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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2B645C it is the complementary color #D49BA3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2B645C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2B645C shade: #306457, #41766A, #52887D, #639A90 and #74ACA3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2B645C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2B645C shade: #2B645C, #1A5249, #094036, #002E23 and #001C10

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2B645C shade: #2B645C, #2B644D, #2B643D, #2B642E and #37642B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2B645C shade: #2B645C, #2B5D64, #2B4D64, #2B3E64 and #2B2E64

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2B645C shade matches the following richer shades: #2B645C, #1F7064, #147B6D and #088775

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2B645C shade: #2B645C, #365854, #424D4B, #4D4143 and #59363B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2B645C shade: #2B643D, #2B644C, #2B645B, #2B5D64 and #2B4E64

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2B645C shade: #122A27, #1E4741, #2B645C, #378177 and #449E91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2B645C shade: #2B645C, #2E2B64 and #64452B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2B645C shade: #2B645C, #5B2B64 and #645B2B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2B645C shade: #2B645C, #2E2B64, #642B33 and #61642B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2B645C shade: #2B645C, #3F2B64, #642B33 and #50642B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 8 / 61

HEX #2B645C

RGB 43 100 92

HSL 171.58, 0.4%, 0.28%

LAB 38.55, -20.82, -1.13

 

Complementary color

CMYK 0 / 27 / 23 / 17

HEX #D49BA3

RGB 212 155 163

HSL 351.58, 0.4%, 0.72%

LAB 69.53, 22.43, 4.24

 

CMYK 52 / 0 / 13 / 61

HEX #306457

RGB 48 100 87

HSL 165, 0.35%, 0.29%

LAB 38.6, -20.94, 2.04

 

CMYK 45 / 0 / 10 / 54

HEX #41766A

RGB 65 118 106

HSL 166.42, 0.29%, 0.36%

LAB 45.8, -20.81, 1.1

 

CMYK 40 / 0 / 8 / 47

HEX #52887D

RGB 82 136 125

HSL 167.78, 0.25%, 0.43%

LAB 52.82, -20.65, 0.26

 

CMYK 36 / 0 / 6 / 40

HEX #639A90

RGB 99 154 144

HSL 169.09, 0.22%, 0.5%

LAB 59.69, -20.48, -0.51

 

CMYK 33 / 0 / 5 / 33

HEX #74ACA3

RGB 116 172 163

HSL 170.36, 0.25%, 0.56%

LAB 66.41, -20.32, -1.23

 

CMYK 57 / 0 / 8 / 61

HEX #2B645C

RGB 43 100 92

HSL 171.58, 0.4%, 0.28%

LAB 38.55, -20.82, -1.13

 

CMYK 68 / 0 / 11 / 68

HEX #1A5249

RGB 26 82 73

HSL 170.36, 0.52%, 0.21%

LAB 31.2, -20.62, -0.09

 

CMYK 86 / 0 / 16 / 75

HEX #094036

RGB 9 64 54

HSL 169.09, 0.75%, 0.14%

LAB 23.64, -19.99, 1.19

 

CMYK 100 / 0 / 24 / 82

HEX #002E23

RGB 0 46 35

HSL 165.65, 1%, 0.09%

LAB 15.88, -18.43, 2.88

 

CMYK 100 / 0 / 43 / 89

HEX #001C10

RGB 0 28 16

HSL 154.29, 1%, 0.05%

LAB 7.84, -12.95, 4.49

 

CMYK 57 / 0 / 8 / 61

HEX #2B645C

RGB 43 100 92

HSL 171.58, 0.4%, 0.28%

LAB 38.55, -20.82, -1.13

 

CMYK 57 / 0 / 23 / 61

HEX #2B644D

RGB 43 100 77

HSL 155.79, 0.4%, 0.28%

LAB 38.13, -24.83, 7.46

 

CMYK 57 / 0 / 39 / 61

HEX #2B643D

RGB 43 100 61

HSL 138.95, 0.4%, 0.28%

LAB 37.78, -28.44, 16.61

 

CMYK 57 / 0 / 54 / 61

HEX #2B642E

RGB 43 100 46

HSL 123.16, 0.4%, 0.28%

LAB 37.53, -31.12, 24.91

 

CMYK 45 / 0 / 57 / 61

HEX #37642B

RGB 55 100 43

HSL 107.37, 0.4%, 0.28%

LAB 38.02, -27.67, 27.28

 

CMYK 57 / 0 / 8 / 61

HEX #2B645C

RGB 43 100 92

HSL 171.58, 0.4%, 0.28%

LAB 38.55, -20.82, -1.13

 

CMYK 57 / 7 / 0 / 61

HEX #2B5D64

RGB 43 93 100

HSL 187.37, 0.4%, 0.28%

LAB 36.48, -14.56, -9.15

 

CMYK 57 / 23 / 0 / 61

HEX #2B4D64

RGB 43 77 100

HSL 204.21, 0.4%, 0.28%

LAB 31.21, -4.96, -17.2

 

CMYK 57 / 38 / 0 / 61

HEX #2B3E64

RGB 43 62 100

HSL 220, 0.4%, 0.28%

LAB 26.39, 4.88, -24.72

 

CMYK 57 / 54 / 0 / 61

HEX #2B2E64

RGB 43 46 100

HSL 236.84, 0.4%, 0.28%

LAB 21.53, 16.01, -32.45

 

CMYK 57 / 0 / 8 / 61

HEX #2B645C

RGB 43 100 92

HSL 171.58, 0.4%, 0.28%

LAB 38.55, -20.82, -1.13

 

CMYK 72 / 0 / 11 / 56

HEX #1F7064

RGB 31 112 100

HSL 171.11, 0.57%, 0.28%

LAB 42.46, -27, -0.32

 

CMYK 84 / 0 / 11 / 52

HEX #147B6D

RGB 20 123 109

HSL 171.84, 0.72%, 0.28%

LAB 46.2, -31.04, -0.26

 

CMYK 94 / 0 / 13 / 47

HEX #088775

RGB 8 135 117

HSL 171.5, 0.89%, 0.28%

LAB 50.29, -35.08, 0.98

 

CMYK 57 / 0 / 8 / 61

HEX #2B645C

RGB 43 100 92

HSL 171.58, 0.4%, 0.28%

LAB 38.55, -20.82, -1.13

 

CMYK 39 / 0 / 5 / 65

HEX #365854

RGB 54 88 84

HSL 172.94, 0.24%, 0.28%

LAB 34.81, -13.38, -1.6

 

CMYK 14 / 0 / 3 / 70

HEX #424D4B

RGB 66 77 75

HSL 169.09, 0.08%, 0.28%

LAB 31.75, -4.85, -0.3

 

CMYK 0 / 16 / 13 / 70

HEX #4D4143

RGB 77 65 67

HSL 350, 0.08%, 0.28%

LAB 28.81, 5.55, 0.69

 

CMYK 0 / 39 / 34 / 65

HEX #59363B

RGB 89 54 59

HSL 351.43, 0.24%, 0.28%

LAB 26.96, 16.43, 3.46

 

CMYK 57 / 0 / 39 / 61

HEX #2B643D

RGB 43 100 61

HSL 138.95, 0.4%, 0.28%

LAB 37.78, -28.44, 16.61

 

CMYK 57 / 0 / 24 / 61

HEX #2B644C

RGB 43 100 76

HSL 154.74, 0.4%, 0.28%

LAB 38.11, -25.08, 8.03

 

CMYK 57 / 0 / 9 / 61

HEX #2B645B

RGB 43 100 91

HSL 170.53, 0.4%, 0.28%

LAB 38.52, -21.1, -0.56

 

CMYK 57 / 7 / 0 / 61

HEX #2B5D64

RGB 43 93 100

HSL 187.37, 0.4%, 0.28%

LAB 36.48, -14.56, -9.15

 

CMYK 57 / 22 / 0 / 61

HEX #2B4E64

RGB 43 78 100

HSL 203.16, 0.4%, 0.28%

LAB 31.54, -5.59, -16.69

 

CMYK 57 / 0 / 7 / 84

HEX #122A27

RGB 18 42 39

HSL 172.5, 0.4%, 0.12%

LAB 15.12, -10.32, -0.95

 

CMYK 58 / 0 / 8 / 72

HEX #1E4741

RGB 30 71 65

HSL 171.22, 0.41%, 0.2%

LAB 27.2, -16.09, -0.78

 

CMYK 57 / 0 / 8 / 61

HEX #2B645C

RGB 43 100 92

HSL 171.58, 0.4%, 0.28%

LAB 38.55, -20.82, -1.13

 

CMYK 57 / 0 / 8 / 49

HEX #378177

RGB 55 129 119

HSL 171.89, 0.4%, 0.36%

LAB 49.31, -25.51, -1.52

 

CMYK 57 / 0 / 8 / 38

HEX #449E91

RGB 68 158 145

HSL 171.33, 0.4%, 0.44%

LAB 59.64, -30.03, -1.3

 

CMYK 57 / 0 / 8 / 61

HEX #2B645C

RGB 43 100 92

HSL 171.58, 0.4%, 0.28%

LAB 38.55, -20.82, -1.13

 

CMYK 54 / 57 / 0 / 61

HEX #2E2B64

RGB 46 43 100

HSL 243.16, 0.4%, 0.28%

LAB 20.94, 18.82, -33.4

 

CMYK 0 / 31 / 57 / 61

HEX #64452B

RGB 100 69 43

HSL 27.37, 0.4%, 0.28%

LAB 32.12, 10.04, 20.92

 

CMYK 57 / 0 / 8 / 61

HEX #2B645C

RGB 43 100 92

HSL 171.58, 0.4%, 0.28%

LAB 38.55, -20.82, -1.13

 

CMYK 9 / 57 / 0 / 61

HEX #5B2B64

RGB 91 43 100

HSL 290.53, 0.4%, 0.28%

LAB 26.37, 31.64, -24.42

 

CMYK 0 / 9 / 57 / 61

HEX #645B2B

RGB 100 91 43

HSL 50.53, 0.4%, 0.28%

LAB 38.49, -3.38, 28.65

 

CMYK 57 / 0 / 8 / 61

HEX #2B645C

RGB 43 100 92

HSL 171.58, 0.4%, 0.28%

LAB 38.55, -20.82, -1.13

 

CMYK 54 / 57 / 0 / 61

HEX #2E2B64

RGB 46 43 100

HSL 243.16, 0.4%, 0.28%

LAB 20.94, 18.82, -33.4

 

CMYK 0 / 57 / 49 / 61

HEX #642B33

RGB 100 43 51

HSL 351.58, 0.4%, 0.28%

LAB 25.79, 26.58, 7.39

 

CMYK 3 / 0 / 57 / 61

HEX #61642B

RGB 97 100 43

HSL 63.16, 0.4%, 0.28%

LAB 40.94, -10.02, 31.44

 

CMYK 57 / 0 / 8 / 61

HEX #2B645C

RGB 43 100 92

HSL 171.58, 0.4%, 0.28%

LAB 38.55, -20.82, -1.13

 

CMYK 37 / 57 / 0 / 61

HEX #3F2B64

RGB 63 43 100

HSL 261.05, 0.4%, 0.28%

LAB 22.67, 23.3, -30.52

 

CMYK 0 / 57 / 49 / 61

HEX #642B33

RGB 100 43 51

HSL 351.58, 0.4%, 0.28%

LAB 25.79, 26.58, 7.39

 

CMYK 20 / 0 / 57 / 61

HEX #50642B

RGB 80 100 43

HSL 81.05, 0.4%, 0.28%

LAB 39.57, -17.69, 29.49

 

Description

Color code: HEX #2B645C | qconv.com Color code: HEX #2B645C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 100 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 100 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 8 yellow and 61 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 8% 61% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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