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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2B4EB6 it is the complementary color #D4B149. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2B4EB6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2B4EB6 shade: #304EB1, #4160C4, #5272D7, #6384EA and #7496FD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2B4EB6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2B4EB6 shade: #2B4EB6, #1A3CA3, #092A90, #00187D and #00066A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2B4EB6 shade: #2B4EB6, #2D2BB6, #532BB6, #782BB6 and #9E2BB6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2B4EB6 shade: #2B4EB6 and #2B2BB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2B4EB6 shade matches the following richer shades: #2B4EB6, #1845C8 and #063CDA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2B4EB6 shade: #2B4EB6, #3D57A4, #4F6091, #61697F and #73726D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2B4EB6 shade: #2B9AB6, #2B75B6, #2B50B6, #2B2BB6 and #502BB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2B4EB6 shade: #1B3173, #233F94, #2B4EB6, #395FD1 and #5B7AD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2B4EB6 shade: #2B4EB6, #AC2BB6 and #87B62B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2B4EB6 shade: #2B4EB6, #B62B50 and #50B62B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2B4EB6 shade: #2B4EB6, #AC2BB6, #B6912B and #34B62B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2B4EB6 shade: #2B4EB6, #B62B95, #B6912B and #2BB64B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 57 / 0 / 29

HEX #2B4EB6

RGB 43 78 182

HSL 224.89, 0.62%, 0.44%

LAB 36.63, 25.12, -58.69

 

Complementary color

CMYK 0 / 17 / 66 / 17

HEX #D4B149

RGB 212 177 73

HSL 44.89, 0.62%, 0.56%

LAB 73.5, 1.26, 56.21

 

CMYK 73 / 56 / 0 / 31

HEX #304EB1

RGB 48 78 177

HSL 226.05, 0.57%, 0.44%

LAB 36.46, 23.85, -56

 

CMYK 67 / 51 / 0 / 23

HEX #4160C4

RGB 65 96 196

HSL 225.8, 0.53%, 0.51%

LAB 43.47, 21.6, -55.74

 

CMYK 62 / 47 / 0 / 16

HEX #5272D7

RGB 82 114 215

HSL 225.56, 0.62%, 0.58%

LAB 50.38, 19.79, -55.47

 

CMYK 58 / 44 / 0 / 8

HEX #6384EA

RGB 99 132 234

HSL 225.33, 0.76%, 0.65%

LAB 57.17, 18.29, -55.21

 

CMYK 54 / 41 / 0 / 1

HEX #7496FD

RGB 116 150 253

HSL 225.11, 0.97%, 0.72%

LAB 63.85, 17.04, -54.99

 

CMYK 76 / 57 / 0 / 29

HEX #2B4EB6

RGB 43 78 182

HSL 224.89, 0.62%, 0.44%

LAB 36.63, 25.12, -58.69

 

CMYK 84 / 63 / 0 / 36

HEX #1A3CA3

RGB 26 60 163

HSL 225.11, 0.72%, 0.37%

LAB 29.65, 28.15, -58.77

 

CMYK 94 / 71 / 0 / 44

HEX #092A90

RGB 9 42 144

HSL 225.33, 0.88%, 0.3%

LAB 22.75, 31.78, -58.51

 

CMYK 100 / 81 / 0 / 51

HEX #00187D

RGB 0 24 125

HSL 228.48, 1%, 0.25%

LAB 16.17, 35.64, -57.46

 

CMYK 100 / 94 / 0 / 58

HEX #00066A

RGB 0 6 106

HSL 236.6, 1%, 0.21%

LAB 10.34, 38.39, -54.86

 

CMYK 76 / 57 / 0 / 29

HEX #2B4EB6

RGB 43 78 182

HSL 224.89, 0.62%, 0.44%

LAB 36.63, 25.12, -58.69

 

CMYK 75 / 76 / 0 / 29

HEX #2D2BB6

RGB 45 43 182

HSL 240.86, 0.62%, 0.44%

LAB 28.55, 47.06, -71.95

 

CMYK 54 / 76 / 0 / 29

HEX #532BB6

RGB 83 43 182

HSL 257.27, 0.62%, 0.44%

LAB 31.68, 51.27, -66.68

 

CMYK 34 / 76 / 0 / 29

HEX #782BB6

RGB 120 43 182

HSL 273.24, 0.62%, 0.44%

LAB 36.17, 57.12, -59.15

 

CMYK 13 / 76 / 0 / 29

HEX #9E2BB6

RGB 158 43 182

HSL 289.64, 0.62%, 0.44%

LAB 41.8, 64.25, -49.76

 

CMYK 76 / 57 / 0 / 29

HEX #2B4EB6

RGB 43 78 182

HSL 224.89, 0.62%, 0.44%

LAB 36.63, 25.12, -58.69

 

CMYK 76 / 76 / 0 / 29

HEX #2B2BB6

RGB 43 43 182

HSL 240, 0.62%, 0.44%

LAB 28.43, 46.9, -72.15

 

CMYK 76 / 57 / 0 / 29

HEX #2B4EB6

RGB 43 78 182

HSL 224.89, 0.62%, 0.44%

LAB 36.63, 25.12, -58.69

 

CMYK 88 / 66 / 0 / 22

HEX #1845C8

RGB 24 69 200

HSL 224.66, 0.79%, 0.44%

LAB 35.24, 36.28, -71.53

 

CMYK 97 / 72 / 0 / 15

HEX #063CDA

RGB 6 60 218

HSL 224.72, 0.95%, 0.44%

LAB 34.67, 47.83, -82.91

 

CMYK 76 / 57 / 0 / 29

HEX #2B4EB6

RGB 43 78 182

HSL 224.89, 0.62%, 0.44%

LAB 36.63, 25.12, -58.69

 

CMYK 63 / 47 / 0 / 36

HEX #3D57A4

RGB 61 87 164

HSL 224.85, 0.46%, 0.44%

LAB 38.71, 15.27, -44.63

 

CMYK 46 / 34 / 0 / 43

HEX #4F6091

RGB 79 96 145

HSL 224.55, 0.29%, 0.44%

LAB 41.33, 7.28, -29.03

 

CMYK 24 / 17 / 0 / 50

HEX #61697F

RGB 97 105 127

HSL 224, 0.13%, 0.44%

LAB 44.49, 2.16, -13.23

 

CMYK 0 / 1 / 5 / 55

HEX #73726D

RGB 115 114 109

HSL 50, 0.03%, 0.44%

LAB 47.99, -0.6, 2.9

 

CMYK 76 / 15 / 0 / 29

HEX #2B9AB6

RGB 43 154 182

HSL 192.09, 0.62%, 0.44%

LAB 58.98, -20.92, -23.33

 

CMYK 76 / 36 / 0 / 29

HEX #2B75B6

RGB 43 117 182

HSL 208.06, 0.62%, 0.44%

LAB 47.77, 0.06, -40.81

 

CMYK 76 / 56 / 0 / 29

HEX #2B50B6

RGB 43 80 182

HSL 224.03, 0.62%, 0.44%

LAB 37.17, 23.8, -57.82

 

CMYK 76 / 76 / 0 / 29

HEX #2B2BB6

RGB 43 43 182

HSL 240, 0.62%, 0.44%

LAB 28.43, 46.9, -72.15

 

CMYK 56 / 76 / 0 / 29

HEX #502BB6

RGB 80 43 182

HSL 255.97, 0.62%, 0.44%

LAB 31.37, 50.86, -67.2

 

CMYK 77 / 57 / 0 / 55

HEX #1B3173

RGB 27 49 115

HSL 225, 0.62%, 0.28%

LAB 22.54, 16.68, -40.57

 

CMYK 76 / 57 / 0 / 42

HEX #233F94

RGB 35 63 148

HSL 225.13, 0.62%, 0.36%

LAB 29.54, 21.14, -49.83

 

CMYK 76 / 57 / 0 / 29

HEX #2B4EB6

RGB 43 78 182

HSL 224.89, 0.62%, 0.44%

LAB 36.63, 25.12, -58.69

 

CMYK 73 / 55 / 0 / 18

HEX #395FD1

RGB 57 95 209

HSL 225, 0.62%, 0.52%

LAB 43.74, 25.8, -62.82

 

CMYK 58 / 44 / 0 / 15

HEX #5B7AD8

RGB 91 122 216

HSL 225.12, 0.62%, 0.6%

LAB 53.06, 16.9, -51.71

 

CMYK 76 / 57 / 0 / 29

HEX #2B4EB6

RGB 43 78 182

HSL 224.89, 0.62%, 0.44%

LAB 36.63, 25.12, -58.69

 

CMYK 5 / 76 / 0 / 29

HEX #AC2BB6

RGB 172 43 182

HSL 295.68, 0.62%, 0.44%

LAB 44.05, 67.05, -46.03

 

CMYK 26 / 0 / 76 / 29

HEX #87B62B

RGB 135 182 43

HSL 80.29, 0.62%, 0.44%

LAB 68.59, -35.31, 60.91

 

CMYK 76 / 57 / 0 / 29

HEX #2B4EB6

RGB 43 78 182

HSL 224.89, 0.62%, 0.44%

LAB 36.63, 25.12, -58.69

 

CMYK 0 / 76 / 56 / 29

HEX #B62B50

RGB 182 43 80

HSL 344.03, 0.62%, 0.44%

LAB 41.61, 56.8, 12.81

 

CMYK 56 / 0 / 76 / 29

HEX #50B62B

RGB 80 182 43

HSL 104.03, 0.62%, 0.44%

LAB 66.01, -53.77, 57.53

 

CMYK 76 / 57 / 0 / 29

HEX #2B4EB6

RGB 43 78 182

HSL 224.89, 0.62%, 0.44%

LAB 36.63, 25.12, -58.69

 

CMYK 5 / 76 / 0 / 29

HEX #AC2BB6

RGB 172 43 182

HSL 295.68, 0.62%, 0.44%

LAB 44.05, 67.05, -46.03

 

CMYK 0 / 20 / 76 / 29

HEX #B6912B

RGB 182 145 43

HSL 44.03, 0.62%, 0.44%

LAB 61.97, 3.79, 55.97

 

CMYK 71 / 0 / 76 / 29

HEX #34B62B

RGB 52 182 43

HSL 116.12, 0.62%, 0.44%

LAB 65.25, -60.02, 56.53

 

CMYK 76 / 57 / 0 / 29

HEX #2B4EB6

RGB 43 78 182

HSL 224.89, 0.62%, 0.44%

LAB 36.63, 25.12, -58.69

 

CMYK 0 / 76 / 18 / 29

HEX #B62B95

RGB 182 43 149

HSL 314.24, 0.62%, 0.44%

LAB 44.01, 64.17, -26.33

 

CMYK 0 / 20 / 76 / 29

HEX #B6912B

RGB 182 145 43

HSL 44.03, 0.62%, 0.44%

LAB 61.97, 3.79, 55.97

 

CMYK 76 / 0 / 59 / 29

HEX #2BB64B

RGB 43 182 75

HSL 133.81, 0.62%, 0.44%

LAB 65.34, -58.28, 43.53

 

Description

Color code: HEX #2B4EB6 | qconv.com Color code: HEX #2B4EB6 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 78 green and 182 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 78 182 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, 57 magenta, none yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 57% 0% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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