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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2ACDAB it is the complementary color #D53254. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2ACDAB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2ACDAB shade: #2FCDA6, #40DFB9, #51F1CC, #62FFDF and #73FFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2ACDAB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2ACDAB shade: #2ACDAB, #19BB98, #08A985, #009772 and #00855F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2ACDAB shade: #2ACBA9, #2ACB7E, #2ACB52, #2CCB2A and #58CB2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2ACDAB shade: #2ACBA9, #2AC1CB, #2A96CB, #2A6ACB and #2A3FCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2ACDAB shade matches the following richer shades: #2ACBA9, #16DFB5 and #02F3C1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2ACDAB shade: #2ACBA9, #3DB79E, #51A492, #659087 and #797C7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2ACDAB shade: #2ACB52, #2ACB7D, #2ACBA8, #2AC3CB and #2A98CB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2ACDAB shade: #1C8770, #23A98D, #2ACBA9, #45D9BA and #67E0C7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2ACDAB shade: #2ACDAB, #2A2CCB and #CB682A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2ACDAB shade: #2ACDAB, #A82ACB and #CBA82A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2ACDAB shade: #2ACDAB, #2A2CCB, #CB2A4D and #CBC82A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2ACDAB shade: #2ACDAB, #572ACB, #CB2A4D and #9DCB2A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 17 / 20

HEX #2ACDAB

RGB 42 205 171

HSL 167.48, 0.66%, 0.48%

LAB 74.25, -48.06, 5.5

 

Complementary color

CMYK 0 / 77 / 61 / 16

HEX #D53254

RGB 213 50 84

HSL 347.48, 0.66%, 0.52%

LAB 48.34, 63.77, 20.43

 

CMYK 77 / 0 / 19 / 20

HEX #2FCDA6

RGB 47 205 166

HSL 165.19, 0.63%, 0.49%

LAB 74.2, -48.8, 8.13

 

CMYK 71 / 0 / 17 / 13

HEX #40DFB9

RGB 64 223 185

HSL 165.66, 0.71%, 0.56%

LAB 80.39, -49.53, 6.89

 

CMYK 66 / 0 / 15 / 5

HEX #51F1CC

RGB 81 241 204

HSL 166.13, 0.85%, 0.63%

LAB 86.51, -50.03, 5.76

 

CMYK 62 / 0 / 13 / 0

HEX #62FFDF

RGB 98 255 223

HSL 167.77, 1%, 0.69%

LAB 91.43, -48.67, 3.05

 

CMYK 55 / 0 / 5 / 0

HEX #73FFF2

RGB 115 255 242

HSL 174.43, 1%, 0.73%

LAB 92.39, -41.01, -5.33

 

CMYK 80 / 0 / 17 / 20

HEX #2ACDAB

RGB 42 205 171

HSL 167.48, 0.66%, 0.48%

LAB 74.25, -48.06, 5.5

 

CMYK 87 / 0 / 19 / 27

HEX #19BB98

RGB 25 187 152

HSL 167.04, 0.76%, 0.42%

LAB 68.03, -46.88, 6.86

 

CMYK 95 / 0 / 21 / 34

HEX #08A985

RGB 8 169 133

HSL 166.58, 0.91%, 0.35%

LAB 61.76, -45.29, 8.37

 

CMYK 100 / 0 / 25 / 41

HEX #009772

RGB 0 151 114

HSL 165.3, 1%, 0.3%

LAB 55.43, -43.17, 10.07

 

CMYK 100 / 0 / 29 / 48

HEX #00855F

RGB 0 133 95

HSL 162.86, 1%, 0.26%

LAB 49.01, -40.66, 11.93

 

CMYK 79 / 0 / 17 / 20

HEX #2ACBA9

RGB 42 203 169

HSL 167.33, 0.66%, 0.48%

LAB 73.59, -47.74, 5.63

 

CMYK 79 / 0 / 38 / 20

HEX #2ACB7E

RGB 42 203 126

HSL 151.3, 0.66%, 0.48%

LAB 72.7, -57.44, 27.29

 

CMYK 79 / 0 / 60 / 20

HEX #2ACB52

RGB 42 203 82

HSL 134.91, 0.66%, 0.48%

LAB 72.1, -64.46, 48.19

 

CMYK 78 / 0 / 79 / 20

HEX #2CCB2A

RGB 44 203 42

HSL 119.25, 0.66%, 0.48%

LAB 71.84, -67.87, 63.15

 

CMYK 57 / 0 / 79 / 20

HEX #58CB2A

RGB 88 203 42

HSL 102.86, 0.66%, 0.48%

LAB 72.86, -59.29, 64.48

 

CMYK 79 / 0 / 17 / 20

HEX #2ACBA9

RGB 42 203 169

HSL 167.33, 0.66%, 0.48%

LAB 73.59, -47.74, 5.63

 

CMYK 79 / 5 / 0 / 20

HEX #2AC1CB

RGB 42 193 203

HSL 183.73, 0.66%, 0.48%

LAB 71.52, -33.78, -15.91

 

CMYK 79 / 26 / 0 / 20

HEX #2A96CB

RGB 42 150 203

HSL 199.75, 0.66%, 0.48%

LAB 58.62, -11.68, -35.72

 

CMYK 79 / 48 / 0 / 20

HEX #2A6ACB

RGB 42 106 203

HSL 216.15, 0.66%, 0.48%

LAB 45.79, 14.77, -56.09

 

CMYK 79 / 69 / 0 / 20

HEX #2A3FCB

RGB 42 63 203

HSL 232.17, 0.66%, 0.48%

LAB 34.72, 42.33, -74.12

 

CMYK 79 / 0 / 17 / 20

HEX #2ACBA9

RGB 42 203 169

HSL 167.33, 0.66%, 0.48%

LAB 73.59, -47.74, 5.63

 

CMYK 90 / 0 / 19 / 13

HEX #16DFB5

RGB 22 223 181

HSL 167.46, 0.82%, 0.48%

LAB 79.77, -54.24, 8.07

 

CMYK 99 / 0 / 21 / 5

HEX #02F3C1

RGB 2 243 193

HSL 167.55, 0.98%, 0.48%

LAB 85.99, -59.67, 10.63

 

CMYK 79 / 0 / 17 / 20

HEX #2ACBA9

RGB 42 203 169

HSL 167.33, 0.66%, 0.48%

LAB 73.59, -47.74, 5.63

 

CMYK 67 / 0 / 14 / 28

HEX #3DB79E

RGB 61 183 158

HSL 167.7, 0.5%, 0.48%

LAB 67.52, -39.52, 2.9

 

CMYK 51 / 0 / 11 / 36

HEX #51A492

RGB 81 164 146

HSL 166.99, 0.34%, 0.48%

LAB 61.98, -29.78, 1.6

 

CMYK 30 / 0 / 6 / 44

HEX #659087

RGB 101 144 135

HSL 167.44, 0.18%, 0.48%

LAB 56.55, -16.74, 0.05

 

CMYK 2 / 0 / 1 / 51

HEX #797C7B

RGB 121 124 123

HSL 160, 0.01%, 0.48%

LAB 51.74, -1.32, 0.15

 

CMYK 79 / 0 / 60 / 20

HEX #2ACB52

RGB 42 203 82

HSL 134.91, 0.66%, 0.48%

LAB 72.1, -64.46, 48.19

 

CMYK 79 / 0 / 38 / 20

HEX #2ACB7D

RGB 42 203 125

HSL 150.93, 0.66%, 0.48%

LAB 72.68, -57.63, 27.79

 

CMYK 79 / 0 / 17 / 20

HEX #2ACBA8

RGB 42 203 168

HSL 166.96, 0.66%, 0.48%

LAB 73.57, -47.99, 6.13

 

CMYK 79 / 4 / 0 / 20

HEX #2AC3CB

RGB 42 195 203

HSL 182.98, 0.66%, 0.48%

LAB 72.12, -34.72, -15.01

 

CMYK 79 / 25 / 0 / 20

HEX #2A98CB

RGB 42 152 203

HSL 199.01, 0.66%, 0.48%

LAB 59.21, -12.79, -34.79

 

CMYK 79 / 0 / 17 / 47

HEX #1C8770

RGB 28 135 112

HSL 167.1, 0.66%, 0.32%

LAB 50.39, -34.85, 4.07

 

CMYK 79 / 0 / 17 / 34

HEX #23A98D

RGB 35 169 141

HSL 167.46, 0.66%, 0.4%

LAB 62.22, -41.3, 4.6

 

CMYK 79 / 0 / 17 / 20

HEX #2ACBA9

RGB 42 203 169

HSL 167.33, 0.66%, 0.48%

LAB 73.59, -47.74, 5.63

 

CMYK 68 / 0 / 14 / 15

HEX #45D9BA

RGB 69 217 186

HSL 167.43, 0.66%, 0.56%

LAB 78.72, -46.06, 3.97

 

CMYK 54 / 0 / 11 / 12

HEX #67E0C7

RGB 103 224 199

HSL 167.6, 0.66%, 0.64%

LAB 82.01, -39.94, 1.95

 

CMYK 80 / 0 / 17 / 20

HEX #2ACDAB

RGB 42 205 171

HSL 167.48, 0.66%, 0.48%

LAB 74.25, -48.06, 5.5

 

CMYK 79 / 78 / 0 / 20

HEX #2A2CCB

RGB 42 44 203

HSL 239.25, 0.66%, 0.48%

LAB 30.89, 53.06, -80.44

 

CMYK 0 / 49 / 79 / 20

HEX #CB682A

RGB 203 104 42

HSL 23.11, 0.66%, 0.48%

LAB 54.83, 35.12, 50.48

 

CMYK 80 / 0 / 17 / 20

HEX #2ACDAB

RGB 42 205 171

HSL 167.48, 0.66%, 0.48%

LAB 74.25, -48.06, 5.5

 

CMYK 17 / 79 / 0 / 20

HEX #A82ACB

RGB 168 42 203

HSL 286.96, 0.66%, 0.48%

LAB 44.65, 70.3, -57.37

 

CMYK 0 / 17 / 79 / 20

HEX #CBA82A

RGB 203 168 42

HSL 46.96, 0.66%, 0.48%

LAB 70.08, 0.65, 64.58

 

CMYK 80 / 0 / 17 / 20

HEX #2ACDAB

RGB 42 205 171

HSL 167.48, 0.66%, 0.48%

LAB 74.25, -48.06, 5.5

 

CMYK 79 / 78 / 0 / 20

HEX #2A2CCB

RGB 42 44 203

HSL 239.25, 0.66%, 0.48%

LAB 30.89, 53.06, -80.44

 

CMYK 0 / 79 / 62 / 20

HEX #CB2A4D

RGB 203 42 77

HSL 346.96, 0.66%, 0.48%

LAB 45.48, 62.85, 20.58

 

CMYK 0 / 1 / 79 / 20

HEX #CBC82A

RGB 203 200 42

HSL 58.88, 0.66%, 0.48%

LAB 78.56, -15.88, 72.09

 

CMYK 80 / 0 / 17 / 20

HEX #2ACDAB

RGB 42 205 171

HSL 167.48, 0.66%, 0.48%

LAB 74.25, -48.06, 5.5

 

CMYK 57 / 79 / 0 / 20

HEX #572ACB

RGB 87 42 203

HSL 256.77, 0.66%, 0.48%

LAB 33.97, 58, -75.24

 

CMYK 0 / 79 / 62 / 20

HEX #CB2A4D

RGB 203 42 77

HSL 346.96, 0.66%, 0.48%

LAB 45.48, 62.85, 20.58

 

CMYK 23 / 0 / 79 / 20

HEX #9DCB2A

RGB 157 203 42

HSL 77.14, 0.66%, 0.48%

LAB 76.1, -36.29, 68.64

 

Description

Color code: HEX #2ACDAB | qconv.com Color code: HEX #2ACDAB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 205 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 205 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 17 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 17% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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