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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2BB83F it is the complementary color #D447C0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2BB83F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2BB83F shade: #30B83A, #41CA4D, #52DC60, #63EE73 and #74FF86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2BB83F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2BB83F shade: #2BB83F, #1AA62C, #099419, #008206 and #007000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2BB83F shade: #2CBA40, #3EBA2C, #64BA2C, #8BBA2C and #B1BA2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2BB83F shade: #2CBA40, #2CBA66, #2CBA8D, #2CBAB3 and #2C9BBA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2BB83F shade matches the following richer shades: #2CBA40, #19CC32 and #06DF25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2BB83F shade: #2CBA40, #3EA74D, #51955A, #638268 and #767075

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2BB83F shade: #65BA2C, #3FBA2C, #2CBA3F, #2CBA65 and #2CBA8A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2BB83F shade: #1C7729, #249834, #2CBA40, #3DD252 and #5FD970

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2BB83F shade: #2BB83F, #2C8ABA and #BA2C52

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2BB83F shade: #2BB83F, #3F2CBA and #BA3F2C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2BB83F shade: #2BB83F, #2C8ABA, #BA2CA7 and #BA5B2C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2BB83F shade: #2BB83F, #2C60BA, #BA2CA7 and #BA862C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 0 / 66 / 28

HEX #2BB83F

RGB 43 184 63

HSL 128.51, 0.62%, 0.45%

LAB 65.87, -60.35, 49.48

 

Complementary color

CMYK 0 / 67 / 9 / 17

HEX #D447C0

RGB 212 71 192

HSL 308.51, 0.62%, 0.55%

LAB 54.35, 68.04, -35.16

 

CMYK 74 / 0 / 68 / 28

HEX #30B83A

RGB 48 184 58

HSL 124.41, 0.59%, 0.45%

LAB 65.92, -60.1, 51.63

 

CMYK 68 / 0 / 62 / 21

HEX #41CA4D

RGB 65 202 77

HSL 125.26, 0.56%, 0.52%

LAB 72.16, -61.19, 50.59

 

CMYK 63 / 0 / 56 / 14

HEX #52DC60

RGB 82 220 96

HSL 126.09, 0.66%, 0.59%

LAB 78.36, -61.87, 49.36

 

CMYK 58 / 0 / 52 / 7

HEX #63EE73

RGB 99 238 115

HSL 126.91, 0.8%, 0.66%

LAB 84.5, -62.25, 48.06

 

CMYK 55 / 0 / 47 / 0

HEX #74FF86

RGB 116 255 134

HSL 127.77, 1%, 0.73%

LAB 90.3, -62.06, 46.38

 

CMYK 77 / 0 / 66 / 28

HEX #2BB83F

RGB 43 184 63

HSL 128.51, 0.62%, 0.45%

LAB 65.87, -60.35, 49.48

 

CMYK 84 / 0 / 73 / 35

HEX #1AA62C

RGB 26 166 44

HSL 127.71, 0.73%, 0.38%

LAB 59.59, -58.56, 50.37

 

CMYK 94 / 0 / 83 / 42

HEX #099419

RGB 9 148 25

HSL 126.91, 0.89%, 0.31%

LAB 53.29, -55.88, 50.52

 

CMYK 100 / 0 / 95 / 49

HEX #008206

RGB 0 130 6

HSL 122.77, 1%, 0.25%

LAB 46.95, -52.06, 49.26

 

CMYK 100 / 0 / 100 / 56

HEX #007000

RGB 0 112 0

HSL 120, 1%, 0.22%

LAB 40.55, -46.99, 45.35

 

CMYK 76 / 0 / 66 / 27

HEX #2CBA40

RGB 44 186 64

HSL 128.45, 0.62%, 0.45%

LAB 66.54, -60.75, 49.8

 

CMYK 67 / 0 / 76 / 27

HEX #3EBA2C

RGB 62 186 44

HSL 112.39, 0.62%, 0.45%

LAB 66.77, -59.36, 57.76

 

CMYK 46 / 0 / 76 / 27

HEX #64BA2C

RGB 100 186 44

HSL 96.34, 0.62%, 0.45%

LAB 68.03, -49.4, 59.42

 

CMYK 25 / 0 / 76 / 27

HEX #8BBA2C

RGB 139 186 44

HSL 79.86, 0.62%, 0.45%

LAB 70.03, -35.52, 62.03

 

CMYK 5 / 0 / 76 / 27

HEX #B1BA2C

RGB 177 186 44

HSL 63.8, 0.62%, 0.45%

LAB 72.66, -19.9, 65.43

 

CMYK 76 / 0 / 66 / 27

HEX #2CBA40

RGB 44 186 64

HSL 128.45, 0.62%, 0.45%

LAB 66.54, -60.75, 49.8

 

CMYK 76 / 0 / 45 / 27

HEX #2CBA66

RGB 44 186 102

HSL 144.51, 0.62%, 0.45%

LAB 66.99, -55.44, 32.24

 

CMYK 76 / 0 / 24 / 27

HEX #2CBA8D

RGB 44 186 141

HSL 160.99, 0.62%, 0.45%

LAB 67.71, -47.41, 12.44

 

CMYK 76 / 0 / 4 / 27

HEX #2CBAB3

RGB 44 186 179

HSL 177.04, 0.62%, 0.45%

LAB 68.68, -37.42, -6.99

 

CMYK 76 / 17 / 0 / 27

HEX #2C9BBA

RGB 44 155 186

HSL 193.1, 0.62%, 0.45%

LAB 59.46, -20.01, -24.85

 

CMYK 76 / 0 / 66 / 27

HEX #2CBA40

RGB 44 186 64

HSL 128.45, 0.62%, 0.45%

LAB 66.54, -60.75, 49.8

 

CMYK 88 / 0 / 75 / 20

HEX #19CC32

RGB 25 204 50

HSL 128.38, 0.78%, 0.45%

LAB 71.98, -69.58, 60.71

 

CMYK 97 / 0 / 83 / 13

HEX #06DF25

RGB 6 223 37

HSL 128.57, 0.95%, 0.45%

LAB 77.84, -76.64, 69.92

 

CMYK 76 / 0 / 66 / 27

HEX #2CBA40

RGB 44 186 64

HSL 128.45, 0.62%, 0.45%

LAB 66.54, -60.75, 49.8

 

CMYK 63 / 0 / 54 / 35

HEX #3EA74D

RGB 62 167 77

HSL 128.57, 0.46%, 0.45%

LAB 60.96, -49.19, 37.45

 

CMYK 46 / 0 / 40 / 42

HEX #51955A

RGB 81 149 90

HSL 127.94, 0.3%, 0.45%

LAB 56.07, -34.65, 24.63

 

CMYK 24 / 0 / 20 / 49

HEX #638268

RGB 99 130 104

HSL 129.68, 0.14%, 0.45%

LAB 51.4, -16.61, 10.54

 

CMYK 0 / 5 / 1 / 54

HEX #767075

RGB 118 112 117

HSL 310, 0.03%, 0.45%

LAB 47.91, 3.31, -1.94

 

CMYK 46 / 0 / 76 / 27

HEX #65BA2C

RGB 101 186 44

HSL 95.92, 0.62%, 0.45%

LAB 68.07, -49.08, 59.48

 

CMYK 66 / 0 / 76 / 27

HEX #3FBA2C

RGB 63 186 44

HSL 111.97, 0.62%, 0.45%

LAB 66.79, -59.15, 57.8

 

CMYK 76 / 0 / 66 / 27

HEX #2CBA3F

RGB 44 186 63

HSL 128.03, 0.62%, 0.45%

LAB 66.53, -60.86, 50.21

 

CMYK 76 / 0 / 46 / 27

HEX #2CBA65

RGB 44 186 101

HSL 144.08, 0.62%, 0.45%

LAB 66.97, -55.62, 32.74

 

CMYK 76 / 0 / 26 / 27

HEX #2CBA8A

RGB 44 186 138

HSL 159.72, 0.62%, 0.45%

LAB 67.64, -48.11, 13.98

 

CMYK 76 / 0 / 66 / 53

HEX #1C7729

RGB 28 119 41

HSL 128.57, 0.62%, 0.29%

LAB 43.65, -42.9, 34.59

 

CMYK 76 / 0 / 66 / 40

HEX #249834

RGB 36 152 52

HSL 128.28, 0.62%, 0.37%

LAB 55.15, -51.92, 42.4

 

CMYK 76 / 0 / 66 / 27

HEX #2CBA40

RGB 44 186 64

HSL 128.45, 0.62%, 0.45%

LAB 66.54, -60.75, 49.8

 

CMYK 71 / 0 / 61 / 18

HEX #3DD252

RGB 61 210 82

HSL 128.46, 0.62%, 0.53%

LAB 74.63, -64.04, 51.18

 

CMYK 56 / 0 / 48 / 15

HEX #5FD970

RGB 95 217 112

HSL 128.36, 0.62%, 0.61%

LAB 78.01, -55.73, 41.45

 

CMYK 77 / 0 / 66 / 28

HEX #2BB83F

RGB 43 184 63

HSL 128.51, 0.62%, 0.45%

LAB 65.87, -60.35, 49.48

 

CMYK 76 / 26 / 0 / 27

HEX #2C8ABA

RGB 44 138 186

HSL 200.28, 0.62%, 0.45%

LAB 54.3, -10.71, -32.84

 

CMYK 0 / 76 / 56 / 27

HEX #BA2C52

RGB 186 44 82

HSL 343.94, 0.62%, 0.45%

LAB 42.54, 57.79, 12.95

 

CMYK 77 / 0 / 66 / 28

HEX #2BB83F

RGB 43 184 63

HSL 128.51, 0.62%, 0.45%

LAB 65.87, -60.35, 49.48

 

CMYK 66 / 76 / 0 / 27

HEX #3F2CBA

RGB 63 44 186

HSL 248.03, 0.62%, 0.45%

LAB 30.41, 49.49, -71.21

 

CMYK 0 / 66 / 76 / 27

HEX #BA3F2C

RGB 186 63 44

HSL 8.03, 0.62%, 0.45%

LAB 44.48, 48.51, 38.16

 

CMYK 77 / 0 / 66 / 28

HEX #2BB83F

RGB 43 184 63

HSL 128.51, 0.62%, 0.45%

LAB 65.87, -60.35, 49.48

 

CMYK 76 / 26 / 0 / 27

HEX #2C8ABA

RGB 44 138 186

HSL 200.28, 0.62%, 0.45%

LAB 54.3, -10.71, -32.84

 

CMYK 0 / 76 / 10 / 27

HEX #BA2CA7

RGB 186 44 167

HSL 308.03, 0.62%, 0.45%

LAB 45.68, 67.34, -34.45

 

CMYK 0 / 51 / 76 / 27

HEX #BA5B2C

RGB 186 91 44

HSL 19.86, 0.62%, 0.45%

LAB 49.62, 35.12, 43.54

 

CMYK 77 / 0 / 66 / 28

HEX #2BB83F

RGB 43 184 63

HSL 128.51, 0.62%, 0.45%

LAB 65.87, -60.35, 49.48

 

CMYK 76 / 48 / 0 / 27

HEX #2C60BA

RGB 44 96 186

HSL 218.03, 0.62%, 0.45%

LAB 41.92, 14.95, -52.48

 

CMYK 0 / 76 / 10 / 27

HEX #BA2CA7

RGB 186 44 167

HSL 308.03, 0.62%, 0.45%

LAB 45.68, 67.34, -34.45

 

CMYK 0 / 28 / 76 / 27

HEX #BA862C

RGB 186 134 44

HSL 38.03, 0.62%, 0.45%

LAB 59.59, 11.67, 53.45

 

Description

Color code: HEX #2BB83F | qconv.com Color code: HEX #2BB83F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 184 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 184 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, none magenta, 66 yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 0% 66% 28% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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