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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2ADCAC it is the complementary color #D52353. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2ADCAC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2ADCAC shade: #2FDCA7, #40EEBA, #51FFCD, #62FFE0 and #73FFF3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2ADCAC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2ADCAC shade: #2ADCAC, #19CA99, #08B886, #00A673 and #009460

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2ADCAC shade: #28DCAB, #28DC7B, #28DC4A, #36DC28 and #67DC28

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2ADCAC shade: #28DCAB, #28DCDC, #28ABDC, #287BDC and #284ADC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2ADCAC shade matches the following richer shades: #28DCAB and #14F0B5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2ADCAC shade: #28DCAB, #3CC8A2, #51B499, #659F90 and #798B86

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2ADCAC shade: #28DC49, #28DC79, #28DCA9, #28DCD9 and #28AFDC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2ADCAC shade: #199976, #1FBC92, #28DCAB, #4CE2B9 and #6FE8C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2ADCAC shade: #2ADCAC, #2837DC and #DC6128

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2ADCAC shade: #2ADCAC, #A928DC and #DCA928

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2ADCAC shade: #2ADCAC, #2837DC, #DC285B and #DCCD28

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2ADCAC shade: #2ADCAC, #4F28DC, #DC285B and #B5DC28

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 81 / 0 / 22 / 14

HEX #2ADCAC

RGB 42 220 172

HSL 163.82, 0.72%, 0.51%

LAB 78.84, -53.89, 11.53

 

Complementary color

CMYK 0 / 84 / 61 / 16

HEX #D52353

RGB 213 35 83

HSL 343.82, 0.72%, 0.49%

LAB 46.94, 67.64, 19.17

 

CMYK 79 / 0 / 24 / 14

HEX #2FDCA7

RGB 47 220 167

HSL 161.62, 0.71%, 0.52%

LAB 78.8, -54.59, 14.12

 

CMYK 73 / 0 / 22 / 7

HEX #40EEBA

RGB 64 238 186

HSL 162.07, 0.84%, 0.59%

LAB 84.89, -55.38, 12.79

 

CMYK 68 / 0 / 20 / 0

HEX #51FFCD

RGB 81 255 205

HSL 162.76, 1%, 0.66%

LAB 90.63, -55.53, 11.15

 

CMYK 62 / 0 / 12 / 0

HEX #62FFE0

RGB 98 255 224

HSL 168.15, 1%, 0.69%

LAB 91.46, -48.43, 2.57

 

CMYK 55 / 0 / 5 / 0

HEX #73FFF3

RGB 115 255 243

HSL 174.86, 1%, 0.73%

LAB 92.41, -40.76, -5.81

 

CMYK 81 / 0 / 22 / 14

HEX #2ADCAC

RGB 42 220 172

HSL 163.82, 0.72%, 0.51%

LAB 78.84, -53.89, 11.53

 

CMYK 88 / 0 / 24 / 21

HEX #19CA99

RGB 25 202 153

HSL 163.39, 0.78%, 0.45%

LAB 72.73, -52.66, 12.99

 

CMYK 96 / 0 / 27 / 28

HEX #08B886

RGB 8 184 134

HSL 162.95, 0.92%, 0.38%

LAB 66.56, -51.01, 14.59

 

CMYK 100 / 0 / 31 / 35

HEX #00A673

RGB 0 166 115

HSL 161.57, 1%, 0.33%

LAB 60.35, -48.86, 16.37

 

CMYK 100 / 0 / 35 / 42

HEX #009460

RGB 0 148 96

HSL 158.92, 1%, 0.29%

LAB 54.05, -46.33, 18.3

 

CMYK 82 / 0 / 22 / 14

HEX #28DCAB

RGB 40 220 171

HSL 163.67, 0.72%, 0.51%

LAB 78.8, -54.3, 11.99

 

CMYK 82 / 0 / 44 / 14

HEX #28DC7B

RGB 40 220 123

HSL 147.67, 0.72%, 0.51%

LAB 77.91, -64.21, 35.66

 

CMYK 82 / 0 / 66 / 14

HEX #28DC4A

RGB 40 220 74

HSL 131.33, 0.72%, 0.51%

LAB 77.36, -70.89, 57.49

 

CMYK 75 / 0 / 82 / 14

HEX #36DC28

RGB 54 220 40

HSL 115.33, 0.72%, 0.51%

LAB 77.35, -71.7, 68.9

 

CMYK 53 / 0 / 82 / 14

HEX #67DC28

RGB 103 220 40

HSL 99, 0.72%, 0.51%

LAB 78.59, -61.45, 70.48

 

CMYK 82 / 0 / 22 / 14

HEX #28DCAB

RGB 40 220 171

HSL 163.67, 0.72%, 0.51%

LAB 78.8, -54.3, 11.99

 

CMYK 82 / 0 / 0 / 14

HEX #28DCDC

RGB 40 220 220

HSL 180, 0.72%, 0.51%

LAB 80.07, -41.32, -12.24

 

CMYK 82 / 22 / 0 / 14

HEX #28ABDC

RGB 40 171 220

HSL 196.33, 0.72%, 0.51%

LAB 65.55, -17.41, -34.38

 

CMYK 82 / 44 / 0 / 14

HEX #287BDC

RGB 40 123 220

HSL 212.33, 0.72%, 0.51%

LAB 51.59, 10.33, -56.43

 

CMYK 82 / 66 / 0 / 14

HEX #284ADC

RGB 40 74 220

HSL 228.67, 0.72%, 0.51%

LAB 38.75, 41.46, -77.29

 

CMYK 82 / 0 / 22 / 14

HEX #28DCAB

RGB 40 220 171

HSL 163.67, 0.72%, 0.51%

LAB 78.8, -54.3, 11.99

 

CMYK 92 / 0 / 25 / 6

HEX #14F0B5

RGB 20 240 181

HSL 163.91, 0.88%, 0.51%

LAB 84.9, -60.87, 15.34

 

CMYK 82 / 0 / 22 / 14

HEX #28DCAB

RGB 40 220 171

HSL 163.67, 0.72%, 0.51%

LAB 78.8, -54.3, 11.99

 

CMYK 70 / 0 / 19 / 22

HEX #3CC8A2

RGB 60 200 162

HSL 163.71, 0.56%, 0.51%

LAB 72.81, -46.05, 8.33

 

CMYK 55 / 0 / 15 / 29

HEX #51B499

RGB 81 180 153

HSL 163.64, 0.4%, 0.51%

LAB 67.05, -35.62, 5.04

 

CMYK 36 / 0 / 9 / 38

HEX #659F90

RGB 101 159 144

HSL 164.48, 0.23%, 0.51%

LAB 61.29, -22.47, 1.83

 

CMYK 13 / 0 / 4 / 45

HEX #798B86

RGB 121 139 134

HSL 163.33, 0.07%, 0.51%

LAB 56.34, -7.53, 0.47

 

CMYK 82 / 0 / 67 / 14

HEX #28DC49

RGB 40 220 73

HSL 131, 0.72%, 0.51%

LAB 77.35, -70.99, 57.88

 

CMYK 82 / 0 / 45 / 14

HEX #28DC79

RGB 40 220 121

HSL 147, 0.72%, 0.51%

LAB 77.89, -64.55, 36.62

 

CMYK 82 / 0 / 23 / 14

HEX #28DCA9

RGB 40 220 169

HSL 163, 0.72%, 0.51%

LAB 78.75, -54.78, 12.99

 

CMYK 82 / 0 / 1 / 14

HEX #28DCD9

RGB 40 220 217

HSL 179, 0.72%, 0.51%

LAB 79.98, -42.19, -10.77

 

CMYK 82 / 20 / 0 / 14

HEX #28AFDC

RGB 40 175 220

HSL 195, 0.72%, 0.51%

LAB 66.73, -19.52, -32.55

 

CMYK 84 / 0 / 23 / 40

HEX #199976

RGB 25 153 118

HSL 163.59, 0.72%, 0.35%

LAB 56.38, -41.43, 9.18

 

CMYK 84 / 0 / 22 / 26

HEX #1FBC92

RGB 31 188 146

HSL 163.95, 0.72%, 0.43%

LAB 68.27, -48.34, 10.48

 

CMYK 82 / 0 / 22 / 14

HEX #28DCAB

RGB 40 220 171

HSL 163.67, 0.72%, 0.51%

LAB 78.8, -54.3, 11.99

 

CMYK 66 / 0 / 18 / 11

HEX #4CE2B9

RGB 76 226 185

HSL 163.6, 0.72%, 0.59%

LAB 81.53, -49.05, 8.56

 

CMYK 52 / 0 / 14 / 9

HEX #6FE8C7

RGB 111 232 199

HSL 163.64, 0.72%, 0.67%

LAB 84.6, -41.83, 5.72

 

CMYK 81 / 0 / 22 / 14

HEX #2ADCAC

RGB 42 220 172

HSL 163.82, 0.72%, 0.51%

LAB 78.84, -53.89, 11.53

 

CMYK 82 / 75 / 0 / 14

HEX #2837DC

RGB 40 55 220

HSL 235, 0.72%, 0.51%

LAB 34.7, 52.61, -83.97

 

CMYK 0 / 56 / 82 / 14

HEX #DC6128

RGB 220 97 40

HSL 19, 0.72%, 0.51%

LAB 56.01, 45.17, 53.38

 

CMYK 81 / 0 / 22 / 14

HEX #2ADCAC

RGB 42 220 172

HSL 163.82, 0.72%, 0.51%

LAB 78.84, -53.89, 11.53

 

CMYK 23 / 82 / 0 / 14

HEX #A928DC

RGB 169 40 220

HSL 283, 0.72%, 0.51%

LAB 45.8, 74.21, -65.28

 

CMYK 0 / 23 / 82 / 14

HEX #DCA928

RGB 220 169 40

HSL 43, 0.72%, 0.51%

LAB 72.06, 7.48, 67.61

 

CMYK 81 / 0 / 22 / 14

HEX #2ADCAC

RGB 42 220 172

HSL 163.82, 0.72%, 0.51%

LAB 78.84, -53.89, 11.53

 

CMYK 82 / 75 / 0 / 14

HEX #2837DC

RGB 40 55 220

HSL 235, 0.72%, 0.51%

LAB 34.7, 52.61, -83.97

 

CMYK 0 / 82 / 59 / 14

HEX #DC285B

RGB 220 40 91

HSL 343, 0.72%, 0.51%

LAB 48.87, 68.81, 17.09

 

CMYK 0 / 7 / 82 / 14

HEX #DCCD28

RGB 220 205 40

HSL 55, 0.72%, 0.51%

LAB 81.31, -11.21, 75.55

 

CMYK 81 / 0 / 22 / 14

HEX #2ADCAC

RGB 42 220 172

HSL 163.82, 0.72%, 0.51%

LAB 78.84, -53.89, 11.53

 

CMYK 64 / 82 / 0 / 14

HEX #4F28DC

RGB 79 40 220

HSL 253, 0.72%, 0.51%

LAB 34.7, 62.65, -83.91

 

CMYK 0 / 82 / 59 / 14

HEX #DC285B

RGB 220 40 91

HSL 343, 0.72%, 0.51%

LAB 48.87, 68.81, 17.09

 

CMYK 18 / 0 / 82 / 14

HEX #B5DC28

RGB 181 220 40

HSL 73, 0.72%, 0.51%

LAB 82.47, -34.63, 75.4

 

Description

Color code: HEX #2ADCAC | qconv.com Color code: HEX #2ADCAC | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 220 green and 172 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 220 172 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 81 cyan, none magenta, 22 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
81% 0% 22% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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