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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2BFF3E it is the complementary color #D400C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2BFF3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2BFF3E shade: #30FF39, #41FF4C, #52FF5F, #63FF72 and #74FF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2BFF3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2BFF3E shade: #2BFF3E, #1AED2B, #09DB18, #00C905 and #00B700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2BFF3E shade: #29FF3C, #4FFF29, #89FF29, #C3FF29 and #FDFF29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2BFF3E shade: #29FF3C, #29FF76, #29FFB0, #29FFE9 and #29DBFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2BFF3E shade matches the following richer shades: #29FF3C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2BFF3E shade: #29FF3C, #3AEE4A, #4BDC58, #5DCB67 and #6EBA75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2BFF3E shade: #89FF29, #50FF29, #29FF3B, #29FF74 and #29FFAD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2BFF3E shade: #00D513, #00FF17, #29FF3C, #52FF62 and #7BFF87

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2BFF3E shade: #2BFF3E, #29C2FF and #FF296D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2BFF3E shade: #2BFF3E, #3B29FF and #FF3B29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2BFF3E shade: #2BFF3E, #29C2FF, #FF29ED and #FF6529

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2BFF3E shade: #2BFF3E, #2982FF, #FF29ED and #FFA629

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 76 / 0

HEX #2BFF3E

RGB 43 255 62

HSL 125.38, 1%, 0.58%

LAB 88.15, -81.8, 72.85

 

Complementary color

CMYK 0 / 100 / 9 / 17

HEX #D400C1

RGB 212 0 193

HSL 305.38, 1%, 0.42%

LAB 49.31, 82.84, -43.69

 

CMYK 81 / 0 / 78 / 0

HEX #30FF39

RGB 48 255 57

HSL 122.61, 1%, 0.59%

LAB 88.18, -81.63, 74.38

 

CMYK 75 / 0 / 70 / 0

HEX #41FF4C

RGB 65 255 76

HSL 123.47, 1%, 0.63%

LAB 88.53, -78.23, 68.67

 

CMYK 68 / 0 / 63 / 0

HEX #52FF5F

RGB 82 255 95

HSL 124.51, 1%, 0.66%

LAB 88.99, -73.81, 61.97

 

CMYK 61 / 0 / 55 / 0

HEX #63FF72

RGB 99 255 114

HSL 125.77, 1%, 0.69%

LAB 89.57, -68.44, 54.61

 

CMYK 55 / 0 / 48 / 0

HEX #74FF85

RGB 116 255 133

HSL 127.34, 1%, 0.73%

LAB 90.29, -62.2, 46.84

 

CMYK 83 / 0 / 76 / 0

HEX #2BFF3E

RGB 43 255 62

HSL 125.38, 1%, 0.58%

LAB 88.15, -81.8, 72.85

 

CMYK 89 / 0 / 82 / 7

HEX #1AED2B

RGB 26 237 43

HSL 124.83, 0.85%, 0.52%

LAB 82.36, -79.25, 72.61

 

CMYK 96 / 0 / 89 / 14

HEX #09DB18

RGB 9 219 24

HSL 124.29, 0.92%, 0.45%

LAB 76.55, -75.98, 71.44

 

CMYK 100 / 0 / 98 / 21

HEX #00C905

RGB 0 201 5

HSL 121.49, 1%, 0.39%

LAB 70.72, -71.94, 69

 

CMYK 100 / 0 / 100 / 28

HEX #00B700

RGB 0 183 0

HSL 120, 1%, 0.36%

LAB 64.86, -67.18, 64.83

 

CMYK 84 / 0 / 76 / 0

HEX #29FF3C

RGB 41 255 60

HSL 125.33, 1%, 0.58%

LAB 88.12, -82.11, 73.42

 

CMYK 69 / 0 / 84 / 0

HEX #4FFF29

RGB 79 255 41

HSL 109.35, 1%, 0.58%

LAB 88.61, -78.15, 78.99

 

CMYK 46 / 0 / 84 / 0

HEX #89FF29

RGB 137 255 41

HSL 93.08, 1%, 0.58%

LAB 90.32, -64.36, 81.15

 

CMYK 24 / 0 / 84 / 0

HEX #C3FF29

RGB 195 255 41

HSL 76.82, 1%, 0.58%

LAB 93.14, -44.71, 84.69

 

CMYK 1 / 0 / 84 / 0

HEX #FDFF29

RGB 253 255 41

HSL 60.56, 1%, 0.58%

LAB 97.05, -21.85, 89.54

 

CMYK 84 / 0 / 76 / 0

HEX #29FF3C

RGB 41 255 60

HSL 125.33, 1%, 0.58%

LAB 88.12, -82.11, 73.42

 

CMYK 84 / 0 / 54 / 0

HEX #29FF76

RGB 41 255 118

HSL 141.59, 1%, 0.58%

LAB 88.59, -76.3, 51.38

 

CMYK 84 / 0 / 31 / 0

HEX #29FFB0

RGB 41 255 176

HSL 157.85, 1%, 0.58%

LAB 89.45, -66.25, 24.26

 

CMYK 84 / 0 / 9 / 0

HEX #29FFE9

RGB 41 255 233

HSL 173.83, 1%, 0.58%

LAB 90.72, -52.7, -3.28

 

CMYK 84 / 14 / 0 / 0

HEX #29DBFF

RGB 41 219 255

HSL 190.09, 1%, 0.58%

LAB 80.94, -30.17, -29.54

 

CMYK 84 / 0 / 76 / 0

HEX #29FF3C

RGB 41 255 60

HSL 125.33, 1%, 0.58%

LAB 88.12, -82.11, 73.42

 

CMYK 84 / 0 / 76 / 0

HEX #29FF3C

RGB 41 255 60

HSL 125.33, 1%, 0.58%

LAB 88.12, -82.11, 73.42

 

CMYK 76 / 0 / 69 / 7

HEX #3AEE4A

RGB 58 238 74

HSL 125.33, 0.84%, 0.58%

LAB 83.2, -74.21, 63.8

 

CMYK 66 / 0 / 60 / 14

HEX #4BDC58

RGB 75 220 88

HSL 125.38, 0.67%, 0.58%

LAB 78.1, -64.22, 52.6

 

CMYK 54 / 0 / 49 / 20

HEX #5DCB67

RGB 93 203 103

HSL 125.45, 0.51%, 0.58%

LAB 73.56, -52.07, 40.3

 

CMYK 41 / 0 / 37 / 27

HEX #6EBA75

RGB 110 186 117

HSL 125.53, 0.36%, 0.58%

LAB 69.27, -38.04, 27.79

 

CMYK 46 / 0 / 84 / 0

HEX #89FF29

RGB 137 255 41

HSL 93.08, 1%, 0.58%

LAB 90.32, -64.36, 81.15

 

CMYK 69 / 0 / 84 / 0

HEX #50FF29

RGB 80 255 41

HSL 109.07, 1%, 0.58%

LAB 88.63, -77.97, 79.02

 

CMYK 84 / 0 / 77 / 0

HEX #29FF3B

RGB 41 255 59

HSL 125.05, 1%, 0.58%

LAB 88.12, -82.17, 73.71

 

CMYK 84 / 0 / 55 / 0

HEX #29FF74

RGB 41 255 116

HSL 141.03, 1%, 0.58%

LAB 88.57, -76.57, 52.26

 

CMYK 84 / 0 / 32 / 0

HEX #29FFAD

RGB 41 255 173

HSL 157.01, 1%, 0.58%

LAB 89.4, -66.87, 25.71

 

CMYK 100 / 0 / 91 / 16

HEX #00D513

RGB 0 213 19

HSL 125.35, 1%, 0.42%

LAB 74.59, -74.85, 70.55

 

CMYK 100 / 0 / 91 / 0

HEX #00FF17

RGB 0 255 23

HSL 125.41, 1%, 0.5%

LAB 87.77, -85.79, 81.1

 

CMYK 84 / 0 / 76 / 0

HEX #29FF3C

RGB 41 255 60

HSL 125.33, 1%, 0.58%

LAB 88.12, -82.11, 73.42

 

CMYK 68 / 0 / 62 / 0

HEX #52FF62

RGB 82 255 98

HSL 125.55, 1%, 0.66%

LAB 89.01, -73.5, 60.77

 

CMYK 52 / 0 / 47 / 0

HEX #7BFF87

RGB 123 255 135

HSL 125.45, 1%, 0.74%

LAB 90.54, -60.23, 46.26

 

CMYK 83 / 0 / 76 / 0

HEX #2BFF3E

RGB 43 255 62

HSL 125.38, 1%, 0.58%

LAB 88.15, -81.8, 72.85

 

CMYK 84 / 24 / 0 / 0

HEX #29C2FF

RGB 41 194 255

HSL 197.1, 1%, 0.58%

LAB 73.72, -17.57, -40.69

 

CMYK 0 / 84 / 57 / 0

HEX #FF296D

RGB 255 41 109

HSL 340.93, 1%, 0.58%

LAB 56.04, 78.59, 17.08

 

CMYK 83 / 0 / 76 / 0

HEX #2BFF3E

RGB 43 255 62

HSL 125.38, 1%, 0.58%

LAB 88.15, -81.8, 72.85

 

CMYK 77 / 84 / 0 / 0

HEX #3B29FF

RGB 59 41 255

HSL 245.05, 1%, 0.58%

LAB 37.36, 70.55, -99.37

 

CMYK 0 / 77 / 84 / 0

HEX #FF3B29

RGB 255 59 41

HSL 5.05, 1%, 0.58%

LAB 56.63, 71.37, 55.78

 

CMYK 83 / 0 / 76 / 0

HEX #2BFF3E

RGB 43 255 62

HSL 125.38, 1%, 0.58%

LAB 88.15, -81.8, 72.85

 

CMYK 84 / 24 / 0 / 0

HEX #29C2FF

RGB 41 194 255

HSL 197.1, 1%, 0.58%

LAB 73.72, -17.57, -40.69

 

CMYK 0 / 84 / 7 / 0

HEX #FF29ED

RGB 255 41 237

HSL 305.05, 1%, 0.58%

LAB 60.75, 91.63, -50.15

 

CMYK 0 / 60 / 84 / 0

HEX #FF6529

RGB 255 101 41

HSL 16.82, 1%, 0.58%

LAB 62.28, 56, 60.63

 

CMYK 83 / 0 / 76 / 0

HEX #2BFF3E

RGB 43 255 62

HSL 125.38, 1%, 0.58%

LAB 88.15, -81.8, 72.85

 

CMYK 84 / 49 / 0 / 0

HEX #2982FF

RGB 41 130 255

HSL 215.05, 1%, 0.58%

LAB 55.74, 19.23, -69.25

 

CMYK 0 / 84 / 7 / 0

HEX #FF29ED

RGB 255 41 237

HSL 305.05, 1%, 0.58%

LAB 60.75, 91.63, -50.15

 

CMYK 0 / 35 / 84 / 0

HEX #FFA629

RGB 255 166 41

HSL 35.05, 1%, 0.58%

LAB 75.26, 23.99, 71.59

 

Description

Color code: HEX #2BFF3E | qconv.com Color code: HEX #2BFF3E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 255 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 255 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 76 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 76% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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