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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2AE26B it is the complementary color #D51D94. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2AE26B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2AE26B shade: #2FE266, #40F479, #51FF8C, #62FF9F and #73FFB2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2AE26B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2AE26B shade: #2AE26B, #19D058, #08BE45, #00AC32 and #009A1F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2AE26B shade: #2CE26C, #2CE23B, #4EE22C, #7FE22C and #B0E22C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2AE26B shade: #2CE26C, #2CE29E, #2CE2CF, #2CC5E2 and #2C94E2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2AE26B shade matches the following richer shades: #2CE26C and #19F667

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2AE26B shade: #2CE26C, #3FCF72, #53BB78, #66A87D and #7A9583

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2AE26B shade: #4DE22C, #2CE23B, #2CE26C, #2CE29C and #2CE2CD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2AE26B shade: #17A549, #1BCA59, #2CE26C, #50E786 and #75EC9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2AE26B shade: #2AE26B, #2C7EE2 and #E22C35

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2AE26B shade: #2AE26B, #6C2CE2 and #E26C2C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2AE26B shade: #2AE26B, #2C7EE2, #E22CA2 and #E2902C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2AE26B shade: #2AE26B, #2C47E2, #E22CA2 and #E2C72C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 53 / 11

HEX #2AE26B

RGB 42 226 107

HSL 141.2, 0.76%, 0.53%

LAB 79.58, -68.55, 45.54

 

Complementary color

CMYK 0 / 86 / 31 / 16

HEX #D51D94

RGB 213 29 148

HSL 321.2, 0.76%, 0.47%

LAB 48.46, 74.35, -18.38

 

CMYK 79 / 0 / 55 / 11

HEX #2FE266

RGB 47 226 102

HSL 138.44, 0.76%, 0.54%

LAB 79.59, -68.71, 47.9

 

CMYK 74 / 0 / 50 / 4

HEX #40F479

RGB 64 244 121

HSL 139, 0.89%, 0.6%

LAB 85.59, -69.82, 46.39

 

CMYK 68 / 0 / 45 / 0

HEX #51FF8C

RGB 81 255 140

HSL 140.34, 1%, 0.66%

LAB 89.47, -68.15, 42.27

 

CMYK 62 / 0 / 38 / 0

HEX #62FF9F

RGB 98 255 159

HSL 143.31, 1%, 0.69%

LAB 90.15, -61.99, 33.91

 

CMYK 55 / 0 / 30 / 0

HEX #73FFB2

RGB 115 255 178

HSL 147, 1%, 0.73%

LAB 90.95, -55.06, 25.54

 

CMYK 81 / 0 / 53 / 11

HEX #2AE26B

RGB 42 226 107

HSL 141.2, 0.76%, 0.53%

LAB 79.58, -68.55, 45.54

 

CMYK 88 / 0 / 58 / 18

HEX #19D058

RGB 25 208 88

HSL 140.66, 0.79%, 0.46%

LAB 73.56, -66.89, 47.12

 

CMYK 96 / 0 / 64 / 25

HEX #08BE45

RGB 8 190 69

HSL 140.11, 0.92%, 0.39%

LAB 67.51, -64.61, 48.63

 

CMYK 100 / 0 / 71 / 33

HEX #00AC32

RGB 0 172 50

HSL 137.44, 1%, 0.34%

LAB 61.43, -61.57, 49.9

 

CMYK 100 / 0 / 80 / 40

HEX #009A1F

RGB 0 154 31

HSL 132.08, 1%, 0.3%

LAB 55.29, -57.82, 50.56

 

CMYK 81 / 0 / 52 / 11

HEX #2CE26C

RGB 44 226 108

HSL 141.1, 0.76%, 0.53%

LAB 79.62, -68.2, 45.12

 

CMYK 81 / 0 / 74 / 11

HEX #2CE23B

RGB 44 226 59

HSL 124.95, 0.76%, 0.53%

LAB 79.18, -73.56, 64.94

 

CMYK 65 / 0 / 81 / 11

HEX #4EE22C

RGB 78 226 44

HSL 108.79, 0.76%, 0.53%

LAB 79.72, -69.2, 70.21

 

CMYK 44 / 0 / 81 / 11

HEX #7FE22C

RGB 127 226 44

HSL 92.64, 0.76%, 0.53%

LAB 81.34, -56.46, 72.29

 

CMYK 22 / 0 / 81 / 11

HEX #B0E22C

RGB 176 226 44

HSL 76.48, 0.76%, 0.53%

LAB 83.86, -39.15, 75.5

 

CMYK 81 / 0 / 52 / 11

HEX #2CE26C

RGB 44 226 108

HSL 141.1, 0.76%, 0.53%

LAB 79.62, -68.2, 45.12

 

CMYK 81 / 0 / 30 / 11

HEX #2CE29E

RGB 44 226 158

HSL 157.58, 0.76%, 0.53%

LAB 80.4, -59.18, 21.07

 

CMYK 81 / 0 / 8 / 11

HEX #2CE2CF

RGB 44 226 207

HSL 173.74, 0.76%, 0.53%

LAB 81.53, -47.27, -3.15

 

CMYK 81 / 13 / 0 / 11

HEX #2CC5E2

RGB 44 197 226

HSL 189.56, 0.76%, 0.53%

LAB 73.52, -28.39, -25.37

 

CMYK 81 / 35 / 0 / 11

HEX #2C94E2

RGB 44 148 226

HSL 205.71, 0.76%, 0.53%

LAB 59.16, -2.11, -47.71

 

CMYK 81 / 0 / 52 / 11

HEX #2CE26C

RGB 44 226 108

HSL 141.1, 0.76%, 0.53%

LAB 79.62, -68.2, 45.12

 

CMYK 90 / 0 / 58 / 4

HEX #19F667

RGB 25 246 103

HSL 141.18, 0.92%, 0.53%

LAB 85.55, -76.62, 54.45

 

CMYK 81 / 0 / 52 / 11

HEX #2CE26C

RGB 44 226 108

HSL 141.1, 0.76%, 0.53%

LAB 79.62, -68.2, 45.12

 

CMYK 70 / 0 / 45 / 19

HEX #3FCF72

RGB 63 207 114

HSL 141.25, 0.6%, 0.53%

LAB 74.12, -58.17, 35.37

 

CMYK 56 / 0 / 36 / 27

HEX #53BB78

RGB 83 187 120

HSL 141.35, 0.43%, 0.53%

LAB 68.56, -45.29, 25.08

 

CMYK 39 / 0 / 26 / 34

HEX #66A87D

RGB 102 168 125

HSL 140.91, 0.28%, 0.53%

LAB 63.6, -30.69, 15.73

 

CMYK 18 / 0 / 12 / 42

HEX #7A9583

RGB 122 149 131

HSL 140, 0.11%, 0.53%

LAB 59.22, -13.25, 6.37

 

CMYK 66 / 0 / 81 / 11

HEX #4DE22C

RGB 77 226 44

HSL 109.12, 0.76%, 0.53%

LAB 79.7, -69.4, 70.18

 

CMYK 81 / 0 / 74 / 11

HEX #2CE23B

RGB 44 226 59

HSL 124.95, 0.76%, 0.53%

LAB 79.18, -73.56, 64.94

 

CMYK 81 / 0 / 52 / 11

HEX #2CE26C

RGB 44 226 108

HSL 141.1, 0.76%, 0.53%

LAB 79.62, -68.2, 45.12

 

CMYK 81 / 0 / 31 / 11

HEX #2CE29C

RGB 44 226 156

HSL 156.92, 0.76%, 0.53%

LAB 80.36, -59.61, 22.06

 

CMYK 81 / 0 / 9 / 11

HEX #2CE2CD

RGB 44 226 205

HSL 173.08, 0.76%, 0.53%

LAB 81.48, -47.8, -2.17

 

CMYK 86 / 0 / 56 / 35

HEX #17A549

RGB 23 165 73

HSL 141.13, 0.76%, 0.37%

LAB 59.5, -55.17, 37.5

 

CMYK 87 / 0 / 56 / 21

HEX #1BCA59

RGB 27 202 89

HSL 141.26, 0.76%, 0.45%

LAB 71.69, -64.7, 44.44

 

CMYK 81 / 0 / 52 / 11

HEX #2CE26C

RGB 44 226 108

HSL 141.1, 0.76%, 0.53%

LAB 79.62, -68.2, 45.12

 

CMYK 65 / 0 / 42 / 9

HEX #50E786

RGB 80 231 134

HSL 141.46, 0.76%, 0.61%

LAB 82.15, -60.68, 35.79

 

CMYK 50 / 0 / 33 / 7

HEX #75EC9F

RGB 117 236 159

HSL 141.18, 0.76%, 0.69%

LAB 85.14, -50.35, 27.3

 

CMYK 81 / 0 / 53 / 11

HEX #2AE26B

RGB 42 226 107

HSL 141.2, 0.76%, 0.53%

LAB 79.58, -68.55, 45.54

 

CMYK 81 / 44 / 0 / 11

HEX #2C7EE2

RGB 44 126 226

HSL 212.97, 0.76%, 0.53%

LAB 52.89, 11.1, -57.71

 

CMYK 0 / 81 / 77 / 11

HEX #E22C35

RGB 226 44 53

HSL 357.03, 0.76%, 0.53%

LAB 49.77, 67.6, 41.06

 

CMYK 81 / 0 / 53 / 11

HEX #2AE26B

RGB 42 226 107

HSL 141.2, 0.76%, 0.53%

LAB 79.58, -68.55, 45.54

 

CMYK 52 / 81 / 0 / 11

HEX #6C2CE2

RGB 108 44 226

HSL 261.1, 0.76%, 0.53%

LAB 38.69, 65.63, -80.65

 

CMYK 0 / 52 / 81 / 11

HEX #E26C2C

RGB 226 108 44

HSL 21.1, 0.76%, 0.53%

LAB 59.04, 42.21, 54.79

 

CMYK 81 / 0 / 53 / 11

HEX #2AE26B

RGB 42 226 107

HSL 141.2, 0.76%, 0.53%

LAB 79.58, -68.55, 45.54

 

CMYK 81 / 44 / 0 / 11

HEX #2C7EE2

RGB 44 126 226

HSL 212.97, 0.76%, 0.53%

LAB 52.89, 11.1, -57.71

 

CMYK 0 / 81 / 28 / 11

HEX #E22CA2

RGB 226 44 162

HSL 321.1, 0.76%, 0.53%

LAB 52.49, 75.67, -20.36

 

CMYK 0 / 36 / 81 / 11

HEX #E2902C

RGB 226 144 44

HSL 32.97, 0.76%, 0.53%

LAB 66.75, 23.54, 61.84

 

CMYK 81 / 0 / 53 / 11

HEX #2AE26B

RGB 42 226 107

HSL 141.2, 0.76%, 0.53%

LAB 79.58, -68.55, 45.54

 

CMYK 81 / 69 / 0 / 11

HEX #2C47E2

RGB 44 71 226

HSL 231.1, 0.76%, 0.53%

LAB 38.78, 45.69, -80.66

 

CMYK 0 / 81 / 28 / 11

HEX #E22CA2

RGB 226 44 162

HSL 321.1, 0.76%, 0.53%

LAB 52.49, 75.67, -20.36

 

CMYK 0 / 12 / 81 / 11

HEX #E2C72C

RGB 226 199 44

HSL 51.1, 0.76%, 0.53%

LAB 80.29, -5.47, 73.81

 

Description

Color code: HEX #2AE26B | qconv.com Color code: HEX #2AE26B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 226 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 226 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 53 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 53% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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