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Color name
HEX #2BAD8C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2BAD8C it is the complementary color #D45273. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2BAD8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2BAD8C shade: #30AD87, #41BF9A, #52D1AD, #63E3C0 and #74F5D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2BAD8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2BAD8C shade: #2BAD8C, #1A9B79, #098966, #007753 and #006540

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2BAD8C shade: #2BAB8B, #2BAB68, #2BAB45, #33AB2B and #56AB2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2BAD8C shade: #2BAB8B, #2BA9AB, #2B87AB, #2B64AB and #2B41AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2BAD8C shade matches the following richer shades: #2BAB8B, #1ABD93 and #08CE9C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2BAD8C shade: #2BAB8B, #3C9A82, #4D897A, #5F7771 and #706669

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2BAD8C shade: #2BAB45, #2BAB67, #2BAB89, #2BABAB and #2B89AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2BAD8C shade: #1A6955, #238A70, #2BAB8B, #33CCA5 and #54D4B4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2BAD8C shade: #2BAD8C, #2B33AB and #AB562B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2BAD8C shade: #2BAD8C, #892BAB and #AB892B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2BAD8C shade: #2BAD8C, #2B33AB, #AB2B4D and #ABA32B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2BAD8C shade: #2BAD8C, #492BAB, #AB2B4D and #8DAB2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 19 / 32

HEX #2BAD8C

RGB 43 173 140

HSL 164.77, 0.6%, 0.42%

LAB 63.59, -42.34, 7.14

 

Complementary color

CMYK 0 / 61 / 46 / 17

HEX #D45273

RGB 212 82 115

HSL 344.77, 0.6%, 0.58%

LAB 53.24, 53.89, 8.47

 

CMYK 72 / 0 / 22 / 32

HEX #30AD87

RGB 48 173 135

HSL 161.76, 0.57%, 0.43%

LAB 63.56, -42.91, 9.89

 

CMYK 66 / 0 / 19 / 25

HEX #41BF9A

RGB 65 191 154

HSL 162.38, 0.5%, 0.5%

LAB 69.98, -43.37, 8.64

 

CMYK 61 / 0 / 17 / 18

HEX #52D1AD

RGB 82 209 173

HSL 162.99, 0.58%, 0.57%

LAB 76.32, -43.62, 7.51

 

CMYK 56 / 0 / 15 / 11

HEX #63E3C0

RGB 99 227 192

HSL 163.59, 0.7%, 0.64%

LAB 82.59, -43.74, 6.47

 

CMYK 53 / 0 / 14 / 4

HEX #74F5D3

RGB 116 245 211

HSL 164.19, 0.87%, 0.71%

LAB 88.79, -43.76, 5.52

 

CMYK 75 / 0 / 19 / 32

HEX #2BAD8C

RGB 43 173 140

HSL 164.77, 0.6%, 0.42%

LAB 63.59, -42.34, 7.14

 

CMYK 83 / 0 / 22 / 39

HEX #1A9B79

RGB 26 155 121

HSL 164.19, 0.71%, 0.35%

LAB 57.12, -41.41, 8.53

 

CMYK 93 / 0 / 26 / 46

HEX #098966

RGB 9 137 102

HSL 163.59, 0.88%, 0.29%

LAB 50.58, -40, 10.1

 

CMYK 100 / 0 / 30 / 53

HEX #007753

RGB 0 119 83

HSL 161.85, 1%, 0.23%

LAB 43.97, -37.94, 11.91

 

CMYK 100 / 0 / 37 / 60

HEX #006540

RGB 0 101 64

HSL 158.02, 1%, 0.2%

LAB 37.26, -35.24, 13.96

 

CMYK 75 / 0 / 19 / 33

HEX #2BAB8B

RGB 43 171 139

HSL 165, 0.6%, 0.42%

LAB 62.93, -41.74, 6.76

 

CMYK 75 / 0 / 39 / 33

HEX #2BAB68

RGB 43 171 104

HSL 148.59, 0.6%, 0.42%

LAB 62.2, -49.64, 24.94

 

CMYK 75 / 0 / 60 / 33

HEX #2BAB45

RGB 43 171 69

HSL 132.19, 0.6%, 0.42%

LAB 61.71, -55.3, 42.11

 

CMYK 70 / 0 / 75 / 33

HEX #33AB2B

RGB 51 171 43

HSL 116.25, 0.6%, 0.42%

LAB 61.66, -56.58, 52.96

 

CMYK 50 / 0 / 75 / 33

HEX #56AB2B

RGB 86 171 43

HSL 99.84, 0.6%, 0.42%

LAB 62.74, -47.89, 54.4

 

CMYK 75 / 0 / 19 / 33

HEX #2BAB8B

RGB 43 171 139

HSL 165, 0.6%, 0.42%

LAB 62.93, -41.74, 6.76

 

CMYK 75 / 1 / 0 / 33

HEX #2BA9AB

RGB 43 169 171

HSL 180.94, 0.6%, 0.42%

LAB 63.2, -31.92, -10.73

 

CMYK 75 / 21 / 0 / 33

HEX #2B87AB

RGB 43 135 171

HSL 196.88, 0.6%, 0.42%

LAB 52.71, -14.39, -26.71

 

CMYK 75 / 42 / 0 / 33

HEX #2B64AB

RGB 43 100 171

HSL 213.28, 0.6%, 0.42%

LAB 42.11, 6.53, -43.38

 

CMYK 75 / 62 / 0 / 33

HEX #2B41AB

RGB 43 65 171

HSL 229.69, 0.6%, 0.42%

LAB 32.33, 29.56, -59.17

 

CMYK 75 / 0 / 19 / 33

HEX #2BAB8B

RGB 43 171 139

HSL 165, 0.6%, 0.42%

LAB 62.93, -41.74, 6.76

 

CMYK 86 / 0 / 22 / 26

HEX #1ABD93

RGB 26 189 147

HSL 164.54, 0.76%, 0.42%

LAB 68.55, -48.89, 10.33

 

CMYK 96 / 0 / 24 / 19

HEX #08CE9C

RGB 8 206 156

HSL 164.85, 0.93%, 0.42%

LAB 73.93, -54.25, 13.06

 

CMYK 75 / 0 / 19 / 33

HEX #2BAB8B

RGB 43 171 139

HSL 165, 0.6%, 0.42%

LAB 62.93, -41.74, 6.76

 

CMYK 61 / 0 / 16 / 40

HEX #3C9A82

RGB 60 154 130

HSL 164.68, 0.44%, 0.42%

LAB 57.74, -33.66, 4.41

 

CMYK 44 / 0 / 11 / 46

HEX #4D897A

RGB 77 137 122

HSL 165, 0.28%, 0.42%

LAB 52.81, -23.32, 1.95

 

CMYK 20 / 0 / 5 / 53

HEX #5F7771

RGB 95 119 113

HSL 165, 0.11%, 0.42%

LAB 48.03, -10.08, 0.4

 

CMYK 0 / 9 / 6 / 56

HEX #706669

RGB 112 102 105

HSL 342, 0.05%, 0.42%

LAB 44.19, 4.53, -0.26

 

CMYK 75 / 0 / 60 / 33

HEX #2BAB45

RGB 43 171 69

HSL 132.19, 0.6%, 0.42%

LAB 61.71, -55.3, 42.11

 

CMYK 75 / 0 / 40 / 33

HEX #2BAB67

RGB 43 171 103

HSL 148.13, 0.6%, 0.42%

LAB 62.18, -49.83, 25.46

 

CMYK 75 / 0 / 20 / 33

HEX #2BAB89

RGB 43 171 137

HSL 164.06, 0.6%, 0.42%

LAB 62.88, -42.24, 7.8

 

CMYK 75 / 0 / 0 / 33

HEX #2BABAB

RGB 43 171 171

HSL 180, 0.6%, 0.42%

LAB 63.82, -32.88, -9.81

 

CMYK 75 / 20 / 0 / 33

HEX #2B89AB

RGB 43 137 171

HSL 195.94, 0.6%, 0.42%

LAB 53.33, -15.5, -25.76

 

CMYK 75 / 0 / 19 / 59

HEX #1A6955

RGB 26 105 85

HSL 164.81, 0.6%, 0.26%

LAB 39.54, -28.67, 4.52

 

CMYK 75 / 0 / 19 / 46

HEX #238A70

RGB 35 138 112

HSL 164.85, 0.6%, 0.34%

LAB 51.5, -35.29, 5.68

 

CMYK 75 / 0 / 19 / 33

HEX #2BAB8B

RGB 43 171 139

HSL 165, 0.6%, 0.42%

LAB 62.93, -41.74, 6.76

 

CMYK 75 / 0 / 19 / 20

HEX #33CCA5

RGB 51 204 165

HSL 164.71, 0.6%, 0.5%

LAB 73.94, -48.18, 8.3

 

CMYK 60 / 0 / 15 / 17

HEX #54D4B4

RGB 84 212 180

HSL 165, 0.6%, 0.58%

LAB 77.44, -42.89, 5.38

 

CMYK 75 / 0 / 19 / 32

HEX #2BAD8C

RGB 43 173 140

HSL 164.77, 0.6%, 0.42%

LAB 63.59, -42.34, 7.14

 

CMYK 75 / 70 / 0 / 33

HEX #2B33AB

RGB 43 51 171

HSL 236.25, 0.6%, 0.42%

LAB 28.96, 38.51, -64.7

 

CMYK 0 / 50 / 75 / 33

HEX #AB562B

RGB 171 86 43

HSL 20.16, 0.6%, 0.42%

LAB 46.3, 31.62, 39.88

 

CMYK 75 / 0 / 19 / 32

HEX #2BAD8C

RGB 43 173 140

HSL 164.77, 0.6%, 0.42%

LAB 63.59, -42.34, 7.14

 

CMYK 20 / 75 / 0 / 33

HEX #892BAB

RGB 137 43 171

HSL 284.06, 0.6%, 0.42%

LAB 37.82, 57.95, -49.83

 

CMYK 0 / 20 / 75 / 33

HEX #AB892B

RGB 171 137 43

HSL 44.06, 0.6%, 0.42%

LAB 58.72, 3.25, 52.45

 

CMYK 75 / 0 / 19 / 32

HEX #2BAD8C

RGB 43 173 140

HSL 164.77, 0.6%, 0.42%

LAB 63.59, -42.34, 7.14

 

CMYK 75 / 70 / 0 / 33

HEX #2B33AB

RGB 43 51 171

HSL 236.25, 0.6%, 0.42%

LAB 28.96, 38.51, -64.7

 

CMYK 0 / 75 / 55 / 33

HEX #AB2B4D

RGB 171 43 77

HSL 344.06, 0.6%, 0.42%

LAB 39.45, 53.34, 11.39

 

CMYK 0 / 5 / 75 / 33

HEX #ABA32B

RGB 171 163 43

HSL 56.25, 0.6%, 0.42%

LAB 65.77, -10.79, 59.19

 

CMYK 75 / 0 / 19 / 32

HEX #2BAD8C

RGB 43 173 140

HSL 164.77, 0.6%, 0.42%

LAB 63.59, -42.34, 7.14

 

CMYK 57 / 75 / 0 / 33

HEX #492BAB

RGB 73 43 171

HSL 254.06, 0.6%, 0.42%

LAB 29.62, 46.72, -63.52

 

CMYK 0 / 75 / 55 / 33

HEX #AB2B4D

RGB 171 43 77

HSL 344.06, 0.6%, 0.42%

LAB 39.45, 53.34, 11.39

 

CMYK 18 / 0 / 75 / 33

HEX #8DAB2B

RGB 141 171 43

HSL 74.06, 0.6%, 0.42%

LAB 65.72, -27.73, 58.32

 

Description

Color code: HEX #2BAD8C | qconv.com Color code: HEX #2BAD8C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 173 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 173 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 19 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 19% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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