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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2AF151 it is the complementary color #D50EAE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2AF151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2AF151 shade: #2FF14C, #40FF5F, #51FF72, #62FF85 and #73FF98

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2AF151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2AF151 shade: #2AF151, #19DF3E, #08CD2B, #00BB18 and #00A905

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2AF151 shade: #27F14F, #36F127, #6DF127, #A3F127 and #DAF127

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2AF151 shade: #27F14F, #27F185, #27F1BC, #27F0F1 and #27BAF1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2AF151 shade matches the following richer shades: #27F14F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2AF151 shade: #27F14F, #3ADF5A, #4CCC65, #5FBA71 and #72A77C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2AF151 shade: #6EF127, #38F127, #27F14C, #27F182 and #27F1B8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2AF151 shade: #0CBA2E, #0EE138, #27F14F, #4EF46F and #75F68E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2AF151 shade: #2AF151, #27A4F1 and #F12753

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2AF151 shade: #2AF151, #4C27F1 and #F14C27

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2AF151 shade: #2AF151, #27A4F1, #F127CC and #F17527

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2AF151 shade: #2AF151, #2767F1, #F127CC and #F1B127

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 83 / 0 / 66 / 5

HEX #2AF151

RGB 42 241 81

HSL 131.76, 0.88%, 0.55%

LAB 83.96, -76.31, 61.88

 

Complementary color

CMYK 0 / 93 / 18 / 16

HEX #D50EAE

RGB 213 14 174

HSL 311.76, 0.88%, 0.45%

LAB 48.9, 79.43, -33.18

 

CMYK 80 / 0 / 68 / 5

HEX #2FF14C

RGB 47 241 76

HSL 128.97, 0.87%, 0.56%

LAB 83.98, -76.27, 63.84

 

CMYK 75 / 0 / 63 / 0

HEX #40FF5F

RGB 64 255 95

HSL 129.74, 1%, 0.63%

LAB 88.66, -76.59, 61.51

 

CMYK 68 / 0 / 55 / 0

HEX #51FF72

RGB 81 255 114

HSL 131.38, 1%, 0.66%

LAB 89.15, -71.82, 54

 

CMYK 62 / 0 / 48 / 0

HEX #62FF85

RGB 98 255 133

HSL 133.38, 1%, 0.69%

LAB 89.77, -66.12, 46.08

 

CMYK 55 / 0 / 40 / 0

HEX #73FF98

RGB 115 255 152

HSL 135.86, 1%, 0.73%

LAB 90.52, -59.59, 37.96

 

CMYK 83 / 0 / 66 / 5

HEX #2AF151

RGB 42 241 81

HSL 131.76, 0.88%, 0.55%

LAB 83.96, -76.31, 61.88

 

CMYK 89 / 0 / 72 / 13

HEX #19DF3E

RGB 25 223 62

HSL 131.21, 0.8%, 0.49%

LAB 78.07, -74.14, 62.72

 

CMYK 96 / 0 / 79 / 20

HEX #08CD2B

RGB 8 205 43

HSL 130.66, 0.92%, 0.42%

LAB 72.15, -71.28, 63.04

 

CMYK 100 / 0 / 87 / 27

HEX #00BB18

RGB 0 187 24

HSL 127.7, 1%, 0.37%

LAB 66.22, -67.6, 62.44

 

CMYK 100 / 0 / 97 / 34

HEX #00A905

RGB 0 169 5

HSL 121.78, 1%, 0.33%

LAB 60.24, -63.2, 60.43

 

CMYK 84 / 0 / 67 / 5

HEX #27F14F

RGB 39 241 79

HSL 131.88, 0.88%, 0.55%

LAB 83.92, -76.78, 62.59

 

CMYK 78 / 0 / 84 / 5

HEX #36F127

RGB 54 241 39

HSL 115.54, 0.88%, 0.55%

LAB 83.88, -77.9, 75.05

 

CMYK 55 / 0 / 84 / 5

HEX #6DF127

RGB 109 241 39

HSL 99.21, 0.88%, 0.55%

LAB 85.15, -67.25, 76.66

 

CMYK 32 / 0 / 84 / 5

HEX #A3F127

RGB 163 241 39

HSL 83.17, 0.88%, 0.55%

LAB 87.41, -50.55, 79.51

 

CMYK 10 / 0 / 84 / 5

HEX #DAF127

RGB 218 241 39

HSL 66.83, 0.88%, 0.55%

LAB 90.76, -29.52, 83.69

 

CMYK 84 / 0 / 67 / 5

HEX #27F14F

RGB 39 241 79

HSL 131.88, 0.88%, 0.55%

LAB 83.92, -76.78, 62.59

 

CMYK 84 / 0 / 45 / 5

HEX #27F185

RGB 39 241 133

HSL 147.92, 0.88%, 0.55%

LAB 84.5, -69.68, 39.18

 

CMYK 84 / 0 / 22 / 5

HEX #27F1BC

RGB 39 241 188

HSL 164.26, 0.88%, 0.55%

LAB 85.49, -58.54, 12.56

 

CMYK 84 / 0 / 0 / 5

HEX #27F0F1

RGB 39 240 241

HSL 180.3, 0.88%, 0.55%

LAB 86.55, -44.22, -13.64

 

CMYK 84 / 23 / 0 / 5

HEX #27BAF1

RGB 39 186 241

HSL 196.34, 0.88%, 0.55%

LAB 70.8, -18.26, -37.69

 

CMYK 84 / 0 / 67 / 5

HEX #27F14F

RGB 39 241 79

HSL 131.88, 0.88%, 0.55%

LAB 83.92, -76.78, 62.59

 

CMYK 84 / 0 / 67 / 5

HEX #27F14F

RGB 39 241 79

HSL 131.88, 0.88%, 0.55%

LAB 83.92, -76.78, 62.59

 

CMYK 74 / 0 / 60 / 13

HEX #3ADF5A

RGB 58 223 90

HSL 131.64, 0.72%, 0.55%

LAB 78.7, -67.85, 52.32

 

CMYK 63 / 0 / 50 / 20

HEX #4CCC65

RGB 76 204 101

HSL 131.72, 0.56%, 0.55%

LAB 73.33, -56.66, 40.88

 

CMYK 49 / 0 / 39 / 27

HEX #5FBA71

RGB 95 186 113

HSL 131.87, 0.4%, 0.55%

LAB 68.56, -43.04, 28.85

 

CMYK 32 / 0 / 26 / 35

HEX #72A77C

RGB 114 167 124

HSL 131.32, 0.23%, 0.55%

LAB 63.89, -26.61, 16.78

 

CMYK 54 / 0 / 84 / 5

HEX #6EF127

RGB 110 241 39

HSL 98.91, 0.88%, 0.55%

LAB 85.19, -66.99, 76.7

 

CMYK 77 / 0 / 84 / 5

HEX #38F127

RGB 56 241 39

HSL 114.95, 0.88%, 0.55%

LAB 83.91, -77.64, 75.09

 

CMYK 84 / 0 / 68 / 5

HEX #27F14C

RGB 39 241 76

HSL 130.99, 0.88%, 0.55%

LAB 83.89, -77.05, 63.71

 

CMYK 84 / 0 / 46 / 5

HEX #27F182

RGB 39 241 130

HSL 147.03, 0.88%, 0.55%

LAB 84.46, -70.18, 40.59

 

CMYK 84 / 0 / 24 / 5

HEX #27F1B8

RGB 39 241 184

HSL 163.07, 0.88%, 0.55%

LAB 85.4, -59.47, 14.51

 

CMYK 94 / 0 / 75 / 27

HEX #0CBA2E

RGB 12 186 46

HSL 131.72, 0.88%, 0.39%

LAB 66.05, -65.47, 56.14

 

CMYK 94 / 0 / 75 / 12

HEX #0EE138

RGB 14 225 56

HSL 131.94, 0.88%, 0.47%

LAB 78.6, -75.76, 65.27

 

CMYK 84 / 0 / 67 / 5

HEX #27F14F

RGB 39 241 79

HSL 131.88, 0.88%, 0.55%

LAB 83.92, -76.78, 62.59

 

CMYK 68 / 0 / 55 / 4

HEX #4EF46F

RGB 78 244 111

HSL 131.93, 0.88%, 0.63%

LAB 85.74, -69.03, 51.27

 

CMYK 52 / 0 / 42 / 4

HEX #75F68E

RGB 117 246 142

HSL 131.63, 0.88%, 0.71%

LAB 87.8, -57.21, 39.35

 

CMYK 83 / 0 / 66 / 5

HEX #2AF151

RGB 42 241 81

HSL 131.76, 0.88%, 0.55%

LAB 83.96, -76.31, 61.88

 

CMYK 84 / 32 / 0 / 5

HEX #27A4F1

RGB 39 164 241

HSL 202.87, 0.88%, 0.55%

LAB 64.43, -6.29, -47.68

 

CMYK 0 / 84 / 66 / 5

HEX #F12753

RGB 241 39 83

HSL 346.93, 0.88%, 0.55%

LAB 52.7, 74.01, 27.74

 

CMYK 83 / 0 / 66 / 5

HEX #2AF151

RGB 42 241 81

HSL 131.76, 0.88%, 0.55%

LAB 83.96, -76.31, 61.88

 

CMYK 68 / 84 / 0 / 5

HEX #4C27F1

RGB 76 39 241

HSL 250.99, 0.88%, 0.55%

LAB 36.63, 68.47, -92.68

 

CMYK 0 / 68 / 84 / 5

HEX #F14C27

RGB 241 76 39

HSL 10.99, 0.88%, 0.55%

LAB 56.1, 61.47, 55.23

 

CMYK 83 / 0 / 66 / 5

HEX #2AF151

RGB 42 241 81

HSL 131.76, 0.88%, 0.55%

LAB 83.96, -76.31, 61.88

 

CMYK 84 / 32 / 0 / 5

HEX #27A4F1

RGB 39 164 241

HSL 202.87, 0.88%, 0.55%

LAB 64.43, -6.29, -47.68

 

CMYK 0 / 84 / 15 / 5

HEX #F127CC

RGB 241 39 204

HSL 310.99, 0.88%, 0.55%

LAB 56.6, 84.98, -38.19

 

CMYK 0 / 51 / 84 / 5

HEX #F17527

RGB 241 117 39

HSL 23.17, 0.88%, 0.55%

LAB 62.99, 43.39, 61.16

 

CMYK 83 / 0 / 66 / 5

HEX #2AF151

RGB 42 241 81

HSL 131.76, 0.88%, 0.55%

LAB 83.96, -76.31, 61.88

 

CMYK 84 / 57 / 0 / 5

HEX #2767F1

RGB 39 103 241

HSL 220.99, 0.88%, 0.55%

LAB 47.6, 30.81, -74.69

 

CMYK 0 / 84 / 15 / 5

HEX #F127CC

RGB 241 39 204

HSL 310.99, 0.88%, 0.55%

LAB 56.6, 84.98, -38.19

 

CMYK 0 / 27 / 84 / 5

HEX #F1B127

RGB 241 177 39

HSL 40.99, 0.88%, 0.55%

LAB 76.25, 12.27, 72.36

 

Description

Color code: HEX #2AF151 | qconv.com Color code: HEX #2AF151 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 241 green and 81 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 241 81 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 83 cyan, none magenta, 66 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
83% 0% 66% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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