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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2B8992 it is the complementary color #D4766D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2B8992. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2B8992 shade: #30898D, #419BA0, #52ADB3, #63BFC6 and #74D1D9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2B8992. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2B8992 shade: #2B8992, #1A777F, #09656C, #005359 and #004146

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2B8992 shade: #2B8891, #2B6D91, #2B5191, #2B3691 and #3C2B91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2B8992 shade: #2B8891, #2B6D91, #2B5191, #2B3691 and #2B2B91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2B8992 shade matches the following richer shades: #2B8891, #1C95A1 and #0DA2B0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2B8992 shade: #2B8891, #3B7C82, #4A6F73, #596364 and #685654

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2B8992 shade: #2B9163, #2B917F, #2B8991, #2B6E91 and #2B5291

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2B8992 shade: #184D52, #226B72, #2B8891, #35A6B1 and #47BDC8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2B8992 shade: #2B8992, #482B91 and #91712B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2B8992 shade: #2B8992, #912B89 and #89912B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2B8992 shade: #2B8992, #482B91, #91342B and #74912B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2B8992 shade: #2B8992, #672B91, #91342B and #56912B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 71 / 6 / 0 / 43

HEX #2B8992

RGB 43 137 146

HSL 185.24, 0.54%, 0.37%

LAB 52.38, -23.74, -12.76

 

Complementary color

CMYK 0 / 44 / 49 / 17

HEX #D4766D

RGB 212 118 109

HSL 5.24, 0.54%, 0.63%

LAB 59.94, 35.73, 21.24

 

CMYK 66 / 3 / 0 / 45

HEX #30898D

RGB 48 137 141

HSL 182.58, 0.49%, 0.37%

LAB 52.33, -24.51, -9.9

 

CMYK 59 / 3 / 0 / 37

HEX #419BA0

RGB 65 155 160

HSL 183.16, 0.42%, 0.44%

LAB 59.07, -24.97, -10.66

 

CMYK 54 / 3 / 0 / 30

HEX #52ADB3

RGB 82 173 179

HSL 183.71, 0.39%, 0.51%

LAB 65.7, -25.26, -11.35

 

CMYK 50 / 4 / 0 / 22

HEX #63BFC6

RGB 99 191 198

HSL 184.24, 0.46%, 0.58%

LAB 72.22, -25.44, -11.98

 

CMYK 47 / 4 / 0 / 15

HEX #74D1D9

RGB 116 209 217

HSL 184.75, 0.57%, 0.65%

LAB 78.65, -25.55, -12.56

 

CMYK 71 / 6 / 0 / 43

HEX #2B8992

RGB 43 137 146

HSL 185.24, 0.54%, 0.37%

LAB 52.38, -23.74, -12.76

 

CMYK 80 / 6 / 0 / 50

HEX #1A777F

RGB 26 119 127

HSL 184.75, 0.66%, 0.3%

LAB 45.56, -22.77, -11.91

 

CMYK 92 / 6 / 0 / 58

HEX #09656C

RGB 9 101 108

HSL 184.24, 0.85%, 0.23%

LAB 38.64, -21.29, -10.92

 

CMYK 100 / 7 / 0 / 65

HEX #005359

RGB 0 83 89

HSL 184.04, 1%, 0.17%

LAB 31.6, -19.11, -9.73

 

CMYK 100 / 7 / 0 / 73

HEX #004146

RGB 0 65 70

HSL 184.29, 1%, 0.14%

LAB 24.39, -16.17, -8.32

 

CMYK 70 / 6 / 0 / 43

HEX #2B8891

RGB 43 136 145

HSL 185.29, 0.54%, 0.37%

LAB 52.02, -23.54, -12.71

 

CMYK 70 / 25 / 0 / 43

HEX #2B6D91

RGB 43 109 145

HSL 201.18, 0.54%, 0.37%

LAB 43.5, -8.62, -25.77

 

CMYK 70 / 44 / 0 / 43

HEX #2B5191

RGB 43 81 145

HSL 217.65, 0.54%, 0.37%

LAB 34.89, 8.97, -39.35

 

CMYK 70 / 63 / 0 / 43

HEX #2B3691

RGB 43 54 145

HSL 233.53, 0.54%, 0.37%

LAB 27.29, 27.17, -51.64

 

CMYK 59 / 70 / 0 / 43

HEX #3C2B91

RGB 60 43 145

HSL 250, 0.54%, 0.37%

LAB 25.96, 36.78, -53.75

 

CMYK 70 / 6 / 0 / 43

HEX #2B8891

RGB 43 136 145

HSL 185.29, 0.54%, 0.37%

LAB 52.02, -23.54, -12.71

 

CMYK 70 / 25 / 0 / 43

HEX #2B6D91

RGB 43 109 145

HSL 201.18, 0.54%, 0.37%

LAB 43.5, -8.62, -25.77

 

CMYK 70 / 44 / 0 / 43

HEX #2B5191

RGB 43 81 145

HSL 217.65, 0.54%, 0.37%

LAB 34.89, 8.97, -39.35

 

CMYK 70 / 63 / 0 / 43

HEX #2B3691

RGB 43 54 145

HSL 233.53, 0.54%, 0.37%

LAB 27.29, 27.17, -51.64

 

CMYK 70 / 70 / 0 / 43

HEX #2B2B91

RGB 43 43 145

HSL 240, 0.54%, 0.37%

LAB 24.59, 34.32, -56.04

 

CMYK 70 / 6 / 0 / 43

HEX #2B8891

RGB 43 136 145

HSL 185.29, 0.54%, 0.37%

LAB 52.02, -23.54, -12.71

 

CMYK 83 / 7 / 0 / 37

HEX #1C95A1

RGB 28 149 161

HSL 185.41, 0.7%, 0.37%

LAB 56.4, -26.77, -15.34

 

CMYK 93 / 8 / 0 / 31

HEX #0DA2B0

RGB 13 162 176

HSL 185.15, 0.86%, 0.37%

LAB 60.84, -29.29, -17.14

 

CMYK 70 / 6 / 0 / 43

HEX #2B8891

RGB 43 136 145

HSL 185.29, 0.54%, 0.37%

LAB 52.02, -23.54, -12.71

 

CMYK 55 / 5 / 0 / 49

HEX #3B7C82

RGB 59 124 130

HSL 185.07, 0.38%, 0.37%

LAB 48.21, -18.87, -9.62

 

CMYK 36 / 3 / 0 / 55

HEX #4A6F73

RGB 74 111 115

HSL 185.85, 0.22%, 0.37%

LAB 44.32, -11.98, -6.41

 

CMYK 11 / 1 / 0 / 61

HEX #596364

RGB 89 99 100

HSL 185.45, 0.06%, 0.37%

LAB 41.16, -3.61, -1.89

 

CMYK 0 / 17 / 19 / 59

HEX #685654

RGB 104 86 84

HSL 6, 0.11%, 0.37%

LAB 38.27, 7.04, 3.93

 

CMYK 70 / 0 / 32 / 43

HEX #2B9163

RGB 43 145 99

HSL 152.94, 0.54%, 0.37%

LAB 53.67, -40.24, 16.19

 

CMYK 70 / 0 / 12 / 43

HEX #2B917F

RGB 43 145 127

HSL 169.41, 0.54%, 0.37%

LAB 54.34, -33.28, 1.15

 

CMYK 70 / 6 / 0 / 43

HEX #2B8991

RGB 43 137 145

HSL 184.71, 0.54%, 0.37%

LAB 52.34, -24.06, -12.23

 

CMYK 70 / 24 / 0 / 43

HEX #2B6E91

RGB 43 110 145

HSL 200.59, 0.54%, 0.37%

LAB 43.81, -9.21, -25.28

 

CMYK 70 / 43 / 0 / 43

HEX #2B5291

RGB 43 82 145

HSL 217.06, 0.54%, 0.37%

LAB 35.19, 8.31, -38.88

 

CMYK 71 / 6 / 0 / 68

HEX #184D52

RGB 24 77 82

HSL 185.17, 0.55%, 0.21%

LAB 29.69, -15.35, -8.09

 

CMYK 70 / 6 / 0 / 55

HEX #226B72

RGB 34 107 114

HSL 185.25, 0.54%, 0.29%

LAB 41.33, -19.59, -10.47

 

CMYK 70 / 6 / 0 / 43

HEX #2B8891

RGB 43 136 145

HSL 185.29, 0.54%, 0.37%

LAB 52.02, -23.54, -12.71

 

CMYK 70 / 6 / 0 / 31

HEX #35A6B1

RGB 53 166 177

HSL 185.32, 0.54%, 0.45%

LAB 62.68, -27.38, -14.85

 

CMYK 65 / 5 / 0 / 22

HEX #47BDC8

RGB 71 189 200

HSL 185.12, 0.54%, 0.53%

LAB 70.81, -29.17, -15.29

 

CMYK 71 / 6 / 0 / 43

HEX #2B8992

RGB 43 137 146

HSL 185.24, 0.54%, 0.37%

LAB 52.38, -23.74, -12.76

 

CMYK 50 / 70 / 0 / 43

HEX #482B91

RGB 72 43 145

HSL 257.06, 0.54%, 0.37%

LAB 27.16, 38.86, -51.75

 

CMYK 0 / 22 / 70 / 43

HEX #91712B

RGB 145 113 43

HSL 41.18, 0.54%, 0.37%

LAB 49.5, 4.89, 42.23

 

CMYK 71 / 6 / 0 / 43

HEX #2B8992

RGB 43 137 146

HSL 185.24, 0.54%, 0.37%

LAB 52.38, -23.74, -12.76

 

CMYK 0 / 70 / 6 / 43

HEX #912B89

RGB 145 43 137

HSL 304.71, 0.54%, 0.37%

LAB 37.03, 53.45, -30.4

 

CMYK 6 / 0 / 70 / 43

HEX #89912B

RGB 137 145 43

HSL 64.71, 0.54%, 0.37%

LAB 57.79, -16.39, 50.48

 

CMYK 71 / 6 / 0 / 43

HEX #2B8992

RGB 43 137 146

HSL 185.24, 0.54%, 0.37%

LAB 52.38, -23.74, -12.76

 

CMYK 50 / 70 / 0 / 43

HEX #482B91

RGB 72 43 145

HSL 257.06, 0.54%, 0.37%

LAB 27.16, 38.86, -51.75

 

CMYK 0 / 64 / 70 / 43

HEX #91342B

RGB 145 52 43

HSL 5.29, 0.54%, 0.37%

LAB 35.3, 38.72, 26.4

 

CMYK 20 / 0 / 70 / 43

HEX #74912B

RGB 116 145 43

HSL 77.06, 0.54%, 0.37%

LAB 56.23, -25.45, 48.38

 

CMYK 71 / 6 / 0 / 43

HEX #2B8992

RGB 43 137 146

HSL 185.24, 0.54%, 0.37%

LAB 52.38, -23.74, -12.76

 

CMYK 29 / 70 / 0 / 43

HEX #672B91

RGB 103 43 145

HSL 275.29, 0.54%, 0.37%

LAB 31.01, 45.16, -45.31

 

CMYK 0 / 64 / 70 / 43

HEX #91342B

RGB 145 52 43

HSL 5.29, 0.54%, 0.37%

LAB 35.3, 38.72, 26.4

 

CMYK 41 / 0 / 70 / 43

HEX #56912B

RGB 86 145 43

HSL 94.71, 0.54%, 0.37%

LAB 54.45, -37.13, 46

 

Description

Color code: HEX #2B8992 | qconv.com Color code: HEX #2B8992 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 137 green and 146 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 137 146 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 71 cyan, 6 magenta, none yellow and 43 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
71% 6% 0% 43% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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