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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2BD21F it is the complementary color #D42DE0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2BD21F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2BD21F shade: #30D21A, #41E42D, #52F640, #63FF53 and #74FF66

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2BD21F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2BD21F shade: #2BD21F, #1AC00C, #09AE00, #009C00 and #008A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2BD21F shade: #2BD11F, #5BD11F, #8BD11F, #BBD11F and #D1B71F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2BD21F shade: #2BD11F, #1FD143, #1FD173, #1FD1A3 and #1FCED1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2BD21F shade matches the following richer shades: #2BD11F and #1AE40C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2BD21F shade: #2BD11F, #3CBD33, #4DAA46, #5D9659 and #6E836D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2BD21F shade: #8DD11F, #5DD11F, #2ED11F, #1FD140 and #1FD16F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2BD21F shade: #1C8914, #24AD1A, #2BD11F, #43E138 and #65E75C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2BD21F shade: #2BD21F, #1FBCD1 and #D11F75

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2BD21F shade: #2BD21F, #1F2ED1 and #D11F2E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2BD21F shade: #2BD21F, #1FBCD1, #C21FD1 and #D1341F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2BD21F shade: #2BD21F, #1F87D1, #C21FD1 and #D1691F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 85 / 18

HEX #2BD21F

RGB 43 210 31

HSL 115.98, 0.74%, 0.47%

LAB 74, -70.64, 67.95

 

Complementary color

CMYK 5 / 80 / 0 / 12

HEX #D42DE0

RGB 212 45 224

HSL 295.98, 0.74%, 0.53%

LAB 53.23, 81.06, -55.23

 

CMYK 77 / 0 / 88 / 18

HEX #30D21A

RGB 48 210 26

HSL 112.83, 0.78%, 0.46%

LAB 74.06, -70.19, 69.06

 

CMYK 71 / 0 / 80 / 11

HEX #41E42D

RGB 65 228 45

HSL 113.44, 0.77%, 0.54%

LAB 80.07, -72.15, 70.16

 

CMYK 67 / 0 / 74 / 4

HEX #52F640

RGB 82 246 64

HSL 114.07, 0.91%, 0.61%

LAB 86.04, -73.58, 70.35

 

CMYK 61 / 0 / 67 / 0

HEX #63FF53

RGB 99 255 83

HSL 114.42, 1%, 0.66%

LAB 89.3, -71.63, 67.14

 

CMYK 55 / 0 / 60 / 0

HEX #74FF66

RGB 116 255 102

HSL 114.51, 1%, 0.7%

LAB 89.95, -65.94, 60.39

 

CMYK 80 / 0 / 85 / 18

HEX #2BD21F

RGB 43 210 31

HSL 115.98, 0.74%, 0.47%

LAB 74, -70.64, 67.95

 

CMYK 86 / 0 / 94 / 25

HEX #1AC00C

RGB 26 192 12

HSL 115.33, 0.88%, 0.4%

LAB 67.98, -67.89, 66.02

 

CMYK 95 / 0 / 100 / 32

HEX #09AE00

RGB 9 174 0

HSL 116.9, 1%, 0.34%

LAB 61.94, -64.25, 62.52

 

CMYK 100 / 0 / 100 / 39

HEX #009C00

RGB 0 156 0

HSL 120, 1%, 0.31%

LAB 55.86, -59.7, 57.62

 

CMYK 100 / 0 / 100 / 46

HEX #008A00

RGB 0 138 0

HSL 120, 1%, 0.27%

LAB 49.71, -54.59, 52.69

 

CMYK 79 / 0 / 85 / 18

HEX #2BD11F

RGB 43 209 31

HSL 115.96, 0.74%, 0.47%

LAB 73.68, -70.35, 67.67

 

CMYK 56 / 0 / 85 / 18

HEX #5BD11F

RGB 91 209 31

HSL 99.78, 0.74%, 0.47%

LAB 74.78, -61.13, 69.06

 

CMYK 33 / 0 / 85 / 18

HEX #8BD11F

RGB 139 209 31

HSL 83.6, 0.74%, 0.47%

LAB 76.79, -46.1, 71.59

 

CMYK 11 / 0 / 85 / 18

HEX #BBD11F

RGB 187 209 31

HSL 67.42, 0.74%, 0.47%

LAB 79.76, -27.34, 75.29

 

CMYK 0 / 12 / 85 / 18

HEX #D1B71F

RGB 209 183 31

HSL 51.24, 0.74%, 0.47%

LAB 74.52, -4.93, 71.69

 

CMYK 79 / 0 / 85 / 18

HEX #2BD11F

RGB 43 209 31

HSL 115.96, 0.74%, 0.47%

LAB 73.68, -70.35, 67.67

 

CMYK 85 / 0 / 68 / 18

HEX #1FD143

RGB 31 209 67

HSL 132.13, 0.74%, 0.47%

LAB 73.74, -69.12, 56.34

 

CMYK 85 / 0 / 45 / 18

HEX #1FD173

RGB 31 209 115

HSL 148.31, 0.74%, 0.47%

LAB 74.27, -62.63, 34.96

 

CMYK 85 / 0 / 22 / 18

HEX #1FD1A3

RGB 31 209 163

HSL 164.49, 0.74%, 0.47%

LAB 75.16, -52.6, 11.08

 

CMYK 85 / 1 / 0 / 18

HEX #1FCED1

RGB 31 206 209

HSL 181.01, 0.74%, 0.47%

LAB 75.47, -38.85, -13.23

 

CMYK 79 / 0 / 85 / 18

HEX #2BD11F

RGB 43 209 31

HSL 115.96, 0.74%, 0.47%

LAB 73.68, -70.35, 67.67

 

CMYK 89 / 0 / 95 / 11

HEX #1AE40C

RGB 26 228 12

HSL 116.11, 0.9%, 0.47%

LAB 79.46, -77.85, 75.52

 

CMYK 79 / 0 / 85 / 18

HEX #2BD11F

RGB 43 209 31

HSL 115.96, 0.74%, 0.47%

LAB 73.68, -70.35, 67.67

 

CMYK 68 / 0 / 73 / 26

HEX #3CBD33

RGB 60 189 51

HSL 116.09, 0.58%, 0.47%

LAB 67.72, -60.24, 56.27

 

CMYK 55 / 0 / 59 / 33

HEX #4DAA46

RGB 77 170 70

HSL 115.8, 0.42%, 0.47%

LAB 62.31, -47.57, 42.57

 

CMYK 38 / 0 / 41 / 41

HEX #5D9659

RGB 93 150 89

HSL 116.07, 0.26%, 0.47%

LAB 56.94, -31.45, 26.42

 

CMYK 16 / 0 / 17 / 49

HEX #6E836D

RGB 110 131 109

HSL 117.27, 0.09%, 0.47%

LAB 52.57, -12.15, 9.39

 

CMYK 33 / 0 / 85 / 18

HEX #8DD11F

RGB 141 209 31

HSL 82.92, 0.74%, 0.47%

LAB 76.9, -45.37, 71.72

 

CMYK 56 / 0 / 85 / 18

HEX #5DD11F

RGB 93 209 31

HSL 99.1, 0.74%, 0.47%

LAB 74.84, -60.61, 69.14

 

CMYK 78 / 0 / 85 / 18

HEX #2ED11F

RGB 46 209 31

HSL 114.94, 0.74%, 0.47%

LAB 73.73, -69.96, 67.73

 

CMYK 85 / 0 / 69 / 18

HEX #1FD140

RGB 31 209 64

HSL 131.12, 0.74%, 0.47%

LAB 73.72, -69.4, 57.48

 

CMYK 85 / 0 / 47 / 18

HEX #1FD16F

RGB 31 209 111

HSL 146.97, 0.74%, 0.47%

LAB 74.22, -63.31, 36.89

 

CMYK 80 / 0 / 85 / 46

HEX #1C8914

RGB 28 137 20

HSL 115.9, 0.75%, 0.31%

LAB 49.72, -50.84, 48.72

 

CMYK 79 / 0 / 85 / 32

HEX #24AD1A

RGB 36 173 26

HSL 115.92, 0.74%, 0.39%

LAB 61.94, -60.71, 58.29

 

CMYK 79 / 0 / 85 / 18

HEX #2BD11F

RGB 43 209 31

HSL 115.96, 0.74%, 0.47%

LAB 73.68, -70.35, 67.67

 

CMYK 70 / 0 / 75 / 12

HEX #43E138

RGB 67 225 56

HSL 116.09, 0.74%, 0.55%

LAB 79.23, -70.22, 66.11

 

CMYK 56 / 0 / 60 / 9

HEX #65E75C

RGB 101 231 92

HSL 116.12, 0.74%, 0.63%

LAB 82.21, -61.99, 55.74

 

CMYK 80 / 0 / 85 / 18

HEX #2BD21F

RGB 43 210 31

HSL 115.98, 0.74%, 0.47%

LAB 74, -70.64, 67.95

 

CMYK 85 / 10 / 0 / 18

HEX #1FBCD1

RGB 31 188 209

HSL 187.08, 0.74%, 0.47%

LAB 70.08, -30.38, -21.38

 

CMYK 0 / 85 / 44 / 18

HEX #D11F75

RGB 209 31 117

HSL 331.01, 0.74%, 0.47%

LAB 46.74, 70, -2.21

 

CMYK 80 / 0 / 85 / 18

HEX #2BD21F

RGB 43 210 31

HSL 115.98, 0.74%, 0.47%

LAB 74, -70.64, 67.95

 

CMYK 85 / 78 / 0 / 18

HEX #1F2ED1

RGB 31 46 209

HSL 234.94, 0.74%, 0.47%

LAB 31.46, 53.38, -83.01

 

CMYK 0 / 85 / 78 / 18

HEX #D11F2E

RGB 209 31 46

HSL 354.94, 0.74%, 0.47%

LAB 45.27, 65.73, 39.2

 

CMYK 80 / 0 / 85 / 18

HEX #2BD21F

RGB 43 210 31

HSL 115.98, 0.74%, 0.47%

LAB 74, -70.64, 67.95

 

CMYK 85 / 10 / 0 / 18

HEX #1FBCD1

RGB 31 188 209

HSL 187.08, 0.74%, 0.47%

LAB 70.08, -30.38, -21.38

 

CMYK 7 / 85 / 0 / 18

HEX #C21FD1

RGB 194 31 209

HSL 294.94, 0.74%, 0.47%

LAB 48.33, 78.52, -54.69

 

CMYK 0 / 75 / 85 / 18

HEX #D1341F

RGB 209 52 31

HSL 7.08, 0.74%, 0.47%

LAB 47.12, 59.71, 48.81

 

CMYK 80 / 0 / 85 / 18

HEX #2BD21F

RGB 43 210 31

HSL 115.98, 0.74%, 0.47%

LAB 74, -70.64, 67.95

 

CMYK 85 / 35 / 0 / 18

HEX #1F87D1

RGB 31 135 209

HSL 204.94, 0.74%, 0.47%

LAB 54.26, -1.85, -45.97

 

CMYK 7 / 85 / 0 / 18

HEX #C21FD1

RGB 194 31 209

HSL 294.94, 0.74%, 0.47%

LAB 48.33, 78.52, -54.69

 

CMYK 0 / 50 / 85 / 18

HEX #D1691F

RGB 209 105 31

HSL 24.94, 0.74%, 0.47%

LAB 55.84, 36.68, 56.2

 

Description

Color code: HEX #2BD21F | qconv.com Color code: HEX #2BD21F | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 210 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 210 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 85 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 85% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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