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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2B5E62 it is the complementary color #D4A19D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2B5E62. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2B5E62 shade: #305E5D, #417070, #528283, #639496 and #74A6A9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2B5E62. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2B5E62 shade: #2B5E62, #1A4C4F, #093A3C, #002829 and #001616

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2B5E62 shade: #2C5F63, #2C5063, #2C4163, #2C3263 and #342C63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2B5E62 shade: #2C5F63, #2C5063, #2C4163, #2C3263 and #2C2C63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2B5E62 shade matches the following richer shades: #2C5F63, #20696F, #14737A and #097D86

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2B5E62 shade: #2C5F63, #375558, #434B4C, #4E4241 and #5A3835

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2B5E62 shade: #2C6349, #2C6358, #2C6063, #2C5163 and #2C4263

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2B5E62 shade: #12282A, #1F4447, #2C5F63, #387B80 and #45969D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2B5E62 shade: #2B5E62, #3A2C63 and #63512C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2B5E62 shade: #2B5E62, #632C60 and #60632C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2B5E62 shade: #2B5E62, #3A2C63, #632F2C and #54632C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2B5E62 shade: #2B5E62, #4B2C63, #632F2C and #44632C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 4 / 0 / 62

HEX #2B5E62

RGB 43 94 98

HSL 184.36, 0.39%, 0.28%

LAB 36.74, -15.75, -7.52

 

Complementary color

CMYK 0 / 24 / 26 / 17

HEX #D4A19D

RGB 212 161 157

HSL 4.36, 0.39%, 0.72%

LAB 70.82, 18.3, 9.41

 

CMYK 49 / 0 / 1 / 63

HEX #305E5D

RGB 48 94 93

HSL 178.7, 0.32%, 0.28%

LAB 36.79, -16, -4.33

 

CMYK 42 / 0 / 0 / 56

HEX #417070

RGB 65 112 112

HSL 180, 0.27%, 0.35%

LAB 44.06, -15.98, -5.05

 

CMYK 37 / 1 / 0 / 49

HEX #528283

RGB 82 130 131

HSL 181.22, 0.23%, 0.42%

LAB 51.15, -15.92, -5.7

 

CMYK 34 / 1 / 0 / 41

HEX #639496

RGB 99 148 150

HSL 182.35, 0.2%, 0.49%

LAB 58.07, -15.85, -6.31

 

CMYK 31 / 2 / 0 / 34

HEX #74A6A9

RGB 116 166 169

HSL 183.4, 0.24%, 0.56%

LAB 64.84, -15.77, -6.89

 

CMYK 56 / 4 / 0 / 62

HEX #2B5E62

RGB 43 94 98

HSL 184.36, 0.39%, 0.28%

LAB 36.74, -15.75, -7.52

 

CMYK 67 / 4 / 0 / 69

HEX #1A4C4F

RGB 26 76 79

HSL 183.4, 0.5%, 0.21%

LAB 29.29, -15.4, -6.75

 

CMYK 85 / 3 / 0 / 76

HEX #093A3C

RGB 9 58 60

HSL 182.35, 0.74%, 0.14%

LAB 21.62, -14.62, -5.82

 

CMYK 100 / 2 / 0 / 84

HEX #002829

RGB 0 40 41

HSL 181.46, 1%, 0.08%

LAB 13.7, -12.91, -4.57

 

CMYK 100 / 0 / 0 / 91

HEX #001616

RGB 0 22 22

HSL 180, 1%, 0.04%

LAB 5.71, -6.91, -2.44

 

CMYK 56 / 4 / 0 / 61

HEX #2C5F63

RGB 44 95 99

HSL 184.36, 0.38%, 0.28%

LAB 37.15, -15.77, -7.52

 

CMYK 56 / 19 / 0 / 61

HEX #2C5063

RGB 44 80 99

HSL 200.73, 0.38%, 0.28%

LAB 32.2, -6.92, -15.04

 

CMYK 56 / 34 / 0 / 61

HEX #2C4163

RGB 44 65 99

HSL 217.09, 0.38%, 0.28%

LAB 27.34, 2.76, -22.57

 

CMYK 56 / 49 / 0 / 61

HEX #2C3263

RGB 44 50 99

HSL 233.45, 0.38%, 0.28%

LAB 22.71, 13.08, -29.9

 

CMYK 47 / 56 / 0 / 61

HEX #342C63

RGB 52 44 99

HSL 248.73, 0.38%, 0.28%

LAB 21.7, 19.31, -31.49

 

CMYK 56 / 4 / 0 / 61

HEX #2C5F63

RGB 44 95 99

HSL 184.36, 0.38%, 0.28%

LAB 37.15, -15.77, -7.52

 

CMYK 56 / 19 / 0 / 61

HEX #2C5063

RGB 44 80 99

HSL 200.73, 0.38%, 0.28%

LAB 32.2, -6.92, -15.04

 

CMYK 56 / 34 / 0 / 61

HEX #2C4163

RGB 44 65 99

HSL 217.09, 0.38%, 0.28%

LAB 27.34, 2.76, -22.57

 

CMYK 56 / 49 / 0 / 61

HEX #2C3263

RGB 44 50 99

HSL 233.45, 0.38%, 0.28%

LAB 22.71, 13.08, -29.9

 

CMYK 56 / 56 / 0 / 61

HEX #2C2C63

RGB 44 44 99

HSL 240, 0.38%, 0.28%

LAB 20.97, 17.29, -32.7

 

CMYK 56 / 4 / 0 / 61

HEX #2C5F63

RGB 44 95 99

HSL 184.36, 0.38%, 0.28%

LAB 37.15, -15.77, -7.52

 

CMYK 71 / 5 / 0 / 56

HEX #20696F

RGB 32 105 111

HSL 184.56, 0.55%, 0.28%

LAB 40.5, -19.81, -9.89

 

CMYK 84 / 6 / 0 / 52

HEX #14737A

RGB 20 115 122

HSL 184.12, 0.72%, 0.28%

LAB 43.97, -22.97, -11.34

 

CMYK 93 / 7 / 0 / 47

HEX #097D86

RGB 9 125 134

HSL 184.32, 0.87%, 0.28%

LAB 47.55, -24.87, -13.07

 

CMYK 56 / 4 / 0 / 61

HEX #2C5F63

RGB 44 95 99

HSL 184.36, 0.38%, 0.28%

LAB 37.15, -15.77, -7.52

 

CMYK 38 / 3 / 0 / 65

HEX #375558

RGB 55 85 88

HSL 185.45, 0.23%, 0.28%

LAB 34.01, -10.21, -5.29

 

CMYK 12 / 1 / 0 / 70

HEX #434B4C

RGB 67 75 76

HSL 186.67, 0.06%, 0.28%

LAB 31.22, -2.98, -1.7

 

CMYK 0 / 15 / 17 / 69

HEX #4E4241

RGB 78 66 65

HSL 4.62, 0.09%, 0.28%

LAB 29.15, 4.95, 2.51

 

CMYK 0 / 38 / 41 / 65

HEX #5A3835

RGB 90 56 53

HSL 4.86, 0.26%, 0.28%

LAB 27.46, 14.73, 8.16

 

CMYK 56 / 0 / 26 / 61

HEX #2C6349

RGB 44 99 73

HSL 151.64, 0.38%, 0.28%

LAB 37.73, -25.04, 9.34

 

CMYK 56 / 0 / 11 / 61

HEX #2C6358

RGB 44 99 88

HSL 168, 0.38%, 0.28%

LAB 38.13, -21.17, 0.72

 

CMYK 56 / 3 / 0 / 61

HEX #2C6063

RGB 44 96 99

HSL 183.27, 0.38%, 0.28%

LAB 37.48, -16.33, -7.02

 

CMYK 56 / 18 / 0 / 61

HEX #2C5163

RGB 44 81 99

HSL 199.64, 0.38%, 0.28%

LAB 32.53, -7.54, -14.53

 

CMYK 56 / 33 / 0 / 61

HEX #2C4263

RGB 44 66 99

HSL 216, 0.38%, 0.28%

LAB 27.66, 2.09, -22.07

 

CMYK 57 / 5 / 0 / 84

HEX #12282A

RGB 18 40 42

HSL 185, 0.4%, 0.12%

LAB 14.48, -8.04, -4.04

 

CMYK 56 / 4 / 0 / 72

HEX #1F4447

RGB 31 68 71

HSL 184.5, 0.39%, 0.2%

LAB 26.39, -12.21, -5.89

 

CMYK 56 / 4 / 0 / 61

HEX #2C5F63

RGB 44 95 99

HSL 184.36, 0.38%, 0.28%

LAB 37.15, -15.77, -7.52

 

CMYK 56 / 4 / 0 / 50

HEX #387B80

RGB 56 123 128

HSL 184.17, 0.39%, 0.36%

LAB 47.71, -19.59, -9.19

 

CMYK 56 / 4 / 0 / 38

HEX #45969D

RGB 69 150 157

HSL 184.77, 0.39%, 0.44%

LAB 57.57, -22.49, -11.19

 

CMYK 56 / 4 / 0 / 62

HEX #2B5E62

RGB 43 94 98

HSL 184.36, 0.39%, 0.28%

LAB 36.74, -15.75, -7.52

 

CMYK 41 / 56 / 0 / 61

HEX #3A2C63

RGB 58 44 99

HSL 255.27, 0.38%, 0.28%

LAB 22.31, 20.94, -30.48

 

CMYK 0 / 18 / 56 / 61

HEX #63512C

RGB 99 81 44

HSL 40.36, 0.38%, 0.28%

LAB 35.44, 2.25, 24.4

 

CMYK 56 / 4 / 0 / 62

HEX #2B5E62

RGB 43 94 98

HSL 184.36, 0.39%, 0.28%

LAB 36.74, -15.75, -7.52

 

CMYK 0 / 56 / 3 / 61

HEX #632C60

RGB 99 44 96

HSL 303.27, 0.38%, 0.28%

LAB 27.57, 32.76, -19.85

 

CMYK 3 / 0 / 56 / 61

HEX #60632C

RGB 96 99 44

HSL 63.27, 0.38%, 0.28%

LAB 40.56, -9.81, 30.44

 

CMYK 56 / 4 / 0 / 62

HEX #2B5E62

RGB 43 94 98

HSL 184.36, 0.39%, 0.28%

LAB 36.74, -15.75, -7.52

 

CMYK 41 / 56 / 0 / 61

HEX #3A2C63

RGB 58 44 99

HSL 255.27, 0.38%, 0.28%

LAB 22.31, 20.94, -30.48

 

CMYK 0 / 53 / 56 / 61

HEX #632F2C

RGB 99 47 44

HSL 3.27, 0.38%, 0.28%

LAB 26.35, 23.13, 12.79

 

CMYK 15 / 0 / 56 / 61

HEX #54632C

RGB 84 99 44

HSL 76.36, 0.38%, 0.28%

LAB 39.56, -15.27, 29.03

 

CMYK 56 / 4 / 0 / 62

HEX #2B5E62

RGB 43 94 98

HSL 184.36, 0.39%, 0.28%

LAB 36.74, -15.75, -7.52

 

CMYK 24 / 56 / 0 / 61

HEX #4B2C63

RGB 75 44 99

HSL 273.82, 0.38%, 0.28%

LAB 24.32, 25.91, -27.16

 

CMYK 0 / 53 / 56 / 61

HEX #632F2C

RGB 99 47 44

HSL 3.27, 0.38%, 0.28%

LAB 26.35, 23.13, 12.79

 

CMYK 31 / 0 / 56 / 61

HEX #44632C

RGB 68 99 44

HSL 93.82, 0.38%, 0.28%

LAB 38.44, -22.1, 27.41

 

Description

Color code: HEX #2B5E62 | qconv.com Color code: HEX #2B5E62 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 94 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 94 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 4 magenta, none yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 4% 0% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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