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Color name
HEX #2BEA34

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2BEA34 it is the complementary color #D415CB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2BEA34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2BEA34 shade: #30EA2F, #41FC42, #52FF55, #63FF68 and #74FF7B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2BEA34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2BEA34 shade: #2BEA34, #1AD821, #09C60E, #00B400 and #00A200

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2BEA34 shade: #2AEA33, #54EA2A, #88EA2A, #BCEA2A and #EAE42A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2BEA34 shade: #2AEA33, #2AEA66, #2AEA9A, #2AEACE and #2AD2EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2BEA34 shade matches the following richer shades: #2AEA33 and #17FD21

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2BEA34 shade: #2AEA33, #3CD744, #4FC455, #62B166 and #759E77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2BEA34 shade: #8AEA2A, #56EA2A, #2AEA30, #2AEA63 and #2AEA97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2BEA34 shade: #11B019, #15D51E, #2AEA33, #4FEE57 and #75F17A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2BEA34 shade: #2BEA34, #2ABDEA and #EA2A70

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2BEA34 shade: #2BEA34, #302AEA and #EA302A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2BEA34 shade: #2BEA34, #2ABDEA, #EA2AE3 and #EA562A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2BEA34 shade: #2BEA34, #2A83EA, #EA2AE3 and #EA902A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 78 / 8

HEX #2BEA34

RGB 43 234 52

HSL 122.83, 0.82%, 0.54%

LAB 81.62, -76.48, 69.54

 

Complementary color

CMYK 0 / 90 / 4 / 17

HEX #D415CB

RGB 212 21 203

HSL 302.83, 0.82%, 0.46%

LAB 50.51, 82.32, -47.58

 

CMYK 79 / 0 / 80 / 8

HEX #30EA2F

RGB 48 234 47

HSL 119.68, 0.82%, 0.55%

LAB 81.66, -76.22, 71.01

 

CMYK 74 / 0 / 74 / 1

HEX #41FC42

RGB 65 252 66

HSL 120.32, 0.97%, 0.62%

LAB 87.55, -78.09, 71.09

 

CMYK 68 / 0 / 67 / 0

HEX #52FF55

RGB 82 255 85

HSL 121.04, 1%, 0.66%

LAB 88.91, -74.77, 65.84

 

CMYK 61 / 0 / 59 / 0

HEX #63FF68

RGB 99 255 104

HSL 121.92, 1%, 0.69%

LAB 89.47, -69.59, 58.86

 

CMYK 55 / 0 / 52 / 0

HEX #74FF7B

RGB 116 255 123

HSL 123.02, 1%, 0.73%

LAB 90.17, -63.53, 51.36

 

CMYK 82 / 0 / 78 / 8

HEX #2BEA34

RGB 43 234 52

HSL 122.83, 0.82%, 0.54%

LAB 81.62, -76.48, 69.54

 

CMYK 88 / 0 / 85 / 15

HEX #1AD821

RGB 26 216 33

HSL 122.21, 0.79%, 0.47%

LAB 75.72, -73.92, 68.97

 

CMYK 95 / 0 / 93 / 22

HEX #09C60E

RGB 9 198 14

HSL 121.59, 0.91%, 0.41%

LAB 69.81, -70.57, 67.24

 

CMYK 100 / 0 / 100 / 29

HEX #00B400

RGB 0 180 0

HSL 120, 1%, 0.35%

LAB 63.87, -66.36, 64.04

 

CMYK 100 / 0 / 100 / 36

HEX #00A200

RGB 0 162 0

HSL 120, 1%, 0.32%

LAB 57.89, -61.38, 59.24

 

CMYK 82 / 0 / 78 / 8

HEX #2AEA33

RGB 42 234 51

HSL 122.81, 0.82%, 0.54%

LAB 81.61, -76.64, 69.81

 

CMYK 64 / 0 / 82 / 8

HEX #54EA2A

RGB 84 234 42

HSL 106.88, 0.82%, 0.54%

LAB 82.32, -70.63, 73.16

 

CMYK 42 / 0 / 82 / 8

HEX #88EA2A

RGB 136 234 42

HSL 90.63, 0.82%, 0.54%

LAB 84.09, -56.76, 75.42

 

CMYK 20 / 0 / 82 / 8

HEX #BCEA2A

RGB 188 234 42

HSL 74.38, 0.82%, 0.54%

LAB 86.85, -38.14, 78.9

 

CMYK 0 / 3 / 82 / 8

HEX #EAE42A

RGB 234 228 42

HSL 58.13, 0.82%, 0.54%

LAB 88.52, -16.66, 81.63

 

CMYK 82 / 0 / 78 / 8

HEX #2AEA33

RGB 42 234 51

HSL 122.81, 0.82%, 0.54%

LAB 81.61, -76.64, 69.81

 

CMYK 82 / 0 / 56 / 8

HEX #2AEA66

RGB 42 234 102

HSL 138.75, 0.82%, 0.54%

LAB 82, -71.79, 50.76

 

CMYK 82 / 0 / 34 / 8

HEX #2AEA9A

RGB 42 234 154

HSL 155, 0.82%, 0.54%

LAB 82.74, -63.13, 26.32

 

CMYK 82 / 0 / 12 / 8

HEX #2AEACE

RGB 42 234 206

HSL 171.25, 0.82%, 0.54%

LAB 83.86, -51.05, 0.78

 

CMYK 82 / 10 / 0 / 8

HEX #2AD2EA

RGB 42 210 234

HSL 187.5, 0.82%, 0.54%

LAB 77.59, -32.35, -23.46

 

CMYK 82 / 0 / 78 / 8

HEX #2AEA33

RGB 42 234 51

HSL 122.81, 0.82%, 0.54%

LAB 81.61, -76.64, 69.81

 

CMYK 91 / 0 / 87 / 1

HEX #17FD21

RGB 23 253 33

HSL 122.61, 0.98%, 0.54%

LAB 87.26, -84.16, 79.13

 

CMYK 82 / 0 / 78 / 8

HEX #2AEA33

RGB 42 234 51

HSL 122.81, 0.82%, 0.54%

LAB 81.61, -76.64, 69.81

 

CMYK 72 / 0 / 68 / 16

HEX #3CD744

RGB 60 215 68

HSL 123.1, 0.66%, 0.54%

LAB 76.06, -67.27, 58.54

 

CMYK 60 / 0 / 57 / 23

HEX #4FC455

RGB 79 196 85

HSL 123.08, 0.5%, 0.54%

LAB 70.73, -55.18, 45.41

 

CMYK 45 / 0 / 42 / 31

HEX #62B166

RGB 98 177 102

HSL 123.04, 0.34%, 0.54%

LAB 65.75, -40.08, 30.97

 

CMYK 26 / 0 / 25 / 38

HEX #759E77

RGB 117 158 119

HSL 122.93, 0.17%, 0.54%

LAB 61.28, -22.01, 15.96

 

CMYK 41 / 0 / 82 / 8

HEX #8AEA2A

RGB 138 234 42

HSL 90, 0.82%, 0.54%

LAB 84.18, -56.12, 75.53

 

CMYK 63 / 0 / 82 / 8

HEX #56EA2A

RGB 86 234 42

HSL 106.25, 0.82%, 0.54%

LAB 82.37, -70.21, 73.22

 

CMYK 82 / 0 / 79 / 8

HEX #2AEA30

RGB 42 234 48

HSL 121.88, 0.82%, 0.54%

LAB 81.59, -76.82, 70.64

 

CMYK 82 / 0 / 58 / 8

HEX #2AEA63

RGB 42 234 99

HSL 137.81, 0.82%, 0.54%

LAB 81.97, -72.17, 52.07

 

CMYK 82 / 0 / 35 / 8

HEX #2AEA97

RGB 42 234 151

HSL 154.06, 0.82%, 0.54%

LAB 82.69, -63.73, 27.79

 

CMYK 90 / 0 / 86 / 31

HEX #11B019

RGB 17 176 25

HSL 123.02, 0.82%, 0.38%

LAB 62.71, -63.58, 59.14

 

CMYK 90 / 0 / 86 / 16

HEX #15D51E

RGB 21 213 30

HSL 122.81, 0.82%, 0.46%

LAB 74.72, -73.55, 68.72

 

CMYK 82 / 0 / 78 / 8

HEX #2AEA33

RGB 42 234 51

HSL 122.81, 0.82%, 0.54%

LAB 81.61, -76.64, 69.81

 

CMYK 67 / 0 / 63 / 7

HEX #4FEE57

RGB 79 238 87

HSL 123.02, 0.82%, 0.62%

LAB 83.7, -69.61, 59.36

 

CMYK 51 / 0 / 49 / 5

HEX #75F17A

RGB 117 241 122

HSL 122.42, 0.82%, 0.7%

LAB 86.06, -58.14, 46.8

 

CMYK 82 / 0 / 78 / 8

HEX #2BEA34

RGB 43 234 52

HSL 122.83, 0.82%, 0.54%

LAB 81.62, -76.48, 69.54

 

CMYK 82 / 19 / 0 / 8

HEX #2ABDEA

RGB 42 189 234

HSL 194.06, 0.82%, 0.54%

LAB 71.44, -21.94, -32.9

 

CMYK 0 / 82 / 52 / 8

HEX #EA2A70

RGB 234 42 112

HSL 338.13, 0.82%, 0.54%

LAB 52.2, 73.38, 9.33

 

CMYK 82 / 0 / 78 / 8

HEX #2BEA34

RGB 43 234 52

HSL 122.83, 0.82%, 0.54%

LAB 81.62, -76.48, 69.54

 

CMYK 79 / 82 / 0 / 8

HEX #302AEA

RGB 48 42 234

HSL 241.88, 0.82%, 0.54%

LAB 34.45, 63.71, -92.39

 

CMYK 0 / 79 / 82 / 8

HEX #EA302A

RGB 234 48 42

HSL 1.88, 0.82%, 0.54%

LAB 51.58, 68.47, 49.26

 

CMYK 82 / 0 / 78 / 8

HEX #2BEA34

RGB 43 234 52

HSL 122.83, 0.82%, 0.54%

LAB 81.62, -76.48, 69.54

 

CMYK 82 / 19 / 0 / 8

HEX #2ABDEA

RGB 42 189 234

HSL 194.06, 0.82%, 0.54%

LAB 71.44, -21.94, -32.9

 

CMYK 0 / 82 / 3 / 8

HEX #EA2AE3

RGB 234 42 227

HSL 302.19, 0.82%, 0.54%

LAB 56.78, 86.2, -51.06

 

CMYK 0 / 63 / 82 / 8

HEX #EA562A

RGB 234 86 42

HSL 13.75, 0.82%, 0.54%

LAB 56.4, 55.22, 53.7

 

CMYK 82 / 0 / 78 / 8

HEX #2BEA34

RGB 43 234 52

HSL 122.83, 0.82%, 0.54%

LAB 81.62, -76.48, 69.54

 

CMYK 82 / 44 / 0 / 8

HEX #2A83EA

RGB 42 131 234

HSL 212.19, 0.82%, 0.54%

LAB 54.73, 10.84, -59.25

 

CMYK 0 / 82 / 3 / 8

HEX #EA2AE3

RGB 234 42 227

HSL 302.19, 0.82%, 0.54%

LAB 56.78, 86.2, -51.06

 

CMYK 0 / 38 / 82 / 8

HEX #EA902A

RGB 234 144 42

HSL 31.88, 0.82%, 0.54%

LAB 67.73, 26.83, 63.81

 

Description

Color code: HEX #2BEA34 | qconv.com Color code: HEX #2BEA34 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 234 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 234 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 78 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 78% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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