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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2B84B7 it is the complementary color #D47B48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2B84B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2B84B7 shade: #3084B2, #4196C5, #52A8D8, #63BAEB and #74CCFE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2B84B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2B84B7 shade: #2B84B7, #1A72A4, #096091, #004E7E and #003C6B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2B84B7 shade: #2A83B5, #2A5DB5, #2A38B5, #422AB5 and #682AB5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2B84B7 shade: #2A83B5, #2A5DB5, #2A38B5 and #2A2AB5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2B84B7 shade matches the following richer shades: #2A83B5, #1888C7 and #068CDA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2B84B7 shade: #2A83B5, #3C7EA3, #4E7991, #61747F and #736F6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2B84B7 shade: #2AB59C, #2AAAB5, #2A85B5, #2A5FB5 and #2A3AB5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2B84B7 shade: #1A5272, #226A94, #2A83B5, #3999D0 and #5AAAD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2B84B7 shade: #2B84B7, #772AB5 and #B5AE2A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2B84B7 shade: #2B84B7, #B52A85 and #85B52A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2B84B7 shade: #2B84B7, #772AB5, #B55B2A and #69B52A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2B84B7 shade: #2B84B7, #A02AB5, #B55B2A and #3FB52A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 28 / 0 / 28

HEX #2B84B7

RGB 43 132 183

HSL 201.86, 0.62%, 0.44%

LAB 52.33, -8.47, -34.21

 

Complementary color

CMYK 0 / 42 / 66 / 17

HEX #D47B48

RGB 212 123 72

HSL 21.86, 0.62%, 0.56%

LAB 60.45, 30.21, 42.22

 

CMYK 73 / 26 / 0 / 30

HEX #3084B2

RGB 48 132 178

HSL 201.23, 0.58%, 0.44%

LAB 52.23, -9.59, -31.48

 

CMYK 67 / 24 / 0 / 23

HEX #4196C5

RGB 65 150 197

HSL 201.36, 0.53%, 0.51%

LAB 58.94, -10.72, -31.79

 

CMYK 62 / 22 / 0 / 15

HEX #52A8D8

RGB 82 168 216

HSL 201.49, 0.63%, 0.58%

LAB 65.56, -11.58, -32.08

 

CMYK 58 / 21 / 0 / 8

HEX #63BAEB

RGB 99 186 235

HSL 201.62, 0.77%, 0.65%

LAB 72.07, -12.26, -32.35

 

CMYK 54 / 20 / 0 / 0

HEX #74CCFE

RGB 116 204 254

HSL 201.74, 0.99%, 0.73%

LAB 78.49, -12.8, -32.61

 

CMYK 77 / 28 / 0 / 28

HEX #2B84B7

RGB 43 132 183

HSL 201.86, 0.62%, 0.44%

LAB 52.33, -8.47, -34.21

 

CMYK 84 / 30 / 0 / 36

HEX #1A72A4

RGB 26 114 164

HSL 201.74, 0.73%, 0.37%

LAB 45.54, -6.71, -33.85

 

CMYK 94 / 34 / 0 / 43

HEX #096091

RGB 9 96 145

HSL 201.62, 0.88%, 0.3%

LAB 38.67, -4.37, -33.4

 

CMYK 100 / 38 / 0 / 51

HEX #004E7E

RGB 0 78 126

HSL 202.86, 1%, 0.25%

LAB 31.7, -1.26, -32.82

 

CMYK 100 / 44 / 0 / 58

HEX #003C6B

RGB 0 60 107

HSL 206.36, 1%, 0.21%

LAB 24.62, 2.66, -32.13

 

CMYK 77 / 28 / 0 / 29

HEX #2A83B5

RGB 42 131 181

HSL 201.58, 0.62%, 0.44%

LAB 51.91, -8.73, -33.72

 

CMYK 77 / 49 / 0 / 29

HEX #2A5DB5

RGB 42 93 181

HSL 217.99, 0.62%, 0.44%

LAB 40.67, 14.74, -51.57

 

CMYK 77 / 69 / 0 / 29

HEX #2A38B5

RGB 42 56 181

HSL 233.96, 0.62%, 0.44%

LAB 31.01, 38.86, -67.29

 

CMYK 64 / 77 / 0 / 29

HEX #422AB5

RGB 66 42 181

HSL 250.36, 0.62%, 0.44%

LAB 29.79, 49.33, -69.25

 

CMYK 43 / 77 / 0 / 29

HEX #682AB5

RGB 104 42 181

HSL 266.76, 0.62%, 0.44%

LAB 33.85, 54.6, -62.44

 

CMYK 77 / 28 / 0 / 29

HEX #2A83B5

RGB 42 131 181

HSL 201.58, 0.62%, 0.44%

LAB 51.91, -8.73, -33.72

 

CMYK 77 / 49 / 0 / 29

HEX #2A5DB5

RGB 42 93 181

HSL 217.99, 0.62%, 0.44%

LAB 40.67, 14.74, -51.57

 

CMYK 77 / 69 / 0 / 29

HEX #2A38B5

RGB 42 56 181

HSL 233.96, 0.62%, 0.44%

LAB 31.01, 38.86, -67.29

 

CMYK 77 / 77 / 0 / 29

HEX #2A2AB5

RGB 42 42 181

HSL 240, 0.62%, 0.44%

LAB 28.07, 47.04, -72.15

 

CMYK 77 / 28 / 0 / 29

HEX #2A83B5

RGB 42 131 181

HSL 201.58, 0.62%, 0.44%

LAB 51.91, -8.73, -33.72

 

CMYK 88 / 32 / 0 / 22

HEX #1888C7

RGB 24 136 199

HSL 201.6, 0.78%, 0.44%

LAB 53.95, -6.66, -40.81

 

CMYK 97 / 36 / 0 / 15

HEX #068CDA

RGB 6 140 218

HSL 202.08, 0.95%, 0.44%

LAB 55.94, -2.61, -48.38

 

CMYK 77 / 28 / 0 / 29

HEX #2A83B5

RGB 42 131 181

HSL 201.58, 0.62%, 0.44%

LAB 51.91, -8.73, -33.72

 

CMYK 63 / 23 / 0 / 36

HEX #3C7EA3

RGB 60 126 163

HSL 201.55, 0.46%, 0.44%

LAB 50.13, -9.33, -26.03

 

CMYK 46 / 17 / 0 / 43

HEX #4E7991

RGB 78 121 145

HSL 201.49, 0.3%, 0.44%

LAB 48.68, -8.07, -17.66

 

CMYK 24 / 9 / 0 / 50

HEX #61747F

RGB 97 116 127

HSL 202, 0.13%, 0.44%

LAB 47.71, -4.36, -8.38

 

CMYK 0 / 3 / 5 / 55

HEX #736F6D

RGB 115 111 109

HSL 20, 0.03%, 0.44%

LAB 47.13, 1.15, 1.65

 

CMYK 77 / 0 / 14 / 29

HEX #2AB59C

RGB 42 181 156

HSL 169.21, 0.62%, 0.44%

LAB 66.47, -41.76, 2.44

 

CMYK 77 / 6 / 0 / 29

HEX #2AAAB5

RGB 42 170 181

HSL 184.75, 0.62%, 0.44%

LAB 63.82, -29.47, -15.39

 

CMYK 77 / 27 / 0 / 29

HEX #2A85B5

RGB 42 133 181

HSL 200.72, 0.62%, 0.44%

LAB 52.51, -9.88, -32.77

 

CMYK 77 / 48 / 0 / 29

HEX #2A5FB5

RGB 42 95 181

HSL 217.12, 0.62%, 0.44%

LAB 41.24, 13.44, -50.65

 

CMYK 77 / 68 / 0 / 29

HEX #2A3AB5

RGB 42 58 181

HSL 233.09, 0.62%, 0.44%

LAB 31.47, 37.61, -66.54

 

CMYK 77 / 28 / 0 / 55

HEX #1A5272

RGB 26 82 114

HSL 201.82, 0.63%, 0.27%

LAB 32.85, -6.3, -23.51

 

CMYK 77 / 28 / 0 / 42

HEX #226A94

RGB 34 106 148

HSL 202.11, 0.63%, 0.36%

LAB 42.44, -7.06, -29.23

 

CMYK 77 / 28 / 0 / 29

HEX #2A83B5

RGB 42 131 181

HSL 201.58, 0.62%, 0.44%

LAB 51.91, -8.73, -33.72

 

CMYK 73 / 26 / 0 / 18

HEX #3999D0

RGB 57 153 208

HSL 201.85, 0.62%, 0.52%

LAB 60.07, -9.86, -36.22

 

CMYK 58 / 21 / 0 / 15

HEX #5AAAD8

RGB 90 170 216

HSL 201.9, 0.62%, 0.6%

LAB 66.43, -11.18, -30.71

 

CMYK 77 / 28 / 0 / 28

HEX #2B84B7

RGB 43 132 183

HSL 201.86, 0.62%, 0.44%

LAB 52.33, -8.47, -34.21

 

CMYK 34 / 77 / 0 / 29

HEX #772AB5

RGB 119 42 181

HSL 273.24, 0.62%, 0.44%

LAB 35.82, 57.12, -59.14

 

CMYK 0 / 4 / 77 / 29

HEX #B5AE2A

RGB 181 174 42

HSL 56.98, 0.62%, 0.44%

LAB 69.66, -12.16, 63.44

 

CMYK 77 / 28 / 0 / 28

HEX #2B84B7

RGB 43 132 183

HSL 201.86, 0.62%, 0.44%

LAB 52.33, -8.47, -34.21

 

CMYK 0 / 77 / 27 / 29

HEX #B52A85

RGB 181 42 133

HSL 320.72, 0.62%, 0.44%

LAB 43.02, 62.14, -18.14

 

CMYK 27 / 0 / 77 / 29

HEX #85B52A

RGB 133 181 42

HSL 80.72, 0.62%, 0.44%

LAB 68.17, -35.68, 60.79

 

CMYK 77 / 28 / 0 / 28

HEX #2B84B7

RGB 43 132 183

HSL 201.86, 0.62%, 0.44%

LAB 52.33, -8.47, -34.21

 

CMYK 34 / 77 / 0 / 29

HEX #772AB5

RGB 119 42 181

HSL 273.24, 0.62%, 0.44%

LAB 35.82, 57.12, -59.14

 

CMYK 0 / 50 / 77 / 29

HEX #B55B2A

RGB 181 91 42

HSL 21.15, 0.62%, 0.44%

LAB 48.85, 33.02, 43.5

 

CMYK 42 / 0 / 77 / 29

HEX #69B52A

RGB 105 181 42

HSL 92.81, 0.62%, 0.44%

LAB 66.69, -45.88, 58.86

 

CMYK 77 / 28 / 0 / 28

HEX #2B84B7

RGB 43 132 183

HSL 201.86, 0.62%, 0.44%

LAB 52.33, -8.47, -34.21

 

CMYK 12 / 77 / 0 / 29

HEX #A02AB5

RGB 160 42 181

HSL 290.94, 0.62%, 0.44%

LAB 41.95, 64.78, -48.93

 

CMYK 0 / 50 / 77 / 29

HEX #B55B2A

RGB 181 91 42

HSL 21.15, 0.62%, 0.44%

LAB 48.85, 33.02, 43.5

 

CMYK 65 / 0 / 77 / 29

HEX #3FB52A

RGB 63 181 42

HSL 110.94, 0.62%, 0.44%

LAB 65.18, -57.59, 56.88

 

Description

Color code: HEX #2B84B7 | qconv.com Color code: HEX #2B84B7 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 132 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 132 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 28 magenta, none yellow and 28 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 28% 0% 28% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

20% - Technology Solutions...
Link: http://www.ptc.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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