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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2B30633F it is the complementary color #D4CF9C3F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2B30633F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2B30633F shade: #30305E3F, #4142713F, #5254843F, #6366973F and #7478AA3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2B30633F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2B30633F shade: #2B30633F, #1A1E503F, #090C3D3F, #00002A3F and #0000173F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2B30633F shade: #2C3163, #362C63, #452C63, #542C63 and #632C63

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2B30633F shade: #2C3163 and #2C2C63

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2B30633F shade matches the following richer shades: #2C3163, #20276F, #141E7A and #091486

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2B30633F shade: #2C3163, #373A58, #43444C, #4E4D41 and #5A5635

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2B30633F shade: #2C4F63, #2C4063, #2C3163, #352C63 and #442C63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2B30633F shade: #12142A, #1F2347, #2C3163, #383F80 and #454D9D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2B30633F shade: #2B3063, #632C5E and #47632C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2B30633F shade: #2B3063, #632C31 and #31632C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2B30633F shade: #2B3063, #632C5E, #635E2C and #2C6331

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2B30633F shade: #2B3063, #632C4D, #635E2C and #2C6342

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 13 / 0 / 15

HEX #2B30633F

RGBA 43 48 99 0.25

HSLA 234.64, 0.39%, 0.28%, 0.25

LABA 22.05, 14.24, -30.98, 0.25

 

Complementary color

CMYK 0 / 1 / 7 / 4

HEX #D4CF9C3F

RGBA 212 207 156 0.25

HSLA 54.64, 0.39%, 0.72%, 0.25

LABA 82.39, -6.27, 26.03, 0.25

 

CMYK 12 / 12 / 0 / 16

HEX #30305E3F

RGBA 48 48 94 0.25

HSLA 240, 0.32%, 0.28%, 0.25

LABA 22.13, 13.77, -27.55, 0.25

 

CMYK 11 / 10 / 0 / 14

HEX #4142713F

RGBA 65 66 113 0.25

HSLA 238.75, 0.27%, 0.35%, 0.25

LABA 29.94, 12.64, -27.3, 0.25

 

CMYK 9 / 9 / 0 / 12

HEX #5254843F

RGBA 82 84 132 0.25

HSLA 237.6, 0.23%, 0.42%, 0.25

LABA 37.48, 11.76, -27.16, 0.25

 

CMYK 9 / 8 / 0 / 10

HEX #6366973F

RGBA 99 102 151 0.25

HSLA 236.54, 0.21%, 0.49%, 0.25

LABA 44.79, 11.06, -27.11, 0.25

 

CMYK 8 / 7 / 0 / 8

HEX #7478AA3F

RGBA 116 120 170 0.25

HSLA 235.56, 0.24%, 0.56%, 0.25

LABA 51.89, 10.47, -27.11, 0.25

 

CMYK 14 / 13 / 0 / 15

HEX #2B30633F

RGBA 43 48 99 0.25

HSLA 234.64, 0.39%, 0.28%, 0.25

LABA 22.05, 14.24, -30.98, 0.25

 

CMYK 17 / 16 / 0 / 17

HEX #1A1E503F

RGBA 26 30 80 0.25

HSLA 235.56, 0.51%, 0.21%, 0.25

LABA 13.99, 16.17, -31.36, 0.25

 

CMYK 21 / 20 / 0 / 19

HEX #090C3D3F

RGBA 9 12 61 0.25

HSLA 236.54, 0.74%, 0.14%, 0.25

LABA 5.94, 18.05, -31.24, 0.25

 

CMYK 25 / 25 / 0 / 21

HEX #00002A3F

RGBA 0 0 42 0.25

HSLA 240, 1%, 0.08%, 0.25

LABA 1.51, 10.61, -24.29, 0.25

 

CMYK 25 / 25 / 0 / 23

HEX #0000173F

RGBA 0 0 23 0.25

HSLA 240, 1%, 0.05%, 0.25

LABA 0.56, 3.93, -10.69, 0.25

 

CMYK 56 / 51 / 0 / 61

HEX #2C3163

RGB 44 49 99

HSL 234.55, 0.38%, 0.28%

LAB 22.42, 13.79, -30.37

 

CMYK 45 / 56 / 0 / 61

HEX #362C63

RGB 54 44 99

HSL 250.91, 0.38%, 0.28%

LAB 21.9, 19.84, -31.16

 

CMYK 30 / 56 / 0 / 61

HEX #452C63

RGB 69 44 99

HSL 267.27, 0.38%, 0.28%

LAB 23.56, 24.11, -28.4

 

CMYK 15 / 56 / 0 / 61

HEX #542C63

RGB 84 44 99

HSL 283.64, 0.38%, 0.28%

LAB 25.52, 28.68, -25.17

 

CMYK 0 / 56 / 0 / 61

HEX #632C63

RGB 99 44 99

HSL 300, 0.38%, 0.28%

LAB 27.72, 33.35, -21.56

 

CMYK 56 / 51 / 0 / 61

HEX #2C3163

RGB 44 49 99

HSL 234.55, 0.38%, 0.28%

LAB 22.42, 13.79, -30.37

 

CMYK 56 / 56 / 0 / 61

HEX #2C2C63

RGB 44 44 99

HSL 240, 0.38%, 0.28%

LAB 20.97, 17.29, -32.7

 

CMYK 56 / 51 / 0 / 61

HEX #2C3163

RGB 44 49 99

HSL 234.55, 0.38%, 0.28%

LAB 22.42, 13.79, -30.37

 

CMYK 71 / 65 / 0 / 56

HEX #20276F

RGB 32 39 111

HSL 234.68, 0.55%, 0.28%

LAB 19.66, 22.92, -42.67

 

CMYK 84 / 75 / 0 / 52

HEX #141E7A

RGB 20 30 122

HSL 234.12, 0.72%, 0.28%

LAB 17.84, 31.83, -52.76

 

CMYK 93 / 85 / 0 / 47

HEX #091486

RGB 9 20 134

HSL 234.72, 0.87%, 0.28%

LAB 16.89, 41.31, -61.97

 

CMYK 56 / 51 / 0 / 61

HEX #2C3163

RGB 44 49 99

HSL 234.55, 0.38%, 0.28%

LAB 22.42, 13.79, -30.37

 

CMYK 38 / 34 / 0 / 65

HEX #373A58

RGB 55 58 88

HSL 234.55, 0.23%, 0.28%

LAB 25.39, 7.05, -18.43

 

CMYK 12 / 11 / 0 / 70

HEX #43444C

RGB 67 68 76

HSL 233.33, 0.06%, 0.28%

LAB 29.03, 1.46, -4.95

 

CMYK 0 / 1 / 17 / 69

HEX #4E4D41

RGB 78 77 65

HSL 55.38, 0.09%, 0.28%

LAB 32.5, -2, 7.28

 

CMYK 0 / 4 / 41 / 65

HEX #5A5635

RGB 90 86 53

HSL 53.51, 0.26%, 0.28%

LAB 36.15, -3.97, 19.8

 

CMYK 56 / 20 / 0 / 61

HEX #2C4F63

RGB 44 79 99

HSL 201.82, 0.38%, 0.28%

LAB 31.87, -6.3, -15.54

 

CMYK 56 / 35 / 0 / 61

HEX #2C4063

RGB 44 64 99

HSL 218.18, 0.38%, 0.28%

LAB 27.03, 3.43, -23.07

 

CMYK 56 / 51 / 0 / 61

HEX #2C3163

RGB 44 49 99

HSL 234.55, 0.38%, 0.28%

LAB 22.42, 13.79, -30.37

 

CMYK 46 / 56 / 0 / 61

HEX #352C63

RGB 53 44 99

HSL 249.82, 0.38%, 0.28%

LAB 21.8, 19.58, -31.33

 

CMYK 31 / 56 / 0 / 61

HEX #442C63

RGB 68 44 99

HSL 266.18, 0.38%, 0.28%

LAB 23.44, 23.81, -28.6

 

CMYK 57 / 52 / 0 / 84

HEX #12142A

RGB 18 20 42

HSL 235, 0.4%, 0.12%

LAB 7.19, 6.5, -15.27

 

CMYK 56 / 51 / 0 / 72

HEX #1F2347

RGB 31 35 71

HSL 234, 0.39%, 0.2%

LAB 15.21, 10.15, -23.19

 

CMYK 56 / 51 / 0 / 61

HEX #2C3163

RGB 44 49 99

HSL 234.55, 0.38%, 0.28%

LAB 22.42, 13.79, -30.37

 

CMYK 56 / 51 / 0 / 50

HEX #383F80

RGB 56 63 128

HSL 234.17, 0.39%, 0.36%

LAB 29.3, 17.34, -37.8

 

CMYK 56 / 51 / 0 / 38

HEX #454D9D

RGB 69 77 157

HSL 234.55, 0.39%, 0.44%

LAB 36, 20.96, -44.75

 

CMYK 57 / 52 / 0 / 61

HEX #2B3063

RGB 43 48 99

HSL 234.64, 0.39%, 0.28%

LAB 22.05, 14.24, -30.98

 

CMYK 0 / 56 / 5 / 61

HEX #632C5E

RGB 99 44 94

HSL 305.45, 0.38%, 0.28%

LAB 27.47, 32.36, -18.71

 

CMYK 28 / 0 / 56 / 61

HEX #47632C

RGB 71 99 44

HSL 90.55, 0.38%, 0.28%

LAB 38.63, -20.87, 27.69

 

CMYK 57 / 52 / 0 / 61

HEX #2B3063

RGB 43 48 99

HSL 234.64, 0.39%, 0.28%

LAB 22.05, 14.24, -30.98

 

CMYK 0 / 56 / 51 / 61

HEX #632C31

RGB 99 44 49

HSL 354.55, 0.38%, 0.28%

LAB 25.79, 25.39, 8.7

 

CMYK 51 / 0 / 56 / 61

HEX #31632C

RGB 49 99 44

HSL 114.55, 0.38%, 0.28%

LAB 37.41, -29.11, 25.92

 

CMYK 57 / 52 / 0 / 61

HEX #2B3063

RGB 43 48 99

HSL 234.64, 0.39%, 0.28%

LAB 22.05, 14.24, -30.98

 

CMYK 0 / 56 / 5 / 61

HEX #632C5E

RGB 99 44 94

HSL 305.45, 0.38%, 0.28%

LAB 27.47, 32.36, -18.71

 

CMYK 0 / 5 / 56 / 61

HEX #635E2C

RGB 99 94 44

HSL 54.55, 0.38%, 0.28%

LAB 39.31, -5.53, 29.05

 

CMYK 56 / 0 / 51 / 61

HEX #2C6331

RGB 44 99 49

HSL 125.45, 0.38%, 0.28%

LAB 37.26, -29.89, 22.92

 

CMYK 57 / 52 / 0 / 61

HEX #2B3063

RGB 43 48 99

HSL 234.64, 0.39%, 0.28%

LAB 22.05, 14.24, -30.98

 

CMYK 0 / 56 / 22 / 61

HEX #632C4D

RGB 99 44 77

HSL 324, 0.38%, 0.28%

LAB 26.71, 29.29, -8.7

 

CMYK 0 / 5 / 56 / 61

HEX #635E2C

RGB 99 94 44

HSL 54.55, 0.38%, 0.28%

LAB 39.31, -5.53, 29.05

 

CMYK 56 / 0 / 33 / 61

HEX #2C6342

RGB 44 99 66

HSL 144, 0.38%, 0.28%

LAB 37.58, -26.63, 13.36

 

Description

Color code: HEX #2B30633F | qconv.com Color code: HEX #2B30633F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 48 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 48 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 13 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 13% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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