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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2AFD9C it is the complementary color #D50263. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2AFD9C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2AFD9C shade: #2FFD97, #40FFAA, #51FFBD, #62FFD0 and #73FFE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2AFD9C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2AFD9C shade: #2AFD9C, #19EB89, #08D976, #00C763 and #00B550

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2AFD9C shade: #2BFD9C, #2BFD64, #2BFD2B, #63FD2B and #9CFD2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2AFD9C shade: #2BFD9C, #2BFDD5, #2BECFD, #2BB4FD and #2B7BFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2AFD9C shade matches the following richer shades: #2BFD9C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2AFD9C shade: #2BFD9C, #3CEC9B, #4EDA9A, #5FC998 and #70B897

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2AFD9C shade: #2BFD2B, #2BFD63, #2BFD9B, #2BFDD3 and #2BEFFD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2AFD9C shade: #02D373, #03FC89, #2BFD9C, #54FDAF and #7DFEC2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2AFD9C shade: #2AFD9C, #2B63FD and #FD472B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2AFD9C shade: #2AFD9C, #9B2BFD and #FD9B2B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2AFD9C shade: #2AFD9C, #2B63FD, #FD2B8D and #FDC52B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2AFD9C shade: #2AFD9C, #322BFD, #FD2B8D and #F6FD2B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 38 / 1

HEX #2AFD9C

RGB 42 253 156

HSL 152.42, 0.98%, 0.58%

LAB 88.52, -69.42, 33.07

 

Complementary color

CMYK 0 / 99 / 54 / 16

HEX #D50263

RGB 213 2 99

HSL 332.42, 0.98%, 0.42%

LAB 45.76, 73.15, 7.62

 

CMYK 81 / 0 / 40 / 1

HEX #2FFD97

RGB 47 253 151

HSL 150.29, 0.98%, 0.59%

LAB 88.49, -69.9, 35.52

 

CMYK 75 / 0 / 33 / 0

HEX #40FFAA

RGB 64 255 170

HSL 153.3, 1%, 0.63%

LAB 89.63, -65.24, 27.59

 

CMYK 68 / 0 / 26 / 0

HEX #51FFBD

RGB 81 255 189

HSL 157.24, 1%, 0.66%

LAB 90.3, -59.06, 18.89

 

CMYK 62 / 0 / 18 / 0

HEX #62FFD0

RGB 98 255 208

HSL 162.04, 1%, 0.69%

LAB 91.09, -52.16, 10.3

 

CMYK 55 / 0 / 11 / 0

HEX #73FFE3

RGB 115 255 227

HSL 168, 1%, 0.73%

LAB 92, -44.64, 1.87

 

CMYK 83 / 0 / 38 / 1

HEX #2AFD9C

RGB 42 253 156

HSL 152.42, 0.98%, 0.58%

LAB 88.52, -69.42, 33.07

 

CMYK 89 / 0 / 42 / 8

HEX #19EB89

RGB 25 235 137

HSL 152, 0.84%, 0.51%

LAB 82.61, -67.94, 34.73

 

CMYK 96 / 0 / 46 / 15

HEX #08D976

RGB 8 217 118

HSL 151.58, 0.93%, 0.44%

LAB 76.67, -66.02, 36.5

 

CMYK 100 / 0 / 50 / 22

HEX #00C763

RGB 0 199 99

HSL 149.85, 1%, 0.39%

LAB 70.7, -63.59, 38.37

 

CMYK 100 / 0 / 56 / 29

HEX #00B550

RGB 0 181 80

HSL 146.52, 1%, 0.35%

LAB 64.67, -60.71, 40.26

 

CMYK 83 / 0 / 38 / 1

HEX #2BFD9C

RGB 43 253 156

HSL 152.29, 0.98%, 0.58%

LAB 88.53, -69.34, 33.08

 

CMYK 83 / 0 / 60 / 1

HEX #2BFD64

RGB 43 253 100

HSL 136.29, 0.98%, 0.58%

LAB 87.82, -77.78, 58.4

 

CMYK 83 / 0 / 83 / 1

HEX #2BFD2B

RGB 43 253 43

HSL 120, 0.98%, 0.58%

LAB 87.46, -82.31, 77.3

 

CMYK 61 / 0 / 83 / 1

HEX #63FD2B

RGB 99 253 43

HSL 104, 0.98%, 0.58%

LAB 88.48, -73.48, 78.61

 

CMYK 38 / 0 / 83 / 1

HEX #9CFD2B

RGB 156 253 43

HSL 87.71, 0.98%, 0.58%

LAB 90.55, -57.6, 81.23

 

CMYK 83 / 0 / 38 / 1

HEX #2BFD9C

RGB 43 253 156

HSL 152.29, 0.98%, 0.58%

LAB 88.53, -69.34, 33.08

 

CMYK 83 / 0 / 16 / 1

HEX #2BFDD5

RGB 43 253 213

HSL 168.57, 0.98%, 0.58%

LAB 89.66, -56.89, 5.54

 

CMYK 83 / 7 / 0 / 1

HEX #2BECFD

RGB 43 236 253

HSL 184.86, 0.98%, 0.58%

LAB 85.8, -38.65, -21.07

 

CMYK 83 / 29 / 0 / 1

HEX #2BB4FD

RGB 43 180 253

HSL 200.86, 0.98%, 0.58%

LAB 69.65, -10.62, -45.99

 

CMYK 83 / 51 / 0 / 1

HEX #2B7BFD

RGB 43 123 253

HSL 217.14, 0.98%, 0.58%

LAB 53.78, 22.99, -71.31

 

CMYK 83 / 0 / 38 / 1

HEX #2BFD9C

RGB 43 253 156

HSL 152.29, 0.98%, 0.58%

LAB 88.53, -69.34, 33.08

 

CMYK 83 / 0 / 38 / 1

HEX #2BFD9C

RGB 43 253 156

HSL 152.29, 0.98%, 0.58%

LAB 88.53, -69.34, 33.08

 

CMYK 75 / 0 / 34 / 7

HEX #3CEC9B

RGB 60 236 155

HSL 152.39, 0.82%, 0.58%

LAB 83.61, -61.74, 27.03

 

CMYK 64 / 0 / 29 / 15

HEX #4EDA9A

RGB 78 218 154

HSL 152.57, 0.65%, 0.58%

LAB 78.52, -52.31, 20.66

 

CMYK 53 / 0 / 24 / 21

HEX #5FC998

RGB 95 201 152

HSL 152.26, 0.5%, 0.58%

LAB 73.85, -42.11, 15.32

 

CMYK 39 / 0 / 18 / 28

HEX #70B897

RGB 112 184 151

HSL 152.5, 0.34%, 0.58%

LAB 69.44, -30.1, 9.74

 

CMYK 83 / 0 / 83 / 1

HEX #2BFD2B

RGB 43 253 43

HSL 120, 0.98%, 0.58%

LAB 87.46, -82.31, 77.3

 

CMYK 83 / 0 / 61 / 1

HEX #2BFD63

RGB 43 253 99

HSL 136, 0.98%, 0.58%

LAB 87.81, -77.9, 58.81

 

CMYK 83 / 0 / 39 / 1

HEX #2BFD9B

RGB 43 253 155

HSL 152, 0.98%, 0.58%

LAB 88.51, -69.52, 33.56

 

CMYK 83 / 0 / 17 / 1

HEX #2BFDD3

RGB 43 253 211

HSL 168, 0.98%, 0.58%

LAB 89.61, -57.38, 6.51

 

CMYK 83 / 6 / 0 / 1

HEX #2BEFFD

RGB 43 239 253

HSL 184, 0.98%, 0.58%

LAB 86.67, -40.02, -19.75

 

CMYK 99 / 0 / 45 / 17

HEX #02D373

RGB 2 211 115

HSL 152.44, 0.98%, 0.42%

LAB 74.72, -64.76, 35.5

 

CMYK 99 / 0 / 46 / 1

HEX #03FC89

RGB 3 252 137

HSL 152.29, 0.98%, 0.5%

LAB 87.7, -74.29, 41.29

 

CMYK 83 / 0 / 38 / 1

HEX #2BFD9C

RGB 43 253 156

HSL 152.29, 0.98%, 0.58%

LAB 88.53, -69.34, 33.08

 

CMYK 67 / 0 / 31 / 1

HEX #54FDAF

RGB 84 253 175

HSL 152.31, 0.98%, 0.66%

LAB 89.5, -60.71, 24.94

 

CMYK 51 / 0 / 24 / 0

HEX #7DFEC2

RGB 125 254 194

HSL 152.09, 0.98%, 0.74%

LAB 91.3, -49.3, 17.91

 

CMYK 83 / 0 / 38 / 1

HEX #2AFD9C

RGB 42 253 156

HSL 152.42, 0.98%, 0.58%

LAB 88.52, -69.42, 33.07

 

CMYK 83 / 61 / 0 / 1

HEX #2B63FD

RGB 43 99 253

HSL 224, 0.98%, 0.58%

LAB 47.66, 38.02, -81.28

 

CMYK 0 / 72 / 83 / 1

HEX #FD472B

RGB 253 71 43

HSL 8, 0.98%, 0.58%

LAB 57.62, 67.09, 55.59

 

CMYK 83 / 0 / 38 / 1

HEX #2AFD9C

RGB 42 253 156

HSL 152.42, 0.98%, 0.58%

LAB 88.52, -69.42, 33.07

 

CMYK 39 / 83 / 0 / 1

HEX #9B2BFD

RGB 155 43 253

HSL 272, 0.98%, 0.58%

LAB 46.7, 78, -82.53

 

CMYK 0 / 39 / 83 / 1

HEX #FD9B2B

RGB 253 155 43

HSL 32, 0.98%, 0.58%

LAB 72.56, 28.95, 68.58

 

CMYK 83 / 0 / 38 / 1

HEX #2AFD9C

RGB 42 253 156

HSL 152.42, 0.98%, 0.58%

LAB 88.52, -69.42, 33.07

 

CMYK 83 / 61 / 0 / 1

HEX #2B63FD

RGB 43 99 253

HSL 224, 0.98%, 0.58%

LAB 47.66, 38.02, -81.28

 

CMYK 0 / 83 / 44 / 1

HEX #FD2B8D

RGB 253 43 141

HSL 332, 0.98%, 0.58%

LAB 56.62, 80.06, -1.22

 

CMYK 0 / 22 / 83 / 1

HEX #FDC52B

RGB 253 197 43

HSL 44, 0.98%, 0.58%

LAB 82.37, 7.05, 76.89

 

CMYK 83 / 0 / 38 / 1

HEX #2AFD9C

RGB 42 253 156

HSL 152.42, 0.98%, 0.58%

LAB 88.52, -69.42, 33.07

 

CMYK 80 / 83 / 0 / 1

HEX #322BFD

RGB 50 43 253

HSL 242, 0.98%, 0.58%

LAB 36.93, 68.82, -98.99

 

CMYK 0 / 83 / 44 / 1

HEX #FD2B8D

RGB 253 43 141

HSL 332, 0.98%, 0.58%

LAB 56.62, 80.06, -1.22

 

CMYK 3 / 0 / 83 / 1

HEX #F6FD2B

RGB 246 253 43

HSL 62, 0.98%, 0.58%

LAB 96, -23.7, 88.05

 

Description

Color code: HEX #2AFD9C | qconv.com Color code: HEX #2AFD9C | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 253 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 253 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 38 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 38% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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