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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2B8BA2 it is the complementary color #D4745D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2B8BA2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2B8BA2 shade: #308B9D, #419DB0, #52AFC3, #63C1D6 and #74D3E9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2B8BA2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2B8BA2 shade: #2B8BA2, #1A798F, #09677C, #005569 and #004356

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2B8BA2 shade: #2B8AA1, #2B6AA1, #2B4AA1, #2B2BA1 and #4B2BA1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2B8BA2 shade: #2B8AA1, #2B6AA1, #2B4AA1 and #2B2BA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2B8BA2 shade matches the following richer shades: #2B8AA1, #1A94B2 and #0A9FC2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2B8BA2 shade: #2B8AA1, #3B8091, #4C7680, #5C6C70 and #6D625F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2B8BA2 shade: #2BA178, #2BA197, #2B8BA1, #2B6CA1 and #2B4CA1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2B8BA2 shade: #1A5260, #226E81, #2B8AA1, #34A6C2 and #4EB7D0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2B8BA2 shade: #2B8BA2, #582BA1 and #A1882B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2B8BA2 shade: #2B8BA2, #A12B8B and #8BA12B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2B8BA2 shade: #2B8BA2, #582BA1, #A1412B and #74A12B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2B8BA2 shade: #2B8BA2, #7C2BA1, #A1412B and #50A12B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 14 / 0 / 36

HEX #2B8BA2

RGB 43 139 162

HSL 191.6, 0.58%, 0.4%

LAB 53.59, -19.61, -20.17

 

Complementary color

CMYK 0 / 45 / 56 / 17

HEX #D4745D

RGB 212 116 93

HSL 11.6, 0.58%, 0.6%

LAB 59.23, 35.38, 29.35

 

CMYK 69 / 11 / 0 / 38

HEX #308B9D

RGB 48 139 157

HSL 189.91, 0.53%, 0.4%

LAB 53.52, -20.53, -17.37

 

CMYK 63 / 11 / 0 / 31

HEX #419DB0

RGB 65 157 176

HSL 190.27, 0.46%, 0.47%

LAB 60.22, -21.21, -17.98

 

CMYK 58 / 10 / 0 / 24

HEX #52AFC3

RGB 82 175 195

HSL 190.62, 0.48%, 0.54%

LAB 66.82, -21.7, -18.53

 

CMYK 54 / 10 / 0 / 16

HEX #63C1D6

RGB 99 193 214

HSL 190.96, 0.58%, 0.61%

LAB 73.32, -22.04, -19.04

 

CMYK 50 / 9 / 0 / 9

HEX #74D3E9

RGB 116 211 233

HSL 191.28, 0.73%, 0.68%

LAB 79.72, -22.29, -19.52

 

CMYK 73 / 14 / 0 / 36

HEX #2B8BA2

RGB 43 139 162

HSL 191.6, 0.58%, 0.4%

LAB 53.59, -19.61, -20.17

 

CMYK 82 / 15 / 0 / 44

HEX #1A798F

RGB 26 121 143

HSL 191.28, 0.69%, 0.33%

LAB 46.81, -18.38, -19.5

 

CMYK 93 / 17 / 0 / 51

HEX #09677C

RGB 9 103 124

HSL 190.96, 0.86%, 0.26%

LAB 39.94, -16.64, -18.7

 

CMYK 100 / 19 / 0 / 59

HEX #005569

RGB 0 85 105

HSL 191.43, 1%, 0.21%

LAB 32.96, -14.19, -17.75

 

CMYK 100 / 22 / 0 / 66

HEX #004356

RGB 0 67 86

HSL 193.26, 1%, 0.17%

LAB 25.82, -11.01, -16.64

 

CMYK 73 / 14 / 0 / 37

HEX #2B8AA1

RGB 43 138 161

HSL 191.69, 0.58%, 0.4%

LAB 53.24, -19.41, -20.13

 

CMYK 73 / 34 / 0 / 37

HEX #2B6AA1

RGB 43 106 161

HSL 207.97, 0.58%, 0.4%

LAB 43.35, -1, -35.5

 

CMYK 73 / 54 / 0 / 37

HEX #2B4AA1

RGB 43 74 161

HSL 224.24, 0.58%, 0.4%

LAB 33.95, 19.78, -50.54

 

CMYK 73 / 73 / 0 / 37

HEX #2B2BA1

RGB 43 43 161

HSL 240, 0.58%, 0.4%

LAB 26.2, 39.87, -63.21

 

CMYK 53 / 73 / 0 / 37

HEX #4B2BA1

RGB 75 43 161

HSL 256.27, 0.58%, 0.4%

LAB 28.89, 44.09, -58.68

 

CMYK 73 / 14 / 0 / 37

HEX #2B8AA1

RGB 43 138 161

HSL 191.69, 0.58%, 0.4%

LAB 53.24, -19.41, -20.13

 

CMYK 73 / 34 / 0 / 37

HEX #2B6AA1

RGB 43 106 161

HSL 207.97, 0.58%, 0.4%

LAB 43.35, -1, -35.5

 

CMYK 73 / 54 / 0 / 37

HEX #2B4AA1

RGB 43 74 161

HSL 224.24, 0.58%, 0.4%

LAB 33.95, 19.78, -50.54

 

CMYK 73 / 73 / 0 / 37

HEX #2B2BA1

RGB 43 43 161

HSL 240, 0.58%, 0.4%

LAB 26.2, 39.87, -63.21

 

CMYK 73 / 14 / 0 / 37

HEX #2B8AA1

RGB 43 138 161

HSL 191.69, 0.58%, 0.4%

LAB 53.24, -19.41, -20.13

 

CMYK 85 / 17 / 0 / 30

HEX #1A94B2

RGB 26 148 178

HSL 191.84, 0.75%, 0.4%

LAB 56.7, -20.73, -24.59

 

CMYK 95 / 18 / 0 / 24

HEX #0A9FC2

RGB 10 159 194

HSL 191.41, 0.9%, 0.4%

LAB 60.57, -21.82, -27.67

 

CMYK 73 / 14 / 0 / 37

HEX #2B8AA1

RGB 43 138 161

HSL 191.69, 0.58%, 0.4%

LAB 53.24, -19.41, -20.13

 

CMYK 59 / 12 / 0 / 43

HEX #3B8091

RGB 59 128 145

HSL 191.86, 0.42%, 0.4%

LAB 49.99, -16.47, -15.74

 

CMYK 41 / 8 / 0 / 50

HEX #4C7680

RGB 76 118 128

HSL 191.54, 0.25%, 0.4%

LAB 47.04, -11.79, -10.1

 

CMYK 18 / 4 / 0 / 56

HEX #5C6C70

RGB 92 108 112

HSL 192, 0.1%, 0.4%

LAB 44.48, -5.05, -4.25

 

CMYK 0 / 10 / 13 / 57

HEX #6D625F

RGB 109 98 95

HSL 12.86, 0.07%, 0.4%

LAB 42.48, 3.82, 3.29

 

CMYK 73 / 0 / 25 / 37

HEX #2BA178

RGB 43 161 120

HSL 159.15, 0.58%, 0.4%

LAB 59.31, -42.16, 12.22

 

CMYK 73 / 0 / 6 / 37

HEX #2BA197

RGB 43 161 151

HSL 174.92, 0.58%, 0.4%

LAB 60.1, -34.01, -4.09

 

CMYK 73 / 14 / 0 / 37

HEX #2B8BA1

RGB 43 139 161

HSL 191.19, 0.58%, 0.4%

LAB 53.55, -19.94, -19.65

 

CMYK 73 / 33 / 0 / 37

HEX #2B6CA1

RGB 43 108 161

HSL 206.95, 0.58%, 0.4%

LAB 43.96, -2.22, -34.54

 

CMYK 73 / 53 / 0 / 37

HEX #2B4CA1

RGB 43 76 161

HSL 223.22, 0.58%, 0.4%

LAB 34.51, 18.44, -49.64

 

CMYK 73 / 15 / 0 / 62

HEX #1A5260

RGB 26 82 96

HSL 192, 0.57%, 0.24%

LAB 32.03, -13, -13.46

 

CMYK 74 / 15 / 0 / 49

HEX #226E81

RGB 34 110 129

HSL 192, 0.58%, 0.32%

LAB 42.88, -16.2, -17.17

 

CMYK 73 / 14 / 0 / 37

HEX #2B8AA1

RGB 43 138 161

HSL 191.69, 0.58%, 0.4%

LAB 53.24, -19.41, -20.13

 

CMYK 73 / 14 / 0 / 24

HEX #34A6C2

RGB 52 166 194

HSL 191.83, 0.58%, 0.48%

LAB 63.26, -22.17, -23.48

 

CMYK 63 / 12 / 0 / 18

HEX #4EB7D0

RGB 78 183 208

HSL 191.54, 0.58%, 0.56%

LAB 69.5, -22.66, -21.63

 

CMYK 73 / 14 / 0 / 36

HEX #2B8BA2

RGB 43 139 162

HSL 191.6, 0.58%, 0.4%

LAB 53.59, -19.61, -20.17

 

CMYK 45 / 73 / 0 / 37

HEX #582BA1

RGB 88 43 161

HSL 262.88, 0.58%, 0.4%

LAB 30.34, 46.27, -56.25

 

CMYK 0 / 16 / 73 / 37

HEX #A1882B

RGB 161 136 43

HSL 47.29, 0.58%, 0.4%

LAB 57.42, -0.73, 50.83

 

CMYK 73 / 14 / 0 / 36

HEX #2B8BA2

RGB 43 139 162

HSL 191.6, 0.58%, 0.4%

LAB 53.59, -19.61, -20.17

 

CMYK 0 / 73 / 14 / 37

HEX #A12B8B

RGB 161 43 139

HSL 311.19, 0.58%, 0.4%

LAB 39.86, 57.7, -26.99

 

CMYK 14 / 0 / 73 / 37

HEX #8BA12B

RGB 139 161 43

HSL 71.19, 0.58%, 0.4%

LAB 62.64, -23.68, 55.3

 

CMYK 73 / 14 / 0 / 36

HEX #2B8BA2

RGB 43 139 162

HSL 191.6, 0.58%, 0.4%

LAB 53.59, -19.61, -20.17

 

CMYK 45 / 73 / 0 / 37

HEX #582BA1

RGB 88 43 161

HSL 262.88, 0.58%, 0.4%

LAB 30.34, 46.27, -56.25

 

CMYK 0 / 60 / 73 / 37

HEX #A1412B

RGB 161 65 43

HSL 11.19, 0.58%, 0.4%

LAB 40.46, 38.47, 33.07

 

CMYK 28 / 0 / 73 / 37

HEX #74A12B

RGB 116 161 43

HSL 82.88, 0.58%, 0.4%

LAB 61.11, -33.1, 53.29

 

CMYK 73 / 14 / 0 / 36

HEX #2B8BA2

RGB 43 139 162

HSL 191.6, 0.58%, 0.4%

LAB 53.59, -19.61, -20.17

 

CMYK 23 / 73 / 0 / 37

HEX #7C2BA1

RGB 124 43 161

HSL 281.19, 0.58%, 0.4%

LAB 35.17, 53.23, -48.19

 

CMYK 0 / 60 / 73 / 37

HEX #A1412B

RGB 161 65 43

HSL 11.19, 0.58%, 0.4%

LAB 40.46, 38.47, 33.07

 

CMYK 50 / 0 / 73 / 37

HEX #50A12B

RGB 80 161 43

HSL 101.19, 0.58%, 0.4%

LAB 59.31, -45.77, 50.9

 

Description

Color code: HEX #2B8BA2 | qconv.com Color code: HEX #2B8BA2 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 139 green and 162 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 139 162 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 14 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 14% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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