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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2BA985 it is the complementary color #D4567A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2BA985. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2BA985 shade: #30A980, #41BB93, #52CDA6, #63DFB9 and #74F1CC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2BA985. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2BA985 shade: #2BA985, #1A9772, #09855F, #00734C and #006139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2BA985 shade: #2CAA86, #2CAA64, #2CAA42, #38AA2C and #5AAA2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2BA985 shade: #2CAA86, #2CAAA8, #2C8AAA, #2C68AA and #2C46AA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2BA985 shade matches the following richer shades: #2CAA86, #1BBC8E and #09CD95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2BA985 shade: #2CAA86, #3D997F, #4F8877, #607670 and #716568

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2BA985 shade: #2CAA41, #2CAA63, #2CAA84, #2CAAA6 and #2C8DAA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2BA985 shade: #1B6952, #23896C, #2CAA86, #35CBA0 and #55D3AF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2BA985 shade: #2BA985, #2C39AA and #AA522C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2BA985 shade: #2BA985, #842CAA and #AA842C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2BA985 shade: #2BA985, #2C39AA, #AA2C52 and #AA9E2C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2BA985 shade: #2BA985, #452CAA, #AA2C52 and #91AA2C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 0 / 21 / 34

HEX #2BA985

RGB 43 169 133

HSL 162.86, 0.59%, 0.42%

LAB 62.15, -42.39, 8.99

 

Complementary color

CMYK 0 / 59 / 42 / 17

HEX #D4567A

RGB 212 86 122

HSL 342.86, 0.59%, 0.58%

LAB 54.09, 52.8, 5.51

 

CMYK 72 / 0 / 24 / 34

HEX #30A980

RGB 48 169 128

HSL 159.67, 0.56%, 0.43%

LAB 62.14, -42.9, 11.76

 

CMYK 65 / 0 / 21 / 27

HEX #41BB93

RGB 65 187 147

HSL 160.33, 0.48%, 0.49%

LAB 68.59, -43.31, 10.47

 

CMYK 60 / 0 / 19 / 20

HEX #52CDA6

RGB 82 205 166

HSL 160.98, 0.55%, 0.56%

LAB 74.96, -43.52, 9.31

 

CMYK 56 / 0 / 17 / 13

HEX #63DFB9

RGB 99 223 185

HSL 161.61, 0.66%, 0.63%

LAB 81.25, -43.6, 8.25

 

CMYK 52 / 0 / 15 / 5

HEX #74F1CC

RGB 116 241 204

HSL 162.24, 0.82%, 0.7%

LAB 87.48, -43.59, 7.27

 

CMYK 75 / 0 / 21 / 34

HEX #2BA985

RGB 43 169 133

HSL 162.86, 0.59%, 0.42%

LAB 62.15, -42.39, 8.99

 

CMYK 83 / 0 / 25 / 41

HEX #1A9772

RGB 26 151 114

HSL 162.24, 0.71%, 0.35%

LAB 55.65, -41.5, 10.42

 

CMYK 93 / 0 / 29 / 48

HEX #09855F

RGB 9 133 95

HSL 161.61, 0.87%, 0.28%

LAB 49.08, -40.11, 12.04

 

CMYK 100 / 0 / 34 / 55

HEX #00734C

RGB 0 115 76

HSL 159.65, 1%, 0.23%

LAB 42.43, -38.03, 13.91

 

CMYK 100 / 0 / 41 / 62

HEX #006139

RGB 0 97 57

HSL 155.26, 1%, 0.19%

LAB 35.68, -35.26, 16.02

 

CMYK 74 / 0 / 21 / 33

HEX #2CAA86

RGB 44 170 134

HSL 162.86, 0.59%, 0.42%

LAB 62.51, -42.43, 8.95

 

CMYK 74 / 0 / 41 / 33

HEX #2CAA64

RGB 44 170 100

HSL 146.67, 0.59%, 0.42%

LAB 61.83, -49.88, 26.6

 

CMYK 74 / 0 / 61 / 33

HEX #2CAA42

RGB 44 170 66

HSL 130.48, 0.59%, 0.42%

LAB 61.38, -55.17, 43.12

 

CMYK 67 / 0 / 74 / 33

HEX #38AA2C

RGB 56 170 44

HSL 114.29, 0.59%, 0.42%

LAB 61.46, -55.17, 52.44

 

CMYK 47 / 0 / 74 / 33

HEX #5AAA2C

RGB 90 170 44

HSL 98.1, 0.59%, 0.42%

LAB 62.6, -46.19, 53.96

 

CMYK 74 / 0 / 21 / 33

HEX #2CAA86

RGB 44 170 134

HSL 162.86, 0.59%, 0.42%

LAB 62.51, -42.43, 8.95

 

CMYK 74 / 0 / 1 / 33

HEX #2CAAA8

RGB 44 170 168

HSL 179.05, 0.59%, 0.42%

LAB 63.44, -33.18, -8.7

 

CMYK 74 / 19 / 0 / 33

HEX #2C8AAA

RGB 44 138 170

HSL 195.24, 0.59%, 0.42%

LAB 53.62, -16.26, -24.73

 

CMYK 74 / 39 / 0 / 33

HEX #2C68AA

RGB 44 104 170

HSL 211.43, 0.59%, 0.42%

LAB 43.27, 3.75, -40.94

 

CMYK 74 / 59 / 0 / 33

HEX #2C46AA

RGB 44 70 170

HSL 227.62, 0.59%, 0.42%

LAB 33.6, 26, -56.5

 

CMYK 74 / 0 / 21 / 33

HEX #2CAA86

RGB 44 170 134

HSL 162.86, 0.59%, 0.42%

LAB 62.51, -42.43, 8.95

 

CMYK 86 / 0 / 24 / 26

HEX #1BBC8E

RGB 27 188 142

HSL 162.86, 0.75%, 0.42%

LAB 68.13, -49.64, 12.46

 

CMYK 96 / 0 / 27 / 20

HEX #09CD95

RGB 9 205 149

HSL 162.86, 0.92%, 0.42%

LAB 73.47, -55.49, 16.16

 

CMYK 74 / 0 / 21 / 33

HEX #2CAA86

RGB 44 170 134

HSL 162.86, 0.59%, 0.42%

LAB 62.51, -42.43, 8.95

 

CMYK 60 / 0 / 17 / 40

HEX #3D997F

RGB 61 153 127

HSL 163.04, 0.43%, 0.42%

LAB 57.37, -33.74, 5.59

 

CMYK 42 / 0 / 13 / 47

HEX #4F8877

RGB 79 136 119

HSL 162.11, 0.27%, 0.42%

LAB 52.51, -22.97, 3.27

 

CMYK 19 / 0 / 5 / 54

HEX #607670

RGB 96 118 112

HSL 163.64, 0.1%, 0.42%

LAB 47.77, -9.39, 0.62

 

CMYK 0 / 11 / 8 / 56

HEX #716568

RGB 113 101 104

HSL 345, 0.06%, 0.42%

LAB 43.97, 5.33, 0.04

 

CMYK 74 / 0 / 62 / 33

HEX #2CAA41

RGB 44 170 65

HSL 130, 0.59%, 0.42%

LAB 61.37, -55.3, 43.56

 

CMYK 74 / 0 / 42 / 33

HEX #2CAA63

RGB 44 170 99

HSL 146.19, 0.59%, 0.42%

LAB 61.81, -50.06, 27.11

 

CMYK 74 / 0 / 22 / 33

HEX #2CAA84

RGB 44 170 132

HSL 161.9, 0.59%, 0.42%

LAB 62.47, -42.93, 9.99

 

CMYK 74 / 0 / 2 / 33

HEX #2CAAA6

RGB 44 170 166

HSL 178.1, 0.59%, 0.42%

LAB 63.37, -33.76, -7.67

 

CMYK 74 / 17 / 0 / 33

HEX #2C8DAA

RGB 44 141 170

HSL 193.81, 0.59%, 0.42%

LAB 54.54, -17.89, -23.31

 

CMYK 74 / 0 / 22 / 59

HEX #1B6952

RGB 27 105 82

HSL 162.31, 0.59%, 0.26%

LAB 39.49, -29.33, 6.27

 

CMYK 74 / 0 / 21 / 46

HEX #23896C

RGB 35 137 108

HSL 162.94, 0.59%, 0.34%

LAB 51.07, -35.89, 7.39

 

CMYK 74 / 0 / 21 / 33

HEX #2CAA86

RGB 44 170 134

HSL 162.86, 0.59%, 0.42%

LAB 62.51, -42.43, 8.95

 

CMYK 74 / 0 / 21 / 20

HEX #35CBA0

RGB 53 203 160

HSL 162.8, 0.59%, 0.5%

LAB 73.55, -48.73, 10.44

 

CMYK 60 / 0 / 17 / 17

HEX #55D3AF

RGB 85 211 175

HSL 162.86, 0.59%, 0.58%

LAB 77.05, -43.45, 7.49

 

CMYK 75 / 0 / 21 / 34

HEX #2BA985

RGB 43 169 133

HSL 162.86, 0.59%, 0.42%

LAB 62.15, -42.39, 8.99

 

CMYK 74 / 66 / 0 / 33

HEX #2C39AA

RGB 44 57 170

HSL 233.81, 0.59%, 0.42%

LAB 30.31, 34.49, -61.88

 

CMYK 0 / 52 / 74 / 33

HEX #AA522C

RGB 170 82 44

HSL 18.1, 0.59%, 0.42%

LAB 45.31, 33.39, 38.26

 

CMYK 75 / 0 / 21 / 34

HEX #2BA985

RGB 43 169 133

HSL 162.86, 0.59%, 0.42%

LAB 62.15, -42.39, 8.99

 

CMYK 22 / 74 / 0 / 33

HEX #842CAA

RGB 132 44 170

HSL 281.9, 0.59%, 0.42%

LAB 37.13, 56.36, -50.37

 

CMYK 0 / 22 / 74 / 33

HEX #AA842C

RGB 170 132 44

HSL 41.9, 0.59%, 0.42%

LAB 57.3, 5.62, 50.61

 

CMYK 75 / 0 / 21 / 34

HEX #2BA985

RGB 43 169 133

HSL 162.86, 0.59%, 0.42%

LAB 62.15, -42.39, 8.99

 

CMYK 74 / 66 / 0 / 33

HEX #2C39AA

RGB 44 57 170

HSL 233.81, 0.59%, 0.42%

LAB 30.31, 34.49, -61.88

 

CMYK 0 / 74 / 52 / 33

HEX #AA2C52

RGB 170 44 82

HSL 341.9, 0.59%, 0.42%

LAB 39.51, 53.1, 8.27

 

CMYK 0 / 7 / 74 / 33

HEX #AA9E2C

RGB 170 158 44

HSL 54.29, 0.59%, 0.42%

LAB 64.31, -8.55, 57.42

 

CMYK 75 / 0 / 21 / 34

HEX #2BA985

RGB 43 169 133

HSL 162.86, 0.59%, 0.42%

LAB 62.15, -42.39, 8.99

 

CMYK 59 / 74 / 0 / 33

HEX #452CAA

RGB 69 44 170

HSL 251.9, 0.59%, 0.42%

LAB 29.33, 45.35, -63.42

 

CMYK 0 / 74 / 52 / 33

HEX #AA2C52

RGB 170 44 82

HSL 341.9, 0.59%, 0.42%

LAB 39.51, 53.1, 8.27

 

CMYK 15 / 0 / 74 / 33

HEX #91AA2C

RGB 145 170 44

HSL 71.9, 0.59%, 0.42%

LAB 65.71, -25.53, 58.06

 

Description

Color code: HEX #2BA985 | qconv.com Color code: HEX #2BA985 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 169 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 169 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, none magenta, 21 yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 0% 21% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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