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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2B5E90 it is the complementary color #D4A16F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2B5E90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2B5E90 shade: #305E8B, #41709E, #5282B1, #6394C4 and #74A6D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2B5E90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2B5E90 shade: #2B5E90, #1A4C7D, #093A6A, #002857 and #001644

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2B5E90 shade: #2B5E91, #2B4391, #2E2B91, #4A2B91 and #652B91

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2B5E90 shade: #2B5E91, #2B4391 and #2B2B91

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2B5E90 shade matches the following richer shades: #2B5E91, #1C5FA0 and #0C5FAF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2B5E90 shade: #2B5E91, #3A5E82, #495E72, #595E63 and #685E54

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2B5E90 shade: #2B918C, #2B7B91, #2B6091, #2B4491 and #2D2B91

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2B5E90 shade: #183551, #214A71, #2B5E91, #3473B1 and #4788C8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2B5E90 shade: #2B5E90, #712B91 and #88912B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2B5E90 shade: #2B5E90, #912B60 and #60912B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2B5E90 shade: #2B5E90, #712B91, #915C2B and #4B912B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2B5E90 shade: #2B5E90, #8F2B91, #915C2B and #2D912B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 70 / 35 / 0 / 44

HEX #2B5E90

RGB 43 94 144

HSL 209.7, 0.54%, 0.37%

LAB 38.78, 0.17, -32.56

 

Complementary color

CMYK 0 / 24 / 48 / 17

HEX #D4A16F

RGB 212 161 111

HSL 29.7, 0.54%, 0.63%

LAB 69.92, 12.8, 33.27

 

CMYK 65 / 32 / 0 / 45

HEX #305E8B

RGB 48 94 139

HSL 209.67, 0.49%, 0.37%

LAB 38.72, -0.76, -29.62

 

CMYK 59 / 29 / 0 / 38

HEX #41709E

RGB 65 112 158

HSL 209.68, 0.42%, 0.44%

LAB 45.88, -1.76, -29.7

 

CMYK 54 / 27 / 0 / 31

HEX #5282B1

RGB 82 130 177

HSL 209.68, 0.38%, 0.51%

LAB 52.88, -2.5, -29.79

 

CMYK 49 / 24 / 0 / 23

HEX #6394C4

RGB 99 148 196

HSL 209.69, 0.45%, 0.58%

LAB 59.72, -3.08, -29.91

 

CMYK 46 / 23 / 0 / 16

HEX #74A6D7

RGB 116 166 215

HSL 209.7, 0.55%, 0.65%

LAB 66.44, -3.54, -30.05

 

CMYK 70 / 35 / 0 / 44

HEX #2B5E90

RGB 43 94 144

HSL 209.7, 0.54%, 0.37%

LAB 38.78, 0.17, -32.56

 

CMYK 79 / 39 / 0 / 51

HEX #1A4C7D

RGB 26 76 125

HSL 209.7, 0.66%, 0.3%

LAB 31.51, 1.9, -32.49

 

CMYK 92 / 45 / 0 / 58

HEX #093A6A

RGB 9 58 106

HSL 209.69, 0.84%, 0.23%

LAB 24.08, 4.39, -32.34

 

CMYK 100 / 54 / 0 / 66

HEX #002857

RGB 0 40 87

HSL 212.41, 1%, 0.17%

LAB 16.53, 8.06, -32.03

 

CMYK 100 / 68 / 0 / 73

HEX #001644

RGB 0 22 68

HSL 220.59, 1%, 0.13%

LAB 8.92, 13.09, -31.37

 

CMYK 70 / 35 / 0 / 43

HEX #2B5E91

RGB 43 94 145

HSL 210, 0.54%, 0.37%

LAB 38.84, 0.55, -33.08

 

CMYK 70 / 54 / 0 / 43

HEX #2B4391

RGB 43 67 145

HSL 225.88, 0.54%, 0.37%

LAB 30.81, 18.38, -45.91

 

CMYK 68 / 70 / 0 / 43

HEX #2E2B91

RGB 46 43 145

HSL 241.76, 0.54%, 0.37%

LAB 24.81, 34.7, -55.69

 

CMYK 49 / 70 / 0 / 43

HEX #4A2B91

RGB 74 43 145

HSL 258.24, 0.54%, 0.37%

LAB 27.37, 39.23, -51.38

 

CMYK 30 / 70 / 0 / 43

HEX #652B91

RGB 101 43 145

HSL 274.12, 0.54%, 0.37%

LAB 30.73, 44.72, -45.77

 

CMYK 70 / 35 / 0 / 43

HEX #2B5E91

RGB 43 94 145

HSL 210, 0.54%, 0.37%

LAB 38.84, 0.55, -33.08

 

CMYK 70 / 54 / 0 / 43

HEX #2B4391

RGB 43 67 145

HSL 225.88, 0.54%, 0.37%

LAB 30.81, 18.38, -45.91

 

CMYK 70 / 70 / 0 / 43

HEX #2B2B91

RGB 43 43 145

HSL 240, 0.54%, 0.37%

LAB 24.59, 34.32, -56.04

 

CMYK 70 / 35 / 0 / 43

HEX #2B5E91

RGB 43 94 145

HSL 210, 0.54%, 0.37%

LAB 38.84, 0.55, -33.08

 

CMYK 83 / 41 / 0 / 37

HEX #1C5FA0

RGB 28 95 160

HSL 209.55, 0.7%, 0.37%

LAB 39.53, 3.69, -41

 

CMYK 93 / 46 / 0 / 31

HEX #0C5FAF

RGB 12 95 175

HSL 209.45, 0.87%, 0.37%

LAB 40.18, 8.56, -48.87

 

CMYK 70 / 35 / 0 / 43

HEX #2B5E91

RGB 43 94 145

HSL 210, 0.54%, 0.37%

LAB 38.84, 0.55, -33.08

 

CMYK 55 / 28 / 0 / 49

HEX #3A5E82

RGB 58 94 130

HSL 210, 0.38%, 0.37%

LAB 38.75, -1.74, -24.07

 

CMYK 36 / 18 / 0 / 55

HEX #495E72

RGB 73 94 114

HSL 209.27, 0.22%, 0.37%

LAB 38.96, -2.54, -13.89

 

CMYK 10 / 5 / 0 / 61

HEX #595E63

RGB 89 94 99

HSL 210, 0.05%, 0.37%

LAB 39.63, -0.83, -3.53

 

CMYK 0 / 10 / 19 / 59

HEX #685E54

RGB 104 94 84

HSL 30, 0.11%, 0.37%

LAB 40.55, 2.17, 7.19

 

CMYK 70 / 0 / 3 / 43

HEX #2B918C

RGB 43 145 140

HSL 177.06, 0.54%, 0.37%

LAB 54.72, -29.58, -5.78

 

CMYK 70 / 15 / 0 / 43

HEX #2B7B91

RGB 43 123 145

HSL 192.94, 0.54%, 0.37%

LAB 47.91, -16.61, -18.96

 

CMYK 70 / 34 / 0 / 43

HEX #2B6091

RGB 43 96 145

HSL 208.82, 0.54%, 0.37%

LAB 39.45, -0.71, -32.11

 

CMYK 70 / 53 / 0 / 43

HEX #2B4491

RGB 43 68 145

HSL 225.29, 0.54%, 0.37%

LAB 31.1, 17.7, -45.45

 

CMYK 69 / 70 / 0 / 43

HEX #2D2B91

RGB 45 43 145

HSL 241.18, 0.54%, 0.37%

LAB 24.73, 34.57, -55.81

 

CMYK 70 / 35 / 0 / 68

HEX #183551

RGB 24 53 81

HSL 209.47, 0.54%, 0.21%

LAB 21.34, -0.58, -20.3

 

CMYK 71 / 35 / 0 / 56

HEX #214A71

RGB 33 74 113

HSL 209.25, 0.55%, 0.29%

LAB 30.43, -0.43, -26.66

 

CMYK 70 / 35 / 0 / 43

HEX #2B5E91

RGB 43 94 145

HSL 210, 0.54%, 0.37%

LAB 38.84, 0.55, -33.08

 

CMYK 71 / 35 / 0 / 31

HEX #3473B1

RGB 52 115 177

HSL 209.76, 0.55%, 0.45%

LAB 47.19, 0.69, -38.8

 

CMYK 65 / 32 / 0 / 22

HEX #4788C8

RGB 71 136 200

HSL 209.77, 0.54%, 0.53%

LAB 55.19, -0.68, -39.34

 

CMYK 70 / 35 / 0 / 44

HEX #2B5E90

RGB 43 94 144

HSL 209.7, 0.54%, 0.37%

LAB 38.78, 0.17, -32.56

 

CMYK 22 / 70 / 0 / 43

HEX #712B91

RGB 113 43 145

HSL 281.18, 0.54%, 0.37%

LAB 32.44, 47.38, -42.93

 

CMYK 6 / 0 / 70 / 43

HEX #88912B

RGB 136 145 43

HSL 65.29, 0.54%, 0.37%

LAB 57.71, -16.83, 50.37

 

CMYK 70 / 35 / 0 / 44

HEX #2B5E90

RGB 43 94 144

HSL 209.7, 0.54%, 0.37%

LAB 38.78, 0.17, -32.56

 

CMYK 0 / 70 / 34 / 43

HEX #912B60

RGB 145 43 96

HSL 328.82, 0.54%, 0.37%

LAB 35.19, 47.47, -7.51

 

CMYK 34 / 0 / 70 / 43

HEX #60912B

RGB 96 145 43

HSL 88.82, 0.54%, 0.37%

LAB 54.98, -33.46, 46.71

 

CMYK 70 / 35 / 0 / 44

HEX #2B5E90

RGB 43 94 144

HSL 209.7, 0.54%, 0.37%

LAB 38.78, 0.17, -32.56

 

CMYK 22 / 70 / 0 / 43

HEX #712B91

RGB 113 43 145

HSL 281.18, 0.54%, 0.37%

LAB 32.44, 47.38, -42.93

 

CMYK 0 / 37 / 70 / 43

HEX #915C2B

RGB 145 92 43

HSL 28.82, 0.54%, 0.37%

LAB 44.01, 17.05, 36.34

 

CMYK 48 / 0 / 70 / 43

HEX #4B912B

RGB 75 145 43

HSL 101.18, 0.54%, 0.37%

LAB 53.94, -40.84, 45.31

 

CMYK 70 / 35 / 0 / 44

HEX #2B5E90

RGB 43 94 144

HSL 209.7, 0.54%, 0.37%

LAB 38.78, 0.17, -32.56

 

CMYK 1 / 70 / 0 / 43

HEX #8F2B91

RGB 143 43 145

HSL 298.82, 0.54%, 0.37%

LAB 37.14, 54.34, -35.16

 

CMYK 0 / 37 / 70 / 43

HEX #915C2B

RGB 145 92 43

HSL 28.82, 0.54%, 0.37%

LAB 44.01, 17.05, 36.34

 

CMYK 69 / 0 / 70 / 43

HEX #2D912B

RGB 45 145 43

HSL 118.82, 0.54%, 0.37%

LAB 52.93, -48.79, 43.93

 

Description

Color code: HEX #2B5E90 | qconv.com Color code: HEX #2B5E90 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 94 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 94 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 70 cyan, 35 magenta, none yellow and 44 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
70% 35% 0% 44% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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