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Color name
HEX #2B7E1D

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2B7E1D it is the complementary color #D481E2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2B7E1D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2B7E1D shade: #307E18, #41902B, #52A23E, #63B451 and #74C664

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2B7E1D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2B7E1D shade: #2B7E1D, #1A6C0A, #095A00, #004800 and #003600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2B7E1D shade: #2A7D1C, #447D1C, #5E7D1C, #787D1C and #7D671C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2B7E1D shade: #2A7D1C, #1C7D28, #1C7D42, #1C7D5C and #1C7D76

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2B7E1D shade matches the following richer shades: #2A7D1C, #218910 and #199504

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2B7E1D shade: #2A7D1C, #337029, #3C6435, #455841 and #4D4B4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2B7E1D shade: #5E7D1C, #447D1C, #2B7D1C, #1C7D28 and #1C7D41

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2B7E1D shade: #13390D, #1F5B15, #2A7D1C, #369E24 and #41C02C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2B7E1D shade: #2B7E1D, #1C787D and #7D1C51

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2B7E1D shade: #2B7E1D, #1C2B7D and #7D1C2B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2B7E1D shade: #2B7E1D, #1C787D, #6E1C7D and #7D211C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2B7E1D shade: #2B7E1D, #1C5B7D, #6E1C7D and #7D3E1C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 77 / 51

HEX #2B7E1D

RGB 43 126 29

HSL 111.34, 0.63%, 0.3%

LAB 46.34, -43.57, 42.7

 

Complementary color

CMYK 6 / 43 / 0 / 11

HEX #D481E2

RGB 212 129 226

HSL 291.34, 0.63%, 0.7%

LAB 65.9, 47.18, -36.35

 

CMYK 62 / 0 / 81 / 51

HEX #307E18

RGB 48 126 24

HSL 105.88, 0.68%, 0.29%

LAB 46.47, -42.68, 44.65

 

CMYK 55 / 0 / 70 / 44

HEX #41902B

RGB 65 144 43

HSL 106.93, 0.54%, 0.37%

LAB 53.22, -43.47, 44.42

 

CMYK 49 / 0 / 62 / 36

HEX #52A23E

RGB 82 162 62

HSL 108, 0.45%, 0.44%

LAB 59.87, -43.84, 43.54

 

CMYK 45 / 0 / 55 / 29

HEX #63B451

RGB 99 180 81

HSL 109.09, 0.4%, 0.51%

LAB 66.44, -43.96, 42.4

 

CMYK 41 / 0 / 49 / 22

HEX #74C664

RGB 116 198 100

HSL 110.2, 0.46%, 0.58%

LAB 72.91, -43.93, 41.17

 

CMYK 66 / 0 / 77 / 51

HEX #2B7E1D

RGB 43 126 29

HSL 111.34, 0.63%, 0.3%

LAB 46.34, -43.57, 42.7

 

CMYK 76 / 0 / 91 / 58

HEX #1A6C0A

RGB 26 108 10

HSL 110.2, 0.83%, 0.23%

LAB 39.52, -41.99, 42.13

 

CMYK 90 / 0 / 100 / 65

HEX #095A00

RGB 9 90 0

HSL 114, 1%, 0.18%

LAB 32.64, -39.14, 39.05

 

CMYK 100 / 0 / 100 / 72

HEX #004800

RGB 0 72 0

HSL 120, 1%, 0.14%

LAB 25.67, -34.62, 33.21

 

CMYK 100 / 0 / 100 / 79

HEX #003600

RGB 0 54 0

HSL 120, 1%, 0.11%

LAB 18.53, -28.69, 25.66

 

CMYK 66 / 0 / 78 / 51

HEX #2A7D1C

RGB 42 125 28

HSL 111.34, 0.63%, 0.3%

LAB 45.97, -43.51, 42.69

 

CMYK 46 / 0 / 78 / 51

HEX #447D1C

RGB 68 125 28

HSL 95.26, 0.63%, 0.3%

LAB 46.95, -35.86, 43.99

 

CMYK 25 / 0 / 78 / 51

HEX #5E7D1C

RGB 94 125 28

HSL 79.18, 0.63%, 0.3%

LAB 48.42, -25.75, 45.92

 

CMYK 4 / 0 / 78 / 51

HEX #787D1C

RGB 120 125 28

HSL 63.09, 0.63%, 0.3%

LAB 50.39, -14.22, 48.47

 

CMYK 0 / 18 / 78 / 51

HEX #7D671C

RGB 125 103 28

HSL 46.39, 0.63%, 0.3%

LAB 44.44, 0.47, 43.03

 

CMYK 66 / 0 / 78 / 51

HEX #2A7D1C

RGB 42 125 28

HSL 111.34, 0.63%, 0.3%

LAB 45.97, -43.51, 42.69

 

CMYK 78 / 0 / 68 / 51

HEX #1C7D28

RGB 28 125 40

HSL 127.42, 0.63%, 0.3%

LAB 45.73, -45.17, 37.36

 

CMYK 78 / 0 / 47 / 51

HEX #1C7D42

RGB 28 125 66

HSL 143.51, 0.63%, 0.3%

LAB 46.05, -41.31, 24.48

 

CMYK 78 / 0 / 26 / 51

HEX #1C7D5C

RGB 28 125 92

HSL 159.59, 0.63%, 0.3%

LAB 46.56, -35.65, 10.3

 

CMYK 78 / 0 / 6 / 51

HEX #1C7D76

RGB 28 125 118

HSL 175.67, 0.63%, 0.3%

LAB 47.26, -28.42, -4.02

 

CMYK 66 / 0 / 78 / 51

HEX #2A7D1C

RGB 42 125 28

HSL 111.34, 0.63%, 0.3%

LAB 45.97, -43.51, 42.69

 

CMYK 76 / 0 / 88 / 46

HEX #218910

RGB 33 137 16

HSL 111.57, 0.79%, 0.3%

LAB 49.8, -50.23, 49.83

 

CMYK 83 / 0 / 97 / 42

HEX #199504

RGB 25 149 4

HSL 111.31, 0.95%, 0.3%

LAB 53.72, -55.6, 55.33

 

CMYK 66 / 0 / 78 / 51

HEX #2A7D1C

RGB 42 125 28

HSL 111.34, 0.63%, 0.3%

LAB 45.97, -43.51, 42.69

 

CMYK 54 / 0 / 63 / 56

HEX #337029

RGB 51 112 41

HSL 111.55, 0.46%, 0.3%

LAB 41.93, -34.66, 32.82

 

CMYK 40 / 0 / 47 / 61

HEX #3C6435

RGB 60 100 53

HSL 111.06, 0.31%, 0.3%

LAB 38.43, -24.41, 22.28

 

CMYK 22 / 0 / 26 / 65

HEX #455841

RGB 69 88 65

HSL 109.57, 0.15%, 0.3%

LAB 35.25, -12.36, 11

 

CMYK 1 / 4 / 0 / 69

HEX #4D4B4E

RGB 77 75 78

HSL 280, 0.02%, 0.3%

LAB 32.17, 1.48, -1.49

 

CMYK 25 / 0 / 78 / 51

HEX #5E7D1C

RGB 94 125 28

HSL 79.18, 0.63%, 0.3%

LAB 48.42, -25.75, 45.92

 

CMYK 46 / 0 / 78 / 51

HEX #447D1C

RGB 68 125 28

HSL 95.26, 0.63%, 0.3%

LAB 46.95, -35.86, 43.99

 

CMYK 66 / 0 / 78 / 51

HEX #2B7D1C

RGB 43 125 28

HSL 110.72, 0.63%, 0.3%

LAB 45.99, -43.28, 42.73

 

CMYK 78 / 0 / 68 / 51

HEX #1C7D28

RGB 28 125 40

HSL 127.42, 0.63%, 0.3%

LAB 45.73, -45.17, 37.36

 

CMYK 78 / 0 / 48 / 51

HEX #1C7D41

RGB 28 125 65

HSL 142.89, 0.63%, 0.3%

LAB 46.04, -41.49, 25.01

 

CMYK 67 / 0 / 77 / 78

HEX #13390D

RGB 19 57 13

HSL 111.82, 0.63%, 0.14%

LAB 20.42, -23.58, 22.57

 

CMYK 66 / 0 / 77 / 64

HEX #1F5B15

RGB 31 91 21

HSL 111.43, 0.63%, 0.22%

LAB 33.62, -33.79, 32.91

 

CMYK 66 / 0 / 78 / 51

HEX #2A7D1C

RGB 42 125 28

HSL 111.34, 0.63%, 0.3%

LAB 45.97, -43.51, 42.69

 

CMYK 66 / 0 / 77 / 38

HEX #369E24

RGB 54 158 36

HSL 111.15, 0.63%, 0.38%

LAB 57.43, -52.03, 51.25

 

CMYK 66 / 0 / 77 / 25

HEX #41C02C

RGB 65 192 44

HSL 111.49, 0.63%, 0.46%

LAB 68.75, -60.75, 59.73

 

CMYK 66 / 0 / 77 / 51

HEX #2B7E1D

RGB 43 126 29

HSL 111.34, 0.63%, 0.3%

LAB 46.34, -43.57, 42.7

 

CMYK 78 / 4 / 0 / 51

HEX #1C787D

RGB 28 120 125

HSL 183.09, 0.63%, 0.3%

LAB 45.85, -23.71, -10.28

 

CMYK 0 / 78 / 35 / 51

HEX #7D1C51

RGB 125 28 81

HSL 327.22, 0.63%, 0.3%

LAB 28.86, 45.45, -7.64

 

CMYK 66 / 0 / 77 / 51

HEX #2B7E1D

RGB 43 126 29

HSL 111.34, 0.63%, 0.3%

LAB 46.34, -43.57, 42.7

 

CMYK 78 / 66 / 0 / 51

HEX #1C2B7D

RGB 28 43 125

HSL 230.72, 0.63%, 0.3%

LAB 21.78, 25.05, -48.17

 

CMYK 0 / 78 / 66 / 51

HEX #7D1C2B

RGB 125 28 43

HSL 350.72, 0.63%, 0.3%

LAB 27.75, 41.9, 16.19

 

CMYK 66 / 0 / 77 / 51

HEX #2B7E1D

RGB 43 126 29

HSL 111.34, 0.63%, 0.3%

LAB 46.34, -43.57, 42.7

 

CMYK 78 / 4 / 0 / 51

HEX #1C787D

RGB 28 120 125

HSL 183.09, 0.63%, 0.3%

LAB 45.85, -23.71, -10.28

 

CMYK 12 / 78 / 0 / 51

HEX #6E1C7D

RGB 110 28 125

HSL 290.72, 0.63%, 0.3%

LAB 28.45, 48.68, -36.92

 

CMYK 0 / 74 / 78 / 51

HEX #7D211C

RGB 125 33 28

HSL 3.09, 0.63%, 0.3%

LAB 28.2, 39.15, 26.41

 

CMYK 66 / 0 / 77 / 51

HEX #2B7E1D

RGB 43 126 29

HSL 111.34, 0.63%, 0.3%

LAB 46.34, -43.57, 42.7

 

CMYK 78 / 27 / 0 / 51

HEX #1C5B7D

RGB 28 91 125

HSL 201.03, 0.63%, 0.3%

LAB 36.38, -7.39, -24.8

 

CMYK 12 / 78 / 0 / 51

HEX #6E1C7D

RGB 110 28 125

HSL 290.72, 0.63%, 0.3%

LAB 28.45, 48.68, -36.92

 

CMYK 0 / 50 / 78 / 51

HEX #7D3E1C

RGB 125 62 28

HSL 21.03, 0.63%, 0.3%

LAB 33.75, 24.63, 32.37

 

Description

Color code: HEX #2B7E1D | qconv.com Color code: HEX #2B7E1D | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 126 green and 29 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 126 29 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 77 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 77% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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