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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2B6CCACE it is the complementary color #D49335CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2B6CCACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2B6CCACE shade: #306CC5CE, #417ED8CE, #5290EBCE, #63A2FECE and #74B4FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2B6CCACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2B6CCACE shade: #2B6CCACE, #1A5AB7CE, #0948A4CE, #003691CE and #00247ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2B6CCACE shade: #2B6CCA, #2B41CA, #402BCA, #6B2BCA and #952BCA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2B6CCACE shade: #2B6CCA, #2B41CA and #2B2BCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2B6CCACE shade matches the following richer shades: #2B6CCA, #1768DE and #0365F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2B6CCACE shade: #2B6CCA, #3F70B6, #5273A2, #66778F and #7A7A7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2B6CCACE shade: #2BC2CA, #2B98CA, #2B6DCA, #2B43CA and #3D2BCA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2B6CCACE shade: #1C4886, #245AA8, #2B6CCA, #4682D8 and #6899DF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2B6CCACE shade: #2B6CCA, #A72BCA and #ADCA2B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2B6CCACE shade: #2B6CCA, #CA2B6D and #6DCA2B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2B6CCACE shade: #2B6CCA, #A72BCA, #CA882B and #4DCA2B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2B6CCACE shade: #2B6CCA, #CA2BBD, #CA882B and #2BCA38

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 38 / 0 / 17

HEX #2B6CCACE

RGBA 43 108 202 0.81

HSLA 215.47, 0.65%, 0.48%, 0.81

LABA 46.32, 13.22, -54.66, 0.81

 

Complementary color

CMYK 0 / 25 / 61 / 14

HEX #D49335CE

RGBA 212 147 53 0.81

HSLA 35.47, 0.65%, 0.52%, 0.81

LABA 65.84, 16.3, 56.88, 0.81

 

CMYK 61 / 37 / 0 / 18

HEX #306CC5CE

RGBA 48 108 197 0.81

HSLA 215.84, 0.61%, 0.48%, 0.81

LABA 46.16, 11.9, -52.03, 0.81

 

CMYK 57 / 34 / 0 / 12

HEX #417ED8CE

RGBA 65 126 216 0.81

HSLA 215.76, 0.66%, 0.55%, 0.81

LABA 52.95, 9.95, -51.95, 0.81

 

CMYK 53 / 31 / 0 / 6

HEX #5290EBCE

RGBA 82 144 235 0.81

HSLA 215.69, 0.79%, 0.62%, 0.81

LABA 59.65, 8.37, -51.86, 0.81

 

CMYK 49 / 29 / 0 / 0

HEX #63A2FECE

RGBA 99 162 254 0.81

HSLA 215.61, 0.99%, 0.69%, 0.81

LABA 66.25, 7.08, -51.78, 0.81

 

CMYK 44 / 24 / 0 / 0

HEX #74B4FFCE

RGBA 116 180 255 0.81

HSLA 212.37, 1%, 0.73%, 0.81

LABA 71.94, 0.48, -43.31, 0.81

 

CMYK 64 / 38 / 0 / 17

HEX #2B6CCACE

RGBA 43 108 202 0.81

HSLA 215.47, 0.65%, 0.48%, 0.81

LABA 46.32, 13.22, -54.66, 0.81

 

CMYK 69 / 41 / 0 / 23

HEX #1A5AB7CE

RGBA 26 90 183 0.81

HSLA 215.54, 0.75%, 0.41%, 0.81

LABA 39.5, 15.93, -54.65, 0.81

 

CMYK 77 / 45 / 0 / 29

HEX #0948A4CE

RGBA 9 72 164 0.81

HSLA 215.61, 0.9%, 0.34%, 0.81

LABA 32.64, 19.33, -54.51, 0.81

 

CMYK 81 / 51 / 0 / 35

HEX #003691CE

RGBA 0 54 145 0.81

HSLA 217.66, 1%, 0.28%, 0.81

LABA 25.81, 23.51, -54.11, 0.81

 

CMYK 81 / 58 / 0 / 41

HEX #00247ECE

RGBA 0 36 126 0.81

HSLA 222.86, 1%, 0.25%, 0.81

LABA 19.09, 28.24, -53.27, 0.81

 

CMYK 79 / 47 / 0 / 21

HEX #2B6CCA

RGB 43 108 202

HSL 215.47, 0.65%, 0.48%

LAB 46.32, 13.22, -54.66

 

CMYK 79 / 68 / 0 / 21

HEX #2B41CA

RGB 43 65 202

HSL 231.7, 0.65%, 0.48%

LAB 35.12, 40.84, -72.88

 

CMYK 68 / 79 / 0 / 21

HEX #402BCA

RGB 64 43 202

HSL 247.92, 0.65%, 0.48%

LAB 31.99, 54.9, -77.99

 

CMYK 47 / 79 / 0 / 21

HEX #6B2BCA

RGB 107 43 202

HSL 264.15, 0.65%, 0.48%

LAB 36.21, 59.88, -70.9

 

CMYK 26 / 79 / 0 / 21

HEX #952BCA

RGB 149 43 202

HSL 280, 0.65%, 0.48%

LAB 41.82, 66.47, -61.51

 

CMYK 79 / 47 / 0 / 21

HEX #2B6CCA

RGB 43 108 202

HSL 215.47, 0.65%, 0.48%

LAB 46.32, 13.22, -54.66

 

CMYK 79 / 68 / 0 / 21

HEX #2B41CA

RGB 43 65 202

HSL 231.7, 0.65%, 0.48%

LAB 35.12, 40.84, -72.88

 

CMYK 79 / 79 / 0 / 21

HEX #2B2BCA

RGB 43 43 202

HSL 240, 0.65%, 0.48%

LAB 30.65, 53.32, -80.25

 

CMYK 79 / 47 / 0 / 21

HEX #2B6CCA

RGB 43 108 202

HSL 215.47, 0.65%, 0.48%

LAB 46.32, 13.22, -54.66

 

CMYK 90 / 53 / 0 / 13

HEX #1768DE

RGB 23 104 222

HSL 215.58, 0.81%, 0.48%

LAB 46.12, 21.95, -66.41

 

CMYK 99 / 58 / 0 / 5

HEX #0365F2

RGB 3 101 242

HSL 215.4, 0.98%, 0.48%

LAB 46.63, 30.96, -76.86

 

CMYK 79 / 47 / 0 / 21

HEX #2B6CCA

RGB 43 108 202

HSL 215.47, 0.65%, 0.48%

LAB 46.32, 13.22, -54.66

 

CMYK 65 / 38 / 0 / 29

HEX #3F70B6

RGB 63 112 182

HSL 215.29, 0.49%, 0.48%

LAB 47, 6.15, -41.97

 

CMYK 49 / 29 / 0 / 36

HEX #5273A2

RGB 82 115 162

HSL 215.25, 0.33%, 0.48%

LAB 47.83, 1.69, -28.94

 

CMYK 29 / 17 / 0 / 44

HEX #66778F

RGB 102 119 143

HSL 215.12, 0.17%, 0.48%

LAB 49.5, -0.42, -15.1

 

CMYK 1 / 1 / 0 / 52

HEX #7A7A7B

RGB 122 122 123

HSL 240, 0%, 0.48%

LAB 51.25, 0.2, -0.55

 

CMYK 79 / 4 / 0 / 21

HEX #2BC2CA

RGB 43 194 202

HSL 183.02, 0.65%, 0.48%

LAB 71.8, -34.46, -14.94

 

CMYK 79 / 25 / 0 / 21

HEX #2B98CA

RGB 43 152 202

HSL 198.87, 0.65%, 0.48%

LAB 59.19, -13.04, -34.26

 

CMYK 79 / 46 / 0 / 21

HEX #2B6DCA

RGB 43 109 202

HSL 215.09, 0.65%, 0.48%

LAB 46.6, 12.58, -54.2

 

CMYK 79 / 67 / 0 / 21

HEX #2B43CA

RGB 43 67 202

HSL 230.94, 0.65%, 0.48%

LAB 35.58, 39.6, -72.12

 

CMYK 70 / 79 / 0 / 21

HEX #3D2BCA

RGB 61 43 202

HSL 246.79, 0.65%, 0.48%

LAB 31.77, 54.64, -78.37

 

CMYK 79 / 46 / 0 / 47

HEX #1C4886

RGB 28 72 134

HSL 215.09, 0.65%, 0.32%

LAB 30.89, 8.48, -39.05

 

CMYK 79 / 46 / 0 / 34

HEX #245AA8

RGB 36 90 168

HSL 215.45, 0.65%, 0.4%

LAB 38.75, 10.96, -46.99

 

CMYK 79 / 47 / 0 / 21

HEX #2B6CCA

RGB 43 108 202

HSL 215.47, 0.65%, 0.48%

LAB 46.32, 13.22, -54.66

 

CMYK 68 / 40 / 0 / 15

HEX #4682D8

RGB 70 130 216

HSL 215.34, 0.65%, 0.56%

LAB 54.27, 8.27, -49.85

 

CMYK 53 / 31 / 0 / 13

HEX #6899DF

RGB 104 153 223

HSL 215.29, 0.65%, 0.64%

LAB 62.55, 3.42, -40.57

 

CMYK 79 / 47 / 0 / 21

HEX #2B6CCA

RGB 43 108 202

HSL 215.47, 0.65%, 0.48%

LAB 46.32, 13.22, -54.66

 

CMYK 17 / 79 / 0 / 21

HEX #A72BCA

RGB 167 43 202

HSL 286.79, 0.65%, 0.48%

LAB 44.53, 69.64, -56.99

 

CMYK 14 / 0 / 79 / 21

HEX #ADCA2B

RGB 173 202 43

HSL 70.94, 0.65%, 0.48%

LAB 76.86, -29.38, 69.44

 

CMYK 79 / 47 / 0 / 21

HEX #2B6CCA

RGB 43 108 202

HSL 215.47, 0.65%, 0.48%

LAB 46.32, 13.22, -54.66

 

CMYK 0 / 79 / 46 / 21

HEX #CA2B6D

RGB 202 43 109

HSL 335.09, 0.65%, 0.48%

LAB 46.16, 64.68, 1.72

 

CMYK 46 / 0 / 79 / 21

HEX #6DCA2B

RGB 109 202 43

HSL 95.09, 0.65%, 0.48%

LAB 73.33, -52.89, 64.9

 

CMYK 79 / 47 / 0 / 21

HEX #2B6CCA

RGB 43 108 202

HSL 215.47, 0.65%, 0.48%

LAB 46.32, 13.22, -54.66

 

CMYK 17 / 79 / 0 / 21

HEX #A72BCA

RGB 167 43 202

HSL 286.79, 0.65%, 0.48%

LAB 44.53, 69.64, -56.99

 

CMYK 0 / 33 / 79 / 21

HEX #CA882B

RGB 202 136 43

HSL 35.09, 0.65%, 0.48%

LAB 61.95, 17.56, 56.75

 

CMYK 62 / 0 / 79 / 21

HEX #4DCA2B

RGB 77 202 43

HSL 107.17, 0.65%, 0.48%

LAB 72.22, -61.56, 63.47

 

CMYK 79 / 47 / 0 / 21

HEX #2B6CCA

RGB 43 108 202

HSL 215.47, 0.65%, 0.48%

LAB 46.32, 13.22, -54.66

 

CMYK 0 / 79 / 6 / 21

HEX #CA2BBD

RGB 202 43 189

HSL 304.91, 0.65%, 0.48%

LAB 49.45, 74.25, -41.25

 

CMYK 0 / 33 / 79 / 21

HEX #CA882B

RGB 202 136 43

HSL 35.09, 0.65%, 0.48%

LAB 61.95, 17.56, 56.75

 

CMYK 79 / 0 / 72 / 21

HEX #2BCA38

RGB 43 202 56

HSL 124.91, 0.65%, 0.48%

LAB 71.58, -66.7, 58.29

 

Description

Color code: HEX #2B6CCACE | qconv.com Color code: HEX #2B6CCACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 108 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 108 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 38 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 38% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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