HSL 253.7, 0.37%, 0.49%

LAB 39.98, 31.28, -46.58

 

CMYK 38 / 49 / 0 / 25

HEX #7561BE

RGB 117 97 190

HSL 252.9, 0.42%, 0.56%

LAB 47.04, 30.1, -46.34

 

CMYK 63 / 79 / 0 / 53

HEX #2C1977

RGB 44 25 119

HSL 252.13, 0.65%, 0.28%

LAB 18.2, 36.32, -50.19

 

CMYK 73 / 93 / 0 / 61

HEX #1B0764

RGB 27 7 100

HSL 252.9, 0.87%, 0.21%

LAB 11.31, 37.22, -49.22

 

CMYK 88 / 100 / 0 / 68

HEX #0A0051

RGB 10 0 81

HSL 247.41, 1%, 0.16%

LAB 5.95, 33.81, -45.31

 

CMYK 100 / 100 / 0 / 76

HEX #00003E

RGB 0 0 62

HSL 240, 1%, 0.12%

LAB 3.14, 22.06, -36.55

 

CMYK 100 / 100 / 0 / 83

HEX #00002B

RGB 0 0 43

HSL 240, 1%, 0.08%

LAB 1.58, 11.07, -24.95

 

CMYK 63 / 79 / 0 / 54

HEX #2C1976

RGB 44 25 118

HSL 252.26, 0.65%, 0.28%

LAB 18.09, 36, -49.72

 

CMYK 42 / 79 / 0 / 54

HEX #451976

RGB 69 25 118

HSL 268.39, 0.65%, 0.28%

LAB 21.09, 40.01, -44.69

 

CMYK 20 / 79 / 0 / 54

HEX #5E1976

RGB 94 25 118

HSL 284.52, 0.65%, 0.28%

LAB 24.9, 44.95, -38.33

 

CMYK 0 / 79 / 1 / 54

HEX #761975

RGB 118 25 117

HSL 300.65, 0.65%, 0.28%

LAB 28.98, 49.99, -30.92

 

CMYK 0 / 79 / 22 / 54

HEX #76195C

RGB 118 25 92

HSL 316.77, 0.65%, 0.28%

LAB 27.63, 46.02, -16.9

 

CMYK 63 / 79 / 0 / 54

HEX #2C1976

RGB 44 25 118

HSL 252.26, 0.65%, 0.28%

LAB 18.09, 36, -49.72

 

CMYK 79 / 79 / 0 / 54

HEX #191976

RGB 25 25 118

HSL 240, 0.65%, 0.28%

LAB 16.55, 33.87, -52.31

 

CMYK 63 / 79 / 0 / 54

HEX #2C1976

RGB 44 25 118

HSL 252.26, 0.65%, 0.28%

LAB 18.09, 36, -49.72

 

CMYK 71 / 90 / 0 / 49

HEX #250D81

RGB 37 13 129

HSL 252.41, 0.82%, 0.28%

LAB 16.83, 44.21, -58.86

 

CMYK 79 / 99 / 0 / 45

HEX #1E028D

RGB 30 2 141

HSL 252.09, 0.97%, 0.28%

LAB 16.71, 50.8, -66.64

 

CMYK 63 / 79 / 0 / 54

HEX #2C1976

RGB 44 25 118

HSL 252.26, 0.65%, 0.28%

LAB 18.09, 36, -49.72

 

CMYK 52 / 65 / 0 / 58

HEX #33256A

RGB 51 37 106

HSL 252.17, 0.48%, 0.28%

LAB 20.31, 26.07, -38.3

 

CMYK 39 / 49 / 0 / 63

HEX #3A305F

RGB 58 48 95

HSL 252.77, 0.33%, 0.28%

LAB 23.13, 16.99, -26.55

 

CMYK 23 / 28 / 0 / 67

HEX #403C53

RGB 64 60 83

HSL 250.43, 0.16%, 0.28%

LAB 26.58, 7.38, -13.25

 

CMYK 1 / 1 / 0 / 72

HEX #474748

RGB 71 71 72

HSL 240, 0.01%, 0.28%

LAB 30.19, 0.22, -0.6

 

CMYK 79 / 53 / 0 / 54

HEX #193876

RGB 25 56 118

HSL 220, 0.65%, 0.28%

LAB 24.77, 12.65, -38.87

 

CMYK 79 / 74 / 0 / 54

HEX #191F76

RGB 25 31 118

HSL 236.13, 0.65%, 0.28%

LAB 17.89, 30.12, -50.1

 

CMYK 63 / 79 / 0 / 54

HEX #2C1976

RGB 44 25 118

HSL 252.26, 0.65%, 0.28%

LAB 18.09, 36, -49.72

 

CMYK 42 / 79 / 0 / 54

HEX #441976

RGB 68 25 118

HSL 267.74, 0.65%, 0.28%

LAB 20.95, 39.83, -44.92

 

CMYK 21 / 79 / 0 / 54

HEX #5D1976

RGB 93 25 118

HSL 283.87, 0.65%, 0.28%

LAB 24.74, 44.74, -38.6

 

CMYK 64 / 78 / 0 / 80

HEX #120B32

RGB 18 11 50

HSL 250.77, 0.64%, 0.12%

LAB 5.4, 15.25, -24.06

 

CMYK 63 / 79 / 0 / 67

HEX #1F1254

RGB 31 18 84

HSL 251.82, 0.65%, 0.2%

LAB 11.72, 26.85, -37.78

 

CMYK 63 / 79 / 0 / 54

HEX #2C1976

RGB 44 25 118

HSL 252.26, 0.65%, 0.28%

LAB 18.09, 36, -49.72

 

CMYK 63 / 79 / 0 / 40

HEX #382098

RGB 56 32 152

HSL 252, 0.65%, 0.36%

LAB 24.13, 44.44, -61.08

 

CMYK 63 / 79 / 0 / 27

HEX #4527BA

RGB 69 39 186

HSL 252.24, 0.65%, 0.44%

LAB 30.06, 52.58, -71.76

 

CMYK 63 / 79 / 0 / 53

HEX #2C1977

RGB 44 25 119

HSL 252.13, 0.65%, 0.28%

LAB 18.2, 36.32, -50.19

 

CMYK 0 / 79 / 31 / 54

HEX #761951

RGB 118 25 81

HSL 323.87, 0.65%, 0.28%

LAB 27.13, 44.52, -10.39

 

CMYK 63 / 0 / 79 / 54

HEX #2C7619

RGB 44 118 25

HSL 107.74, 0.65%, 0.28%

LAB 43.6, -40.61, 41.48

 

CMYK 63 / 79 / 0 / 53

HEX #2C1977

RGB 44 25 119

HSL 252.13, 0.65%, 0.28%

LAB 18.2, 36.32, -50.19

 

CMYK 0 / 63 / 79 / 54

HEX #762C19

RGB 118 44 25

HSL 12.26, 0.65%, 0.28%

LAB 28.7, 31.33, 28.35

 

CMYK 79 / 0 / 63 / 54

HEX #19762C

RGB 25 118 44

HSL 132.26, 0.65%, 0.28%

LAB 43.28, -42.65, 32.69

 

CMYK 63 / 79 / 0 / 53

HEX #2C1977

RGB 44 25 119

HSL 252.13, 0.65%, 0.28%

LAB 18.2, 36.32, -50.19

 

CMYK 0 / 79 / 31 / 54

HEX #761951

RGB 118 25 81

HSL 323.87, 0.65%, 0.28%

LAB 27.13, 44.52, -10.39

 

CMYK 16 / 0 / 79 / 54

HEX #637619

RGB 99 118 25

HSL 72.26, 0.65%, 0.28%

LAB 46.55, -20.19, 45.34

 

CMYK 79 / 0 / 47 / 54

HEX #19763E

RGB 25 118 62

HSL 143.87, 0.65%, 0.28%

LAB 43.52, -39.76, 23.45

 

CMYK 63 / 79 / 0 / 53

HEX #2C1977

RGB 44 25 119

HSL 252.13, 0.65%, 0.28%

LAB 18.2, 36.32, -50.19

 

CMYK 0 / 79 / 55 / 54

HEX #761935

RGB 118 25 53

HSL 341.94, 0.65%, 0.28%

LAB 26.17, 41.5, 7.06

 

CMYK 16 / 0 / 79 / 54

HEX #637619

RGB 99 118 25

HSL 72.26, 0.65%, 0.28%

LAB 46.55, -20.19, 45.34

 

CMYK 79 / 0 / 24 / 54

HEX #19765A

RGB 25 118 90

HSL 161.94, 0.65%, 0.28%

LAB 44.09, -33.47, 7.99

 

Description

Color code: HEX #2C1977 | qconv.com Color code: HEX #2C1977 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 25 green and 119 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 25 119 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 79 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 79% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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