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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2BB391 it is the complementary color #D44C6E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2BB391. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2BB391 shade: #30B38C, #41C59F, #52D7B2, #63E9C5 and #74FBD8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2BB391. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2BB391 shade: #2BB391, #1AA17E, #098F6B, #007D58 and #006B45

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2BB391 shade: #2CB592, #2CB56E, #2CB549, #34B52C and #59B52C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2BB391 shade: #2CB592, #2CB2B5, #2C8DB5, #2C68B5 and #2C43B5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2BB391 shade matches the following richer shades: #2CB592, #1AC79B and #07D9A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2BB391 shade: #2CB592, #3EA289, #509080, #627E77 and #746C6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2BB391 shade: #2CB549, #2CB56E, #2CB592, #2CB2B5 and #2C8EB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2BB391 shade: #1C725D, #249377, #2CB592, #3ACFAA and #5CD7B8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2BB391 shade: #2BB391, #2C33B5 and #B55C2C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2BB391 shade: #2BB391, #922CB5 and #B5922C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2BB391 shade: #2BB391, #2C33B5, #B52C4E and #B5AE2C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2BB391 shade: #2BB391, #4E2CB5, #B52C4E and #92B52C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 19 / 30

HEX #2BB391

RGB 43 179 145

HSL 165, 0.61%, 0.44%

LAB 65.59, -43.64, 7.24

 

Complementary color

CMYK 0 / 64 / 48 / 17

HEX #D44C6E

RGB 212 76 110

HSL 345, 0.61%, 0.56%

LAB 52.17, 56, 9.93

 

CMYK 73 / 0 / 22 / 30

HEX #30B38C

RGB 48 179 140

HSL 162.14, 0.58%, 0.45%

LAB 65.56, -44.23, 9.97

 

CMYK 67 / 0 / 19 / 23

HEX #41C59F

RGB 65 197 159

HSL 162.73, 0.53%, 0.51%

LAB 71.93, -44.74, 8.71

 

CMYK 62 / 0 / 17 / 16

HEX #52D7B2

RGB 82 215 178

HSL 163.31, 0.62%, 0.58%

LAB 78.23, -45.03, 7.58

 

CMYK 58 / 0 / 15 / 9

HEX #63E9C5

RGB 99 233 197

HSL 163.88, 0.75%, 0.65%

LAB 84.46, -45.19, 6.54

 

CMYK 54 / 0 / 14 / 2

HEX #74FBD8

RGB 116 251 216

HSL 164.44, 0.94%, 0.72%

LAB 90.63, -45.24, 5.57

 

CMYK 76 / 0 / 19 / 30

HEX #2BB391

RGB 43 179 145

HSL 165, 0.61%, 0.44%

LAB 65.59, -43.64, 7.24

 

CMYK 84 / 0 / 22 / 37

HEX #1AA17E

RGB 26 161 126

HSL 164.44, 0.72%, 0.37%

LAB 59.17, -42.66, 8.63

 

CMYK 94 / 0 / 25 / 44

HEX #098F6B

RGB 9 143 107

HSL 163.88, 0.88%, 0.3%

LAB 52.69, -41.21, 10.2

 

CMYK 100 / 0 / 30 / 51

HEX #007D58

RGB 0 125 88

HSL 162.24, 1%, 0.25%

LAB 46.14, -39.15, 12

 

CMYK 100 / 0 / 36 / 58

HEX #006B45

RGB 0 107 69

HSL 158.69, 1%, 0.21%

LAB 39.49, -36.48, 14.02

 

CMYK 76 / 0 / 19 / 29

HEX #2CB592

RGB 44 181 146

HSL 164.67, 0.61%, 0.44%

LAB 66.26, -44.11, 7.65

 

CMYK 76 / 0 / 39 / 29

HEX #2CB56E

RGB 44 181 110

HSL 148.91, 0.61%, 0.44%

LAB 65.52, -52.13, 26.15

 

CMYK 76 / 0 / 60 / 29

HEX #2CB549

RGB 44 181 73

HSL 132.7, 0.61%, 0.44%

LAB 65.01, -58.05, 44.08

 

CMYK 71 / 0 / 76 / 29

HEX #34B52C

RGB 52 181 44

HSL 116.5, 0.61%, 0.44%

LAB 64.93, -59.62, 55.88

 

CMYK 51 / 0 / 76 / 29

HEX #59B52C

RGB 89 181 44

HSL 100.29, 0.61%, 0.44%

LAB 66.02, -50.8, 57.32

 

CMYK 76 / 0 / 19 / 29

HEX #2CB592

RGB 44 181 146

HSL 164.67, 0.61%, 0.44%

LAB 66.26, -44.11, 7.65

 

CMYK 76 / 2 / 0 / 29

HEX #2CB2B5

RGB 44 178 181

HSL 181.31, 0.61%, 0.44%

LAB 66.3, -33.11, -11.66

 

CMYK 76 / 22 / 0 / 29

HEX #2C8DB5

RGB 44 141 181

HSL 197.52, 0.61%, 0.44%

LAB 54.99, -14.14, -28.91

 

CMYK 76 / 43 / 0 / 29

HEX #2C68B5

RGB 44 104 181

HSL 213.72, 0.61%, 0.44%

LAB 43.9, 7.9, -46.37

 

CMYK 76 / 63 / 0 / 29

HEX #2C43B5

RGB 44 67 181

HSL 229.93, 0.61%, 0.44%

LAB 33.74, 32.07, -62.81

 

CMYK 76 / 0 / 19 / 29

HEX #2CB592

RGB 44 181 146

HSL 164.67, 0.61%, 0.44%

LAB 66.26, -44.11, 7.65

 

CMYK 87 / 0 / 22 / 22

HEX #1AC79B

RGB 26 199 155

HSL 164.74, 0.77%, 0.44%

LAB 71.85, -50.92, 10.67

 

CMYK 97 / 0 / 24 / 15

HEX #07D9A5

RGB 7 217 165

HSL 165.14, 0.94%, 0.44%

LAB 77.51, -56.35, 13.32

 

CMYK 76 / 0 / 19 / 29

HEX #2CB592

RGB 44 181 146

HSL 164.67, 0.61%, 0.44%

LAB 66.26, -44.11, 7.65

 

CMYK 62 / 0 / 15 / 36

HEX #3EA289

RGB 62 162 137

HSL 165, 0.45%, 0.44%

LAB 60.49, -35.2, 4.43

 

CMYK 44 / 0 / 11 / 44

HEX #509080

RGB 80 144 128

HSL 165, 0.29%, 0.44%

LAB 55.29, -24.59, 2.1

 

CMYK 22 / 0 / 6 / 51

HEX #627E77

RGB 98 126 119

HSL 165, 0.13%, 0.44%

LAB 50.51, -11.61, 0.5

 

CMYK 0 / 7 / 5 / 55

HEX #746C6E

RGB 116 108 110

HSL 345, 0.04%, 0.44%

LAB 46.4, 3.51, 0

 

CMYK 76 / 0 / 60 / 29

HEX #2CB549

RGB 44 181 73

HSL 132.7, 0.61%, 0.44%

LAB 65.01, -58.05, 44.08

 

CMYK 76 / 0 / 39 / 29

HEX #2CB56E

RGB 44 181 110

HSL 148.91, 0.61%, 0.44%

LAB 65.52, -52.13, 26.15

 

CMYK 76 / 0 / 19 / 29

HEX #2CB592

RGB 44 181 146

HSL 164.67, 0.61%, 0.44%

LAB 66.26, -44.11, 7.65

 

CMYK 76 / 2 / 0 / 29

HEX #2CB2B5

RGB 44 178 181

HSL 181.31, 0.61%, 0.44%

LAB 66.3, -33.11, -11.66

 

CMYK 76 / 22 / 0 / 29

HEX #2C8EB5

RGB 44 142 181

HSL 197.08, 0.61%, 0.44%

LAB 55.3, -14.69, -28.43

 

CMYK 75 / 0 / 18 / 55

HEX #1C725D

RGB 28 114 93

HSL 165.35, 0.61%, 0.28%

LAB 42.87, -30.41, 4.47

 

CMYK 76 / 0 / 19 / 42

HEX #249377

RGB 36 147 119

HSL 164.86, 0.61%, 0.36%

LAB 54.63, -37.33, 6.14

 

CMYK 76 / 0 / 19 / 29

HEX #2CB592

RGB 44 181 146

HSL 164.67, 0.61%, 0.44%

LAB 66.26, -44.11, 7.65

 

CMYK 72 / 0 / 18 / 19

HEX #3ACFAA

RGB 58 207 170

HSL 165.1, 0.61%, 0.52%

LAB 75.09, -47.32, 7.28

 

CMYK 57 / 0 / 14 / 16

HEX #5CD7B8

RGB 92 215 184

HSL 164.88, 0.61%, 0.6%

LAB 78.66, -41.73, 5.02

 

CMYK 76 / 0 / 19 / 30

HEX #2BB391

RGB 43 179 145

HSL 165, 0.61%, 0.44%

LAB 65.59, -43.64, 7.24

 

CMYK 76 / 72 / 0 / 29

HEX #2C33B5

RGB 44 51 181

HSL 236.93, 0.61%, 0.44%

LAB 30.01, 42.08, -68.94

 

CMYK 0 / 49 / 76 / 29

HEX #B55C2C

RGB 181 92 44

HSL 21.02, 0.61%, 0.44%

LAB 49.08, 32.57, 42.75

 

CMYK 76 / 0 / 19 / 30

HEX #2BB391

RGB 43 179 145

HSL 165, 0.61%, 0.44%

LAB 65.59, -43.64, 7.24

 

CMYK 19 / 76 / 0 / 29

HEX #922CB5

RGB 146 44 181

HSL 284.67, 0.61%, 0.44%

LAB 40, 61.37, -52.18

 

CMYK 0 / 19 / 76 / 29

HEX #B5922C

RGB 181 146 44

HSL 44.67, 0.61%, 0.44%

LAB 62.14, 2.84, 55.71

 

CMYK 76 / 0 / 19 / 30

HEX #2BB391

RGB 43 179 145

HSL 165, 0.61%, 0.44%

LAB 65.59, -43.64, 7.24

 

CMYK 76 / 72 / 0 / 29

HEX #2C33B5

RGB 44 51 181

HSL 236.93, 0.61%, 0.44%

LAB 30.01, 42.08, -68.94

 

CMYK 0 / 76 / 57 / 29

HEX #B52C4E

RGB 181 44 78

HSL 345.11, 0.61%, 0.44%

LAB 41.49, 56.04, 13.87

 

CMYK 0 / 4 / 76 / 29

HEX #B5AE2C

RGB 181 174 44

HSL 56.93, 0.61%, 0.44%

LAB 69.67, -12.08, 62.79

 

CMYK 76 / 0 / 19 / 30

HEX #2BB391

RGB 43 179 145

HSL 165, 0.61%, 0.44%

LAB 65.59, -43.64, 7.24

 

CMYK 57 / 76 / 0 / 29

HEX #4E2CB5

RGB 78 44 181

HSL 254.89, 0.61%, 0.44%

LAB 31.25, 49.82, -66.81

 

CMYK 0 / 76 / 57 / 29

HEX #B52C4E

RGB 181 44 78

HSL 345.11, 0.61%, 0.44%

LAB 41.49, 56.04, 13.87

 

CMYK 19 / 0 / 76 / 29

HEX #92B52C

RGB 146 181 44

HSL 75.33, 0.61%, 0.44%

LAB 69, -30.41, 61.22

 

Description

Color code: HEX #2BB391 | qconv.com Color code: HEX #2BB391 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 179 green and 145 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 179 145 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 19 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 19% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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