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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2B7FAF it is the complementary color #D48050. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2B7FAF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2B7FAF shade: #307FAA, #4191BD, #52A3D0, #63B5E3 and #74C7F6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2B7FAF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2B7FAF shade: #2B7FAF, #1A6D9C, #095B89, #004976 and #003763

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2B7FAF shade: #2A7FB0, #2A5BB0, #2A37B0, #412AB0 and #652AB0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2B7FAF shade: #2A7FB0, #2A5BB0, #2A37B0 and #2A2AB0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2B7FAF shade matches the following richer shades: #2A7FB0, #1984C2 and #0789D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2B7FAF shade: #2A7FB0, #3C7B9E, #4E768D, #5F717B and #716C69

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2B7FAF shade: #2AB098, #2AA5B0, #2A81B0, #2A5EB0 and #2A3AB0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2B7FAF shade: #1A4F6E, #22678F, #2A7FB0, #3697CE and #57A8D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2B7FAF shade: #2B7FAF, #742AB0 and #B0A92A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2B7FAF shade: #2B7FAF, #B02A81 and #81B02A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2B7FAF shade: #2B7FAF, #742AB0, #B0592A and #66B02A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2B7FAF shade: #2B7FAF, #9C2AB0, #B0592A and #3EB02A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 27 / 0 / 31

HEX #2B7FAF

RGB 43 127 175

HSL 201.82, 0.61%, 0.43%

LAB 50.44, -8.44, -32.55

 

Complementary color

CMYK 0 / 40 / 62 / 17

HEX #D48050

RGB 212 128 80

HSL 21.82, 0.61%, 0.57%

LAB 61.67, 28.06, 39.46

 

CMYK 72 / 25 / 0 / 33

HEX #307FAA

RGB 48 127 170

HSL 201.15, 0.56%, 0.43%

LAB 50.35, -9.53, -29.79

 

CMYK 66 / 23 / 0 / 26

HEX #4191BD

RGB 65 145 189

HSL 201.29, 0.49%, 0.5%

LAB 57.12, -10.58, -30.1

 

CMYK 61 / 22 / 0 / 18

HEX #52A3D0

RGB 82 163 208

HSL 201.43, 0.57%, 0.57%

LAB 63.79, -11.37, -30.39

 

CMYK 56 / 20 / 0 / 11

HEX #63B5E3

RGB 99 181 227

HSL 201.56, 0.7%, 0.64%

LAB 70.35, -11.99, -30.66

 

CMYK 53 / 19 / 0 / 4

HEX #74C7F6

RGB 116 199 246

HSL 201.69, 0.88%, 0.71%

LAB 76.81, -12.48, -30.92

 

CMYK 75 / 27 / 0 / 31

HEX #2B7FAF

RGB 43 127 175

HSL 201.82, 0.61%, 0.43%

LAB 50.44, -8.44, -32.55

 

CMYK 83 / 30 / 0 / 39

HEX #1A6D9C

RGB 26 109 156

HSL 201.69, 0.71%, 0.36%

LAB 43.59, -6.76, -32.2

 

CMYK 93 / 34 / 0 / 46

HEX #095B89

RGB 9 91 137

HSL 201.56, 0.88%, 0.29%

LAB 36.64, -4.47, -31.75

 

CMYK 100 / 38 / 0 / 54

HEX #004976

RGB 0 73 118

HSL 202.88, 1%, 0.23%

LAB 29.6, -1.37, -31.18

HEX #004976

CMYK 100 / 44 / 0 / 61

HEX #003763

RGB 0 55 99

HSL 206.67, 1%, 0.19%

LAB 22.42, 2.6, -30.48

HEX #003763

CMYK 76 / 28 / 0 / 31

HEX #2A7FB0

RGB 42 127 176

HSL 201.94, 0.61%, 0.43%

LAB 50.46, -8.21, -33.1

 

CMYK 76 / 48 / 0 / 31

HEX #2A5BB0

RGB 42 91 176

HSL 218.06, 0.61%, 0.43%

LAB 39.76, 14.13, -50.09

 

CMYK 76 / 69 / 0 / 31

HEX #2A37B0

RGB 42 55 176

HSL 234.18, 0.61%, 0.43%

LAB 30.3, 37.7, -65.49

 

CMYK 63 / 76 / 0 / 31

HEX #412AB0

RGB 65 42 176

HSL 250.3, 0.61%, 0.43%

LAB 29.2, 47.7, -67.25

 

CMYK 43 / 76 / 0 / 31

HEX #652AB0

RGB 101 42 176

HSL 266.42, 0.61%, 0.43%

LAB 33.04, 52.86, -60.79

 

CMYK 76 / 28 / 0 / 31

HEX #2A7FB0

RGB 42 127 176

HSL 201.94, 0.61%, 0.43%

LAB 50.46, -8.21, -33.1

 

CMYK 76 / 48 / 0 / 31

HEX #2A5BB0

RGB 42 91 176

HSL 218.06, 0.61%, 0.43%

LAB 39.76, 14.13, -50.09

 

CMYK 76 / 69 / 0 / 31

HEX #2A37B0

RGB 42 55 176

HSL 234.18, 0.61%, 0.43%

LAB 30.3, 37.7, -65.49

 

CMYK 76 / 76 / 0 / 31

HEX #2A2AB0

RGB 42 42 176

HSL 240, 0.61%, 0.43%

LAB 27.53, 45.4, -70.07

 

CMYK 76 / 28 / 0 / 31

HEX #2A7FB0

RGB 42 127 176

HSL 201.94, 0.61%, 0.43%

LAB 50.46, -8.21, -33.1

 

CMYK 87 / 32 / 0 / 24

HEX #1984C2

RGB 25 132 194

HSL 202.01, 0.77%, 0.43%

LAB 52.51, -6.13, -40.23

 

CMYK 97 / 35 / 0 / 17

HEX #0789D4

RGB 7 137 212

HSL 201.95, 0.94%, 0.43%

LAB 54.75, -3.09, -46.9

 

CMYK 76 / 28 / 0 / 31

HEX #2A7FB0

RGB 42 127 176

HSL 201.94, 0.61%, 0.43%

LAB 50.46, -8.21, -33.1

 

CMYK 62 / 22 / 0 / 38

HEX #3C7B9E

RGB 60 123 158

HSL 201.43, 0.45%, 0.43%

LAB 49, -9.27, -24.86

 

CMYK 45 / 16 / 0 / 45

HEX #4E768D

RGB 78 118 141

HSL 201.9, 0.29%, 0.43%

LAB 47.62, -7.52, -16.92

 

CMYK 23 / 8 / 0 / 52

HEX #5F717B

RGB 95 113 123

HSL 201.43, 0.13%, 0.43%

LAB 46.54, -4.27, -7.75

 

CMYK 0 / 4 / 7 / 56

HEX #716C69

RGB 113 108 105

HSL 22.5, 0.04%, 0.43%

LAB 45.98, 1.36, 2.36

 

CMYK 76 / 0 / 14 / 31

HEX #2AB098

RGB 42 176 152

HSL 169.25, 0.61%, 0.43%

LAB 64.81, -40.64, 2.24

 

CMYK 76 / 6 / 0 / 31

HEX #2AA5B0

RGB 42 165 176

HSL 184.93, 0.61%, 0.43%

LAB 62.11, -28.56, -15.17

 

CMYK 76 / 27 / 0 / 31

HEX #2A81B0

RGB 42 129 176

HSL 201.04, 0.61%, 0.43%

LAB 51.07, -9.37, -32.15

 

CMYK 76 / 47 / 0 / 31

HEX #2A5EB0

RGB 42 94 176

HSL 216.72, 0.61%, 0.43%

LAB 40.63, 12.17, -48.7

 

CMYK 76 / 67 / 0 / 31

HEX #2A3AB0

RGB 42 58 176

HSL 232.84, 0.61%, 0.43%

LAB 31, 35.81, -64.33

 

CMYK 76 / 28 / 0 / 57

HEX #1A4F6E

RGB 26 79 110

HSL 202.14, 0.62%, 0.27%

LAB 31.66, -5.96, -22.86

 

CMYK 76 / 28 / 0 / 44

HEX #22678F

RGB 34 103 143

HSL 202.02, 0.62%, 0.35%

LAB 41.25, -7.12, -28.1

 

CMYK 76 / 28 / 0 / 31

HEX #2A7FB0

RGB 42 127 176

HSL 201.94, 0.61%, 0.43%

LAB 50.46, -8.21, -33.1

 

CMYK 74 / 27 / 0 / 19

HEX #3697CE

RGB 54 151 206

HSL 201.71, 0.61%, 0.51%

LAB 59.32, -9.82, -36.29

 

CMYK 59 / 21 / 0 / 16

HEX #57A8D6

RGB 87 168 214

HSL 201.73, 0.61%, 0.59%

LAB 65.66, -11.28, -30.8

 

CMYK 75 / 27 / 0 / 31

HEX #2B7FAF

RGB 43 127 175

HSL 201.82, 0.61%, 0.43%

LAB 50.44, -8.44, -32.55

 

CMYK 34 / 76 / 0 / 31

HEX #742AB0

RGB 116 42 176

HSL 273.13, 0.61%, 0.43%

LAB 35.01, 55.44, -57.5

 

CMYK 0 / 4 / 76 / 31

HEX #B0A92A

RGB 176 169 42

HSL 56.87, 0.61%, 0.43%

LAB 67.85, -11.76, 61.63

 

CMYK 75 / 27 / 0 / 31

HEX #2B7FAF

RGB 43 127 175

HSL 201.82, 0.61%, 0.43%

LAB 50.44, -8.44, -32.55

 

CMYK 0 / 76 / 27 / 31

HEX #B02A81

RGB 176 42 129

HSL 321.04, 0.61%, 0.43%

LAB 41.96, 60.39, -17.4

 

CMYK 27 / 0 / 76 / 31

HEX #81B02A

RGB 129 176 42

HSL 81.04, 0.61%, 0.43%

LAB 66.43, -34.97, 59.06

 

CMYK 75 / 27 / 0 / 31

HEX #2B7FAF

RGB 43 127 175

HSL 201.82, 0.61%, 0.43%

LAB 50.44, -8.44, -32.55

 

CMYK 34 / 76 / 0 / 31

HEX #742AB0

RGB 116 42 176

HSL 273.13, 0.61%, 0.43%

LAB 35.01, 55.44, -57.5

 

CMYK 0 / 49 / 76 / 31

HEX #B0592A

RGB 176 89 42

HSL 21.04, 0.61%, 0.43%

LAB 47.68, 32.03, 42.06

 

CMYK 42 / 0 / 76 / 31

HEX #66B02A

RGB 102 176 42

HSL 93.13, 0.61%, 0.43%

LAB 65, -44.84, 57.19

 

CMYK 75 / 27 / 0 / 31

HEX #2B7FAF

RGB 43 127 175

HSL 201.82, 0.61%, 0.43%

LAB 50.44, -8.44, -32.55

 

CMYK 11 / 76 / 0 / 31

HEX #9C2AB0

RGB 156 42 176

HSL 291.04, 0.61%, 0.43%

LAB 40.99, 63.08, -47.54

 

CMYK 0 / 49 / 76 / 31

HEX #B0592A

RGB 176 89 42

HSL 21.04, 0.61%, 0.43%

LAB 47.68, 32.03, 42.06

 

CMYK 65 / 0 / 76 / 31

HEX #3EB02A

RGB 62 176 42

HSL 111.04, 0.61%, 0.43%

LAB 63.54, -56.1, 55.27

 

Description

Color code: HEX #2B7FAF | qconv.com Color code: HEX #2B7FAF | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 127 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 127 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 27 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 27% 0% 31% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

21% - teste
Link: http://maistre.com.br

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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