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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2BEB35 it is the complementary color #D414CA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2BEB35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #2BEB35: #30EB30, #41FD43, #52FF56, #63FF69 and #74FF7C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2BEB35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #2BEB35: #2BEB35, #1AD922, #09C70F, #00B500 and #00A300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 77 / 8

HEX #2BEB35

RGB 43 235 53

HSL 123.13, 0.83%, 0.55%

LAB 81.94, -76.7, 69.55

 

Complementary color

CMYK 0 / 91 / 5 / 17

HEX #D414CA

RGB 212 20 202

HSL 303.13, 0.83%, 0.45%

LAB 50.41, 82.31, -47.16

 

CMYK 80 / 0 / 80 / 8

HEX #30EB30

RGB 48 235 48

HSL 120, 0.82%, 0.55%

LAB 81.98, -76.45, 71.03

 

CMYK 74 / 0 / 74 / 1

HEX #41FD43

RGB 65 253 67

HSL 120.64, 0.98%, 0.62%

LAB 87.86, -78.31, 71.07

 

CMYK 68 / 0 / 66 / 0

HEX #52FF56

RGB 82 255 86

HSL 121.39, 1%, 0.66%

LAB 88.92, -74.68, 65.47

 

CMYK 61 / 0 / 59 / 0

HEX #63FF69

RGB 99 255 105

HSL 122.31, 1%, 0.69%

LAB 89.48, -69.48, 58.45

 

CMYK 55 / 0 / 51 / 0

HEX #74FF7C

RGB 116 255 124

HSL 123.45, 1%, 0.73%

LAB 90.18, -63.4, 50.91

 

CMYK 82 / 0 / 77 / 8

HEX #2BEB35

RGB 43 235 53

HSL 123.13, 0.83%, 0.55%

LAB 81.94, -76.7, 69.55

 

CMYK 88 / 0 / 84 / 15

HEX #1AD922

RGB 26 217 34

HSL 122.51, 0.79%, 0.48%

LAB 76.05, -74.15, 69.03

 

CMYK 95 / 0 / 92 / 22

HEX #09C70F

RGB 9 199 15

HSL 121.89, 0.91%, 0.41%

LAB 70.13, -70.82, 67.38

 

CMYK 100 / 0 / 100 / 29

HEX #00B500

RGB 0 181 0

HSL 120, 1%, 0.35%

LAB 64.2, -66.63, 64.31

 

CMYK 100 / 0 / 100 / 36

HEX #00A300

RGB 0 163 0

HSL 120, 1%, 0.32%

LAB 58.22, -61.66, 59.51

 

CMYK 82 / 0 / 77 / 8

HEX #2BEB35

RGB 43 235 53

HSL 123.13, 0.83%, 0.55%

LAB 81.94, -76.7, 69.55

 

CMYK 81 / 0 / 63 / 8

HEX #2DEB56

RGB 45 235 86

HSL 132.95, 0.83%, 0.55%

LAB 82.19, -73.69, 57.92

 

CMYK 81 / 0 / 50 / 8

HEX #2DEB76

RGB 45 235 118

HSL 143.05, 0.83%, 0.55%

LAB 82.53, -69.55, 43.96

 

CMYK 81 / 0 / 37 / 8

HEX #2DEB95

RGB 45 235 149

HSL 152.84, 0.83%, 0.55%

LAB 82.99, -64.2, 29.22

 

CMYK 81 / 0 / 23 / 8

HEX #2DEBB5

RGB 45 235 181

HSL 162.95, 0.83%, 0.55%

LAB 83.61, -57.37, 13.55

 

CMYK 82 / 0 / 77 / 8

HEX #2BEB35

RGB 43 235 53

HSL 123.13, 0.83%, 0.55%

LAB 81.94, -76.7, 69.55

 

CMYK 81 / 0 / 77 / 88

HEX #061F07

RGB 6 31 7

HSL 122.4, 0.68%, 0.07%

LAB 9.27, -15.25, 10.71

 

CMYK 82 / 0 / 78 / 68

HEX #0F5212

RGB 15 82 18

HSL 122.69, 0.69%, 0.19%

LAB 29.86, -34.18, 30.19

 

CMYK 82 / 0 / 77 / 48

HEX #18851E

RGB 24 133 30

HSL 123.3, 0.69%, 0.31%

LAB 48.34, -49.44, 44.18

 

CMYK 82 / 0 / 78 / 28

HEX #22B829

RGB 34 184 41

HSL 122.8, 0.69%, 0.43%

LAB 65.58, -63.44, 57.4

 

CMYK 82 / 0 / 77 / 8

HEX #2BEB35

RGB 43 235 53

HSL 123.13, 0.83%, 0.55%

LAB 81.94, -76.7, 69.55

 

CMYK 81 / 20 / 0 / 8

HEX #2DBBEB

RGB 45 187 235

HSL 195.16, 0.83%, 0.55%

LAB 70.94, -20.32, -34.22

 

CMYK 0 / 81 / 53 / 8

HEX #EB2D6F

RGB 235 45 111

HSL 339.16, 0.83%, 0.55%

LAB 52.6, 72.85, 10.54

 

CMYK 82 / 0 / 77 / 8

HEX #2BEB35

RGB 43 235 53

HSL 123.13, 0.83%, 0.55%

LAB 81.94, -76.7, 69.55

 

CMYK 77 / 81 / 0 / 8

HEX #362DEB

RGB 54 45 235

HSL 242.84, 0.83%, 0.55%

LAB 35.32, 63, -91.5

 

CMYK 0 / 77 / 81 / 8

HEX #EB362D

RGB 235 54 45

HSL 2.84, 0.83%, 0.55%

LAB 52.39, 67.17, 48.57

 

CMYK 82 / 0 / 77 / 8

HEX #2BEB35

RGB 43 235 53

HSL 123.13, 0.83%, 0.55%

LAB 81.94, -76.7, 69.55

 

CMYK 81 / 20 / 0 / 8

HEX #2DBBEB

RGB 45 187 235

HSL 195.16, 0.83%, 0.55%

LAB 70.94, -20.32, -34.22

 

CMYK 0 / 81 / 4 / 8

HEX #EB2DE1

RGB 235 45 225

HSL 303.16, 0.83%, 0.55%

LAB 57.05, 85.47, -49.48

 

CMYK 0 / 61 / 81 / 8

HEX #EB5C2D

RGB 235 92 45

HSL 14.84, 0.83%, 0.55%

LAB 57.57, 53.06, 53.48

 

CMYK 82 / 0 / 77 / 8

HEX #2BEB35

RGB 43 235 53

HSL 123.13, 0.83%, 0.55%

LAB 81.94, -76.7, 69.55

 

CMYK 81 / 45 / 0 / 8

HEX #2D82EB

RGB 45 130 235

HSL 213.16, 0.83%, 0.55%

LAB 54.58, 12.09, -60.04

 

CMYK 0 / 81 / 4 / 8

HEX #EB2DE1

RGB 235 45 225

HSL 303.16, 0.83%, 0.55%

LAB 57.05, 85.47, -49.48

 

CMYK 0 / 37 / 81 / 8

HEX #EB952D

RGB 235 149 45

HSL 32.84, 0.83%, 0.55%

LAB 69, 24.7, 63.92

 

Description

Color code: HEX #2BEB35 | qconv.com Color code: HEX #2BEB35 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 235 green and 53 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 235 53 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 77 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 77% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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