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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2B16A1 it is the complementary color #D4E95E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2B16A1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2B16A1 shade: #30169C, #4128AF, #523AC2, #634CD5 and #745EE8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2B16A1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2B16A1 shade: #2B16A1, #1A048E, #09007B, #000068 and #000055

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2B16A1 shade: #2B16A2, #5116A2, #7616A2, #9C16A2 and #A21682

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2B16A1 shade: #2B16A2 and #1616A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2B16A1 shade matches the following richer shades: #2B16A2 and #2107B0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2B16A1 shade: #2B16A2, #352593, #403484, #4A4375 and #555166

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2B16A1 shade: #164CA2, #1626A2, #2B16A2, #5016A2 and #7516A2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2B16A1 shade: #180C59, #21117D, #2B16A2, #351BC6 and #4428E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2B16A1 shade: #2B16A1, #A21671 and #39A216

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2B16A1 shade: #2B16A1, #A22B16 and #16A22B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2B16A1 shade: #2B16A1, #A21671, #8DA216 and #16A247

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2B16A1 shade: #2B16A1, #A21647, #8DA216 and #16A271

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 73 / 86 / 0 / 37

HEX #2B16A1

RGB 43 22 161

HSL 249.06, 0.76%, 0.36%

LAB 22.52, 50.48, -69.3

 

Complementary color

CMYK 9 / 0 / 60 / 9

HEX #D4E95E

RGB 212 233 94

HSL 69.06, 0.76%, 0.64%

LAB 88.49, -25.52, 63.47

 

CMYK 69 / 86 / 0 / 39

HEX #30169C

RGB 48 22 156

HSL 251.64, 0.75%, 0.35%

LAB 22.31, 49.39, -66.57

 

CMYK 63 / 77 / 0 / 31

HEX #4128AF

RGB 65 40 175

HSL 251.11, 0.63%, 0.42%

LAB 28.74, 48.42, -67.41

 

CMYK 58 / 70 / 0 / 24

HEX #523AC2

RGB 82 58 194

HSL 250.59, 0.54%, 0.49%

LAB 35.43, 46.89, -67.6

 

CMYK 54 / 64 / 0 / 16

HEX #634CD5

RGB 99 76 213

HSL 250.07, 0.62%, 0.57%

LAB 42.19, 45.27, -67.5

 

CMYK 50 / 59 / 0 / 9

HEX #745EE8

RGB 116 94 232

HSL 249.57, 0.75%, 0.64%

LAB 48.94, 43.71, -67.27

 

CMYK 73 / 86 / 0 / 37

HEX #2B16A1

RGB 43 22 161

HSL 249.06, 0.76%, 0.36%

LAB 22.52, 50.48, -69.3

 

CMYK 82 / 97 / 0 / 44

HEX #1A048E

RGB 26 4 142

HSL 249.57, 0.95%, 0.29%

LAB 16.79, 50.29, -67.13

 

CMYK 93 / 100 / 0 / 52

HEX #09007B

RGB 9 0 123

HSL 244.39, 1%, 0.24%

LAB 12.53, 46.29, -62.24

 

CMYK 100 / 100 / 0 / 59

HEX #000068

RGB 0 0 104

HSL 240, 1%, 0.2%

LAB 8.99, 40.97, -55.8

 

CMYK 100 / 100 / 0 / 67

HEX #000055

RGB 0 0 85

HSL 240, 1%, 0.17%

LAB 5.92, 34.69, -48.12

 

CMYK 73 / 86 / 0 / 36

HEX #2B16A2

RGB 43 22 162

HSL 249, 0.76%, 0.36%

LAB 22.64, 50.77, -69.71

 

CMYK 50 / 86 / 0 / 36

HEX #5116A2

RGB 81 22 162

HSL 265.29, 0.76%, 0.36%

LAB 26.54, 54.26, -63.13

 

CMYK 27 / 86 / 0 / 36

HEX #7616A2

RGB 118 22 162

HSL 281.14, 0.76%, 0.36%

LAB 31.88, 59.41, -54.17

 

CMYK 4 / 86 / 0 / 36

HEX #9C16A2

RGB 156 22 162

HSL 297.43, 0.76%, 0.36%

LAB 38.29, 65.94, -43.51

 

CMYK 0 / 86 / 20 / 36

HEX #A21682

RGB 162 22 130

HSL 313.71, 0.76%, 0.36%

LAB 37.6, 62.41, -24.96

 

CMYK 73 / 86 / 0 / 36

HEX #2B16A2

RGB 43 22 162

HSL 249, 0.76%, 0.36%

LAB 22.64, 50.77, -69.71

 

CMYK 86 / 86 / 0 / 36

HEX #1616A2

RGB 22 22 162

HSL 240, 0.76%, 0.36%

LAB 21.41, 49.73, -71.79

 

CMYK 73 / 86 / 0 / 36

HEX #2B16A2

RGB 43 22 162

HSL 249, 0.76%, 0.36%

LAB 22.64, 50.77, -69.71

 

CMYK 81 / 96 / 0 / 31

HEX #2107B0

RGB 33 7 176

HSL 249.23, 0.92%, 0.36%

LAB 22.34, 58.7, -78.7

 

CMYK 73 / 86 / 0 / 36

HEX #2B16A2

RGB 43 22 162

HSL 249, 0.76%, 0.36%

LAB 22.64, 50.77, -69.71

 

CMYK 64 / 75 / 0 / 42

HEX #352593

RGB 53 37 147

HSL 248.73, 0.6%, 0.36%

LAB 24.28, 39.85, -57.77

 

CMYK 52 / 61 / 0 / 48

HEX #403484

RGB 64 52 132

HSL 249, 0.43%, 0.36%

LAB 27.33, 27.76, -43.43

 

CMYK 37 / 43 / 0 / 54

HEX #4A4375

RGB 74 67 117

HSL 248.4, 0.27%, 0.36%

LAB 31.24, 15.88, -27.72

 

CMYK 17 / 21 / 0 / 60

HEX #555166

RGB 85 81 102

HSL 251.43, 0.11%, 0.36%

LAB 35.55, 6.44, -11.55

 

CMYK 86 / 53 / 0 / 36

HEX #164CA2

RGB 22 76 162

HSL 216.86, 0.76%, 0.36%

LAB 33.87, 16.55, -51.3

 

CMYK 86 / 77 / 0 / 36

HEX #1626A2

RGB 22 38 162

HSL 233.14, 0.76%, 0.36%

LAB 24.21, 41.57, -67.14

 

CMYK 73 / 86 / 0 / 36

HEX #2B16A2

RGB 43 22 162

HSL 249, 0.76%, 0.36%

LAB 22.64, 50.77, -69.71

 

CMYK 51 / 86 / 0 / 36

HEX #5016A2

RGB 80 22 162

HSL 264.86, 0.76%, 0.36%

LAB 26.41, 54.14, -63.34

 

CMYK 28 / 86 / 0 / 36

HEX #7516A2

RGB 117 22 162

HSL 280.71, 0.76%, 0.36%

LAB 31.73, 59.25, -54.43

 

CMYK 73 / 87 / 0 / 65

HEX #180C59

RGB 24 12 89

HSL 249.35, 0.76%, 0.2%

LAB 10.4, 31.08, -43.37

 

CMYK 74 / 86 / 0 / 51

HEX #21117D

RGB 33 17 125

HSL 248.89, 0.76%, 0.28%

LAB 16.53, 41.07, -56.82

 

CMYK 73 / 86 / 0 / 36

HEX #2B16A2

RGB 43 22 162

HSL 249, 0.76%, 0.36%

LAB 22.64, 50.77, -69.71

 

CMYK 73 / 86 / 0 / 22

HEX #351BC6

RGB 53 27 198

HSL 249.12, 0.76%, 0.44%

LAB 28.43, 59.71, -81.59

 

CMYK 70 / 82 / 0 / 11

HEX #4428E2

RGB 68 40 226

HSL 249.03, 0.76%, 0.52%

LAB 34.47, 63.44, -87.75

 

CMYK 73 / 86 / 0 / 37

HEX #2B16A1

RGB 43 22 161

HSL 249.06, 0.76%, 0.36%

LAB 22.52, 50.48, -69.3

 

CMYK 0 / 86 / 30 / 36

HEX #A21671

RGB 162 22 113

HSL 321, 0.76%, 0.36%

LAB 36.83, 60.3, -15.51

 

CMYK 65 / 0 / 86 / 36

HEX #39A216

RGB 57 162 22

HSL 105, 0.76%, 0.36%

LAB 58.76, -53.53, 56.57

 

CMYK 73 / 86 / 0 / 37

HEX #2B16A1

RGB 43 22 161

HSL 249.06, 0.76%, 0.36%

LAB 22.52, 50.48, -69.3

 

CMYK 0 / 73 / 86 / 36

HEX #A22B16

RGB 162 43 22

HSL 9, 0.76%, 0.36%

LAB 36.87, 47.67, 40.7

 

CMYK 86 / 0 / 73 / 36

HEX #16A22B

RGB 22 162 43

HSL 129, 0.76%, 0.36%

LAB 58.21, -57.81, 49.32

 

CMYK 73 / 86 / 0 / 37

HEX #2B16A1

RGB 43 22 161

HSL 249.06, 0.76%, 0.36%

LAB 22.52, 50.48, -69.3

 

CMYK 0 / 86 / 30 / 36

HEX #A21671

RGB 162 22 113

HSL 321, 0.76%, 0.36%

LAB 36.83, 60.3, -15.51

 

CMYK 13 / 0 / 86 / 36

HEX #8DA216

RGB 141 162 22

HSL 69, 0.76%, 0.36%

LAB 62.98, -24.18, 61.87

 

CMYK 86 / 0 / 56 / 36

HEX #16A247

RGB 22 162 71

HSL 141, 0.76%, 0.36%

LAB 58.48, -54.54, 37.25

 

CMYK 73 / 86 / 0 / 37

HEX #2B16A1

RGB 43 22 161

HSL 249.06, 0.76%, 0.36%

LAB 22.52, 50.48, -69.3

 

CMYK 0 / 86 / 56 / 36

HEX #A21647

RGB 162 22 71

HSL 339, 0.76%, 0.36%

LAB 35.42, 56.29, 9.38

 

CMYK 13 / 0 / 86 / 36

HEX #8DA216

RGB 141 162 22

HSL 69, 0.76%, 0.36%

LAB 62.98, -24.18, 61.87

 

CMYK 86 / 0 / 30 / 36

HEX #16A271

RGB 22 162 113

HSL 159, 0.76%, 0.36%

LAB 59.16, -46.57, 15.87

 

Description

Color code: HEX #2B16A1 | qconv.com Color code: HEX #2B16A1 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 43 red, 22 green and 161 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
43 22 161 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 73 cyan, 86 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
73% 86% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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