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Color name
HEX #2BEA56

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2BEA56 it is the complementary color #D415A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2BEA56. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2BEA56 shade: #30EA51, #41FC64, #52FF77, #63FF8A and #74FF9D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2BEA56. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2BEA56 shade: #2BEA56, #1AD843, #09C630, #00B41D and #00A20A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2BEA56 shade: #2AEA55, #32EA2A, #66EA2A, #9AEA2A and #CEEA2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2BEA56 shade: #2AEA55, #2AEA89, #2AEABD, #2AE3EA and #2AAFEA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2BEA56 shade matches the following richer shades: #2AEA55 and #17FD4A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2BEA56 shade: #2AEA55, #3CD75F, #4FC46A, #62B174 and #759E7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2BEA56 shade: #66EA2A, #33EA2A, #2AEA53, #2AEA86 and #2AEABA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2BEA56 shade: #11B035, #15D540, #2AEA55, #4FEE73 and #75F191

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2BEA56 shade: #2BEA56, #2A9AEA and #EA2A4D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2BEA56 shade: #2BEA56, #532AEA and #EA532A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2BEA56 shade: #2BEA56, #2A9AEA, #EA2AC0 and #EA7A2A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2BEA56 shade: #2BEA56, #2A60EA, #EA2AC0 and #EAB32A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 63 / 8

HEX #2BEA56

RGB 43 234 86

HSL 133.51, 0.82%, 0.54%

LAB 81.86, -73.6, 57.55

 

Complementary color

CMYK 0 / 90 / 20 / 17

HEX #D415A9

RGB 212 21 169

HSL 313.51, 0.82%, 0.46%

LAB 48.76, 77.82, -30.47

 

CMYK 79 / 0 / 65 / 8

HEX #30EA51

RGB 48 234 81

HSL 130.65, 0.82%, 0.55%

LAB 81.88, -73.58, 59.63

 

CMYK 74 / 0 / 60 / 1

HEX #41FC64

RGB 65 252 100

HSL 131.23, 0.97%, 0.62%

LAB 87.81, -74.98, 58.47

 

CMYK 68 / 0 / 53 / 0

HEX #52FF77

RGB 82 255 119

HSL 132.83, 1%, 0.66%

LAB 89.23, -71.01, 51.84

 

CMYK 61 / 0 / 46 / 0

HEX #63FF8A

RGB 99 255 138

HSL 135, 1%, 0.69%

LAB 89.86, -65.19, 43.82

 

CMYK 55 / 0 / 38 / 0

HEX #74FF9D

RGB 116 255 157

HSL 137.7, 1%, 0.73%

LAB 90.63, -58.55, 35.64

 

CMYK 82 / 0 / 63 / 8

HEX #2BEA56

RGB 43 234 86

HSL 133.51, 0.82%, 0.54%

LAB 81.86, -73.6, 57.55

 

CMYK 88 / 0 / 69 / 15

HEX #1AD843

RGB 26 216 67

HSL 132.95, 0.79%, 0.47%

LAB 75.91, -71.6, 58.63

 

CMYK 95 / 0 / 76 / 22

HEX #09C630

RGB 9 198 48

HSL 132.38, 0.91%, 0.41%

LAB 69.94, -68.91, 59.32

 

CMYK 100 / 0 / 84 / 29

HEX #00B41D

RGB 0 180 29

HSL 129.67, 1%, 0.35%

LAB 63.94, -65.41, 59.24

 

CMYK 100 / 0 / 94 / 36

HEX #00A20A

RGB 0 162 10

HSL 123.7, 1%, 0.32%

LAB 57.91, -61.11, 57.79

 

CMYK 82 / 0 / 64 / 8

HEX #2AEA55

RGB 42 234 85

HSL 133.44, 0.82%, 0.54%

LAB 81.83, -73.8, 57.93

 

CMYK 79 / 0 / 82 / 8

HEX #32EA2A

RGB 50 234 42

HSL 117.5, 0.82%, 0.54%

LAB 81.67, -76.24, 72.32

 

CMYK 56 / 0 / 82 / 8

HEX #66EA2A

RGB 102 234 42

HSL 101.25, 0.82%, 0.54%

LAB 82.83, -66.51, 73.8

 

CMYK 34 / 0 / 82 / 8

HEX #9AEA2A

RGB 154 234 42

HSL 85, 0.82%, 0.54%

LAB 84.94, -50.74, 76.48

 

CMYK 12 / 0 / 82 / 8

HEX #CEEA2A

RGB 206 234 42

HSL 68.75, 0.82%, 0.54%

LAB 88.03, -31.02, 80.38

 

CMYK 82 / 0 / 64 / 8

HEX #2AEA55

RGB 42 234 85

HSL 133.44, 0.82%, 0.54%

LAB 81.83, -73.8, 57.93

 

CMYK 82 / 0 / 41 / 8

HEX #2AEA89

RGB 42 234 137

HSL 149.69, 0.82%, 0.54%

LAB 82.46, -66.36, 34.56

 

CMYK 82 / 0 / 19 / 8

HEX #2AEABD

RGB 42 234 189

HSL 165.94, 0.82%, 0.54%

LAB 83.45, -55.33, 9.13

 

CMYK 82 / 3 / 0 / 8

HEX #2AE3EA

RGB 42 227 234

HSL 182.19, 0.82%, 0.54%

LAB 82.58, -40.25, -15.92

 

CMYK 82 / 25 / 0 / 8

HEX #2AAFEA

RGB 42 175 234

HSL 198.44, 0.82%, 0.54%

LAB 67.35, -14.58, -39.26

 

CMYK 82 / 0 / 64 / 8

HEX #2AEA55

RGB 42 234 85

HSL 133.44, 0.82%, 0.54%

LAB 81.83, -73.8, 57.93

 

CMYK 91 / 0 / 71 / 1

HEX #17FD4A

RGB 23 253 74

HSL 133.3, 0.98%, 0.54%

LAB 87.45, -81.76, 68.12

 

CMYK 82 / 0 / 64 / 8

HEX #2AEA55

RGB 42 234 85

HSL 133.44, 0.82%, 0.54%

LAB 81.83, -73.8, 57.93

 

CMYK 72 / 0 / 56 / 16

HEX #3CD75F

RGB 60 215 95

HSL 133.55, 0.66%, 0.54%

LAB 76.31, -64.27, 47.26

 

CMYK 60 / 0 / 46 / 23

HEX #4FC46A

RGB 79 196 106

HSL 133.85, 0.5%, 0.54%

LAB 71, -52.23, 35.5

 

CMYK 45 / 0 / 34 / 31

HEX #62B174

RGB 98 177 116

HSL 133.67, 0.34%, 0.54%

LAB 65.98, -37.73, 23.85

 

CMYK 26 / 0 / 20 / 38

HEX #759E7F

RGB 117 158 127

HSL 134.63, 0.17%, 0.54%

LAB 61.45, -20.51, 11.74

 

CMYK 56 / 0 / 82 / 8

HEX #66EA2A

RGB 102 234 42

HSL 101.25, 0.82%, 0.54%

LAB 82.83, -66.51, 73.8

 

CMYK 78 / 0 / 82 / 8

HEX #33EA2A

RGB 51 234 42

HSL 117.19, 0.82%, 0.54%

LAB 81.68, -76.12, 72.34

 

CMYK 82 / 0 / 65 / 8

HEX #2AEA53

RGB 42 234 83

HSL 132.81, 0.82%, 0.54%

LAB 81.82, -74.01, 58.73

 

CMYK 82 / 0 / 43 / 8

HEX #2AEA86

RGB 42 234 134

HSL 148.75, 0.82%, 0.54%

LAB 82.41, -66.89, 36

 

CMYK 82 / 0 / 21 / 8

HEX #2AEABA

RGB 42 234 186

HSL 165, 0.82%, 0.54%

LAB 83.38, -56.06, 10.61

 

CMYK 90 / 0 / 70 / 31

HEX #11B035

RGB 17 176 53

HSL 133.58, 0.82%, 0.38%

LAB 62.87, -61.59, 50.27

 

CMYK 90 / 0 / 70 / 16

HEX #15D540

RGB 21 213 64

HSL 133.44, 0.82%, 0.46%

LAB 74.9, -71.32, 58.7

 

CMYK 82 / 0 / 64 / 8

HEX #2AEA55

RGB 42 234 85

HSL 133.44, 0.82%, 0.54%

LAB 81.83, -73.8, 57.93

 

CMYK 67 / 0 / 52 / 7

HEX #4FEE73

RGB 79 238 115

HSL 133.58, 0.82%, 0.62%

LAB 83.99, -66.27, 47.31

 

CMYK 51 / 0 / 40 / 5

HEX #75F191

RGB 117 241 145

HSL 133.55, 0.82%, 0.7%

LAB 86.37, -54.76, 36.01

 

CMYK 82 / 0 / 63 / 8

HEX #2BEA56

RGB 43 234 86

HSL 133.51, 0.82%, 0.54%

LAB 81.86, -73.6, 57.55

 

CMYK 82 / 34 / 0 / 8

HEX #2A9AEA

RGB 42 154 234

HSL 205, 0.82%, 0.54%

LAB 61.26, -2.87, -48.83

 

CMYK 0 / 82 / 67 / 8

HEX #EA2A4D

RGB 234 42 77

HSL 349.06, 0.82%, 0.54%

LAB 51.48, 71.24, 29.49

 

CMYK 82 / 0 / 63 / 8

HEX #2BEA56

RGB 43 234 86

HSL 133.51, 0.82%, 0.54%

LAB 81.86, -73.6, 57.55

 

CMYK 65 / 82 / 0 / 8

HEX #532AEA

RGB 83 42 234

HSL 252.81, 0.82%, 0.54%

LAB 36.81, 65.99, -88.4

 

CMYK 0 / 65 / 82 / 8

HEX #EA532A

RGB 234 83 42

HSL 12.81, 0.82%, 0.54%

LAB 55.93, 56.48, 53.27

 

CMYK 82 / 0 / 63 / 8

HEX #2BEA56

RGB 43 234 86

HSL 133.51, 0.82%, 0.54%

LAB 81.86, -73.6, 57.55

 

CMYK 82 / 34 / 0 / 8

HEX #2A9AEA

RGB 42 154 234

HSL 205, 0.82%, 0.54%

LAB 61.26, -2.87, -48.83

 

CMYK 0 / 82 / 18 / 8

HEX #EA2AC0

RGB 234 42 192

HSL 313.13, 0.82%, 0.54%

LAB 55.03, 81.45, -33.84

 

CMYK 0 / 48 / 82 / 8

HEX #EA7A2A

RGB 234 122 42

HSL 25, 0.82%, 0.54%

LAB 62.99, 38.25, 59.63

 

CMYK 82 / 0 / 63 / 8

HEX #2BEA56

RGB 43 234 86

HSL 133.51, 0.82%, 0.54%

LAB 81.86, -73.6, 57.55

 

CMYK 82 / 59 / 0 / 8

HEX #2A60EA

RGB 42 96 234

HSL 223.13, 0.82%, 0.54%

LAB 45.36, 32.87, -74.42

 

CMYK 0 / 82 / 18 / 8

HEX #EA2AC0

RGB 234 42 192

HSL 313.13, 0.82%, 0.54%

LAB 55.03, 81.45, -33.84

 

CMYK 0 / 24 / 82 / 8

HEX #EAB32A

RGB 234 179 42

HSL 42.81, 0.82%, 0.54%

LAB 76.01, 8.3, 70.99

 

Description

Color code: HEX #2BEA56 | qconv.com Color code: HEX #2BEA56 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 234 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 234 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 63 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 63% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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