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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2BFE5E it is the complementary color #D401A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2BFE5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2BFE5E shade: #30FE59, #41FF6C, #52FF7F, #63FF92 and #74FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2BFE5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2BFE5E shade: #2BFE5E, #1AEC4B, #09DA38, #00C825 and #00B612

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2BFE5E shade: #2AFE5D, #30FE2A, #69FE2A, #A2FE2A and #DBFE2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2BFE5E shade: #2AFE5D, #2AFE96, #2AFECF, #2AF3FE and #2ABAFE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2BFE5E shade matches the following richer shades: #2AFE5D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2BFE5E shade: #2AFE5D, #3BED66, #4DDB6F, #5ECA78 and #6FB981

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2BFE5E shade: #69FE2A, #31FE2A, #2AFE5B, #2AFE94 and #2AFECC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2BFE5E shade: #01D434, #01FD3E, #2AFE5D, #53FE7C and #7CFE9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2BFE5E shade: #2BFE5E, #2AA2FE and #FE2A4D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2BFE5E shade: #2BFE5E, #5B2AFE and #FE5B2A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2BFE5E shade: #2BFE5E, #2AA2FE, #FE2ACC and #FE862A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2BFE5E shade: #2BFE5E, #2A62FE, #FE2ACC and #FEC52A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 63 / 0

HEX #2BFE5E

RGB 43 254 94

HSL 134.5, 0.99%, 0.58%

LAB 88.07, -78.75, 61.19

 

Complementary color

CMYK 0 / 100 / 24 / 17

HEX #D401A1

RGB 212 1 161

HSL 314.5, 0.99%, 0.42%

LAB 47.74, 78.77, -27.3

 

CMYK 81 / 0 / 65 / 0

HEX #30FE59

RGB 48 254 89

HSL 131.94, 0.99%, 0.59%

LAB 88.08, -78.79, 63.23

 

CMYK 75 / 0 / 58 / 0

HEX #41FF6C

RGB 65 255 108

HSL 133.58, 1%, 0.63%

LAB 88.79, -74.99, 56.16

 

CMYK 68 / 0 / 50 / 0

HEX #52FF7F

RGB 82 255 127

HSL 135.61, 1%, 0.66%

LAB 89.32, -69.92, 48.26

 

CMYK 61 / 0 / 43 / 0

HEX #63FF92

RGB 99 255 146

HSL 138.08, 1%, 0.69%

LAB 89.97, -63.96, 40.1

 

CMYK 55 / 0 / 35 / 0

HEX #74FFA5

RGB 116 255 165

HSL 141.15, 1%, 0.73%

LAB 90.76, -57.19, 31.83

 

CMYK 83 / 0 / 63 / 0

HEX #2BFE5E

RGB 43 254 94

HSL 134.5, 0.99%, 0.58%

LAB 88.07, -78.75, 61.19

 

CMYK 89 / 0 / 68 / 7

HEX #1AEC4B

RGB 26 236 75

HSL 134, 0.85%, 0.51%

LAB 82.23, -76.68, 62.29

 

CMYK 96 / 0 / 74 / 15

HEX #09DA38

RGB 9 218 56

HSL 133.49, 0.92%, 0.45%

LAB 76.37, -73.98, 63.04

 

CMYK 100 / 0 / 82 / 22

HEX #00C825

RGB 0 200 37

HSL 131.1, 1%, 0.39%

LAB 70.48, -70.56, 63.16

 

CMYK 100 / 0 / 90 / 29

HEX #00B612

RGB 0 182 18

HSL 125.93, 1%, 0.36%

LAB 64.56, -66.45, 62.16

 

CMYK 83 / 0 / 63 / 0

HEX #2AFE5D

RGB 42 254 93

HSL 134.43, 0.99%, 0.58%

LAB 88.05, -78.94, 61.57

 

CMYK 81 / 0 / 83 / 0

HEX #30FE2A

RGB 48 254 42

HSL 118.3, 0.99%, 0.58%

LAB 87.81, -82.13, 77.87

 

CMYK 59 / 0 / 83 / 0

HEX #69FE2A

RGB 105 254 42

HSL 102.17, 0.99%, 0.58%

LAB 88.95, -72.48, 79.31

 

CMYK 36 / 0 / 83 / 0

HEX #A2FE2A

RGB 162 254 42

HSL 86.04, 0.99%, 0.58%

LAB 91.11, -56.03, 82.05

 

CMYK 14 / 0 / 83 / 0

HEX #DBFE2A

RGB 219 254 42

HSL 69.91, 0.99%, 0.58%

LAB 94.36, -35.01, 86.11

 

CMYK 83 / 0 / 63 / 0

HEX #2AFE5D

RGB 42 254 93

HSL 134.43, 0.99%, 0.58%

LAB 88.05, -78.94, 61.57

 

CMYK 83 / 0 / 41 / 0

HEX #2AFE96

RGB 42 254 150

HSL 150.57, 0.99%, 0.58%

LAB 88.72, -70.85, 36.31

 

CMYK 83 / 0 / 19 / 0

HEX #2AFECF

RGB 42 254 207

HSL 166.7, 0.99%, 0.58%

LAB 89.8, -58.82, 8.85

 

CMYK 83 / 4 / 0 / 0

HEX #2AF3FE

RGB 42 243 254

HSL 183.11, 0.99%, 0.58%

LAB 87.85, -41.6, -18.5

 

CMYK 83 / 27 / 0 / 0

HEX #2ABAFE

RGB 42 186 254

HSL 199.25, 0.99%, 0.58%

LAB 71.4, -13.6, -43.79

 

CMYK 83 / 0 / 63 / 0

HEX #2AFE5D

RGB 42 254 93

HSL 134.43, 0.99%, 0.58%

LAB 88.05, -78.94, 61.57

 

CMYK 83 / 0 / 63 / 0

HEX #2AFE5D

RGB 42 254 93

HSL 134.43, 0.99%, 0.58%

LAB 88.05, -78.94, 61.57

 

CMYK 75 / 0 / 57 / 7

HEX #3BED66

RGB 59 237 102

HSL 134.49, 0.83%, 0.58%

LAB 83.16, -70.78, 52.18

 

CMYK 65 / 0 / 49 / 14

HEX #4DDB6F

RGB 77 219 111

HSL 134.37, 0.66%, 0.58%

LAB 78.1, -60.48, 41.95

 

CMYK 53 / 0 / 41 / 21

HEX #5ECA78

RGB 94 202 120

HSL 134.44, 0.5%, 0.58%

LAB 73.53, -48.81, 31.72

 

CMYK 40 / 0 / 30 / 27

HEX #6FB981

RGB 111 185 129

HSL 134.59, 0.35%, 0.58%

LAB 69.23, -35.2, 21.36

 

CMYK 59 / 0 / 83 / 0

HEX #69FE2A

RGB 105 254 42

HSL 102.17, 0.99%, 0.58%

LAB 88.95, -72.48, 79.31

 

CMYK 81 / 0 / 83 / 0

HEX #31FE2A

RGB 49 254 42

HSL 118.02, 0.99%, 0.58%

LAB 87.83, -82.03, 77.89

 

CMYK 83 / 0 / 64 / 0

HEX #2AFE5B

RGB 42 254 91

HSL 133.87, 0.99%, 0.58%

LAB 88.03, -79.15, 62.36

 

CMYK 83 / 0 / 42 / 0

HEX #2AFE94

RGB 42 254 148

HSL 150, 0.99%, 0.58%

LAB 88.69, -71.2, 37.26

 

CMYK 83 / 0 / 20 / 0

HEX #2AFECC

RGB 42 254 204

HSL 165.85, 0.99%, 0.58%

LAB 89.74, -59.55, 10.31

 

CMYK 100 / 0 / 75 / 17

HEX #01D434

RGB 1 212 52

HSL 134.5, 0.99%, 0.42%

LAB 74.41, -72.89, 62.41

 

CMYK 100 / 0 / 75 / 1

HEX #01FD3E

RGB 1 253 62

HSL 134.52, 0.99%, 0.5%

LAB 87.29, -83.44, 71.92

 

CMYK 83 / 0 / 63 / 0

HEX #2AFE5D

RGB 42 254 93

HSL 134.43, 0.99%, 0.58%

LAB 88.05, -78.94, 61.57

 

CMYK 67 / 0 / 51 / 0

HEX #53FE7C

RGB 83 254 124

HSL 134.39, 0.99%, 0.66%

LAB 89.01, -69.83, 49.28

 

CMYK 51 / 0 / 39 / 0

HEX #7CFE9B

RGB 124 254 155

HSL 134.31, 0.98%, 0.74%

LAB 90.57, -56.6, 36.6

 

CMYK 83 / 0 / 63 / 0

HEX #2BFE5E

RGB 43 254 94

HSL 134.5, 0.99%, 0.58%

LAB 88.07, -78.75, 61.19

 

CMYK 83 / 36 / 0 / 0

HEX #2AA2FE

RGB 42 162 254

HSL 206.04, 0.99%, 0.58%

LAB 64.55, -0.24, -54.58

 

CMYK 0 / 83 / 70 / 0

HEX #FE2A4D

RGB 254 42 77

HSL 350.09, 0.99%, 0.58%

LAB 55.34, 76.45, 35.11

 

CMYK 83 / 0 / 63 / 0

HEX #2BFE5E

RGB 43 254 94

HSL 134.5, 0.99%, 0.58%

LAB 88.07, -78.75, 61.19

 

CMYK 64 / 83 / 0 / 0

HEX #5B2AFE

RGB 91 42 254

HSL 253.87, 0.99%, 0.58%

LAB 39.64, 71.89, -94.96

 

CMYK 0 / 64 / 83 / 0

HEX #FE5B2A

RGB 254 91 42

HSL 13.87, 0.99%, 0.58%

LAB 60.53, 59.9, 58.65

 

CMYK 83 / 0 / 63 / 0

HEX #2BFE5E

RGB 43 254 94

HSL 134.5, 0.99%, 0.58%

LAB 88.07, -78.75, 61.19

 

CMYK 83 / 36 / 0 / 0

HEX #2AA2FE

RGB 42 162 254

HSL 206.04, 0.99%, 0.58%

LAB 64.55, -0.24, -54.58

 

CMYK 0 / 83 / 20 / 0

HEX #FE2ACC

RGB 254 42 204

HSL 314.15, 0.99%, 0.58%

LAB 59.05, 87, -34.18

 

CMYK 0 / 47 / 83 / 0

HEX #FE862A

RGB 254 134 42

HSL 26.04, 0.99%, 0.58%

LAB 68.23, 40.06, 65.28

 

CMYK 83 / 0 / 63 / 0

HEX #2BFE5E

RGB 43 254 94

HSL 134.5, 0.99%, 0.58%

LAB 88.07, -78.75, 61.19

 

CMYK 83 / 61 / 0 / 0

HEX #2A62FE

RGB 42 98 254

HSL 224.15, 0.99%, 0.58%

LAB 47.47, 38.94, -82.14

 

CMYK 0 / 83 / 20 / 0

HEX #FE2ACC

RGB 254 42 204

HSL 314.15, 0.99%, 0.58%

LAB 59.05, 87, -34.18

 

CMYK 0 / 22 / 83 / 0

HEX #FEC52A

RGB 254 197 42

HSL 43.87, 0.99%, 0.58%

LAB 82.47, 7.45, 77.29

 

Description

Color code: HEX #2BFE5E | qconv.com Color code: HEX #2BFE5E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 254 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 254 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 63 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 63% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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