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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2ADCECCE it is the complementary color #D52313CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2ADCECCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2ADCECCE shade: #2FDCE7CE, #40EEFACE, #51FFFFCE, #62FFFFCE and #73FFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2ADCECCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2ADCECCE shade: #2ADCECCE, #19CAD9CE, #08B8C6CE, #00A6B3CE and #0094A0CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2ADCECCE shade: #2CDDED, #2CA9ED, #2C75ED, #2C41ED and #4B2CED

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2ADCECCE shade: #2CDDED, #2CA9ED, #2C75ED, #2C41ED and #2C2CED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2ADCECCE shade matches the following richer shades: #2CDDED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2ADCECCE shade: #2CDDED, #3ECDDA, #51BEC8, #64AEB5 and #769FA2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2ADCECCE shade: #2CED93, #2CEDC6, #2CE0ED, #2CACED and #2C79ED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2ADCECCE shade: #10A8B6, #13CCDC, #2CDDED, #52E3F0 and #78E9F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2ADCECCE shade: #2ADCEC, #5F2CED and #EDAC2C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2ADCECCE shade: #2ADCEC, #ED2CE0 and #E0ED2C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2ADCECCE shade: #2ADCEC, #5F2CED, #ED392C and #B9ED2C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2ADCECCE shade: #2ADCEC, #992CED, #ED392C and #7FED2C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 67 / 5 / 0 / 6

HEX #2ADCECCE

RGBA 42 220 236 0.81

HSLA 184.95, 0.84%, 0.55%, 0.81

LABA 80.59, -36.45, -19.97, 0.81

 

Complementary color

CMYK 0 / 68 / 74 / 13

HEX #D52313CE

RGBA 213 35 19 0.81

HSLA 4.95, 0.84%, 0.45%, 0.81

LABA 46.17, 65.34, 53.53, 0.81

 

CMYK 65 / 4 / 0 / 8

HEX #2FDCE7CE

RGBA 47 220 231 0.81

HSLA 183.59, 0.79%, 0.55%, 0.81

LABA 80.49, -37.55, -17.45, 0.81

 

CMYK 60 / 4 / 0 / 2

HEX #40EEFACE

RGBA 64 238 250 0.81

HSLA 183.87, 0.95%, 0.62%, 0.81

LABA 86.57, -38.65, -18.3, 0.81

 

CMYK 55 / 0 / 0 / 0

HEX #51FFFFCE

RGBA 81 255 255 0.81

HSLA 180, 1%, 0.66%, 0.81

LABA 91.9, -42.96, -12.88, 0.81

 

CMYK 50 / 0 / 0 / 0

HEX #62FFFFCE

RGBA 98 255 255 0.81

HSLA 180, 1%, 0.69%, 0.81

LABA 92.28, -40.58, -12.28, 0.81

 

CMYK 44 / 0 / 0 / 0

HEX #73FFFFCE

RGBA 115 255 255 0.81

HSLA 180, 1%, 0.73%, 0.81

LABA 92.74, -37.72, -11.54, 0.81

 

CMYK 67 / 5 / 0 / 6

HEX #2ADCECCE

RGBA 42 220 236 0.81

HSLA 184.95, 0.84%, 0.55%, 0.81

LABA 80.59, -36.45, -19.97, 0.81

 

CMYK 72 / 6 / 0 / 12

HEX #19CAD9CE

RGBA 25 202 217 0.81

HSLA 184.69, 0.79%, 0.47%, 0.81

LABA 74.48, -34.91, -19.05, 0.81

 

CMYK 78 / 6 / 0 / 18

HEX #08B8C6CE

RGBA 8 184 198 0.81

HSLA 184.42, 0.92%, 0.4%, 0.81

LABA 68.32, -33.02, -18.03, 0.81

 

CMYK 81 / 6 / 0 / 24

HEX #00A6B3CE

RGBA 0 166 179 0.81

HSLA 184.36, 1%, 0.35%, 0.81

LABA 62.11, -30.73, -16.9, 0.81

HEX #00A6B3CE

CMYK 81 / 6 / 0 / 30

HEX #0094A0CE

RGBA 0 148 160 0.81

HSLA 184.5, 1%, 0.31%, 0.81

LABA 55.8, -28.15, -15.69, 0.81

HEX #0094A0CE

CMYK 81 / 7 / 0 / 7

HEX #2CDDED

RGB 44 221 237

HSL 184.97, 0.84%, 0.55%

LAB 80.94, -36.46, -19.98

 

CMYK 81 / 29 / 0 / 7

HEX #2CA9ED

RGB 44 169 237

HSL 201.14, 0.84%, 0.55%

LAB 65.77, -10.09, -43.37

 

CMYK 81 / 51 / 0 / 7

HEX #2C75ED

RGB 44 117 237

HSL 217.31, 0.84%, 0.55%

LAB 51.12, 20.84, -66.73

 

CMYK 81 / 73 / 0 / 7

HEX #2C41ED

RGB 44 65 237

HSL 233.47, 0.84%, 0.55%

LAB 38.6, 52.91, -87.2

 

CMYK 68 / 81 / 0 / 7

HEX #4B2CED

RGB 75 44 237

HSL 249.64, 0.84%, 0.55%

LAB 36.77, 65.37, -90.19

 

CMYK 81 / 7 / 0 / 7

HEX #2CDDED

RGB 44 221 237

HSL 184.97, 0.84%, 0.55%

LAB 80.94, -36.46, -19.98

 

CMYK 81 / 29 / 0 / 7

HEX #2CA9ED

RGB 44 169 237

HSL 201.14, 0.84%, 0.55%

LAB 65.77, -10.09, -43.37

 

CMYK 81 / 51 / 0 / 7

HEX #2C75ED

RGB 44 117 237

HSL 217.31, 0.84%, 0.55%

LAB 51.12, 20.84, -66.73

 

CMYK 81 / 73 / 0 / 7

HEX #2C41ED

RGB 44 65 237

HSL 233.47, 0.84%, 0.55%

LAB 38.6, 52.91, -87.2

 

CMYK 81 / 81 / 0 / 7

HEX #2C2CED

RGB 44 44 237

HSL 240, 0.84%, 0.55%

LAB 34.91, 63.53, -93.34

 

CMYK 81 / 7 / 0 / 7

HEX #2CDDED

RGB 44 221 237

HSL 184.97, 0.84%, 0.55%

LAB 80.94, -36.46, -19.98

 

CMYK 81 / 7 / 0 / 7

HEX #2CDDED

RGB 44 221 237

HSL 184.97, 0.84%, 0.55%

LAB 80.94, -36.46, -19.98

 

CMYK 72 / 6 / 0 / 15

HEX #3ECDDA

RGB 62 205 218

HSL 185, 0.68%, 0.55%

LAB 75.91, -32.84, -17.38

 

CMYK 60 / 5 / 0 / 22

HEX #51BEC8

RGB 81 190 200

HSL 185.04, 0.52%, 0.55%

LAB 71.38, -27.97, -14.39

 

CMYK 45 / 4 / 0 / 29

HEX #64AEB5

RGB 100 174 181

HSL 185.19, 0.35%, 0.55%

LAB 66.76, -21.17, -10.79

 

CMYK 27 / 2 / 0 / 36

HEX #769FA2

RGB 118 159 162

HSL 184.09, 0.19%, 0.55%

LAB 62.72, -13.13, -6.09

 

CMYK 81 / 0 / 38 / 7

HEX #2CED93

RGB 44 237 147

HSL 152.02, 0.84%, 0.55%

LAB 83.55, -65.38, 30.98

 

CMYK 81 / 0 / 16 / 7

HEX #2CEDC6

RGB 44 237 198

HSL 167.88, 0.84%, 0.55%

LAB 84.58, -54.15, 6.03

 

CMYK 81 / 5 / 0 / 7

HEX #2CE0ED

RGB 44 224 237

HSL 184.04, 0.84%, 0.55%

LAB 81.82, -37.85, -18.65

 

CMYK 81 / 27 / 0 / 7

HEX #2CACED

RGB 44 172 237

HSL 200.21, 0.84%, 0.55%

LAB 66.64, -11.74, -42.01

 

CMYK 81 / 49 / 0 / 7

HEX #2C79ED

RGB 44 121 237

HSL 216.06, 0.84%, 0.55%

LAB 52.2, 18.33, -64.98

 

CMYK 91 / 8 / 0 / 29

HEX #10A8B6

RGB 16 168 182

HSL 185.06, 0.84%, 0.39%

LAB 62.92, -30.14, -17.34

 

CMYK 91 / 7 / 0 / 14

HEX #13CCDC

RGB 19 204 220

HSL 184.78, 0.84%, 0.47%

LAB 75.13, -35.19, -19.69

 

CMYK 81 / 7 / 0 / 7

HEX #2CDDED

RGB 44 221 237

HSL 184.97, 0.84%, 0.55%

LAB 80.94, -36.46, -19.98

 

CMYK 66 / 5 / 0 / 6

HEX #52E3F0

RGB 82 227 240

HSL 184.94, 0.84%, 0.63%

LAB 83.45, -34.2, -17.7

 

CMYK 51 / 4 / 0 / 5

HEX #78E9F3

RGB 120 233 243

HSL 184.88, 0.84%, 0.71%

LAB 86.38, -29.57, -14.78

 

CMYK 82 / 7 / 0 / 7

HEX #2ADCEC

RGB 42 220 236

HSL 184.95, 0.84%, 0.55%

LAB 80.59, -36.45, -19.97

 

CMYK 60 / 81 / 0 / 7

HEX #5F2CED

RGB 95 44 237

HSL 255.85, 0.84%, 0.55%

LAB 38.46, 67.07, -87.33

 

CMYK 0 / 27 / 81 / 7

HEX #EDAC2C

RGB 237 172 44

HSL 39.79, 0.84%, 0.55%

LAB 74.63, 13.34, 69.31

 

CMYK 82 / 7 / 0 / 7

HEX #2ADCEC

RGB 42 220 236

HSL 184.95, 0.84%, 0.55%

LAB 80.59, -36.45, -19.97

 

CMYK 0 / 81 / 5 / 7

HEX #ED2CE0

RGB 237 44 224

HSL 304.04, 0.84%, 0.55%

LAB 57.26, 85.91, -48.57

 

CMYK 5 / 0 / 81 / 7

HEX #E0ED2C

RGB 224 237 44

HSL 64.04, 0.84%, 0.55%

LAB 90.14, -25.07, 82.22

 

CMYK 82 / 7 / 0 / 7

HEX #2ADCEC

RGB 42 220 236

HSL 184.95, 0.84%, 0.55%

LAB 80.59, -36.45, -19.97

 

CMYK 60 / 81 / 0 / 7

HEX #5F2CED

RGB 95 44 237

HSL 255.85, 0.84%, 0.55%

LAB 38.46, 67.07, -87.33

 

CMYK 0 / 76 / 81 / 7

HEX #ED392C

RGB 237 57 44

HSL 4.04, 0.84%, 0.55%

LAB 53.07, 66.84, 49.86

 

CMYK 22 / 0 / 81 / 7

HEX #B9ED2C

RGB 185 237 44

HSL 76.17, 0.84%, 0.55%

LAB 87.52, -40.57, 78.93

 

CMYK 82 / 7 / 0 / 7

HEX #2ADCEC

RGB 42 220 236

HSL 184.95, 0.84%, 0.55%

LAB 80.59, -36.45, -19.97

 

CMYK 35 / 81 / 0 / 7

HEX #992CED

RGB 153 44 237

HSL 273.89, 0.84%, 0.55%

LAB 45.2, 74.04, -76

 

CMYK 0 / 76 / 81 / 7

HEX #ED392C

RGB 237 57 44

HSL 4.04, 0.84%, 0.55%

LAB 53.07, 66.84, 49.86

 

CMYK 46 / 0 / 81 / 7

HEX #7FED2C

RGB 127 237 44

HSL 94.2, 0.84%, 0.55%

LAB 84.62, -60.6, 75.26

 

Description

Color code: HEX #2ADCECCE | qconv.com Color code: HEX #2ADCECCE | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 220 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 220 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 67 cyan, 5 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
67% 5% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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