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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2ADE17 it is the complementary color #D521E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2ADE17. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2ADE17 shade: #2FDE12, #40F025, #51FF38, #62FF4B and #73FF5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2ADE17. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2ADE17 shade: #2ADE17, #19CC04, #08BA00, #00A800 and #009600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2ADE17 shade: #2ADE17, #60DE17, #95DE17, #CBDE17 and #DEBB17

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2ADE17 shade: #2ADE17, #17DE3A, #17DE6F, #17DEA5 and #17DEDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2ADE17 shade matches the following richer shades: #2ADE17 and #1AF103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2ADE17 shade: #2ADE17, #3ACA2B, #4AB63F, #5AA253 and #6A8E66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2ADE17 shade: #95DE17, #60DE17, #2BDE17, #17DE38 and #17DE6D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2ADE17 shade: #1C930F, #23B813, #2ADE17, #46EA34 and #68EE5A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2ADE17 shade: #2ADE17, #17CADE and #DE177A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2ADE17 shade: #2ADE17, #172BDE and #DE172B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2ADE17 shade: #2ADE17, #17CADE, #CA17DE and #DE2B17

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2ADE17 shade: #2ADE17, #178EDE, #CA17DE and #DE6717

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 90 / 13

HEX #2ADE17

RGB 42 222 23

HSL 114.27, 0.81%, 0.48%

LAB 77.75, -74.5, 72.74

 

Complementary color

CMYK 8 / 86 / 0 / 9

HEX #D521E8

RGB 213 33 232

HSL 294.27, 0.81%, 0.52%

LAB 53.02, 85.01, -60.09

 

CMYK 79 / 0 / 92 / 13

HEX #2FDE12

RGB 47 222 18

HSL 111.47, 0.85%, 0.47%

LAB 77.81, -74.04, 73.55

 

CMYK 73 / 0 / 85 / 6

HEX #40F025

RGB 64 240 37

HSL 112.02, 0.87%, 0.54%

LAB 83.73, -76.29, 75.41

 

CMYK 68 / 0 / 78 / 0

HEX #51FF38

RGB 81 255 56

HSL 112.46, 1%, 0.61%

LAB 88.71, -77.06, 75.36

 

CMYK 62 / 0 / 71 / 0

HEX #62FF4B

RGB 98 255 75

HSL 112.33, 1%, 0.65%

LAB 89.22, -72.48, 69.95

 

CMYK 55 / 0 / 63 / 0

HEX #73FF5E

RGB 115 255 94

HSL 112.17, 1%, 0.68%

LAB 89.85, -66.97, 63.57

 

CMYK 81 / 0 / 90 / 13

HEX #2ADE17

RGB 42 222 23

HSL 114.27, 0.81%, 0.48%

LAB 77.75, -74.5, 72.74

 

CMYK 88 / 0 / 98 / 20

HEX #19CC04

RGB 25 204 4

HSL 113.7, 0.96%, 0.41%

LAB 71.83, -71.49, 70.06

 

CMYK 96 / 0 / 100 / 27

HEX #08BA00

RGB 8 186 0

HSL 117.42, 1%, 0.36%

LAB 65.88, -67.63, 65.67

 

CMYK 100 / 0 / 100 / 34

HEX #00A800

RGB 0 168 0

HSL 120, 1%, 0.33%

LAB 59.89, -63.05, 60.85

 

CMYK 100 / 0 / 100 / 41

HEX #009600

RGB 0 150 0

HSL 120, 1%, 0.29%

LAB 53.83, -58.01, 55.99

 

CMYK 81 / 0 / 90 / 13

HEX #2ADE17

RGB 42 222 23

HSL 114.27, 0.81%, 0.48%

LAB 77.75, -74.5, 72.74

 

CMYK 57 / 0 / 90 / 13

HEX #60DE17

RGB 96 222 23

HSL 97.99, 0.81%, 0.48%

LAB 78.92, -64.6, 74.19

 

CMYK 33 / 0 / 90 / 13

HEX #95DE17

RGB 149 222 23

HSL 82.01, 0.81%, 0.48%

LAB 81.12, -48.14, 76.91

 

CMYK 9 / 0 / 90 / 13

HEX #CBDE17

RGB 203 222 23

HSL 65.73, 0.81%, 0.48%

LAB 84.48, -27.07, 81.03

 

CMYK 0 / 16 / 90 / 13

HEX #DEBB17

RGB 222 187 23

HSL 49.45, 0.81%, 0.48%

LAB 76.76, -1.51, 75.65

 

CMYK 81 / 0 / 90 / 13

HEX #2ADE17

RGB 42 222 23

HSL 114.27, 0.81%, 0.48%

LAB 77.75, -74.5, 72.74

 

CMYK 90 / 0 / 74 / 13

HEX #17DE3A

RGB 23 222 58

HSL 130.55, 0.81%, 0.48%

LAB 77.72, -74.3, 63.74

 

CMYK 90 / 0 / 50 / 13

HEX #17DE6F

RGB 23 222 111

HSL 146.53, 0.81%, 0.48%

LAB 78.21, -68.15, 41.9

 

CMYK 90 / 0 / 26 / 13

HEX #17DEA5

RGB 23 222 165

HSL 162.81, 0.81%, 0.48%

LAB 79.12, -57.65, 15.6

 

CMYK 90 / 0 / 2 / 13

HEX #17DEDA

RGB 23 222 218

HSL 178.79, 0.81%, 0.48%

LAB 80.45, -43.79, -10.62

 

CMYK 81 / 0 / 90 / 13

HEX #2ADE17

RGB 42 222 23

HSL 114.27, 0.81%, 0.48%

LAB 77.75, -74.5, 72.74

 

CMYK 89 / 0 / 99 / 5

HEX #1AF103

RGB 26 241 3

HSL 114.2, 0.98%, 0.48%

LAB 83.51, -81.48, 79.6

 

CMYK 81 / 0 / 90 / 13

HEX #2ADE17

RGB 42 222 23

HSL 114.27, 0.81%, 0.48%

LAB 77.75, -74.5, 72.74

 

CMYK 71 / 0 / 79 / 21

HEX #3ACA2B

RGB 58 202 43

HSL 114.34, 0.65%, 0.48%

LAB 71.77, -65.38, 62.87

 

CMYK 59 / 0 / 65 / 29

HEX #4AB63F

RGB 74 182 63

HSL 114.45, 0.49%, 0.48%

LAB 65.96, -53.67, 49.79

 

CMYK 44 / 0 / 49 / 36

HEX #5AA253

RGB 90 162 83

HSL 114.68, 0.32%, 0.48%

LAB 60.46, -38.78, 34.04

 

CMYK 25 / 0 / 28 / 44

HEX #6A8E66

RGB 106 142 102

HSL 114, 0.16%, 0.48%

LAB 55.45, -20.77, 17.36

 

CMYK 33 / 0 / 90 / 13

HEX #95DE17

RGB 149 222 23

HSL 82.01, 0.81%, 0.48%

LAB 81.12, -48.14, 76.91

 

CMYK 57 / 0 / 90 / 13

HEX #60DE17

RGB 96 222 23

HSL 97.99, 0.81%, 0.48%

LAB 78.92, -64.6, 74.19

 

CMYK 81 / 0 / 90 / 13

HEX #2BDE17

RGB 43 222 23

HSL 113.97, 0.81%, 0.48%

LAB 77.77, -74.39, 72.75

 

CMYK 90 / 0 / 75 / 13

HEX #17DE38

RGB 23 222 56

HSL 129.95, 0.81%, 0.48%

LAB 77.7, -74.45, 64.4

 

CMYK 90 / 0 / 51 / 13

HEX #17DE6D

RGB 23 222 109

HSL 145.93, 0.81%, 0.48%

LAB 78.19, -68.46, 42.83

 

CMYK 81 / 0 / 90 / 42

HEX #1C930F

RGB 28 147 15

HSL 114.09, 0.81%, 0.32%

LAB 53.11, -54.24, 52.93

 

CMYK 81 / 0 / 90 / 28

HEX #23B813

RGB 35 184 19

HSL 114.18, 0.81%, 0.4%

LAB 65.5, -64.43, 62.9

 

CMYK 81 / 0 / 90 / 13

HEX #2ADE17

RGB 42 222 23

HSL 114.27, 0.81%, 0.48%

LAB 77.75, -74.5, 72.74

 

CMYK 70 / 0 / 78 / 8

HEX #46EA34

RGB 70 234 52

HSL 114.07, 0.81%, 0.56%

LAB 82.05, -72.76, 70.1

 

CMYK 56 / 0 / 62 / 7

HEX #68EE5A

RGB 104 238 90

HSL 114.32, 0.81%, 0.64%

LAB 84.4, -63.98, 59.07

 

CMYK 81 / 0 / 90 / 13

HEX #2ADE17

RGB 42 222 23

HSL 114.27, 0.81%, 0.48%

LAB 77.75, -74.5, 72.74

 

CMYK 90 / 9 / 0 / 13

HEX #17CADE

RGB 23 202 222

HSL 186.03, 0.81%, 0.48%

LAB 74.63, -33.45, -21.52

 

CMYK 0 / 90 / 45 / 13

HEX #DE177A

RGB 222 23 122

HSL 330.15, 0.81%, 0.48%

LAB 48.94, 74.81, -1.74

 

CMYK 81 / 0 / 90 / 13

HEX #2ADE17

RGB 42 222 23

HSL 114.27, 0.81%, 0.48%

LAB 77.75, -74.5, 72.74

 

CMYK 90 / 81 / 0 / 13

HEX #172BDE

RGB 23 43 222

HSL 233.97, 0.81%, 0.48%

LAB 32.22, 58.71, -89.25

 

CMYK 0 / 90 / 81 / 13

HEX #DE172B

RGB 222 23 43

HSL 353.97, 0.81%, 0.48%

LAB 47.39, 70.46, 43.88

 

CMYK 81 / 0 / 90 / 13

HEX #2ADE17

RGB 42 222 23

HSL 114.27, 0.81%, 0.48%

LAB 77.75, -74.5, 72.74

 

CMYK 90 / 9 / 0 / 13

HEX #17CADE

RGB 23 202 222

HSL 186.03, 0.81%, 0.48%

LAB 74.63, -33.45, -21.52

 

CMYK 9 / 90 / 0 / 13

HEX #CA17DE

RGB 202 23 222

HSL 293.97, 0.81%, 0.48%

LAB 50.03, 83.24, -59.32

 

CMYK 0 / 81 / 90 / 13

HEX #DE2B17

RGB 222 43 23

HSL 6.03, 0.81%, 0.48%

LAB 48.66, 66, 54.55

 

CMYK 81 / 0 / 90 / 13

HEX #2ADE17

RGB 42 222 23

HSL 114.27, 0.81%, 0.48%

LAB 77.75, -74.5, 72.74

 

CMYK 90 / 36 / 0 / 13

HEX #178EDE

RGB 23 142 222

HSL 204.12, 0.81%, 0.48%

LAB 56.88, -1.62, -49.12

 

CMYK 9 / 90 / 0 / 13

HEX #CA17DE

RGB 202 23 222

HSL 293.97, 0.81%, 0.48%

LAB 50.03, 83.24, -59.32

 

CMYK 0 / 54 / 90 / 13

HEX #DE6717

RGB 222 103 23

HSL 24.12, 0.81%, 0.48%

LAB 57.36, 42.62, 60.89

 

Description

Color code: HEX #2ADE17 | qconv.com Color code: HEX #2ADE17 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 222 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 222 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 90 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 90% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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