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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2B8028 it is the complementary color #D47FD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2B8028. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2B8028 shade: #308023, #419236, #52A449, #63B65C and #74C86F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2B8028. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2B8028 shade: #2B8028, #1A6E15, #095C02, #004A00 and #003800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2B8028 shade: #2B8028, #438028, #5B8028, #728028 and #807628

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2B8028 shade: #2B8028, #28803D, #288055, #28806C and #287C80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2B8028 shade matches the following richer shades: #2B8028, #1F8E1B and #129B0D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2B8028 shade: #2B8028, #387236, #456544, #515751 and #5E495F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2B8028 shade: #5B8028, #448028, #2D8028, #28803B and #288053

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2B8028 shade: #164115, #21611E, #2B8028, #369F32 and #41BF3C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2B8028 shade: #2B8028, #287380 and #802850

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2B8028 shade: #2B8028, #282D80 and #80282D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2B8028 shade: #2B8028, #287380, #7C2880 and #803628

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2B8028 shade: #2B8028, #285980, #7C2880 and #805028

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 69 / 50

HEX #2B8028

RGB 43 128 40

HSL 117.95, 0.52%, 0.33%

LAB 47.11, -43.31, 38.97

 

Complementary color

CMYK 1 / 41 / 0 / 16

HEX #D47FD7

RGB 212 127 215

HSL 297.95, 0.52%, 0.67%

LAB 65.03, 46.15, -31.58

 

CMYK 63 / 0 / 73 / 50

HEX #308023

RGB 48 128 35

HSL 111.61, 0.57%, 0.32%

LAB 47.22, -42.58, 41.28

 

CMYK 55 / 0 / 63 / 43

HEX #419236

RGB 65 146 54

HSL 112.83, 0.46%, 0.39%

LAB 53.97, -43.17, 40.39

 

CMYK 50 / 0 / 55 / 36

HEX #52A449

RGB 82 164 73

HSL 114.07, 0.38%, 0.46%

LAB 60.63, -43.38, 39.19

 

CMYK 46 / 0 / 49 / 29

HEX #63B65C

RGB 99 182 92

HSL 115.33, 0.38%, 0.54%

LAB 67.19, -43.4, 37.91

 

CMYK 42 / 0 / 45 / 22

HEX #74C86F

RGB 116 200 111

HSL 116.63, 0.45%, 0.61%

LAB 73.66, -43.29, 36.63

 

CMYK 66 / 0 / 69 / 50

HEX #2B8028

RGB 43 128 40

HSL 117.95, 0.52%, 0.33%

LAB 47.11, -43.31, 38.97

 

CMYK 76 / 0 / 81 / 57

HEX #1A6E15

RGB 26 110 21

HSL 116.63, 0.68%, 0.26%

LAB 40.29, -42.03, 39.52

 

CMYK 90 / 0 / 98 / 64

HEX #095C02

RGB 9 92 2

HSL 115.33, 0.96%, 0.18%

LAB 33.39, -39.67, 38.99

 

CMYK 100 / 0 / 100 / 71

HEX #004A00

RGB 0 74 0

HSL 120, 1%, 0.15%

LAB 26.44, -35.26, 33.91

 

CMYK 100 / 0 / 100 / 78

HEX #003800

RGB 0 56 0

HSL 120, 1%, 0.11%

LAB 19.34, -29.36, 26.61

 

CMYK 66 / 0 / 69 / 50

HEX #2B8028

RGB 43 128 40

HSL 117.95, 0.52%, 0.33%

LAB 47.11, -43.31, 38.97

 

CMYK 48 / 0 / 69 / 50

HEX #438028

RGB 67 128 40

HSL 101.59, 0.52%, 0.33%

LAB 47.99, -36.53, 40.17

 

CMYK 29 / 0 / 69 / 50

HEX #5B8028

RGB 91 128 40

HSL 85.23, 0.52%, 0.33%

LAB 49.27, -27.64, 41.93

 

CMYK 11 / 0 / 69 / 50

HEX #728028

RGB 114 128 40

HSL 69.55, 0.52%, 0.33%

LAB 50.88, -17.84, 44.11

 

CMYK 0 / 8 / 69 / 50

HEX #807628

RGB 128 118 40

HSL 53.18, 0.52%, 0.33%

LAB 49.13, -6.02, 42.67

 

CMYK 66 / 0 / 69 / 50

HEX #2B8028

RGB 43 128 40

HSL 117.95, 0.52%, 0.33%

LAB 47.11, -43.31, 38.97

 

CMYK 69 / 0 / 52 / 50

HEX #28803D

RGB 40 128 61

HSL 134.32, 0.52%, 0.33%

LAB 47.27, -41.19, 28.78

 

CMYK 69 / 0 / 34 / 50

HEX #288055

RGB 40 128 85

HSL 150.68, 0.52%, 0.33%

LAB 47.68, -36.62, 15.95

 

CMYK 69 / 0 / 16 / 50

HEX #28806C

RGB 40 128 108

HSL 166.36, 0.52%, 0.33%

LAB 48.22, -30.97, 3.32

 

CMYK 69 / 3 / 0 / 50

HEX #287C80

RGB 40 124 128

HSL 182.73, 0.52%, 0.33%

LAB 47.53, -23.14, -9.51

 

CMYK 66 / 0 / 69 / 50

HEX #2B8028

RGB 43 128 40

HSL 117.95, 0.52%, 0.33%

LAB 47.11, -43.31, 38.97

 

CMYK 78 / 0 / 81 / 44

HEX #1F8E1B

RGB 31 142 27

HSL 117.91, 0.68%, 0.33%

LAB 51.52, -51.59, 48.34

 

CMYK 88 / 0 / 92 / 39

HEX #129B0D

RGB 18 155 13

HSL 117.89, 0.85%, 0.33%

LAB 55.69, -57.85, 55.48

 

CMYK 66 / 0 / 69 / 50

HEX #2B8028

RGB 43 128 40

HSL 117.95, 0.52%, 0.33%

LAB 47.11, -43.31, 38.97

 

CMYK 51 / 0 / 53 / 55

HEX #387236

RGB 56 114 54

HSL 118, 0.36%, 0.33%

LAB 42.98, -32.25, 27.36

 

CMYK 32 / 0 / 33 / 60

HEX #456544

RGB 69 101 68

HSL 118.18, 0.2%, 0.33%

LAB 39.56, -19, 15.07

 

CMYK 7 / 0 / 7 / 66

HEX #515751

RGB 81 87 81

HSL 120, 0.04%, 0.33%

LAB 36.29, -3.68, 2.66

 

CMYK 1 / 23 / 0 / 63

HEX #5E495F

RGB 94 73 95

HSL 297.27, 0.13%, 0.33%

LAB 33.92, 13.25, -9.52

 

CMYK 29 / 0 / 69 / 50

HEX #5B8028

RGB 91 128 40

HSL 85.23, 0.52%, 0.33%

LAB 49.27, -27.64, 41.93

 

CMYK 47 / 0 / 69 / 50

HEX #448028

RGB 68 128 40

HSL 100.91, 0.52%, 0.33%

LAB 48.03, -36.2, 40.24

 

CMYK 65 / 0 / 69 / 50

HEX #2D8028

RGB 45 128 40

HSL 116.59, 0.52%, 0.33%

LAB 47.17, -42.84, 39.05

 

CMYK 69 / 0 / 54 / 50

HEX #28803B

RGB 40 128 59

HSL 132.95, 0.52%, 0.33%

LAB 47.24, -41.51, 29.8

 

CMYK 69 / 0 / 35 / 50

HEX #288053

RGB 40 128 83

HSL 149.32, 0.52%, 0.33%

LAB 47.64, -37.06, 17.04

 

CMYK 66 / 0 / 68 / 75

HEX #164115

RGB 22 65 21

HSL 118.64, 0.51%, 0.17%

LAB 23.69, -25.28, 22.04

 

CMYK 66 / 0 / 69 / 62

HEX #21611E

RGB 33 97 30

HSL 117.31, 0.53%, 0.25%

LAB 35.92, -34.76, 31.28

 

CMYK 66 / 0 / 69 / 50

HEX #2B8028

RGB 43 128 40

HSL 117.95, 0.52%, 0.33%

LAB 47.11, -43.31, 38.97

 

CMYK 66 / 0 / 69 / 38

HEX #369F32

RGB 54 159 50

HSL 117.8, 0.52%, 0.41%

LAB 57.86, -51.21, 46.33

 

CMYK 66 / 0 / 69 / 25

HEX #41BF3C

RGB 65 191 60

HSL 117.71, 0.52%, 0.49%

LAB 68.54, -59.16, 53.74

 

CMYK 66 / 0 / 69 / 50

HEX #2B8028

RGB 43 128 40

HSL 117.95, 0.52%, 0.33%

LAB 47.11, -43.31, 38.97

 

CMYK 69 / 10 / 0 / 50

HEX #287380

RGB 40 115 128

HSL 188.86, 0.52%, 0.33%

LAB 44.62, -18.35, -13.9

 

CMYK 0 / 69 / 38 / 50

HEX #802850

RGB 128 40 80

HSL 332.73, 0.52%, 0.33%

LAB 31.08, 41.53, -3.61

 

CMYK 66 / 0 / 69 / 50

HEX #2B8028

RGB 43 128 40

HSL 117.95, 0.52%, 0.33%

LAB 47.11, -43.31, 38.97

 

CMYK 69 / 65 / 0 / 50

HEX #282D80

RGB 40 45 128

HSL 236.59, 0.52%, 0.33%

LAB 23.29, 26.46, -47.57

 

CMYK 0 / 69 / 65 / 50

HEX #80282D

RGB 128 40 45

HSL 356.59, 0.52%, 0.33%

LAB 30.15, 38.18, 18.08

 

CMYK 66 / 0 / 69 / 50

HEX #2B8028

RGB 43 128 40

HSL 117.95, 0.52%, 0.33%

LAB 47.11, -43.31, 38.97

 

CMYK 69 / 10 / 0 / 50

HEX #287380

RGB 40 115 128

HSL 188.86, 0.52%, 0.33%

LAB 44.62, -18.35, -13.9

 

CMYK 3 / 69 / 0 / 50

HEX #7C2880

RGB 124 40 128

HSL 297.27, 0.52%, 0.33%

LAB 32.62, 47.85, -32.03

 

CMYK 0 / 58 / 69 / 50

HEX #803628

RGB 128 54 40

HSL 9.55, 0.52%, 0.33%

LAB 32.66, 30.97, 24.35

 

CMYK 66 / 0 / 69 / 50

HEX #2B8028

RGB 43 128 40

HSL 117.95, 0.52%, 0.33%

LAB 47.11, -43.31, 38.97

 

CMYK 69 / 30 / 0 / 50

HEX #285980

RGB 40 89 128

HSL 206.59, 0.52%, 0.33%

LAB 36.28, -3.13, -26.77

 

CMYK 3 / 69 / 0 / 50

HEX #7C2880

RGB 124 40 128

HSL 297.27, 0.52%, 0.33%

LAB 32.62, 47.85, -32.03

 

CMYK 0 / 38 / 69 / 50

HEX #805028

RGB 128 80 40

HSL 27.27, 0.52%, 0.33%

LAB 38.69, 16.17, 31.38

 

Description

Color code: HEX #2B8028 | qconv.com Color code: HEX #2B8028 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 128 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 128 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 69 yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 69% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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