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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2BFA01 it is the complementary color #D405FE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2BFA01. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2BFA01 shade: #30FA00, #41FF0F, #52FF22, #63FF35 and #74FF48

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2BFA01. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2BFA01 shade: #2BFA01, #1AE800, #09D600, #00C400 and #00B200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2BFA01 shade: #2BF901, #6EF901, #B0F901, #F3F901 and #F9BB01

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2BFA01 shade: #2BF901, #01F91A, #01F95D, #01F9A0 and #01F9E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2BFA01 shade matches the following richer shades: #2BF901

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2BFA01 shade: #2BF901, #38E415, #46D02A, #53BC3E and #61A852

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2BFA01 shade: #B3F901, #71F901, #2FF901, #01F916 and #01F958

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2BFA01 shade: #1DA701, #24D001, #2BF901, #4AFE25 and #6CFE4E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2BFA01 shade: #2BFA01, #01F5F9 and #F90192

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2BFA01 shade: #2BFA01, #012FF9 and #F9012F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2BFA01 shade: #2BFA01, #01F5F9, #CB01F9 and #F90501

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2BFA01 shade: #2BFA01, #01AAF9, #CB01F9 and #F95001

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 100 / 2

HEX #2BFA01

RGB 43 250 1

HSL 109.88, 0.99%, 0.49%

LAB 86.45, -82.57, 82.18

 

Complementary color

CMYK 17 / 98 / 0 / 0

HEX #D405FE

RGB 212 5 254

HSL 289.88, 0.99%, 0.51%

LAB 53.23, 91.55, -72.07

 

CMYK 81 / 0 / 100 / 2

HEX #30FA00

RGB 48 250 0

HSL 108.48, 1%, 0.49%

LAB 86.5, -82.07, 82.32

 

CMYK 75 / 0 / 94 / 0

HEX #41FF0F

RGB 65 255 15

HSL 107.5, 1%, 0.53%

LAB 88.29, -81.12, 82.68

 

CMYK 68 / 0 / 87 / 0

HEX #52FF22

RGB 82 255 34

HSL 106.97, 1%, 0.57%

LAB 88.65, -77.87, 80.45

 

CMYK 61 / 0 / 79 / 0

HEX #63FF35

RGB 99 255 53

HSL 106.34, 1%, 0.6%

LAB 89.13, -73.66, 76.72

 

CMYK 55 / 0 / 72 / 0

HEX #74FF48

RGB 116 255 72

HSL 105.57, 1%, 0.64%

LAB 89.72, -68.51, 71.67

 

CMYK 83 / 0 / 100 / 2

HEX #2BFA01

RGB 43 250 1

HSL 109.88, 0.99%, 0.49%

LAB 86.45, -82.57, 82.18

 

CMYK 89 / 0 / 100 / 9

HEX #1AE800

RGB 26 232 0

HSL 113.28, 1%, 0.45%

LAB 80.7, -79.12, 77.59

 

CMYK 96 / 0 / 100 / 16

HEX #09D600

RGB 9 214 0

HSL 117.48, 1%, 0.42%

LAB 74.92, -75.17, 72.92

 

CMYK 100 / 0 / 100 / 23

HEX #00C400

RGB 0 196 0

HSL 120, 1%, 0.38%

LAB 69.1, -70.7, 68.24

 

CMYK 100 / 0 / 100 / 30

HEX #00B200

RGB 0 178 0

HSL 120, 1%, 0.35%

LAB 63.21, -65.81, 63.52

 

CMYK 83 / 0 / 100 / 2

HEX #2BF901

RGB 43 249 1

HSL 109.84, 0.99%, 0.49%

LAB 86.14, -82.29, 81.93

 

CMYK 56 / 0 / 100 / 2

HEX #6EF901

RGB 110 249 1

HSL 93.63, 0.99%, 0.49%

LAB 87.52, -70.53, 83.61

 

CMYK 29 / 0 / 100 / 2

HEX #B0F901

RGB 176 249 1

HSL 77.66, 0.99%, 0.49%

LAB 90.31, -49.87, 86.99

 

CMYK 2 / 0 / 100 / 2

HEX #F3F901

RGB 243 249 1

HSL 61.45, 0.99%, 0.49%

LAB 94.66, -23.63, 92.18

 

CMYK 0 / 25 / 100 / 2

HEX #F9BB01

RGB 249 187 1

HSL 45, 0.99%, 0.49%

LAB 79.43, 9.91, 81.55

 

CMYK 83 / 0 / 100 / 2

HEX #2BF901

RGB 43 249 1

HSL 109.84, 0.99%, 0.49%

LAB 86.14, -82.29, 81.93

 

CMYK 100 / 0 / 90 / 2

HEX #01F91A

RGB 1 249 26

HSL 126.05, 0.99%, 0.49%

LAB 85.92, -84.13, 79.11

 

CMYK 100 / 0 / 63 / 2

HEX #01F95D

RGB 1 249 93

HSL 142.26, 0.99%, 0.49%

LAB 86.28, -79.55, 59.53

 

CMYK 100 / 0 / 36 / 2

HEX #01F9A0

RGB 1 249 160

HSL 158.47, 0.99%, 0.49%

LAB 87.14, -69.15, 29.18

 

CMYK 100 / 0 / 9 / 2

HEX #01F9E2

RGB 1 249 226

HSL 174.44, 0.99%, 0.49%

LAB 88.57, -53.61, -2.84

 

CMYK 83 / 0 / 100 / 2

HEX #2BF901

RGB 43 249 1

HSL 109.84, 0.99%, 0.49%

LAB 86.14, -82.29, 81.93

 

CMYK 83 / 0 / 100 / 2

HEX #2BF901

RGB 43 249 1

HSL 109.84, 0.99%, 0.49%

LAB 86.14, -82.29, 81.93

 

CMYK 75 / 0 / 91 / 11

HEX #38E415

RGB 56 228 21

HSL 109.86, 0.83%, 0.49%

LAB 79.83, -74.5, 74.88

 

CMYK 66 / 0 / 80 / 18

HEX #46D02A

RGB 70 208 42

HSL 109.88, 0.66%, 0.49%

LAB 73.92, -65.11, 65.29

 

CMYK 56 / 0 / 67 / 26

HEX #53BC3E

RGB 83 188 62

HSL 110, 0.5%, 0.49%

LAB 68.13, -53.71, 52.65

 

CMYK 42 / 0 / 51 / 34

HEX #61A852

RGB 97 168 82

HSL 109.53, 0.34%, 0.49%

LAB 62.64, -39.33, 37.31

 

CMYK 28 / 0 / 100 / 2

HEX #B3F901

RGB 179 249 1

HSL 76.94, 0.99%, 0.49%

LAB 90.48, -48.78, 87.19

 

CMYK 55 / 0 / 100 / 2

HEX #71F901

RGB 113 249 1

HSL 92.9, 0.99%, 0.49%

LAB 87.61, -69.77, 83.72

 

CMYK 81 / 0 / 100 / 2

HEX #2FF901

RGB 47 249 1

HSL 108.87, 0.99%, 0.49%

LAB 86.19, -81.89, 81.98

 

CMYK 100 / 0 / 91 / 2

HEX #01F916

RGB 1 249 22

HSL 125.08, 0.99%, 0.49%

LAB 85.91, -84.23, 79.68

 

CMYK 100 / 0 / 65 / 2

HEX #01F958

RGB 1 249 88

HSL 141.05, 0.99%, 0.49%

LAB 86.24, -80.09, 61.52

 

CMYK 83 / 0 / 99 / 35

HEX #1DA701

RGB 29 167 1

HSL 109.88, 0.99%, 0.33%

LAB 59.8, -60.6, 60.74

 

CMYK 83 / 0 / 100 / 18

HEX #24D001

RGB 36 208 1

HSL 109.86, 0.99%, 0.41%

LAB 73.21, -71.66, 71.53

 

CMYK 83 / 0 / 100 / 2

HEX #2BF901

RGB 43 249 1

HSL 109.84, 0.99%, 0.49%

LAB 86.14, -82.29, 81.93

 

CMYK 71 / 0 / 85 / 0

HEX #4AFE25

RGB 74 254 37

HSL 109.77, 0.99%, 0.57%

LAB 88.2, -78.85, 79.42

 

CMYK 57 / 0 / 69 / 0

HEX #6CFE4E

RGB 108 254 78

HSL 109.77, 0.99%, 0.65%

LAB 89.22, -69.67, 68.97

 

CMYK 83 / 0 / 100 / 2

HEX #2BFA01

RGB 43 250 1

HSL 109.88, 0.99%, 0.49%

LAB 86.45, -82.57, 82.18

 

CMYK 100 / 2 / 0 / 2

HEX #01F5F9

RGB 1 245 249

HSL 180.97, 0.99%, 0.49%

LAB 88.04, -45.46, -15.62

 

CMYK 0 / 100 / 41 / 2

HEX #F90192

RGB 249 1 146

HSL 324.92, 0.99%, 0.49%

LAB 54.28, 84.65, -7.74

 

CMYK 83 / 0 / 100 / 2

HEX #2BFA01

RGB 43 250 1

HSL 109.88, 0.99%, 0.49%

LAB 86.45, -82.57, 82.18

 

CMYK 100 / 81 / 0 / 2

HEX #012FF9

RGB 1 47 249

HSL 228.87, 0.99%, 0.49%

LAB 35.75, 64.75, -98.74

 

CMYK 0 / 100 / 81 / 2

HEX #F9012F

RGB 249 1 47

HSL 348.87, 0.99%, 0.49%

LAB 52.25, 79.23, 48.35

 

CMYK 83 / 0 / 100 / 2

HEX #2BFA01

RGB 43 250 1

HSL 109.88, 0.99%, 0.49%

LAB 86.45, -82.57, 82.18

 

CMYK 100 / 2 / 0 / 2

HEX #01F5F9

RGB 1 245 249

HSL 180.97, 0.99%, 0.49%

LAB 88.04, -45.46, -15.62

 

CMYK 18 / 100 / 0 / 2

HEX #CB01F9

RGB 203 1 249

HSL 288.87, 0.99%, 0.49%

LAB 51.33, 89.81, -72.43

 

CMYK 0 / 98 / 100 / 2

HEX #F90501

RGB 249 5 1

HSL 0.97, 0.99%, 0.49%

LAB 52.12, 78.33, 65.8

 

CMYK 83 / 0 / 100 / 2

HEX #2BFA01

RGB 43 250 1

HSL 109.88, 0.99%, 0.49%

LAB 86.45, -82.57, 82.18

 

CMYK 100 / 32 / 0 / 2

HEX #01AAF9

RGB 1 170 249

HSL 199.11, 0.99%, 0.49%

LAB 66.21, -8.39, -49.26

 

CMYK 18 / 100 / 0 / 2

HEX #CB01F9

RGB 203 1 249

HSL 288.87, 0.99%, 0.49%

LAB 51.33, 89.81, -72.43

 

CMYK 0 / 68 / 100 / 2

HEX #F95001

RGB 249 80 1

HSL 19.11, 0.99%, 0.49%

LAB 57.92, 62.03, 68.33

 

Description

Color code: HEX #2BFA01 | qconv.com Color code: HEX #2BFA01 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 250 green and 1 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 250 1 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 100 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 100% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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