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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2B7ABE it is the complementary color #D48541. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2B7ABE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2B7ABE shade: #307AB9, #418CCC, #529EDF, #63B0F2 and #74C2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2B7ABE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2B7ABE shade: #2B7ABE, #1A68AB, #095698, #004485 and #003272

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2B7ABE shade: #2B7ABF, #2B52BF, #2B2BBF, #532BBF and #7B2BBF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2B7ABE shade: #2B7ABF, #2B52BF and #2B2BBF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2B7ABE shade matches the following richer shades: #2B7ABF, #187CD2 and #057DE5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2B7ABE shade: #2B7ABF, #3E79AC, #517799, #647686 and #777573

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2B7ABE shade: #2BBFB2, #2BA4BF, #2B7CBF, #2B55BF and #2B2DBF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2B7ABE shade: #1C4F7B, #23659D, #2B7ABF, #408FD3 and #61A3DB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2B7ABE shade: #2B7ABE, #8B2BBF and #B7BF2B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2B7ABE shade: #2B7ABE, #BF2B7C and #7CBF2B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2B7ABE shade: #2B7ABE, #8B2BBF, #BF6D2B and #5FBF2B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2B7ABE shade: #2B7ABE, #B72BBF, #BF6D2B and #32BF2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 77 / 36 / 0 / 25

HEX #2B7ABE

RGB 43 122 190

HSL 207.76, 0.63%, 0.46%

LAB 49.68, -0.01, -42.4

 

Complementary color

CMYK 0 / 37 / 69 / 17

HEX #D48541

RGB 212 133 65

HSL 27.76, 0.63%, 0.54%

LAB 62.64, 24.45, 48.17

 

CMYK 74 / 34 / 0 / 27

HEX #307AB9

RGB 48 122 185

HSL 207.59, 0.59%, 0.46%

LAB 49.56, -1.22, -39.7

 

CMYK 68 / 31 / 0 / 20

HEX #418CCC

RGB 65 140 204

HSL 207.63, 0.58%, 0.53%

LAB 56.33, -2.65, -39.83

 

CMYK 63 / 29 / 0 / 13

HEX #529EDF

RGB 82 158 223

HSL 207.66, 0.69%, 0.6%

LAB 62.99, -3.77, -39.95

 

CMYK 59 / 27 / 0 / 5

HEX #63B0F2

RGB 99 176 242

HSL 207.69, 0.85%, 0.67%

LAB 69.55, -4.67, -40.07

 

CMYK 55 / 24 / 0 / 0

HEX #74C2FF

RGB 116 194 255

HSL 206.33, 1%, 0.73%

LAB 75.77, -7.19, -37.35

 

CMYK 77 / 36 / 0 / 25

HEX #2B7ABE

RGB 43 122 190

HSL 207.76, 0.63%, 0.46%

LAB 49.68, -0.01, -42.4

 

CMYK 85 / 39 / 0 / 33

HEX #1A68AB

RGB 26 104 171

HSL 207.72, 0.74%, 0.39%

LAB 42.85, 2.12, -42.22

 

CMYK 94 / 43 / 0 / 40

HEX #095698

RGB 9 86 152

HSL 207.69, 0.89%, 0.32%

LAB 35.95, 4.89, -41.95

 

CMYK 100 / 49 / 0 / 48

HEX #004485

RGB 0 68 133

HSL 209.32, 1%, 0.26%

LAB 28.97, 8.51, -41.54

 

CMYK 100 / 56 / 0 / 55

HEX #003272

RGB 0 50 114

HSL 213.68, 1%, 0.22%

LAB 21.93, 12.97, -40.96

 

CMYK 77 / 36 / 0 / 25

HEX #2B7ABF

RGB 43 122 191

HSL 207.97, 0.63%, 0.46%

LAB 49.73, 0.36, -42.89

 

CMYK 77 / 57 / 0 / 25

HEX #2B52BF

RGB 43 82 191

HSL 224.19, 0.63%, 0.46%

LAB 38.39, 25.89, -61.11

 

CMYK 77 / 77 / 0 / 25

HEX #2B2BBF

RGB 43 43 191

HSL 240, 0.63%, 0.46%

LAB 29.42, 49.82, -75.84

 

CMYK 57 / 77 / 0 / 25

HEX #532BBF

RGB 83 43 191

HSL 256.22, 0.63%, 0.46%

LAB 32.54, 53.78, -70.58

 

CMYK 36 / 77 / 0 / 25

HEX #7B2BBF

RGB 123 43 191

HSL 272.43, 0.63%, 0.46%

LAB 37.3, 59.7, -62.6

 

CMYK 77 / 36 / 0 / 25

HEX #2B7ABF

RGB 43 122 191

HSL 207.97, 0.63%, 0.46%

LAB 49.73, 0.36, -42.89

 

CMYK 77 / 57 / 0 / 25

HEX #2B52BF

RGB 43 82 191

HSL 224.19, 0.63%, 0.46%

LAB 38.39, 25.89, -61.11

 

CMYK 77 / 77 / 0 / 25

HEX #2B2BBF

RGB 43 43 191

HSL 240, 0.63%, 0.46%

LAB 29.42, 49.82, -75.84

 

CMYK 77 / 36 / 0 / 25

HEX #2B7ABF

RGB 43 122 191

HSL 207.97, 0.63%, 0.46%

LAB 49.73, 0.36, -42.89

 

CMYK 89 / 41 / 0 / 18

HEX #187CD2

RGB 24 124 210

HSL 207.74, 0.79%, 0.46%

LAB 50.99, 4.7, -51.75

 

CMYK 98 / 45 / 0 / 10

HEX #057DE5

RGB 5 125 229

HSL 207.86, 0.96%, 0.46%

LAB 52.24, 10.71, -60.47

 

CMYK 77 / 36 / 0 / 25

HEX #2B7ABF

RGB 43 122 191

HSL 207.97, 0.63%, 0.46%

LAB 49.73, 0.36, -42.89

 

CMYK 64 / 30 / 0 / 33

HEX #3E79AC

RGB 62 121 172

HSL 207.82, 0.47%, 0.46%

LAB 49.1, -2.99, -32.86

 

CMYK 47 / 22 / 0 / 40

HEX #517799

RGB 81 119 153

HSL 208.33, 0.31%, 0.46%

LAB 48.56, -3.72, -22.53

 

CMYK 25 / 12 / 0 / 47

HEX #647686

RGB 100 118 134

HSL 208.24, 0.15%, 0.46%

LAB 48.74, -2.78, -10.95

 

CMYK 0 / 2 / 3 / 53

HEX #777573

RGB 119 117 115

HSL 30, 0.02%, 0.46%

LAB 49.35, 0.37, 1.36

 

CMYK 77 / 0 / 7 / 25

HEX #2BBFB2

RGB 43 191 178

HSL 174.73, 0.63%, 0.46%

LAB 70.17, -40.06, -4.25

 

CMYK 77 / 14 / 0 / 25

HEX #2BA4BF

RGB 43 164 191

HSL 190.95, 0.63%, 0.46%

LAB 62.36, -23.16, -23.2

 

CMYK 77 / 35 / 0 / 25

HEX #2B7CBF

RGB 43 124 191

HSL 207.16, 0.63%, 0.46%

LAB 50.32, -0.84, -41.95

 

CMYK 77 / 55 / 0 / 25

HEX #2B55BF

RGB 43 85 191

HSL 222.97, 0.63%, 0.46%

LAB 39.19, 23.93, -59.8

 

CMYK 77 / 76 / 0 / 25

HEX #2B2DBF

RGB 43 45 191

HSL 239.19, 0.63%, 0.46%

LAB 29.79, 48.76, -75.22

 

CMYK 77 / 36 / 0 / 52

HEX #1C4F7B

RGB 28 79 123

HSL 207.79, 0.63%, 0.3%

LAB 32.41, -0.59, -29.8

 

CMYK 78 / 36 / 0 / 38

HEX #23659D

RGB 35 101 157

HSL 207.54, 0.64%, 0.38%

LAB 41.37, -0.48, -36.27

 

CMYK 77 / 36 / 0 / 25

HEX #2B7ABF

RGB 43 122 191

HSL 207.97, 0.63%, 0.46%

LAB 49.73, 0.36, -42.89

 

CMYK 70 / 32 / 0 / 17

HEX #408FD3

RGB 64 143 211

HSL 207.76, 0.63%, 0.54%

LAB 57.5, -2.13, -41.93

 

CMYK 56 / 26 / 0 / 14

HEX #61A3DB

RGB 97 163 219

HSL 207.54, 0.63%, 0.62%

LAB 64.84, -4.98, -34.8

 

CMYK 77 / 36 / 0 / 25

HEX #2B7ABE

RGB 43 122 190

HSL 207.76, 0.63%, 0.46%

LAB 49.68, -0.01, -42.4

 

CMYK 27 / 77 / 0 / 25

HEX #8B2BBF

RGB 139 43 191

HSL 278.92, 0.63%, 0.46%

LAB 39.54, 62.45, -58.85

 

CMYK 4 / 0 / 77 / 25

HEX #B7BF2B

RGB 183 191 43

HSL 63.24, 0.63%, 0.46%

LAB 74.51, -19.88, 67.6

 

CMYK 77 / 36 / 0 / 25

HEX #2B7ABE

RGB 43 122 190

HSL 207.76, 0.63%, 0.46%

LAB 49.68, -0.01, -42.4

 

CMYK 0 / 77 / 35 / 25

HEX #BF2B7C

RGB 191 43 124

HSL 327.16, 0.63%, 0.46%

LAB 44.6, 63.31, -10.05

 

CMYK 35 / 0 / 77 / 25

HEX #7CBF2B

RGB 124 191 43

HSL 87.16, 0.63%, 0.46%

LAB 70.68, -43.4, 62.66

 

CMYK 77 / 36 / 0 / 25

HEX #2B7ABE

RGB 43 122 190

HSL 207.76, 0.63%, 0.46%

LAB 49.68, -0.01, -42.4

 

CMYK 27 / 77 / 0 / 25

HEX #8B2BBF

RGB 139 43 191

HSL 278.92, 0.63%, 0.46%

LAB 39.54, 62.45, -58.85

 

CMYK 0 / 43 / 77 / 25

HEX #BF6D2B

RGB 191 109 43

HSL 26.76, 0.63%, 0.46%

LAB 54.23, 27.56, 48.87

 

CMYK 50 / 0 / 77 / 25

HEX #5FBF2B

RGB 95 191 43

HSL 98.92, 0.63%, 0.46%

LAB 69.38, -52.91, 60.97

 

CMYK 77 / 36 / 0 / 25

HEX #2B7ABE

RGB 43 122 190

HSL 207.76, 0.63%, 0.46%

LAB 49.68, -0.01, -42.4

 

CMYK 4 / 77 / 0 / 25

HEX #B72BBF

RGB 183 43 191

HSL 296.76, 0.63%, 0.46%

LAB 46.39, 70.75, -47.48

 

CMYK 0 / 43 / 77 / 25

HEX #BF6D2B

RGB 191 109 43

HSL 26.76, 0.63%, 0.46%

LAB 54.23, 27.56, 48.87

 

CMYK 74 / 0 / 77 / 25

HEX #32BF2B

RGB 50 191 43

HSL 117.16, 0.63%, 0.46%

LAB 68.1, -63.24, 59.3

 

Description

Color code: HEX #2B7ABE | qconv.com Color code: HEX #2B7ABE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 122 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 122 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 77 cyan, 36 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
77% 36% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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