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Color name
HEX #2BDAB5

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2BDAB5 it is the complementary color #D4254A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2BDAB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2BDAB5 shade: #30DAB0, #41ECC3, #52FED6, #63FFE9 and #74FFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2BDAB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2BDAB5 shade: #2BDAB5, #1AC8A2, #09B68F, #00A47C and #009269

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2BDAB5 shade: #2BDAB5, #2BDA85, #2BDA56, #2EDA2B and #5DDA2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2BDAB5 shade: #2BDAB5, #2BCFDA, #2BA0DA, #2B71DA and #2B42DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2BDAB5 shade matches the following richer shades: #2BDAB5 and #16EEC0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2BDAB5 shade: #2BDAB5, #3FC5A9, #53B19D, #679D92 and #7B8986

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2BDAB5 shade: #2BDA56, #2BDA85, #2BDAB4, #2BD1DA and #2BA2DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2BDAB5 shade: #1B977D, #21BA9A, #2BDAB5, #4EE0C1 and #71E6CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2BDAB5 shade: #2BDAB5, #2B2EDA and #DA6E2B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2BDAB5 shade: #2BDAB5, #B42BDA and #DAB42B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2BDAB5 shade: #2BDAB5, #2B2EDA, #DA2B50 and #DAD72B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2BDAB5 shade: #2BDAB5, #5C2BDA, #DA2B50 and #A8DA2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 17 / 15

HEX #2BDAB5

RGB 43 218 181

HSL 167.31, 0.7%, 0.51%

LAB 78.46, -50.79, 6.2

 

Complementary color

CMYK 0 / 83 / 65 / 17

HEX #D4254A

RGB 212 37 74

HSL 347.31, 0.7%, 0.49%

LAB 46.73, 66.41, 24.39

 

CMYK 78 / 0 / 19 / 15

HEX #30DAB0

RGB 48 218 176

HSL 165.18, 0.7%, 0.52%

LAB 78.41, -51.55, 8.8

 

CMYK 72 / 0 / 17 / 7

HEX #41ECC3

RGB 65 236 195

HSL 165.61, 0.82%, 0.59%

LAB 84.51, -52.33, 7.55

 

CMYK 68 / 0 / 16 / 0

HEX #52FED6

RGB 82 254 214

HSL 166.05, 0.99%, 0.66%

LAB 90.57, -52.88, 6.41

 

CMYK 61 / 0 / 9 / 0

HEX #63FFE9

RGB 99 255 233

HSL 171.54, 1%, 0.69%

LAB 91.71, -46.07, -1.72

 

CMYK 55 / 0 / 1 / 0

HEX #74FFFC

RGB 116 255 252

HSL 178.71, 1%, 0.73%

LAB 92.69, -38.31, -10.06

 

CMYK 80 / 0 / 17 / 15

HEX #2BDAB5

RGB 43 218 181

HSL 167.31, 0.7%, 0.51%

LAB 78.46, -50.79, 6.2

 

CMYK 87 / 0 / 19 / 22

HEX #1AC8A2

RGB 26 200 162

HSL 166.9, 0.77%, 0.44%

LAB 72.32, -49.58, 7.56

 

CMYK 95 / 0 / 21 / 29

HEX #09B68F

RGB 9 182 143

HSL 166.47, 0.91%, 0.37%

LAB 66.13, -47.97, 9.07

 

CMYK 100 / 0 / 24 / 36

HEX #00A47C

RGB 0 164 124

HSL 165.37, 1%, 0.32%

LAB 59.89, -45.9, 10.74

 

CMYK 100 / 0 / 28 / 43

HEX #009269

RGB 0 146 105

HSL 163.15, 1%, 0.29%

LAB 53.58, -43.42, 12.57

 

CMYK 80 / 0 / 17 / 15

HEX #2BDAB5

RGB 43 218 181

HSL 167.31, 0.7%, 0.51%

LAB 78.46, -50.79, 6.2

 

CMYK 80 / 0 / 39 / 15

HEX #2BDA85

RGB 43 218 133

HSL 150.86, 0.7%, 0.51%

LAB 77.49, -61.4, 30.05

 

CMYK 80 / 0 / 61 / 15

HEX #2BDA56

RGB 43 218 86

HSL 134.74, 0.7%, 0.51%

LAB 76.88, -68.64, 51.92

 

CMYK 79 / 0 / 80 / 15

HEX #2EDA2B

RGB 46 218 43

HSL 118.97, 0.7%, 0.51%

LAB 76.62, -72.02, 67.37

 

CMYK 57 / 0 / 80 / 15

HEX #5DDA2B

RGB 93 218 43

HSL 102.86, 0.7%, 0.51%

LAB 77.66, -63.21, 68.73

 

CMYK 80 / 0 / 17 / 15

HEX #2BDAB5

RGB 43 218 181

HSL 167.31, 0.7%, 0.51%

LAB 78.46, -50.79, 6.2

 

CMYK 80 / 5 / 0 / 15

HEX #2BCFDA

RGB 43 207 218

HSL 183.77, 0.7%, 0.51%

LAB 76.19, -35.74, -16.99

 

CMYK 80 / 27 / 0 / 15

HEX #2BA0DA

RGB 43 160 218

HSL 199.89, 0.7%, 0.51%

LAB 62.27, -11.87, -38.39

 

CMYK 80 / 48 / 0 / 15

HEX #2B71DA

RGB 43 113 218

HSL 216, 0.7%, 0.51%

LAB 48.74, 16.12, -59.88

 

CMYK 80 / 70 / 0 / 15

HEX #2B42DA

RGB 43 66 218

HSL 232.11, 0.7%, 0.51%

LAB 36.88, 45.83, -79.23

 

CMYK 80 / 0 / 17 / 15

HEX #2BDAB5

RGB 43 218 181

HSL 167.31, 0.7%, 0.51%

LAB 78.46, -50.79, 6.2

 

CMYK 91 / 0 / 19 / 7

HEX #16EEC0

RGB 22 238 192

HSL 167.22, 0.86%, 0.51%

LAB 84.55, -57.4, 9.11

 

CMYK 80 / 0 / 17 / 15

HEX #2BDAB5

RGB 43 218 181

HSL 167.31, 0.7%, 0.51%

LAB 78.46, -50.79, 6.2

 

CMYK 68 / 0 / 14 / 23

HEX #3FC5A9

RGB 63 197 169

HSL 167.46, 0.54%, 0.51%

LAB 72.13, -42.58, 3.57

 

CMYK 53 / 0 / 11 / 31

HEX #53B19D

RGB 83 177 157

HSL 167.23, 0.38%, 0.51%

LAB 66.3, -32.8, 1.77

 

CMYK 34 / 0 / 7 / 38

HEX #679D92

RGB 103 157 146

HSL 167.78, 0.22%, 0.51%

LAB 60.85, -20.38, 0.07

 

CMYK 10 / 0 / 2 / 46

HEX #7B8986

RGB 123 137 134

HSL 167.14, 0.06%, 0.51%

LAB 55.91, -5.7, -0.13

HEX #7B8986

CMYK 80 / 0 / 61 / 15

HEX #2BDA56

RGB 43 218 86

HSL 134.74, 0.7%, 0.51%

LAB 76.88, -68.64, 51.92

 

CMYK 80 / 0 / 39 / 15

HEX #2BDA85

RGB 43 218 133

HSL 150.86, 0.7%, 0.51%

LAB 77.49, -61.4, 30.05

 

CMYK 80 / 0 / 17 / 15

HEX #2BDAB4

RGB 43 218 180

HSL 166.97, 0.7%, 0.51%

LAB 78.43, -51.04, 6.7

 

CMYK 80 / 4 / 0 / 15

HEX #2BD1DA

RGB 43 209 218

HSL 183.09, 0.7%, 0.51%

LAB 76.79, -36.67, -16.09

 

CMYK 80 / 26 / 0 / 15

HEX #2BA2DA

RGB 43 162 218

HSL 199.2, 0.7%, 0.51%

LAB 62.86, -12.97, -37.47

 

CMYK 82 / 0 / 17 / 41

HEX #1B977D

RGB 27 151 125

HSL 167.42, 0.7%, 0.35%

LAB 55.93, -38.54, 4.56

 

CMYK 82 / 0 / 17 / 27

HEX #21BA9A

RGB 33 186 154

HSL 167.45, 0.7%, 0.43%

LAB 67.85, -45.33, 5.52

 

CMYK 80 / 0 / 17 / 15

HEX #2BDAB5

RGB 43 218 181

HSL 167.31, 0.7%, 0.51%

LAB 78.46, -50.79, 6.2

 

CMYK 65 / 0 / 14 / 12

HEX #4EE0C1

RGB 78 224 193

HSL 167.26, 0.7%, 0.59%

LAB 81.17, -45.96, 3.82

 

CMYK 51 / 0 / 11 / 10

HEX #71E6CD

RGB 113 230 205

HSL 167.18, 0.7%, 0.67%

LAB 84.23, -39.11, 2.04

 

CMYK 80 / 0 / 17 / 15

HEX #2BDAB5

RGB 43 218 181

HSL 167.31, 0.7%, 0.51%

LAB 78.46, -50.79, 6.2

 

CMYK 80 / 79 / 0 / 15

HEX #2B2EDA

RGB 43 46 218

HSL 238.97, 0.7%, 0.51%

LAB 32.98, 56.82, -85.67

 

CMYK 0 / 50 / 80 / 15

HEX #DA6E2B

RGB 218 110 43

HSL 22.97, 0.7%, 0.51%

LAB 58.26, 38.06, 54.06

 

CMYK 80 / 0 / 17 / 15

HEX #2BDAB5

RGB 43 218 181

HSL 167.31, 0.7%, 0.51%

LAB 78.46, -50.79, 6.2

 

CMYK 17 / 80 / 0 / 15

HEX #B42BDA

RGB 180 43 218

HSL 286.97, 0.7%, 0.51%

LAB 47.61, 74.87, -61.11

 

CMYK 0 / 17 / 80 / 15

HEX #DAB42B

RGB 218 180 43

HSL 46.97, 0.7%, 0.51%

LAB 74.65, 0.89, 68.88

 

CMYK 80 / 0 / 17 / 15

HEX #2BDAB5

RGB 43 218 181

HSL 167.31, 0.7%, 0.51%

LAB 78.46, -50.79, 6.2

 

CMYK 80 / 79 / 0 / 15

HEX #2B2EDA

RGB 43 46 218

HSL 238.97, 0.7%, 0.51%

LAB 32.98, 56.82, -85.67

 

CMYK 0 / 80 / 63 / 15

HEX #DA2B50

RGB 218 43 80

HSL 347.31, 0.7%, 0.51%

LAB 48.53, 66.87, 23.28

 

CMYK 0 / 1 / 80 / 15

HEX #DAD72B

RGB 218 215 43

HSL 58.97, 0.7%, 0.51%

LAB 83.8, -16.95, 76.85

 

CMYK 80 / 0 / 17 / 15

HEX #2BDAB5

RGB 43 218 181

HSL 167.31, 0.7%, 0.51%

LAB 78.46, -50.79, 6.2

 

CMYK 58 / 80 / 0 / 15

HEX #5C2BDA

RGB 92 43 218

HSL 256.8, 0.7%, 0.51%

LAB 36.11, 62.16, -80.38

 

CMYK 0 / 80 / 63 / 15

HEX #DA2B50

RGB 218 43 80

HSL 347.31, 0.7%, 0.51%

LAB 48.53, 66.87, 23.28

 

CMYK 23 / 0 / 80 / 15

HEX #A8DA2B

RGB 168 218 43

HSL 77.14, 0.7%, 0.51%

LAB 81.09, -38.72, 73.12

 

Description

Color code: HEX #2BDAB5 | qconv.com Color code: HEX #2BDAB5 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 218 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 218 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 17 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 17% 15% C M Y K

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