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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2C0B5E it is the complementary color #D3F4A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2C0B5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2C0B5E shade: #310B59, #421D6C, #532F7F, #644192 and #7553A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2C0B5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2C0B5E shade: #2C0B5E, #1B004B, #0A0038, #000025 and #000012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2C0B5E shade: #2D0B60, #440B60, #5B0B60, #600B4E and #600B38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2C0B5E shade: #2D0B60, #160B60 and #0B0B60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2C0B5E shade matches the following richer shades: #2D0B60 and #2B0369

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2C0B5E shade: #2D0B60, #2F1457, #301D4F, #322546 and #342E3D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2C0B5E shade: #0B1860, #150B60, #2C0B60, #420B60 and #590B60

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2C0B5E shade: #0A0316, #1C073B, #2D0B60, #3E1085 and #4F14AA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2C0B5E shade: #2C0B5E, #600B2E and #0D600B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2C0B5E shade: #2C0B5E, #602C0B and #0B602C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2C0B5E shade: #2C0B5E, #600B2E, #3F600B and #0B603D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2C0B5E shade: #2C0B5E, #600B15, #3F600B and #0B6056

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 88 / 0 / 63

HEX #2C0B5E

RGB 44 11 94

HSL 263.86, 0.79%, 0.21%

LAB 13.13, 35.55, -42.16

 

Complementary color

CMYK 14 / 0 / 34 / 4

HEX #D3F4A1

RGB 211 244 161

HSL 83.86, 0.79%, 0.79%

LAB 92.19, -24.35, 36.55

 

CMYK 45 / 88 / 0 / 65

HEX #310B59

RGB 49 11 89

HSL 269.23, 0.78%, 0.2%

LAB 13.31, 34.93, -38.46

 

CMYK 39 / 73 / 0 / 58

HEX #421D6C

RGB 66 29 108

HSL 268.1, 0.58%, 0.27%

LAB 20.52, 34.73, -39.19

 

CMYK 35 / 63 / 0 / 50

HEX #532F7F

RGB 83 47 127

HSL 267, 0.46%, 0.34%

LAB 27.86, 33.81, -39.34

 

CMYK 32 / 55 / 0 / 43

HEX #644192

RGB 100 65 146

HSL 265.93, 0.38%, 0.41%

LAB 35.13, 32.74, -39.32

 

CMYK 29 / 50 / 0 / 35

HEX #7553A5

RGB 117 83 165

HSL 264.88, 0.33%, 0.49%

LAB 42.28, 31.7, -39.25

 

CMYK 53 / 88 / 0 / 63

HEX #2C0B5E

RGB 44 11 94

HSL 263.86, 0.79%, 0.21%

LAB 13.13, 35.55, -42.16

 

CMYK 64 / 100 / 0 / 71

HEX #1B004B

RGB 27 0 75

HSL 261.6, 1%, 0.15%

LAB 6.69, 33.5, -39.87

 

CMYK 82 / 100 / 0 / 78

HEX #0A0038

RGB 10 0 56

HSL 250.71, 1%, 0.11%

LAB 3.16, 20.74, -32.12

 

CMYK 100 / 100 / 0 / 85

HEX #000025

RGB 0 0 37

HSL 240, 1%, 0.07%

LAB 1.21, 8.48, -20.89

 

CMYK 100 / 100 / 0 / 93

HEX #000012

RGB 0 0 18

HSL 240, 1%, 0.04%

LAB 0.39, 2.77, -7.54

 

CMYK 53 / 89 / 0 / 62

HEX #2D0B60

RGB 45 11 96

HSL 264, 0.79%, 0.21%

LAB 13.48, 36.25, -42.9

 

CMYK 29 / 89 / 0 / 62

HEX #440B60

RGB 68 11 96

HSL 280.24, 0.79%, 0.21%

LAB 17.05, 39.95, -36.92

 

CMYK 5 / 89 / 0 / 62

HEX #5B0B60

RGB 91 11 96

HSL 296.47, 0.79%, 0.21%

LAB 21.24, 44.44, -29.95

 

CMYK 0 / 89 / 19 / 62

HEX #600B4E

RGB 96 11 78

HSL 312.71, 0.79%, 0.21%

LAB 21.12, 42.56, -18.01

 

CMYK 0 / 89 / 42 / 62

HEX #600B38

RGB 96 11 56

HSL 328.24, 0.79%, 0.21%

LAB 20.09, 39.66, -4.4

 

CMYK 53 / 89 / 0 / 62

HEX #2D0B60

RGB 45 11 96

HSL 264, 0.79%, 0.21%

LAB 13.48, 36.25, -42.9

 

CMYK 77 / 89 / 0 / 62

HEX #160B60

RGB 22 11 96

HSL 247.76, 0.79%, 0.21%

LAB 10.95, 33.74, -47.16

 

CMYK 89 / 89 / 0 / 62

HEX #0B0B60

RGB 11 11 96

HSL 240, 0.79%, 0.21%

LAB 10.22, 33.03, -48.4

 

CMYK 53 / 89 / 0 / 62

HEX #2D0B60

RGB 45 11 96

HSL 264, 0.79%, 0.21%

LAB 13.48, 36.25, -42.9

 

CMYK 59 / 97 / 0 / 59

HEX #2B0369

RGB 43 3 105

HSL 263.53, 0.94%, 0.21%

LAB 13.22, 41.63, -49.31

 

CMYK 53 / 89 / 0 / 62

HEX #2D0B60

RGB 45 11 96

HSL 264, 0.79%, 0.21%

LAB 13.48, 36.25, -42.9

 

CMYK 46 / 77 / 0 / 66

HEX #2F1457

RGB 47 20 87

HSL 264.18, 0.63%, 0.21%

LAB 14.36, 29.62, -35.41

 

CMYK 39 / 63 / 0 / 69

HEX #301D4F

RGB 48 29 79

HSL 262.8, 0.46%, 0.21%

LAB 15.86, 21.9, -27.55

 

CMYK 29 / 47 / 0 / 73

HEX #322546

RGB 50 37 70

HSL 263.64, 0.31%, 0.21%

LAB 17.66, 14.36, -18.51

 

CMYK 15 / 25 / 0 / 76

HEX #342E3D

RGB 52 46 61

HSL 264, 0.14%, 0.21%

LAB 20.13, 6.32, -8.5

 

CMYK 89 / 75 / 0 / 62

HEX #0B1860

RGB 11 24 96

HSL 230.82, 0.79%, 0.21%

LAB 13.04, 25.02, -43.73

 

CMYK 78 / 89 / 0 / 62

HEX #150B60

RGB 21 11 96

HSL 247.06, 0.79%, 0.21%

LAB 10.87, 33.66, -47.3

 

CMYK 54 / 89 / 0 / 62

HEX #2C0B60

RGB 44 11 96

HSL 263.29, 0.79%, 0.21%

LAB 13.35, 36.12, -43.13

 

CMYK 31 / 89 / 0 / 62

HEX #420B60

RGB 66 11 96

HSL 278.82, 0.79%, 0.21%

LAB 16.71, 39.59, -37.49

 

CMYK 7 / 89 / 0 / 62

HEX #590B60

RGB 89 11 96

HSL 295.06, 0.79%, 0.21%

LAB 20.86, 44.03, -30.58

 

CMYK 55 / 86 / 0 / 91

HEX #0A0316

RGB 10 3 22

HSL 262.11, 0.76%, 0.05%

LAB 1.69, 5.09, -8.23

 

CMYK 53 / 88 / 0 / 77

HEX #1C073B

RGB 28 7 59

HSL 264.23, 0.79%, 0.13%

LAB 6.45, 24.13, -28.89

 

CMYK 53 / 89 / 0 / 62

HEX #2D0B60

RGB 45 11 96

HSL 264, 0.79%, 0.21%

LAB 13.48, 36.25, -42.9

 

CMYK 53 / 88 / 0 / 48

HEX #3E1085

RGB 62 16 133

HSL 263.59, 0.79%, 0.29%

LAB 20.39, 46.61, -55.4

 

CMYK 54 / 88 / 0 / 33

HEX #4F14AA

RGB 79 20 170

HSL 263.6, 0.79%, 0.37%

LAB 26.92, 56.66, -67.36

 

CMYK 53 / 88 / 0 / 63

HEX #2C0B5E

RGB 44 11 94

HSL 263.86, 0.79%, 0.21%

LAB 13.13, 35.55, -42.16

 

CMYK 0 / 89 / 52 / 62

HEX #600B2E

RGB 96 11 46

HSL 335.29, 0.79%, 0.21%

LAB 19.73, 38.62, 2.14

 

CMYK 86 / 0 / 89 / 62

HEX #0D600B

RGB 13 96 11

HSL 118.59, 0.79%, 0.21%

LAB 34.95, -39.97, 37.67

 

CMYK 53 / 88 / 0 / 63

HEX #2C0B5E

RGB 44 11 94

HSL 263.86, 0.79%, 0.21%

LAB 13.13, 35.55, -42.16

 

CMYK 0 / 54 / 89 / 62

HEX #602C0B

RGB 96 44 11

HSL 23.29, 0.79%, 0.21%

LAB 24.68, 21.34, 30.48

 

CMYK 89 / 0 / 54 / 62

HEX #0B602C

RGB 11 96 44

HSL 143.29, 0.79%, 0.21%

LAB 35.24, -36.36, 23.02

 

CMYK 53 / 88 / 0 / 63

HEX #2C0B5E

RGB 44 11 94

HSL 263.86, 0.79%, 0.21%

LAB 13.13, 35.55, -42.16

 

CMYK 0 / 89 / 52 / 62

HEX #600B2E

RGB 96 11 46

HSL 335.29, 0.79%, 0.21%

LAB 19.73, 38.62, 2.14

 

CMYK 34 / 0 / 89 / 62

HEX #3F600B

RGB 63 96 11

HSL 83.29, 0.79%, 0.21%

LAB 36.83, -25.44, 40.06

 

CMYK 89 / 0 / 36 / 62

HEX #0B603D

RGB 11 96 61

HSL 155.29, 0.79%, 0.21%

LAB 35.55, -32.81, 13.46

 

CMYK 53 / 88 / 0 / 63

HEX #2C0B5E

RGB 44 11 94

HSL 263.86, 0.79%, 0.21%

LAB 13.13, 35.55, -42.16

 

CMYK 0 / 89 / 78 / 62

HEX #600B15

RGB 96 11 21

HSL 352.94, 0.79%, 0.21%

LAB 19.14, 36.86, 19.01

 

CMYK 34 / 0 / 89 / 62

HEX #3F600B

RGB 63 96 11

HSL 83.29, 0.79%, 0.21%

LAB 36.83, -25.44, 40.06

 

CMYK 89 / 0 / 10 / 62

HEX #0B6056

RGB 11 96 86

HSL 172.94, 0.79%, 0.21%

LAB 36.19, -25.88, -0.98

 

Description

Color code: HEX #2C0B5E | qconv.com Color code: HEX #2C0B5E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 44 red, 11 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
44 11 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 88 magenta, none yellow and 63 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 88% 0% 63% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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