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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2BDF6E it is the complementary color #D42091. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2BDF6E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2BDF6E shade: #30DF69, #41F17C, #52FF8F, #63FFA2 and #74FFB5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2BDF6E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2BDF6E shade: #2BDF6E, #1ACD5B, #09BB48, #00A935 and #009722

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2BDF6E shade: #2ADF6D, #2ADF3C, #48DF2A, #79DF2A and #AADF2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2BDF6E shade: #2ADF6D, #2ADF9E, #2ADFCF, #2ABEDF and #2A8DDF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2BDF6E shade matches the following richer shades: #2ADF6D and #16F268

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2BDF6E shade: #2ADF6D, #3DCB72, #51B777, #65A37C and #798F81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2BDF6E shade: #48DF2A, #2ADF3C, #2ADF6C, #2ADF9C and #2ADFCD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2BDF6E shade: #179E4A, #1DC25A, #2ADF6D, #4DE485 and #71E99E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2BDF6E shade: #2BDF6E, #2A78DF and #DF2A30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2BDF6E shade: #2BDF6E, #6C2ADF and #DF6C2A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2BDF6E shade: #2BDF6E, #2A78DF, #DF2A9C and #DF902A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2BDF6E shade: #2BDF6E, #2A42DF, #DF2A9C and #DFC72A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 51 / 13

HEX #2BDF6E

RGB 43 223 110

HSL 142.33, 0.74%, 0.52%

LAB 78.7, -67.02, 43.04

 

Complementary color

CMYK 0 / 85 / 32 / 17

HEX #D42091

RGB 212 32 145

HSL 322.33, 0.74%, 0.48%

LAB 48.35, 73.25, -16.77

 

CMYK 78 / 0 / 53 / 13

HEX #30DF69

RGB 48 223 105

HSL 139.54, 0.73%, 0.53%

LAB 78.71, -67.2, 45.43

 

CMYK 73 / 0 / 49 / 5

HEX #41F17C

RGB 65 241 124

HSL 140.11, 0.86%, 0.6%

LAB 84.74, -68.22, 43.91

 

CMYK 68 / 0 / 44 / 0

HEX #52FF8F

RGB 82 255 143

HSL 141.16, 1%, 0.66%

LAB 89.53, -67.51, 40.9

 

CMYK 61 / 0 / 36 / 0

HEX #63FFA2

RGB 99 255 162

HSL 144.23, 1%, 0.69%

LAB 90.22, -61.27, 32.52

 

CMYK 55 / 0 / 29 / 0

HEX #74FFB5

RGB 116 255 181

HSL 148.06, 1%, 0.73%

LAB 91.04, -54.27, 24.14

 

CMYK 81 / 0 / 51 / 13

HEX #2BDF6E

RGB 43 223 110

HSL 142.33, 0.74%, 0.52%

LAB 78.7, -67.02, 43.04

 

CMYK 87 / 0 / 56 / 20

HEX #1ACD5B

RGB 26 205 91

HSL 141.79, 0.77%, 0.45%

LAB 72.65, -65.46, 44.65

 

CMYK 95 / 0 / 61 / 27

HEX #09BB48

RGB 9 187 72

HSL 141.24, 0.91%, 0.38%

LAB 66.57, -63.29, 46.24

 

CMYK 100 / 0 / 69 / 34

HEX #00A935

RGB 0 169 53

HSL 138.82, 1%, 0.33%

LAB 60.46, -60.37, 47.66

 

CMYK 100 / 0 / 77 / 41

HEX #009722

RGB 0 151 34

HSL 133.51, 1%, 0.3%

LAB 54.29, -56.72, 48.58

 

CMYK 81 / 0 / 51 / 13

HEX #2ADF6D

RGB 42 223 109

HSL 142.21, 0.74%, 0.52%

LAB 78.68, -67.27, 43.48

 

CMYK 81 / 0 / 73 / 13

HEX #2ADF3C

RGB 42 223 60

HSL 125.97, 0.74%, 0.52%

LAB 78.22, -72.82, 63.63

 

CMYK 68 / 0 / 81 / 13

HEX #48DF2A

RGB 72 223 42

HSL 110.06, 0.74%, 0.52%

LAB 78.65, -69.52, 69.7

 

CMYK 46 / 0 / 81 / 13

HEX #79DF2A

RGB 121 223 42

HSL 93.81, 0.74%, 0.52%

LAB 80.18, -57.26, 71.67

 

CMYK 24 / 0 / 81 / 13

HEX #AADF2A

RGB 170 223 42

HSL 77.57, 0.74%, 0.52%

LAB 82.64, -40.2, 74.79

 

CMYK 81 / 0 / 51 / 13

HEX #2ADF6D

RGB 42 223 109

HSL 142.21, 0.74%, 0.52%

LAB 78.68, -67.27, 43.48

 

CMYK 81 / 0 / 29 / 13

HEX #2ADF9E

RGB 42 223 158

HSL 158.45, 0.74%, 0.52%

LAB 79.46, -58.24, 19.77

 

CMYK 81 / 0 / 7 / 13

HEX #2ADFCF

RGB 42 223 207

HSL 174.7, 0.74%, 0.52%

LAB 80.61, -46.14, -4.51

 

CMYK 81 / 15 / 0 / 13

HEX #2ABEDF

RGB 42 190 223

HSL 190.94, 0.74%, 0.52%

LAB 71.31, -26.05, -27.12

 

CMYK 81 / 37 / 0 / 13

HEX #2A8DDF

RGB 42 141 223

HSL 207.18, 0.74%, 0.52%

LAB 56.95, 0.71, -49.56

 

CMYK 81 / 0 / 51 / 13

HEX #2ADF6D

RGB 42 223 109

HSL 142.21, 0.74%, 0.52%

LAB 78.68, -67.27, 43.48

 

CMYK 91 / 0 / 57 / 5

HEX #16F268

RGB 22 242 104

HSL 142.36, 0.89%, 0.52%

LAB 84.32, -75.45, 52.55

 

CMYK 81 / 0 / 51 / 13

HEX #2ADF6D

RGB 42 223 109

HSL 142.21, 0.74%, 0.52%

LAB 78.68, -67.27, 43.48

 

CMYK 70 / 0 / 44 / 20

HEX #3DCB72

RGB 61 203 114

HSL 142.39, 0.58%, 0.52%

LAB 72.84, -57.03, 33.71

 

CMYK 56 / 0 / 35 / 28

HEX #51B777

RGB 81 183 119

HSL 142.35, 0.41%, 0.52%

LAB 67.24, -44.27, 23.82

 

CMYK 38 / 0 / 24 / 36

HEX #65A37C

RGB 101 163 124

HSL 142.26, 0.25%, 0.52%

LAB 62.01, -28.79, 14.07

 

CMYK 15 / 0 / 10 / 44

HEX #798F81

RGB 121 143 129

HSL 141.82, 0.09%, 0.52%

LAB 57.36, -10.76, 4.82

 

CMYK 68 / 0 / 81 / 13

HEX #48DF2A

RGB 72 223 42

HSL 110.06, 0.74%, 0.52%

LAB 78.65, -69.52, 69.7

 

CMYK 81 / 0 / 73 / 13

HEX #2ADF3C

RGB 42 223 60

HSL 125.97, 0.74%, 0.52%

LAB 78.22, -72.82, 63.63

 

CMYK 81 / 0 / 52 / 13

HEX #2ADF6C

RGB 42 223 108

HSL 141.88, 0.74%, 0.52%

LAB 78.67, -67.42, 43.94

 

CMYK 81 / 0 / 30 / 13

HEX #2ADF9C

RGB 42 223 156

HSL 157.79, 0.74%, 0.52%

LAB 79.42, -58.68, 20.76

 

CMYK 81 / 0 / 8 / 13

HEX #2ADFCD

RGB 42 223 205

HSL 174.03, 0.74%, 0.52%

LAB 80.56, -46.69, -3.52

 

CMYK 85 / 0 / 53 / 38

HEX #179E4A

RGB 23 158 74

HSL 142.67, 0.75%, 0.35%

LAB 57.2, -52.63, 34.2

 

CMYK 85 / 0 / 54 / 24

HEX #1DC25A

RGB 29 194 90

HSL 142.18, 0.74%, 0.44%

LAB 69.17, -61.79, 40.93

 

CMYK 81 / 0 / 51 / 13

HEX #2ADF6D

RGB 42 223 109

HSL 142.21, 0.74%, 0.52%

LAB 78.68, -67.27, 43.48

 

CMYK 66 / 0 / 42 / 11

HEX #4DE485

RGB 77 228 133

HSL 142.25, 0.74%, 0.6%

LAB 81.16, -60.28, 34.98

 

CMYK 52 / 0 / 32 / 9

HEX #71E99E

RGB 113 233 158

HSL 142.5, 0.73%, 0.68%

LAB 84.1, -50.26, 26.39

 

CMYK 81 / 0 / 51 / 13

HEX #2BDF6E

RGB 43 223 110

HSL 142.33, 0.74%, 0.52%

LAB 78.7, -67.02, 43.04

 

CMYK 81 / 46 / 0 / 13

HEX #2A78DF

RGB 42 120 223

HSL 214.14, 0.74%, 0.52%

LAB 50.98, 13.51, -59.1

 

CMYK 0 / 81 / 78 / 13

HEX #DF2A30

RGB 223 42 48

HSL 358.01, 0.74%, 0.52%

LAB 48.95, 67.11, 42.79

 

CMYK 81 / 0 / 51 / 13

HEX #2BDF6E

RGB 43 223 110

HSL 142.33, 0.74%, 0.52%

LAB 78.7, -67.02, 43.04

 

CMYK 52 / 81 / 0 / 13

HEX #6C2ADF

RGB 108 42 223

HSL 261.88, 0.74%, 0.52%

LAB 38.15, 65.63, -79.83

 

CMYK 0 / 52 / 81 / 13

HEX #DF6C2A

RGB 223 108 42

HSL 21.88, 0.74%, 0.52%

LAB 58.58, 40.99, 55.06

 

CMYK 81 / 0 / 51 / 13

HEX #2BDF6E

RGB 43 223 110

HSL 142.33, 0.74%, 0.52%

LAB 78.7, -67.02, 43.04

 

CMYK 81 / 46 / 0 / 13

HEX #2A78DF

RGB 42 120 223

HSL 214.14, 0.74%, 0.52%

LAB 50.98, 13.51, -59.1

 

CMYK 0 / 81 / 30 / 13

HEX #DF2A9C

RGB 223 42 156

HSL 322.21, 0.74%, 0.52%

LAB 51.55, 74.79, -18.29

 

CMYK 0 / 35 / 81 / 13

HEX #DF902A

RGB 223 144 42

HSL 33.81, 0.74%, 0.52%

LAB 66.37, 22.21, 62.09

 

CMYK 81 / 0 / 51 / 13

HEX #2BDF6E

RGB 43 223 110

HSL 142.33, 0.74%, 0.52%

LAB 78.7, -67.02, 43.04

 

CMYK 81 / 70 / 0 / 13

HEX #2A42DF

RGB 42 66 223

HSL 232.04, 0.74%, 0.52%

LAB 37.33, 47.49, -81.35

 

CMYK 0 / 81 / 30 / 13

HEX #DF2A9C

RGB 223 42 156

HSL 322.21, 0.74%, 0.52%

LAB 51.55, 74.79, -18.29

 

CMYK 0 / 11 / 81 / 13

HEX #DFC72A

RGB 223 199 42

HSL 52.04, 0.74%, 0.52%

LAB 80.01, -6.82, 74.02

 

Description

Color code: HEX #2BDF6E | qconv.com Color code: HEX #2BDF6E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 223 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 223 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 51 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 51% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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