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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2B9554 it is the complementary color #D46AAB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2B9554. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2B9554 shade: #30954F, #41A762, #52B975, #63CB88 and #74DD9B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2B9554. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2B9554 shade: #2B9554, #1A8341, #09712E, #005F1B and #004D08

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2B9554 shade: #2C9655, #2C9638, #3C962C, #59962C and #75962C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2B9554 shade: #2C9655, #2C9672, #2C968E, #2C8196 and #2C6596

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2B9554 shade matches the following richer shades: #2C9655, #1CA651 and #0CB64E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2B9554 shade: #2C9655, #3B8758, #4B775C, #5B675F and #6A5763

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2B9554 shade: #3C962C, #2C9638, #2C9654, #2C9671 and #2C968D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2B9554 shade: #195631, #227643, #2C9655, #35B667 and #4ACA7C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2B9554 shade: #2B9554, #2C5896 and #962C2D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2B9554 shade: #2B9554, #542C96 and #96542C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2B9554 shade: #2B9554, #2C5896, #962C6D and #966A2C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2B9554 shade: #2B9554, #2C3896, #962C6D and #968A2C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 0 / 44 / 42

HEX #2B9554

RGB 43 149 84

HSL 143.21, 0.55%, 0.38%

LAB 54.71, -44.91, 25.87

 

Complementary color

CMYK 0 / 50 / 19 / 17

HEX #D46AAB

RGB 212 106 171

HSL 323.21, 0.55%, 0.62%

LAB 59.2, 49.48, -15.58

 

CMYK 68 / 0 / 47 / 42

HEX #30954F

RGB 48 149 79

HSL 138.42, 0.51%, 0.39%

LAB 54.75, -44.87, 28.63

 

CMYK 61 / 0 / 41 / 35

HEX #41A762

RGB 65 167 98

HSL 139.41, 0.44%, 0.45%

LAB 61.35, -45.18, 27.12

 

CMYK 56 / 0 / 37 / 27

HEX #52B975

RGB 82 185 117

HSL 140.39, 0.42%, 0.52%

LAB 67.86, -45.24, 25.72

 

CMYK 51 / 0 / 33 / 20

HEX #63CB88

RGB 99 203 136

HSL 141.35, 0.5%, 0.59%

LAB 74.28, -45.17, 24.42

 

CMYK 48 / 0 / 30 / 13

HEX #74DD9B

RGB 116 221 155

HSL 142.29, 0.61%, 0.66%

LAB 80.62, -45.01, 23.22

 

CMYK 71 / 0 / 44 / 42

HEX #2B9554

RGB 43 149 84

HSL 143.21, 0.55%, 0.38%

LAB 54.71, -44.91, 25.87

 

CMYK 80 / 0 / 50 / 49

HEX #1A8341

RGB 26 131 65

HSL 142.29, 0.67%, 0.31%

LAB 48.05, -44.07, 27.55

 

CMYK 92 / 0 / 59 / 56

HEX #09712E

RGB 9 113 46

HSL 141.35, 0.85%, 0.24%

LAB 41.32, -42.49, 29.32

 

CMYK 100 / 0 / 72 / 63

HEX #005F1B

RGB 0 95 27

HSL 137.05, 1%, 0.19%

LAB 34.53, -39.76, 30.99

 

CMYK 100 / 0 / 90 / 70

HEX #004D08

RGB 0 77 8

HSL 126.23, 1%, 0.15%

LAB 27.64, -35.59, 31.81

 

CMYK 71 / 0 / 43 / 41

HEX #2C9655

RGB 44 150 85

HSL 143.21, 0.55%, 0.38%

LAB 55.08, -44.94, 25.82

 

CMYK 71 / 0 / 63 / 41

HEX #2C9638

RGB 44 150 56

HSL 126.79, 0.55%, 0.38%

LAB 54.69, -49.37, 40.11

 

CMYK 60 / 0 / 71 / 41

HEX #3C962C

RGB 60 150 44

HSL 110.94, 0.55%, 0.38%

LAB 55.03, -47.06, 45.86

 

CMYK 41 / 0 / 71 / 41

HEX #59962C

RGB 89 150 44

HSL 94.53, 0.55%, 0.38%

LAB 56.21, -38.18, 47.46

 

CMYK 22 / 0 / 71 / 41

HEX #75962C

RGB 117 150 44

HSL 78.68, 0.55%, 0.38%

LAB 57.82, -27.42, 49.63

 

CMYK 71 / 0 / 43 / 41

HEX #2C9655

RGB 44 150 85

HSL 143.21, 0.55%, 0.38%

LAB 55.08, -44.94, 25.82

 

CMYK 71 / 0 / 24 / 41

HEX #2C9672

RGB 44 150 114

HSL 159.62, 0.55%, 0.38%

LAB 55.65, -38.73, 10.45

 

CMYK 71 / 0 / 5 / 41

HEX #2C968E

RGB 44 150 142

HSL 175.47, 0.55%, 0.38%

LAB 56.39, -31.26, -4.45

 

CMYK 71 / 14 / 0 / 41

HEX #2C8196

RGB 44 129 150

HSL 191.89, 0.55%, 0.38%

LAB 50.02, -18.07, -18.66

 

CMYK 71 / 33 / 0 / 41

HEX #2C6596

RGB 44 101 150

HSL 207.74, 0.55%, 0.38%

LAB 41.29, -1.82, -32.22

 

CMYK 71 / 0 / 43 / 41

HEX #2C9655

RGB 44 150 85

HSL 143.21, 0.55%, 0.38%

LAB 55.08, -44.94, 25.82

 

CMYK 83 / 0 / 51 / 35

HEX #1CA651

RGB 28 166 81

HSL 143.04, 0.71%, 0.38%

LAB 59.99, -53.79, 34.11

 

CMYK 93 / 0 / 57 / 29

HEX #0CB64E

RGB 12 182 78

HSL 143.29, 0.88%, 0.38%

LAB 65.03, -60.78, 41.67

 

CMYK 71 / 0 / 43 / 41

HEX #2C9655

RGB 44 150 85

HSL 143.21, 0.55%, 0.38%

LAB 55.08, -44.94, 25.82

 

CMYK 56 / 0 / 35 / 47

HEX #3B8758

RGB 59 135 88

HSL 142.89, 0.39%, 0.38%

LAB 50.64, -34.84, 18.36

 

CMYK 37 / 0 / 23 / 53

HEX #4B775C

RGB 75 119 92

HSL 143.18, 0.23%, 0.38%

LAB 46.26, -21.57, 10.12

 

CMYK 12 / 0 / 8 / 60

HEX #5B675F

RGB 91 103 95

HSL 140, 0.06%, 0.38%

LAB 42.39, -6.31, 2.96

 

CMYK 0 / 18 / 7 / 58

HEX #6A5763

RGB 106 87 99

HSL 322.11, 0.1%, 0.38%

LAB 39.21, 10.07, -3.98

 

CMYK 60 / 0 / 71 / 41

HEX #3C962C

RGB 60 150 44

HSL 110.94, 0.55%, 0.38%

LAB 55.03, -47.06, 45.86

 

CMYK 71 / 0 / 63 / 41

HEX #2C9638

RGB 44 150 56

HSL 126.79, 0.55%, 0.38%

LAB 54.69, -49.37, 40.11

 

CMYK 71 / 0 / 44 / 41

HEX #2C9654

RGB 44 150 84

HSL 142.64, 0.55%, 0.38%

LAB 55.06, -45.13, 26.33

 

CMYK 71 / 0 / 25 / 41

HEX #2C9671

RGB 44 150 113

HSL 159.06, 0.55%, 0.38%

LAB 55.62, -38.97, 10.99

 

CMYK 71 / 0 / 6 / 41

HEX #2C968D

RGB 44 150 141

HSL 174.91, 0.55%, 0.38%

LAB 56.36, -31.55, -3.93

 

CMYK 71 / 0 / 43 / 66

HEX #195631

RGB 25 86 49

HSL 143.61, 0.55%, 0.22%

LAB 32, -28.96, 16.01

 

CMYK 71 / 0 / 43 / 54

HEX #227643

RGB 34 118 67

HSL 143.57, 0.55%, 0.3%

LAB 43.8, -37.28, 21.03

 

CMYK 71 / 0 / 43 / 41

HEX #2C9655

RGB 44 150 85

HSL 143.21, 0.55%, 0.38%

LAB 55.08, -44.94, 25.82

 

CMYK 71 / 0 / 43 / 29

HEX #35B667

RGB 53 182 103

HSL 143.26, 0.55%, 0.46%

LAB 65.9, -52.45, 30.36

 

CMYK 63 / 0 / 39 / 21

HEX #4ACA7C

RGB 74 202 124

HSL 143.44, 0.55%, 0.54%

LAB 72.99, -52.55, 28.83

 

CMYK 71 / 0 / 44 / 42

HEX #2B9554

RGB 43 149 84

HSL 143.21, 0.55%, 0.38%

LAB 54.71, -44.91, 25.87

 

CMYK 71 / 41 / 0 / 41

HEX #2C5896

RGB 44 88 150

HSL 215.09, 0.55%, 0.38%

LAB 37.33, 6.44, -38.48

 

CMYK 0 / 71 / 70 / 41

HEX #962C2D

RGB 150 44 45

HSL 359.43, 0.55%, 0.38%

LAB 34.95, 44.13, 24.97

 

CMYK 71 / 0 / 44 / 42

HEX #2B9554

RGB 43 149 84

HSL 143.21, 0.55%, 0.38%

LAB 54.71, -44.91, 25.87

 

CMYK 44 / 71 / 0 / 41

HEX #542C96

RGB 84 44 150

HSL 262.64, 0.55%, 0.38%

LAB 29.13, 42.01, -51.55

 

CMYK 0 / 44 / 71 / 41

HEX #96542C

RGB 150 84 44

HSL 22.64, 0.55%, 0.38%

LAB 42.77, 23.91, 34.63

 

CMYK 71 / 0 / 44 / 42

HEX #2B9554

RGB 43 149 84

HSL 143.21, 0.55%, 0.38%

LAB 54.71, -44.91, 25.87

 

CMYK 71 / 41 / 0 / 41

HEX #2C5896

RGB 44 88 150

HSL 215.09, 0.55%, 0.38%

LAB 37.33, 6.44, -38.48

 

CMYK 0 / 71 / 27 / 41

HEX #962C6D

RGB 150 44 109

HSL 323.21, 0.55%, 0.38%

LAB 36.72, 50.19, -13.36

 

CMYK 0 / 29 / 71 / 41

HEX #966A2C

RGB 150 106 44

HSL 35.09, 0.55%, 0.38%

LAB 48.23, 11.28, 40.58

 

CMYK 71 / 0 / 44 / 42

HEX #2B9554

RGB 43 149 84

HSL 143.21, 0.55%, 0.38%

LAB 54.71, -44.91, 25.87

 

CMYK 71 / 63 / 0 / 41

HEX #2C3896

RGB 44 56 150

HSL 233.21, 0.55%, 0.38%

LAB 28.29, 27.83, -53.07

 

CMYK 0 / 71 / 27 / 41

HEX #962C6D

RGB 150 44 109

HSL 323.21, 0.55%, 0.38%

LAB 36.72, 50.19, -13.36

 

CMYK 0 / 8 / 71 / 41

HEX #968A2C

RGB 150 138 44

HSL 53.21, 0.55%, 0.38%

LAB 56.92, -6.76, 49.57

 

Description

Color code: HEX #2B9554 | qconv.com Color code: HEX #2B9554 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 149 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 149 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, none magenta, 44 yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 0% 44% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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