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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2B5DAE it is the complementary color #D4A251. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2B5DAE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2B5DAE shade: #305DA9, #416FBC, #5281CF, #6393E2 and #74A5F5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2B5DAE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2B5DAE shade: #2B5DAE, #1A4B9B, #093988, #002775 and #001562

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2B5DAE shade: #2C5EAF, #2C3BAF, #412CAF, #642CAF and #882CAF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2B5DAE shade: #2C5EAF, #2C3BAF and #2C2CAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2B5DAE shade matches the following richer shades: #2C5EAF, #1A5AC1 and #0856D3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2B5DAE shade: #2C5EAF, #3E629E, #4F668C, #616B7A and #736F68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2B5DAE shade: #2CA4AF, #2C81AF, #2C5EAF, #2C3BAF and #402CAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2B5DAE shade: #1B3B6D, #244C8E, #2C5EAF, #3771CD and #5888D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2B5DAE shade: #2B5DAE, #972CAF and #93AF2C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2B5DAE shade: #2B5DAE, #AF2C5E and #5EAF2C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2B5DAE shade: #2B5DAE, #972CAF, #AF7D2C and #44AF2C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2B5DAE shade: #2B5DAE, #AF2CA0, #AF7D2C and #2CAF3B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 47 / 0 / 32

HEX #2B5DAE

RGB 43 93 174

HSL 217.1, 0.6%, 0.43%

LAB 40.24, 12.18, -48.13

 

Complementary color

CMYK 0 / 24 / 62 / 17

HEX #D4A251

RGB 212 162 81

HSL 37.1, 0.6%, 0.57%

LAB 69.78, 9.77, 48.41

 

CMYK 72 / 45 / 0 / 34

HEX #305DA9

RGB 48 93 169

HSL 217.69, 0.56%, 0.43%

LAB 40.12, 10.99, -45.37

 

CMYK 65 / 41 / 0 / 26

HEX #416FBC

RGB 65 111 188

HSL 217.56, 0.49%, 0.5%

LAB 47.14, 9.25, -45.23

 

CMYK 60 / 38 / 0 / 19

HEX #5281CF

RGB 82 129 207

HSL 217.44, 0.57%, 0.57%

LAB 54.03, 7.89, -45.11

 

CMYK 56 / 35 / 0 / 11

HEX #6393E2

RGB 99 147 226

HSL 217.32, 0.69%, 0.64%

LAB 60.79, 6.79, -45.02

 

CMYK 53 / 33 / 0 / 4

HEX #74A5F5

RGB 116 165 245

HSL 217.21, 0.87%, 0.71%

LAB 67.44, 5.89, -44.95

 

CMYK 75 / 47 / 0 / 32

HEX #2B5DAE

RGB 43 93 174

HSL 217.1, 0.6%, 0.43%

LAB 40.24, 12.18, -48.13

 

CMYK 83 / 52 / 0 / 39

HEX #1A4B9B

RGB 26 75 155

HSL 217.21, 0.71%, 0.35%

LAB 33.18, 14.73, -48.21

 

CMYK 93 / 58 / 0 / 47

HEX #093988

RGB 9 57 136

HSL 217.32, 0.88%, 0.28%

LAB 26.05, 18.07, -48.14

 

CMYK 100 / 67 / 0 / 54

HEX #002775

RGB 0 39 117

HSL 220, 1%, 0.23%

LAB 18.95, 22.34, -47.75

 

CMYK 100 / 79 / 0 / 62

HEX #001562

RGB 0 21 98

HSL 227.14, 1%, 0.19%

LAB 12.08, 27.13, -46.67

 

CMYK 75 / 46 / 0 / 31

HEX #2C5EAF

RGB 44 94 175

HSL 217.1, 0.6%, 0.43%

LAB 40.63, 12.05, -48.1

 

CMYK 75 / 66 / 0 / 31

HEX #2C3BAF

RGB 44 59 175

HSL 233.13, 0.6%, 0.43%

LAB 31.25, 35.02, -63.33

 

CMYK 63 / 75 / 0 / 31

HEX #412CAF

RGB 65 44 175

HSL 249.62, 0.6%, 0.43%

LAB 29.46, 46.35, -66.21

 

CMYK 43 / 75 / 0 / 31

HEX #642CAF

RGB 100 44 175

HSL 265.65, 0.6%, 0.43%

LAB 33.15, 51.55, -60.03

 

CMYK 22 / 75 / 0 / 31

HEX #882CAF

RGB 136 44 175

HSL 282.14, 0.6%, 0.43%

LAB 38.08, 58.2, -51.8

 

CMYK 75 / 46 / 0 / 31

HEX #2C5EAF

RGB 44 94 175

HSL 217.1, 0.6%, 0.43%

LAB 40.63, 12.05, -48.1

 

CMYK 75 / 66 / 0 / 31

HEX #2C3BAF

RGB 44 59 175

HSL 233.13, 0.6%, 0.43%

LAB 31.25, 35.02, -63.33

 

CMYK 75 / 75 / 0 / 31

HEX #2C2CAF

RGB 44 44 175

HSL 240, 0.6%, 0.43%

LAB 27.93, 44.11, -68.79

 

CMYK 75 / 46 / 0 / 31

HEX #2C5EAF

RGB 44 94 175

HSL 217.1, 0.6%, 0.43%

LAB 40.63, 12.05, -48.1

 

CMYK 87 / 53 / 0 / 24

HEX #1A5AC1

RGB 26 90 193

HSL 217.01, 0.76%, 0.43%

LAB 40.22, 19.89, -59.33

 

CMYK 96 / 59 / 0 / 17

HEX #0856D3

RGB 8 86 211

HSL 216.95, 0.93%, 0.43%

LAB 40.26, 28.8, -69.68

 

CMYK 75 / 46 / 0 / 31

HEX #2C5EAF

RGB 44 94 175

HSL 217.1, 0.6%, 0.43%

LAB 40.63, 12.05, -48.1

 

CMYK 61 / 38 / 0 / 38

HEX #3E629E

RGB 62 98 158

HSL 217.5, 0.44%, 0.43%

LAB 41.58, 6.27, -36.48

 

CMYK 44 / 27 / 0 / 45

HEX #4F668C

RGB 79 102 140

HSL 217.38, 0.28%, 0.43%

LAB 42.85, 2.01, -23.66

 

CMYK 20 / 12 / 0 / 52

HEX #616B7A

RGB 97 107 122

HSL 216, 0.11%, 0.43%

LAB 44.89, -0.29, -9.62

 

CMYK 0 / 3 / 10 / 55

HEX #736F68

RGB 115 111 104

HSL 38.18, 0.05%, 0.43%

LAB 46.99, 0.2, 4.44

 

CMYK 75 / 6 / 0 / 31

HEX #2CA4AF

RGB 44 164 175

HSL 185.04, 0.6%, 0.43%

LAB 61.81, -28.15, -15.06

 

CMYK 75 / 26 / 0 / 31

HEX #2C81AF

RGB 44 129 175

HSL 201.07, 0.6%, 0.43%

LAB 51.07, -9.47, -31.56

 

CMYK 75 / 46 / 0 / 31

HEX #2C5EAF

RGB 44 94 175

HSL 217.1, 0.6%, 0.43%

LAB 40.63, 12.05, -48.1

 

CMYK 75 / 66 / 0 / 31

HEX #2C3BAF

RGB 44 59 175

HSL 233.13, 0.6%, 0.43%

LAB 31.25, 35.02, -63.33

 

CMYK 63 / 75 / 0 / 31

HEX #402CAF

RGB 64 44 175

HSL 249.16, 0.6%, 0.43%

LAB 29.38, 46.23, -66.36

 

CMYK 75 / 46 / 0 / 57

HEX #1B3B6D

RGB 27 59 109

HSL 216.59, 0.6%, 0.27%

LAB 25.15, 7.13, -32.52

 

CMYK 75 / 46 / 0 / 44

HEX #244C8E

RGB 36 76 142

HSL 217.36, 0.6%, 0.35%

LAB 32.91, 10.05, -40.71

 

CMYK 75 / 46 / 0 / 31

HEX #2C5EAF

RGB 44 94 175

HSL 217.1, 0.6%, 0.43%

LAB 40.63, 12.05, -48.1

 

CMYK 73 / 45 / 0 / 20

HEX #3771CD

RGB 55 113 205

HSL 216.8, 0.6%, 0.51%

LAB 48.3, 12.62, -53.17

 

CMYK 59 / 36 / 0 / 16

HEX #5888D5

RGB 88 136 213

HSL 216.96, 0.6%, 0.59%

LAB 56.57, 6.86, -44.45

 

CMYK 75 / 47 / 0 / 32

HEX #2B5DAE

RGB 43 93 174

HSL 217.1, 0.6%, 0.43%

LAB 40.24, 12.18, -48.13

 

CMYK 14 / 75 / 0 / 31

HEX #972CAF

RGB 151 44 175

HSL 289.01, 0.6%, 0.43%

LAB 40.37, 61.21, -47.99

 

CMYK 16 / 0 / 75 / 31

HEX #93AF2C

RGB 147 175 44

HSL 72.82, 0.6%, 0.43%

LAB 67.31, -27.13, 59.64

 

CMYK 75 / 47 / 0 / 32

HEX #2B5DAE

RGB 43 93 174

HSL 217.1, 0.6%, 0.43%

LAB 40.24, 12.18, -48.13

 

CMYK 0 / 75 / 46 / 31

HEX #AF2C5E

RGB 175 44 94

HSL 337.1, 0.6%, 0.43%

LAB 40.77, 55.63, 2.62

 

CMYK 46 / 0 / 75 / 31

HEX #5EAF2C

RGB 94 175 44

HSL 97.1, 0.6%, 0.43%

LAB 64.34, -46.92, 55.74

 

CMYK 75 / 47 / 0 / 32

HEX #2B5DAE

RGB 43 93 174

HSL 217.1, 0.6%, 0.43%

LAB 40.24, 12.18, -48.13

 

CMYK 14 / 75 / 0 / 31

HEX #972CAF

RGB 151 44 175

HSL 289.01, 0.6%, 0.43%

LAB 40.37, 61.21, -47.99

 

CMYK 0 / 29 / 75 / 31

HEX #AF7D2C

RGB 175 125 44

HSL 37.1, 0.6%, 0.43%

LAB 56.05, 11.78, 49.56

 

CMYK 61 / 0 / 75 / 31

HEX #44AF2C

RGB 68 175 44

HSL 109.01, 0.6%, 0.43%

LAB 63.4, -54.22, 54.5

 

CMYK 75 / 47 / 0 / 32

HEX #2B5DAE

RGB 43 93 174

HSL 217.1, 0.6%, 0.43%

LAB 40.24, 12.18, -48.13

 

CMYK 0 / 75 / 9 / 31

HEX #AF2CA0

RGB 175 44 160

HSL 306.87, 0.6%, 0.43%

LAB 43.44, 63.84, -33.92

 

CMYK 0 / 29 / 75 / 31

HEX #AF7D2C

RGB 175 125 44

HSL 37.1, 0.6%, 0.43%

LAB 56.05, 11.78, 49.56

 

CMYK 75 / 0 / 66 / 31

HEX #2CAF3B

RGB 44 175 59

HSL 126.87, 0.6%, 0.43%

LAB 62.94, -57.66, 47.97

 

Description

Color code: HEX #2B5DAE | qconv.com Color code: HEX #2B5DAE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 93 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 93 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 47 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 47% 0% 32% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

33% - 電通イーマーケティングワン
Link: http://www.dentsu-em1.co.jp

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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