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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #2ACD64 it is the complementary color #D5329B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #2ACD64. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #2ACD64 shade: #2FCD5F, #40DF72, #51F185, #62FF98 and #73FFAB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #2ACD64. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #2ACD64 shade: #2ACD64, #19BB51, #08A93E, #00972B and #008518

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #2ACD64 shade: #2ACB63, #2ACB38, #47CB2A, #73CB2A and #9ECB2A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #2ACD64 shade: #2ACB63, #2ACB8F, #2ACBBA, #2AB1CB and #2A85CB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #2ACD64 shade matches the following richer shades: #2ACB63, #16DF5D and #02F358

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #2ACD64 shade: #2ACB63, #3DB769, #51A46F, #659074 and #797C7A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #2ACD64 shade: #47CB2A, #2ACB37, #2ACB62, #2ACB8D and #2ACBB8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #2ACD64 shade: #1C8742, #23A952, #2ACB63, #45D97A and #67E092

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #2ACD64 shade: #2ACD64, #2A72CB and #CB2A32

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #2ACD64 shade: #2ACD64, #622ACB and #CB622A

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #2ACD64 shade: #2ACD64, #2A72CB, #CB2A93 and #CB822A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #2ACD64 shade: #2ACD64, #2A42CB, #CB2A93 and #CBB32A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 80 / 0 / 51 / 20

HEX #2ACD64

RGB 42 205 100

HSL 141.35, 0.66%, 0.48%

LAB 72.94, -62.64, 40.74

 

Complementary color

CMYK 0 / 77 / 27 / 16

HEX #D5329B

RGB 213 50 155

HSL 321.35, 0.66%, 0.52%

LAB 50.45, 70.26, -19.54

 

CMYK 77 / 0 / 54 / 20

HEX #2FCD5F

RGB 47 205 95

HSL 138.23, 0.63%, 0.49%

LAB 72.95, -62.76, 43.18

 

CMYK 71 / 0 / 49 / 13

HEX #40DF72

RGB 64 223 114

HSL 138.87, 0.71%, 0.56%

LAB 79.09, -63.7, 41.66

 

CMYK 66 / 0 / 45 / 5

HEX #51F185

RGB 81 241 133

HSL 139.5, 0.85%, 0.63%

LAB 85.18, -64.3, 40.18

 

CMYK 62 / 0 / 40 / 0

HEX #62FF98

RGB 98 255 152

HSL 140.64, 1%, 0.69%

LAB 90.04, -63.18, 37.23

 

CMYK 55 / 0 / 33 / 0

HEX #73FFAB

RGB 115 255 171

HSL 144, 1%, 0.73%

LAB 90.83, -56.35, 28.91

 

CMYK 80 / 0 / 51 / 20

HEX #2ACD64

RGB 42 205 100

HSL 141.35, 0.66%, 0.48%

LAB 72.94, -62.64, 40.74

 

CMYK 87 / 0 / 57 / 27

HEX #19BB51

RGB 25 187 81

HSL 140.74, 0.76%, 0.42%

LAB 66.78, -61.13, 42.35

 

CMYK 95 / 0 / 63 / 34

HEX #08A93E

RGB 8 169 62

HSL 140.12, 0.91%, 0.35%

LAB 60.58, -58.95, 43.92

 

CMYK 100 / 0 / 72 / 41

HEX #00972B

RGB 0 151 43

HSL 137.09, 1%, 0.3%

LAB 54.35, -55.92, 45.25

 

CMYK 100 / 0 / 82 / 48

HEX #008518

RGB 0 133 24

HSL 130.83, 1%, 0.26%

LAB 48.06, -52.06, 45.88

 

CMYK 79 / 0 / 51 / 20

HEX #2ACB63

RGB 42 203 99

HSL 141.24, 0.66%, 0.48%

LAB 72.3, -62.12, 40.43

 

CMYK 79 / 0 / 72 / 20

HEX #2ACB38

RGB 42 203 56

HSL 125.22, 0.66%, 0.48%

LAB 71.89, -67.13, 58.6

 

CMYK 65 / 0 / 79 / 20

HEX #47CB2A

RGB 71 203 42

HSL 109.19, 0.66%, 0.48%

LAB 72.37, -63.27, 63.85

 

CMYK 43 / 0 / 79 / 20

HEX #73CB2A

RGB 115 203 42

HSL 92.8, 0.66%, 0.48%

LAB 73.88, -51.43, 65.8

 

CMYK 22 / 0 / 79 / 20

HEX #9ECB2A

RGB 158 203 42

HSL 76.77, 0.66%, 0.48%

LAB 76.16, -35.9, 68.72

 

CMYK 79 / 0 / 51 / 20

HEX #2ACB63

RGB 42 203 99

HSL 141.24, 0.66%, 0.48%

LAB 72.3, -62.12, 40.43

 

CMYK 79 / 0 / 30 / 20

HEX #2ACB8F

RGB 42 203 143

HSL 157.64, 0.66%, 0.48%

LAB 73.02, -53.91, 18.76

 

CMYK 79 / 0 / 8 / 20

HEX #2ACBBA

RGB 42 203 186

HSL 173.66, 0.66%, 0.48%

LAB 74.03, -43.24, -2.93

 

CMYK 79 / 13 / 0 / 20

HEX #2AB1CB

RGB 42 177 203

HSL 189.69, 0.66%, 0.48%

LAB 66.71, -25.98, -23.21

 

CMYK 79 / 34 / 0 / 20

HEX #2A85CB

RGB 42 133 203

HSL 206.09, 0.66%, 0.48%

LAB 53.58, -1.91, -43.65

 

CMYK 79 / 0 / 51 / 20

HEX #2ACB63

RGB 42 203 99

HSL 141.24, 0.66%, 0.48%

LAB 72.3, -62.12, 40.43

 

CMYK 90 / 0 / 58 / 13

HEX #16DF5D

RGB 22 223 93

HSL 141.19, 0.82%, 0.48%

LAB 78.31, -71.08, 50.42

 

CMYK 99 / 0 / 64 / 5

HEX #02F358

RGB 2 243 88

HSL 141.41, 0.98%, 0.48%

LAB 84.39, -78.35, 59.47

 

CMYK 79 / 0 / 51 / 20

HEX #2ACB63

RGB 42 203 99

HSL 141.24, 0.66%, 0.48%

LAB 72.3, -62.12, 40.43

 

CMYK 67 / 0 / 43 / 28

HEX #3DB769

RGB 61 183 105

HSL 141.64, 0.5%, 0.48%

LAB 66.43, -51.08, 30.04

 

CMYK 51 / 0 / 32 / 36

HEX #51A46F

RGB 81 164 111

HSL 141.69, 0.34%, 0.48%

LAB 61.17, -37.56, 19.96

 

CMYK 30 / 0 / 19 / 44

HEX #659074

RGB 101 144 116

HSL 140.93, 0.18%, 0.48%

LAB 56.06, -20.88, 10.22

 

CMYK 2 / 0 / 2 / 51

HEX #797C7A

RGB 121 124 122

HSL 140, 0.01%, 0.48%

LAB 51.71, -1.53, 0.69

 

CMYK 65 / 0 / 79 / 20

HEX #47CB2A

RGB 71 203 42

HSL 109.19, 0.66%, 0.48%

LAB 72.37, -63.27, 63.85

 

CMYK 79 / 0 / 73 / 20

HEX #2ACB37

RGB 42 203 55

HSL 124.84, 0.66%, 0.48%

LAB 71.88, -67.21, 58.95

 

CMYK 79 / 0 / 52 / 20

HEX #2ACB62

RGB 42 203 98

HSL 140.87, 0.66%, 0.48%

LAB 72.29, -62.27, 40.9

 

CMYK 79 / 0 / 31 / 20

HEX #2ACB8D

RGB 42 203 141

HSL 156.89, 0.66%, 0.48%

LAB 72.98, -54.35, 19.77

 

CMYK 79 / 0 / 9 / 20

HEX #2ACBB8

RGB 42 203 184

HSL 172.92, 0.66%, 0.48%

LAB 73.97, -43.79, -1.92

 

CMYK 79 / 0 / 51 / 47

HEX #1C8742

RGB 28 135 66

HSL 141.31, 0.66%, 0.32%

LAB 49.46, -45.11, 28.78

 

CMYK 79 / 0 / 51 / 34

HEX #23A952

RGB 35 169 82

HSL 141.04, 0.66%, 0.4%

LAB 61.08, -53.87, 34.97

 

CMYK 79 / 0 / 51 / 20

HEX #2ACB63

RGB 42 203 99

HSL 141.24, 0.66%, 0.48%

LAB 72.3, -62.12, 40.43

 

CMYK 68 / 0 / 44 / 15

HEX #45D97A

RGB 69 217 122

HSL 141.49, 0.66%, 0.56%

LAB 77.46, -59.48, 35.66

 

CMYK 54 / 0 / 35 / 12

HEX #67E092

RGB 103 224 146

HSL 141.32, 0.66%, 0.64%

LAB 80.89, -51.11, 28.16

 

CMYK 80 / 0 / 51 / 20

HEX #2ACD64

RGB 42 205 100

HSL 141.35, 0.66%, 0.48%

LAB 72.94, -62.64, 40.74

 

CMYK 79 / 44 / 0 / 20

HEX #2A72CB

RGB 42 114 203

HSL 213.17, 0.66%, 0.48%

LAB 48.06, 9.7, -52.44

 

CMYK 0 / 79 / 75 / 20

HEX #CB2A32

RGB 203 42 50

HSL 357.02, 0.66%, 0.48%

LAB 45.06, 61.53, 36.33

 

CMYK 80 / 0 / 51 / 20

HEX #2ACD64

RGB 42 205 100

HSL 141.35, 0.66%, 0.48%

LAB 72.94, -62.64, 40.74

 

CMYK 52 / 79 / 0 / 20

HEX #622ACB

RGB 98 42 203

HSL 260.87, 0.66%, 0.48%

LAB 35.13, 59.34, -73.29

 

CMYK 0 / 52 / 79 / 20

HEX #CB622A

RGB 203 98 42

HSL 20.87, 0.66%, 0.48%

LAB 53.6, 38.21, 49.3

 

CMYK 80 / 0 / 51 / 20

HEX #2ACD64

RGB 42 205 100

HSL 141.35, 0.66%, 0.48%

LAB 72.94, -62.64, 40.74

 

CMYK 79 / 44 / 0 / 20

HEX #2A72CB

RGB 42 114 203

HSL 213.17, 0.66%, 0.48%

LAB 48.06, 9.7, -52.44

 

CMYK 0 / 79 / 28 / 20

HEX #CB2A93

RGB 203 42 147

HSL 320.87, 0.66%, 0.48%

LAB 47.57, 69.13, -19.31

 

CMYK 0 / 36 / 79 / 20

HEX #CB822A

RGB 203 130 42

HSL 32.8, 0.66%, 0.48%

LAB 60.63, 21.22, 55.95

 

CMYK 80 / 0 / 51 / 20

HEX #2ACD64

RGB 42 205 100

HSL 141.35, 0.66%, 0.48%

LAB 72.94, -62.64, 40.74

 

CMYK 79 / 67 / 0 / 20

HEX #2A42CB

RGB 42 66 203

HSL 231.06, 0.66%, 0.48%

LAB 35.4, 40.49, -73

 

CMYK 0 / 79 / 28 / 20

HEX #CB2A93

RGB 203 42 147

HSL 320.87, 0.66%, 0.48%

LAB 47.57, 69.13, -19.31

 

CMYK 0 / 12 / 79 / 20

HEX #CBB32A

RGB 203 179 42

HSL 51.06, 0.66%, 0.48%

LAB 72.96, -5.15, 67.15

 

Description

Color code: HEX #2ACD64 | qconv.com Color code: HEX #2ACD64 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 42 red, 205 green and 100 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
42 205 100 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 80 cyan, none magenta, 51 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
80% 0% 51% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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