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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2B66DB it is the complementary color #D49924. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2B66DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2B66DB shade: #3066D6, #4178E9, #528AFC, #639CFF and #74AEFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2B66DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2B66DB shade: #2B66DB, #1A54C8, #0942B5, #0030A2 and #001E8F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2B66DB shade: #2965DB, #2935DB, #4E29DB, #7D29DB and #AD29DB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2B66DB shade: #2965DB, #2935DB and #2929DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2B66DB shade matches the following richer shades: #2965DB and #155EEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2B66DB shade: #2965DB, #3E6BC7, #5272B2, #66799E and #7A7F8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2B66DB shade: #29C6DB, #2997DB, #2967DB, #2938DB and #4A29DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2B66DB shade: #1A4498, #2054BB, #2965DB, #4D7EE1 and #7098E7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2B66DB shade: #2B66DB, #C029DB and #AEDB29

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2B66DB shade: #2B66DB, #DB2967 and #67DB29

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2B66DB shade: #2B66DB, #C029DB, #DB9D29 and #44DB29

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2B66DB shade: #2B66DB, #DB29C0, #DB9D29 and #29DB44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 53 / 0 / 14

HEX #2B66DB

RGB 43 102 219

HSL 219.89, 0.71%, 0.51%

LAB 45.81, 23.51, -65.18

 

Complementary color

CMYK 0 / 28 / 83 / 17

HEX #D49924

RGB 212 153 36

HSL 39.89, 0.71%, 0.49%

LAB 67.21, 12.45, 64.33

 

CMYK 78 / 52 / 0 / 16

HEX #3066D6

RGB 48 102 214

HSL 220.48, 0.67%, 0.51%

LAB 45.62, 22.12, -62.65

 

CMYK 72 / 48 / 0 / 9

HEX #4178E9

RGB 65 120 233

HSL 220.36, 0.79%, 0.58%

LAB 52.33, 19.75, -62.5

 

CMYK 67 / 45 / 0 / 1

HEX #528AFC

RGB 82 138 252

HSL 220.24, 0.97%, 0.65%

LAB 58.97, 17.8, -62.33

 

CMYK 61 / 39 / 0 / 0

HEX #639CFF

RGB 99 156 255

HSL 218.08, 1%, 0.69%

LAB 64.68, 10.9, -54.81

 

CMYK 55 / 32 / 0 / 0

HEX #74AEFF

RGB 116 174 255

HSL 214.96, 1%, 0.73%

LAB 70.32, 3.84, -45.86

 

CMYK 80 / 53 / 0 / 14

HEX #2B66DB

RGB 43 102 219

HSL 219.89, 0.71%, 0.51%

LAB 45.81, 23.51, -65.18

 

CMYK 87 / 58 / 0 / 22

HEX #1A54C8

RGB 26 84 200

HSL 220, 0.77%, 0.44%

LAB 39.12, 26.6, -65.18

 

CMYK 95 / 64 / 0 / 29

HEX #0942B5

RGB 9 66 181

HSL 220.12, 0.91%, 0.37%

LAB 32.46, 30.28, -64.95

 

CMYK 100 / 70 / 0 / 36

HEX #0030A2

RGB 0 48 162

HSL 222.22, 1%, 0.32%

LAB 25.93, 34.48, -64.31

 

CMYK 100 / 79 / 0 / 44

HEX #001E8F

RGB 0 30 143

HSL 227.41, 1%, 0.28%

LAB 19.69, 38.66, -62.97

 

CMYK 81 / 54 / 0 / 14

HEX #2965DB

RGB 41 101 219

HSL 219.78, 0.71%, 0.51%

LAB 45.49, 23.97, -65.71

 

CMYK 81 / 76 / 0 / 14

HEX #2935DB

RGB 41 53 219

HSL 235.96, 0.71%, 0.51%

LAB 34.26, 53.42, -84.14

 

CMYK 64 / 81 / 0 / 14

HEX #4E29DB

RGB 78 41 219

HSL 252.47, 0.71%, 0.51%

LAB 34.64, 61.88, -83.43

 

CMYK 43 / 81 / 0 / 14

HEX #7D29DB

RGB 125 41 219

HSL 268.31, 0.71%, 0.51%

LAB 39.68, 67.16, -74.94

 

CMYK 21 / 81 / 0 / 14

HEX #AD29DB

RGB 173 41 219

HSL 284.49, 0.71%, 0.51%

LAB 46.42, 74.41, -63.66

 

CMYK 81 / 54 / 0 / 14

HEX #2965DB

RGB 41 101 219

HSL 219.78, 0.71%, 0.51%

LAB 45.49, 23.97, -65.71

 

CMYK 81 / 76 / 0 / 14

HEX #2935DB

RGB 41 53 219

HSL 235.96, 0.71%, 0.51%

LAB 34.26, 53.42, -84.14

 

CMYK 81 / 81 / 0 / 14

HEX #2929DB

RGB 41 41 219

HSL 240, 0.71%, 0.51%

LAB 32.19, 59.39, -87.56

 

CMYK 81 / 54 / 0 / 14

HEX #2965DB

RGB 41 101 219

HSL 219.78, 0.71%, 0.51%

LAB 45.49, 23.97, -65.71

 

CMYK 91 / 61 / 0 / 6

HEX #155EEF

RGB 21 94 239

HSL 219.91, 0.87%, 0.51%

LAB 44.8, 34.8, -78.16

 

CMYK 81 / 54 / 0 / 14

HEX #2965DB

RGB 41 101 219

HSL 219.78, 0.71%, 0.51%

LAB 45.49, 23.97, -65.71

 

CMYK 69 / 46 / 0 / 22

HEX #3E6BC7

RGB 62 107 199

HSL 220.29, 0.55%, 0.51%

LAB 46.53, 15.21, -52.56

 

CMYK 54 / 36 / 0 / 30

HEX #5272B2

RGB 82 114 178

HSL 220, 0.38%, 0.51%

LAB 48.31, 7.41, -37.52

 

CMYK 35 / 23 / 0 / 38

HEX #66799E

RGB 102 121 158

HSL 219.64, 0.22%, 0.51%

LAB 50.65, 2.42, -22.14

 

CMYK 12 / 8 / 0 / 46

HEX #7A7F8A

RGB 122 127 138

HSL 221.25, 0.06%, 0.51%

LAB 53.11, 0.49, -6.58

 

CMYK 81 / 10 / 0 / 14

HEX #29C6DB

RGB 41 198 219

HSL 187.08, 0.71%, 0.51%

LAB 73.53, -31.33, -21.56

 

CMYK 81 / 31 / 0 / 14

HEX #2997DB

RGB 41 151 219

HSL 202.92, 0.71%, 0.51%

LAB 59.63, -6.65, -43.08

 

CMYK 81 / 53 / 0 / 14

HEX #2967DB

RGB 41 103 219

HSL 219.1, 0.71%, 0.51%

LAB 46.02, 22.69, -64.84

 

CMYK 81 / 74 / 0 / 14

HEX #2938DB

RGB 41 56 219

HSL 234.94, 0.71%, 0.51%

LAB 34.83, 51.79, -83.18

 

CMYK 66 / 81 / 0 / 14

HEX #4A29DB

RGB 74 41 219

HSL 251.12, 0.71%, 0.51%

LAB 34.31, 61.54, -83.99

 

CMYK 83 / 55 / 0 / 40

HEX #1A4498

RGB 26 68 152

HSL 220, 0.71%, 0.35%

LAB 30.93, 18.3, -50.03

 

CMYK 83 / 55 / 0 / 27

HEX #2054BB

RGB 32 84 187

HSL 219.87, 0.71%, 0.43%

LAB 38.26, 21.97, -59

 

CMYK 81 / 54 / 0 / 14

HEX #2965DB

RGB 41 101 219

HSL 219.78, 0.71%, 0.51%

LAB 45.49, 23.97, -65.71

 

CMYK 66 / 44 / 0 / 12

HEX #4D7EE1

RGB 77 126 225

HSL 220.14, 0.71%, 0.59%

LAB 53.96, 14.97, -55.38

 

CMYK 52 / 34 / 0 / 9

HEX #7098E7

RGB 112 152 231

HSL 219.83, 0.71%, 0.67%

LAB 63.07, 8.22, -44.15

 

CMYK 80 / 53 / 0 / 14

HEX #2B66DB

RGB 43 102 219

HSL 219.89, 0.71%, 0.51%

LAB 45.81, 23.51, -65.18

 

CMYK 12 / 81 / 0 / 14

HEX #C029DB

RGB 192 41 219

HSL 290.9, 0.71%, 0.51%

LAB 49.38, 77.64, -58.74

 

CMYK 21 / 0 / 81 / 14

HEX #AEDB29

RGB 174 219 41

HSL 75.17, 0.71%, 0.51%

LAB 81.74, -36.91, 74.34

 

CMYK 80 / 53 / 0 / 14

HEX #2B66DB

RGB 43 102 219

HSL 219.89, 0.71%, 0.51%

LAB 45.81, 23.51, -65.18

 

CMYK 0 / 81 / 53 / 14

HEX #DB2967

RGB 219 41 103

HSL 339.1, 0.71%, 0.51%

LAB 49.04, 69.14, 9.95

 

CMYK 53 / 0 / 81 / 14

HEX #67DB29

RGB 103 219 41

HSL 99.1, 0.71%, 0.51%

LAB 78.29, -61.05, 69.95

 

CMYK 80 / 53 / 0 / 14

HEX #2B66DB

RGB 43 102 219

HSL 219.89, 0.71%, 0.51%

LAB 45.81, 23.51, -65.18

 

CMYK 12 / 81 / 0 / 14

HEX #C029DB

RGB 192 41 219

HSL 290.9, 0.71%, 0.51%

LAB 49.38, 77.64, -58.74

 

CMYK 0 / 28 / 81 / 14

HEX #DB9D29

RGB 219 157 41

HSL 39.1, 0.71%, 0.51%

LAB 68.99, 13.49, 64.58

 

CMYK 69 / 0 / 81 / 14

HEX #44DB29

RGB 68 219 41

HSL 110.9, 0.71%, 0.51%

LAB 77.31, -69.06, 68.7

 

CMYK 80 / 53 / 0 / 14

HEX #2B66DB

RGB 43 102 219

HSL 219.89, 0.71%, 0.51%

LAB 45.81, 23.51, -65.18

 

CMYK 0 / 81 / 12 / 14

HEX #DB29C0

RGB 219 41 192

HSL 309.1, 0.71%, 0.51%

LAB 52.34, 78.61, -38.23

 

CMYK 0 / 28 / 81 / 14

HEX #DB9D29

RGB 219 157 41

HSL 39.1, 0.71%, 0.51%

LAB 68.99, 13.49, 64.58

 

CMYK 81 / 0 / 69 / 14

HEX #29DB44

RGB 41 219 68

HSL 129.1, 0.71%, 0.51%

LAB 77.01, -71.06, 59.47

 

Description

Color code: HEX #2B66DB | qconv.com Color code: HEX #2B66DB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 102 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 102 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, 53 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 53% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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