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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2AE58F it is the complementary color #D51A70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2AE58F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2AE58F shade: #2FE58A, #40F79D, #51FFB0, #62FFC3 and #73FFD6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2AE58F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2AE58F shade: #2AE58F, #19D37C, #08C169, #00AF56 and #009D43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2AE58F shade: #2AE58F, #2AE55C, #2AE52A, #5CE52A and #8EE52A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2AE58F shade: #2AE58F, #2AE5C1, #2AD6E5, #2AA3E5 and #2A71E5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2AE58F shade matches the following richer shades: #2AE58F and #16F890

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2AE58F shade: #2AE58F, #3DD18D, #50BE8C, #64AA8A and #779788

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2AE58F shade: #2AE52A, #2AE55C, #2AE58D, #2AE5BF and #2AD8E5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2AE58F shade: #15A764, #19CC7A, #2AE58F, #4EE9A2 and #73EEB5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2AE58F shade: #2AE58F, #2A5CE5 and #E5432A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2AE58F shade: #2AE58F, #8D2AE5 and #E58D2A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2AE58F shade: #2AE58F, #2A5CE5, #E52A81 and #E5B32A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2AE58F shade: #2AE58F, #302AE5, #E52A81 and #DEE52A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 0 / 38 / 10

HEX #2AE58F

RGB 42 229 143

HSL 152.41, 0.78%, 0.53%

LAB 81.02, -63.51, 29.64

 

Complementary color

CMYK 0 / 88 / 47 / 16

HEX #D51A70

RGB 213 26 112

HSL 332.41, 0.78%, 0.47%

LAB 47.05, 71.44, 1.41

 

CMYK 79 / 0 / 40 / 10

HEX #2FE58A

RGB 47 229 138

HSL 150, 0.78%, 0.54%

LAB 81, -63.95, 32.16

 

CMYK 74 / 0 / 36 / 3

HEX #40F79D

RGB 64 247 157

HSL 150.49, 0.92%, 0.61%

LAB 87.02, -64.85, 30.62

 

CMYK 68 / 0 / 31 / 0

HEX #51FFB0

RGB 81 255 176

HSL 152.76, 1%, 0.66%

LAB 90.05, -61.74, 25.17

 

CMYK 62 / 0 / 24 / 0

HEX #62FFC3

RGB 98 255 195

HSL 157.07, 1%, 0.69%

LAB 90.81, -55.01, 16.59

 

CMYK 55 / 0 / 16 / 0

HEX #73FFD6

RGB 115 255 214

HSL 162.43, 1%, 0.73%

LAB 91.69, -47.62, 8.14

 

CMYK 82 / 0 / 38 / 10

HEX #2AE58F

RGB 42 229 143

HSL 152.41, 0.78%, 0.53%

LAB 81.02, -63.51, 29.64

 

CMYK 88 / 0 / 41 / 17

HEX #19D37C

RGB 25 211 124

HSL 151.94, 0.79%, 0.46%

LAB 74.98, -62.14, 31.31

 

CMYK 96 / 0 / 46 / 24

HEX #08C169

RGB 8 193 105

HSL 151.46, 0.92%, 0.39%

LAB 68.9, -60.28, 33.1

 

CMYK 100 / 0 / 51 / 31

HEX #00AF56

RGB 0 175 86

HSL 149.49, 1%, 0.34%

LAB 62.79, -57.83, 35

 

CMYK 100 / 0 / 57 / 38

HEX #009D43

RGB 0 157 67

HSL 145.61, 1%, 0.31%

LAB 56.6, -54.87, 36.93

 

CMYK 82 / 0 / 38 / 10

HEX #2AE58F

RGB 42 229 143

HSL 152.41, 0.78%, 0.53%

LAB 81.02, -63.51, 29.64

 

CMYK 82 / 0 / 60 / 10

HEX #2AE55C

RGB 42 229 92

HSL 136.04, 0.78%, 0.53%

LAB 80.35, -71.48, 53.28

 

CMYK 82 / 0 / 82 / 10

HEX #2AE52A

RGB 42 229 42

HSL 120, 0.78%, 0.53%

LAB 80.01, -75.72, 70.76

 

CMYK 60 / 0 / 82 / 10

HEX #5CE52A

RGB 92 229 42

HSL 103.96, 0.78%, 0.53%

LAB 81.01, -67.24, 72.04

 

CMYK 38 / 0 / 82 / 10

HEX #8EE52A

RGB 142 229 42

HSL 87.91, 0.78%, 0.53%

LAB 82.89, -52.83, 74.44

 

CMYK 82 / 0 / 38 / 10

HEX #2AE58F

RGB 42 229 143

HSL 152.41, 0.78%, 0.53%

LAB 81.02, -63.51, 29.64

 

CMYK 82 / 0 / 16 / 10

HEX #2AE5C1

RGB 42 229 193

HSL 168.45, 0.78%, 0.53%

LAB 82.04, -52.34, 5.01

 

CMYK 82 / 7 / 0 / 10

HEX #2AD6E5

RGB 42 214 229

HSL 184.81, 0.78%, 0.53%

LAB 78.6, -35.77, -19.25

 

CMYK 82 / 29 / 0 / 10

HEX #2AA3E5

RGB 42 163 229

HSL 201.18, 0.78%, 0.53%

LAB 63.63, -9.75, -42.34

 

CMYK 82 / 51 / 0 / 10

HEX #2A71E5

RGB 42 113 229

HSL 217.22, 0.78%, 0.53%

LAB 49.45, 20.19, -64.95

 

CMYK 82 / 0 / 38 / 10

HEX #2AE58F

RGB 42 229 143

HSL 152.41, 0.78%, 0.53%

LAB 81.02, -63.51, 29.64

 

CMYK 91 / 0 / 42 / 3

HEX #16F890

RGB 22 248 144

HSL 152.39, 0.94%, 0.53%

LAB 86.66, -71.18, 36.55

 

CMYK 82 / 0 / 38 / 10

HEX #2AE58F

RGB 42 229 143

HSL 152.41, 0.78%, 0.53%

LAB 81.02, -63.51, 29.64

 

CMYK 71 / 0 / 33 / 18

HEX #3DD18D

RGB 61 209 141

HSL 152.43, 0.62%, 0.53%

LAB 75.15, -54.23, 22.8

 

CMYK 58 / 0 / 26 / 25

HEX #50BE8C

RGB 80 190 140

HSL 152.73, 0.46%, 0.53%

LAB 69.77, -43.25, 16

 

CMYK 41 / 0 / 19 / 33

HEX #64AA8A

RGB 100 170 138

HSL 152.57, 0.29%, 0.53%

LAB 64.4, -29.56, 9.65

 

CMYK 21 / 0 / 10 / 41

HEX #779788

RGB 119 151 136

HSL 151.88, 0.13%, 0.53%

LAB 59.74, -14.34, 4.24

 

CMYK 82 / 0 / 82 / 10

HEX #2AE52A

RGB 42 229 42

HSL 120, 0.78%, 0.53%

LAB 80.01, -75.72, 70.76

 

CMYK 82 / 0 / 60 / 10

HEX #2AE55C

RGB 42 229 92

HSL 136.04, 0.78%, 0.53%

LAB 80.35, -71.48, 53.28

 

CMYK 82 / 0 / 38 / 10

HEX #2AE58D

RGB 42 229 141

HSL 151.76, 0.78%, 0.53%

LAB 80.99, -63.89, 30.61

 

CMYK 82 / 0 / 17 / 10

HEX #2AE5BF

RGB 42 229 191

HSL 167.81, 0.78%, 0.53%

LAB 82, -52.84, 6

 

CMYK 82 / 6 / 0 / 10

HEX #2AD8E5

RGB 42 216 229

HSL 184.17, 0.78%, 0.53%

LAB 79.19, -36.7, -18.36

 

CMYK 87 / 0 / 40 / 35

HEX #15A764

RGB 21 167 100

HSL 152.47, 0.78%, 0.37%

LAB 60.53, -51.36, 24.82

 

CMYK 88 / 0 / 40 / 20

HEX #19CC7A

RGB 25 204 122

HSL 152.51, 0.78%, 0.45%

LAB 72.76, -60.07, 29.41

 

CMYK 82 / 0 / 38 / 10

HEX #2AE58F

RGB 42 229 143

HSL 152.41, 0.78%, 0.53%

LAB 81.02, -63.51, 29.64

 

CMYK 67 / 0 / 30 / 9

HEX #4EE9A2

RGB 78 233 162

HSL 152.52, 0.78%, 0.61%

LAB 83.18, -56.59, 22.91

 

CMYK 52 / 0 / 24 / 7

HEX #73EEB5

RGB 115 238 181

HSL 152.2, 0.78%, 0.69%

LAB 86.07, -47.44, 17.24

 

CMYK 82 / 0 / 38 / 10

HEX #2AE58F

RGB 42 229 143

HSL 152.41, 0.78%, 0.53%

LAB 81.02, -63.51, 29.64

 

CMYK 82 / 60 / 0 / 10

HEX #2A5CE5

RGB 42 92 229

HSL 223.96, 0.78%, 0.53%

LAB 43.95, 33.56, -73.89

 

CMYK 0 / 71 / 82 / 10

HEX #E5432A

RGB 229 67 42

HSL 8.02, 0.78%, 0.53%

LAB 52.77, 61.05, 50.04

 

CMYK 82 / 0 / 38 / 10

HEX #2AE58F

RGB 42 229 143

HSL 152.41, 0.78%, 0.53%

LAB 81.02, -63.51, 29.64

 

CMYK 38 / 82 / 0 / 10

HEX #8D2AE5

RGB 141 42 229

HSL 271.76, 0.78%, 0.53%

LAB 42.73, 71.26, -75.58

 

CMYK 0 / 38 / 82 / 10

HEX #E58D2A

RGB 229 141 42

HSL 31.76, 0.78%, 0.53%

LAB 66.42, 26.33, 62.42

 

CMYK 82 / 0 / 38 / 10

HEX #2AE58F

RGB 42 229 143

HSL 152.41, 0.78%, 0.53%

LAB 81.02, -63.51, 29.64

 

CMYK 82 / 60 / 0 / 10

HEX #2A5CE5

RGB 42 92 229

HSL 223.96, 0.78%, 0.53%

LAB 43.95, 33.56, -73.89

 

CMYK 0 / 82 / 44 / 10

HEX #E52A81

RGB 229 42 129

HSL 332.09, 0.78%, 0.53%

LAB 51.72, 73.51, -1.75

 

CMYK 0 / 22 / 82 / 10

HEX #E5B32A

RGB 229 179 42

HSL 43.96, 0.78%, 0.53%

LAB 75.49, 6.15, 70.35

 

CMYK 82 / 0 / 38 / 10

HEX #2AE58F

RGB 42 229 143

HSL 152.41, 0.78%, 0.53%

LAB 81.02, -63.51, 29.64

 

CMYK 79 / 82 / 0 / 10

HEX #302AE5

RGB 48 42 229

HSL 241.93, 0.78%, 0.53%

LAB 33.86, 62.25, -90.51

 

CMYK 0 / 82 / 44 / 10

HEX #E52A81

RGB 229 42 129

HSL 332.09, 0.78%, 0.53%

LAB 51.72, 73.51, -1.75

 

CMYK 3 / 0 / 82 / 10

HEX #DEE52A

RGB 222 229 42

HSL 62.25, 0.78%, 0.53%

LAB 87.84, -22.13, 80.68

 

Description

Color code: HEX #2AE58F | qconv.com Color code: HEX #2AE58F | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 229 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 229 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, none magenta, 38 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 0% 38% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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